A live multitrack recording from 2009 of the collaboration of Acid Mothers Temple SWR - Kawabata Makoto, Tsuyama Atushi, and Yoshida Tatsuya - with saxophonist Umezu Kazutoki.

Bete Tete's first album, "Ji Mo De" was recorded in Jiangxi, Ganzhou, China during the winter of 2006, designed as a play on verbal structure developed in mandarin.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in five movements based on field recordings, synthesized, and acoustic instrumental sounds.

Debut recordings and first recorded document of the duo of resonator guitarist Cody Oliver and drummer/percussionist Chris Dadge performing a live broadcast at CJSW studios in Calgary.

The 3rd solo drumset album from Bug Incision operator Chris Dadge, an album of sharply focused workouts vascillating between a handful of densities, operating in simple, clear structures.

An incredible display of virtuosity and free jazz melodicism led by saxophonist Paul Dunmall, with dual guitars from Barry Edwards and Philip Gibbs, and Mark Sanders' propulsive drumming.

Percussionist Pierre Favre's 10 piece Ensemble performing Favre's original compositions and one Swiss traditional number, large scale works that transcend and follow great jazz tradition.

Frequent collaborators Fields and Schubert on electric guitar and tenor saxophone performing innovative and virtuosic material in ways that sound much larger than a duo setting would imply.

In The Flirts, Fuhler manipulates sounds from turntables and mbiras, filtering them through an analogue synth, with Prins focusing on electronic noise-based music.

The Korekyojinn power rock trio of drummer Yoshida Tatsuya, guitarist Kido Natsuki and bassist Nasuno Mitsuru in their 4th album of intense, complex, and exultant rock.

Daniel Levin's quartet with trumpeter Nate Wooley, vibraphonist Matt Moran and bassist Peter Bitenc, modern and organic improvisation with incredible technique and aesthetic.

Drummer Lucas Nggli rebuilds his Big Zoom band by filling out the rhythm section with bassist Barry Guy, and adding flutist Anne La Berge along with regulars trombonist Wogram and guitarist Schaufelberger.

The Bent Spoon Duo of Chris Dadge and Scott Munro met bassist Eric Normand (Tour De Bras, Ambiances Magnetiques) while Normand was on tour to record these ragged electro-acoustic improvisations.

Pianist Angelica Sanchez's debut solo record, a beautiful mix of meditative, introspective original compositions as well as pieces by Ornette Coleman, Hank Thompson and a Brazilian folk song.

Songwriter/singer John Southworth, supremely crafted, elegiac songs featuring Barnyard artists Justin Haynes on guitar, Jean Martin on drums and Andrew Downing on bass.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Melodic music recorded live in a Quebec church in 1989 with Jean-Denis Levasseur and Jean Derome on saxophones, Pierre Cartier on bass, and Pierre Tanguay on percussion.

A work that pays homage to chilly northwest winds, sparkling winter light, the February moon, and the tedium and the exasperation of March , all of which allow the emotional excitement of winter to show through.

Two albums together. "Carrousel": The Paris based Theo Ceccaldi Trio crosses improv with chamber music in a string trio of lyrical, subtle and advanced improvisation. "Can You Smile": Ceccarelli expands his trio with bassist/free vocalist Joelle Leandre for rich, interactive improvisation.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Beautiful, mysterious improvised compositions with spoken interludes, recorded live in March 2003 at the first Montréal/Nouvelles Musiques (MNM) festival.

Percussionist Isaiah Ceccarelli's work for percussion, two voices, two bass clarinets and viola da gamba, woven from the delicate fabric of the tension between darkness and light.

Lutnahimat is the London-based project of composer/sound sculptor Ian S. in a work mixing electronic self-built instruments with sound samples recorded in India and Cameroon.

An unusual sound work, the 3rd in a series made up of tracks of equal length with a different track length for each project, with sonic material made from home-built guitars & a quadrophonic amp setup.

Pieces in 4 movements - Snow; Never Cold; Gusts; Landscapes - performed by Ensemble SuperMusique: Joane Hetu, Jean Derome, Diane Labrosse, Pierre Tanguay, Scott Thomson & Alexandre St-Onge.

1. Ma(R)Ker #1 4:32

2. Ma(R)Ker #2 4:38

3. Ma(R)Ker #3 3:30

4. Ma(R)Ker #4 5:55

5. Ma(R)Ker #5 6:15

6. Ma(R)Ker #6 3:04

7. Ma(R)Ker #7 5:23

8. Ma(R)Ker #8 4:59

9. Ma(R)Ker #9 3:42

10. Ma(R)Ker #10 8:13

11. Ma(R)Ker #11 5:34