The trio of Steve Beresford on electronics, Stephen Flinn on drums and percussion, and Dave Tucker on electric guitar in a quirky, unique and exciting set of improvisations recorded in London.

Deviant beauty from the trio of Heddy Boubaker (sax), Ernesto Rodrigues (viola) and Abdul Moimeme (prepared electric guitar), dark and sinister improv using extended techniques and a quietly turbulent approach.

A 3 CD set from bassist Benjamin Duboc: a solo disc of low register improv; plus 2 discs in duo and trio settings with Didier Lasserre, Sylvain Guerineau, Jean-Luc Petit, Pascal Battus, Sophie Agnel & Christian Pruvost.

The 2nd volume of guitarist Ducret's Tower project, an incredible quartet with saxophonist Tim Berne, violinist Dominique Pifarly and drummer Tom Rainey, complex and exultant, intertwining improv.

Reprising the energetic trio on his first jazz recording "Sideways", pianist/composer Bob Gluck is joined by bassist Michael Bisio and drummer/percussionist Dean Sharp for 6 original Gluck compositions.

The third recording from this group of long-time collaborators, with Golia on soprano, alto and tenor sax, Bobby Bradford on cornet, Ken Filiano on bass and Alex Cline on drums in a set of Golia original compositions.

Genre-crossing improvisation with a jazz basis and far-reaching influences from guitarist Luis Lopez and his Berlin Trio of bassist Robert Landfermann and drummer Christian Lillinger.

Serbian viola-player/composer Szilard Mezei and his Wind Quartet return with a release that crosses contemporary chamber music, European folk-jazz and improvisation in magnificent ways.

The British improvising trio of tenor saxophonist Paul Dunmall, 7-string bassist Paul Rogers and drummer Tony Bianco performing two long and serpentine improvisations at Delbury Hall, Shropshire in 2010.

Using extended techniques and a remarkable interactive approach, trombonist Matthias Mueller and soprano saxophonist Frank Paul Schubert surprise in 9 distinctive duo recordings.

T H O M A S is the ongoing brainchild of Toronto's Thom Gill, since 2009 exploring the world of song, at home and abroad, through pieces that blur the lines between pop and avant-garde.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

"Anchored" is the debut solo release for Jon DeRosa (Aarktica), a work of cinematic pop in a dark troubadour style reminiscent of Lou Reed or Robert Wyatt, with rich songs belying a quiet and dark lyrical violence.

The sophomore release by The Subliminator (Serson Brannen), "Rake" features 11 new tracks of sonic sublimination, spoken word techno-psychedelia with a threatening edge.

Multi-instrumentalist improviser Novak, who has worked with Tim Daisy and Tatsuya Nakatani, in an eclectic and complex solo release of colliding genres.

Composer John Shiurba with an impressive West Coast octet including vocalists Lara Bruckmann & Morgan Guberman, trumpeter Tom Djll, drummer Gino Robair, and bassist Matthew Sperry, &c. conducting them through five twisted compositions.

Silber Records label owner Brian John Mitchell's Remora persona, assisted by Brian Lee McKenzie (Electric Bird Noise) in post-apocalyptic folk songs, drones, and electronic music.

Ex-Spaceseed wordsmith/gizmoist Serson Brannen explores the outer limits of high tech spoken word space art .

The Triple D Trio of Aurora Josephson (voice), Jacob Lindsay (clarinet) & Damon Smith (bass) met with visiting European improvisers Philipp Wachsmann (violin) and Martin Blume (drums) to record these live concerts in Oakland and SF.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.