On this solo CD, [Cor Fuhler] plays an 'acoustic grand piano, using ebows and super magnets. No overdubs, no electronics, no electronic treatment

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

The Italian duo of pianist Gianni Lenoci and soprano saxophonist Gianni Mimmo using extended and unusual techniques through eight improvisations mixing melody, timbre and tone.

"Zwirn" means "twine" in German, an apt description of the interweaving sound that double bassists Daniel Studer and Peter Frey play together, in 7 freely improvised works of unusual technique and new musical structures.

The second release on Intakt pairing pianist Ulrich Gumpert and percussionist Gunter Baby Sommer in an album that borrows from blues, boogie-woogie, hard bop, German folk songs, and free jazz.

An engaging encounter between bassist Leandre and pianist Sirjacq, delicate yet intense interaction from two sophisticated & listening players from different generations.

Geographic improvisations from this trio of string and percussion players, with each track named by location and distance between Montreal and Chelsea, Ontario.

Friction, one of the most important and longest running underground bands in Japan, is currently the trio of Reck (bass, guitar & vocals), Iami Akinobu (guitar) and Sato Minoru (drums), in a hard-edged album of original songs and remixes; demanding and powerful modern rock.

Satoko Fujii's amazing Orchestra New York returns with a composition that she describes as "a picture that extends beyond the canvas", performed with Oscar Noriega, Briggan Krauss, Ellery Eskelin, Tony Malaby, Andy Laster, Herb Robertson, Steven Bernstein, &c &c.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Percussionist Ziya Tabassian plays solo tombak, the main percussion instrument used in Persian classical music, in 9 pieces that explore the large range of tones and nuances of the instrument.

AMM percussionist Eddie Prevost has presented weekly Workshop Concerts since 1999, here recording live at London's Cafe Oto in May, 2012 with a sextet of acoustic and electronic performers on violin, cello, theremin, zither, electronics, and percussion.

Thomas Bonvalet takes the banjo into unusual territory with Jean-Luc Guionnet performing on the organ at the protestant temple of Bergerac, France, in a beautifully terrifying album recorded during the MONC cultural arts centre's festival of avant-garde culture in 2010.

Named after an Ornette Coleman composition from his album of the same name, alto saxophonist Tim Berne leads his duel-saxophone quartet with Chris Speed on tenor saxophone and the rhythm section from The Bad Plus, drummer Dave King and bassist Reid Anderson, through twelve melodic free jazz works honoring the legacy of Coleman, Redman, Haden & Hemphill.

The French trio of Louis-Michel Marion on double bass, Jacques Didonato on clarinet, and Philippe Berger on viola are heard in a live recording at Radio France, on June 12th, 2017, freely improvising in understated and rich layers of harmonics and tone, actively subdued interactions in an extended excursion of introspective chamber-oriented improvisation.

1. Ma(R)Ker #1 4:32

2. Ma(R)Ker #2 4:38

3. Ma(R)Ker #3 3:30

4. Ma(R)Ker #4 5:55

5. Ma(R)Ker #5 6:15

6. Ma(R)Ker #6 3:04

7. Ma(R)Ker #7 5:23

8. Ma(R)Ker #8 4:59

9. Ma(R)Ker #9 3:42

10. Ma(R)Ker #10 8:13

11. Ma(R)Ker #11 5:34

Pianist-composer Satoko Fujii's Orchestra Tokyo formed in 1999 to perform her compositions, music that spans a wide range of styles and moods, complemented by a great set of soloists.

Drummer Joe Herteinstein's followup to his 1st Clean Feed HNH album from his New York trio with Pascal Niggenkemper on bass and Thomas Heberer on cornet, adding a New York attitude to European modern jazz, with oustanding playing using a mix of traditional and inventive approaches.

Multi-reedist Michael Marcus brings together former Cosmosamatics players Jay Rosen on drums and Tarus Mateen-Marcoustico on acoustic bass with French Horn player Frank Lacy (SaxEmble), Marcus on soprano & tenor saxophones, alto tarogato, G clarinet and bass flute for a set of Marcus original compositions, exquisitely lyrical free jazz based in the tradition.

The second-ever solo release from Tim Olive and his first since 2008, in a distinctive set of compositions that layer and superimpose multiple, darkly intense recordings of improvisations made with magnetic pickups, metal plates, springs, wire, tuning forks, electromagnets, bow, breath, dental floss, envelope generator, fuzz, spring reverb, and preamplifier.

Bringing together two innovative improvising percussionists--Eddie Prevost of AMM fame, and Stale Liavik Solberg (VCDC, John Butcher)--for a studio album of wide-ranging and sometimes hair-raising electroacoustic improvisation, recorded live and unedited with Olie Brice on double bass, Tony Hardie-Bick on piano & tapes, Ed Pettersen on lap steel, and NO Moore on guitar.

Hinting at what was to come, this reissues the first SME LP from 1966 with one additional '67 track, more free jazz than free improv from the quintet of John Stevens (drums), Kenny Wheller (flugelhorn), Paul Rutherford (trombone), Trevor Watts (sax) and Bruce Cale (bass).

An excellent compilation of modern Musique Concrete featuring compositions by Chin, Kosk, Cee, Donato, Minard, Mitterer, Dhomont, Karlsson, and Wishart.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.