From NY and Boston the Aych group (pronounce as "H", a letter shared by all 3's names) presents three improvisers representing some of the best of the new breed of modern jazz based players in a trio without bass and drums.

Extended improvisations using a mix of acoustic and electric instruments from the sextet of Ernesto Rodrigues, d'incise, Cyril Bondi, Abdul Moiemem, Eduardo Chagas, and Nuno Torres.

Toronto creative improviser multi-reedist Kyle Brenders (AIMToronto, The Rent) in an unhurried and intuitive duo with the drummer & percussionist of his quartet Brandon Miguel Valdivia (Not The Wind, Not The Flag).

Jazz, country and western music converge in unexpected ways in the 2nd release from the quintet of saxophonists Bryan Murray & Jon Irabagon, guitarist Jon Lundbom, bassist Moppa Elliott, and drummer Danny Fischer.

Burro is the Calgary improvising trio of Whitney Ota (electric guitar), Stew Elton (bass) and Andrew Hume (drums), in a studio release of their intense and hard rock-oriented playing.

This duo arose from the meeting between two violists avid to confront with their instrumental double to create a common sound universe from the same instrument played by two different personalities.

Tense and subtle improvisation from the Belgian duo of pianist Marjolaine Charbin playing inside and out of the piano and alto saxophonist Frans van Isacker using microtonal and extended approaches with the sax.

Violinist Mike Khoury and electronic artist Andrew Coltrane in an album of thick and blurry sonic environments and effected string interaction, a bit like a drive in an ancient auto on alien moons.

The second release on Intakt pairing pianist Ulrich Gumpert and percussionist Gunter Baby Sommer in an album that borrows from blues, boogie-woogie, hard bop, German folk songs, and free jazz.

Odd popster Gerard Herman in songs using a combination of poetry, canned beats, field recordings, home made instruments, excerpts from his radio shows and other musique concrete elements.

Ex guitarist Terrie and drummer/percussionist Paal Nilssen-Love met in the Jottem Studio in Wormerveer, NL, to record these 4 extended and rugged improvisations; rhythm vs strings with a skronky temperament.

A compilation of Downtown NY harpist, keyboardist and composer Zeena Parkins' work for film, featuring many of the NY mainstays: Shelley Hirsch, Christian Marclay, Ikue Mori, Okkyung Lee, James Pugliese, David Watson, &c. &c.

Drawing on American creative music, Mbira music of Zimbabwe, and traditional Chinese music, trumpeter Leo Smith's ensemble with drummer Pheeroan akLaff and pipa player Min Xiao-Fen perform 5 extraordinary compositions of lyrical vision.

Live recordings of drummer Yoshida Tatsuya's World Heritage band from Koenji HIGH in 2009, condensing and editing the show into one incredible hour of sophisticated rock improvisation.

An extended work drawing on the life and work of spiritual figure Georges Ivanovitch Gurdjieff in a work with Cyro Baptista's Banquet of the Spirit quartet and vibraphonist Kenny Wollesen.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Alessandro Bosetti provides voice and electronics on words & text from a variety of writers, as performed in a trio with drummer Ches Smith and fretless guitarist Kenta Nagai; fascinating and perplexing expression.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

Vocalist Lina Nyberg in a quintet with David Stackenas (guitar), Cecilia Persson (piano), Josef Kallerdahl (bass) & Peter Danemo (drums), singing original works plus one by poet Coleman Barks, and Paul Simon's "So Long Frank Lloyd Wright".

Guitarist Joacim Nyberg, also performing on double bass, bell and recorder, in a live performance in Stockholm, Sweden at Fylkingen in 2014, using "Wood, steel, air. Hands, fingers, heart" in an open-ended and ardent exposition of his interpretation of jazz.

Bassist Duboc's two part symphony with dual drummers and dual trumpeters is a journey that aims at the creative free improvisation of groups like the Art Ensemble, AACM, BAG, &c.

NY drummer Tom Rainey's Trio with guitarist Mary Halvorson and saxophonist Ingrid Laubrock in an album of informed free improvisation, powerful yet persuasively alluring playing from some of NY's finest.

Nozen is a crossroads of contemporary jazz, musique actuelle and the musical traditions of Jewish Eastern Europe, contrasting styles giving birth to a deep and spontaneous music.

The trio of drummer Paal Nilssen-Love, electronic and turntable artist Lasse Marhaug and vocalist/electronic artist Maja Solveig Kjestrup Ratkje met at Cafe Mono during the Oslo Jazz Festival to perform these excellent and disturbing recordings.

Vocalist Lina Nyberg in a quintet with David Stackenas (guitar), Cecilia Persson (piano), Josef Kallerdahl (bass) & Peter Danemo (drums), singing original works plus one by poet Coleman Barks, and Paul Simon's "So Long Frank Lloyd Wright".

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.