Werner Dafeldecker and Valerio Tricoli re-interpret John Cage's 1953 compositions for 8 simultaneously played tapes, here examining the relationship between early tape music and current digital production, allowing for a larger work using approximately 2000 different sounds.

Jean-Luc Guionnet creates a portrayal of Lake Annecy near his home as described through its geographical location, and heard in a series of snapshot field recording compositions that describe the environment, fauna, people and civilization that abound around it.

Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).

A duo from Dave Phillips and Hirsohi Hasegawa, where Phillips' field recordings are filtered and effected by Hasegawa, creating an intense mixture of apocalyptic insect environments and inexplicable sound, slowly unfolding and captivating at high volume.

Rydberg was a Swedish physicist with a moon crater named after him, here celebrated by the the duo of Nicholas Bussmann (sampler, electronics) and Werner Dafeldecker (function generator, electronics) in an album blending ambient electronics and muted, guiding rhythms.

Chronicling 30+ years of New York bassist Michael Bisio's life as a composer in song form and otherwise, in a quartet with Art Bailey on accordion, Kirk Knuffke on cornet, and Michael Wimberly on drums, balancing freedom and swing in a euphorically compelling album.

Intense free improvisation recorded in the studio from the Netherlands duo of Rene Aquarius on drums and Otto Kokke on saxophone, in an ever-shifting display of technical prowess and twisted approaches to playing, a controlled grindcore of cathartic jazz.

A 3 CD box set of new and previously unissued long-form works from world-renowned composer-bassist William Parker, 10 compositions with musicians including Hamid Drake, Cooper-Moore, Charles Gayle, Rob Brown, Mike Reed, Klaas Hekman, NFM Symphony Orchestra + Choir, &c.

The 5th installment in saxophonist/composer Darius Jones' expansive "Man'ish" Boy epic, a well-balanced album of jazz and voice performed with Matt Mitchell (piano), Sean Conly (bass), Ches Smith (drums), Emillie Lesbros (voice, piano) and Pascal Niggenkemper (bass).

Legendary tenor saxophonist Louis Belogenis in a quartet with four New York improvisational heavy-weights-- trumpeter Dave Douglas, bassist Bill Laswell, and drummer Tyshawn Sorey in an energetic set of modern and informed jazz.

The second release by Zorn's heavy new organ trio Simulacrum of John Medeski, Matt Hollenberg and Kenny Grohowski with guests Mark Ribot on guitar and Trevor Dunn on bass, three generations of musical explorers coming together to rip your mind to shreds.

With members from Angles, Universal Indians, Frode Gjerstad Trio, Friends and Neighbors, &c. the quintet of Martin Kuchen (sax), Thomas Johansson (trumpet), Mats Aleklin (trombone), Jon Rune Strom (bass) and Tollef Ostvang (drums) play modern, energetic jazz that kicks Satan's ass; highly recommended!

The Netherlands trio of Tobias Klein on reeds, Goncaio Almeia on double bass, and Martin van Duynhoven on drums, is inspired by all kinds of adventurous music of the last 50 years, on this album including compositions for Henry Threadgills, Oliver Lake, and Ornette Coleman.

Four Norwegian jazz musicians--Thomas Johansson (cornet), Kristoffer Alberts (reeds), Ola Hoyer (double bass) and Gard Nilssen (drums)--representatives of a new generation of Scandinavian jazzmen playing creative music with the tools and forms of the older generation.

The 4th release from the piano-double bass-drums Belgian trio De Beren Gieren of Fulco Ottervanger (piano), Simon Segers (drums), and Lieven Van Pee (double bass), slowly morphing compositions of strong jazz compositions punctuated by short, informed works.

Miles Perkin takes the late bassist Jean-Jacques Avenel's place in pianist Benoit Delbecq's trio with Emile Biavenda on drums and percussion, in an inventive and lyrical album balancing structure versus improvisational freedom in engaging ways.

Guitarist Liberty Ellman leads a sextet with Steve Lehman (alto sax), Jose Davila (tuba), Stephan Crump (bass), Jonathan Finlayson (trumpet) and Damon Reid (drums) in a diverse collection of eight original compositions of energetic, lyrical and informed NY jazz.

A burning spiritual session inspired by John Coltrane's "Live at the Village Vanguard Again" that began when Jamie Saft told Joe Morris about his deep admiration for Alice Coltrane's playing, adding McPhee and Downs as the perfect complement to realize this excellent album.

Norwegian drummer Gard Nilssen (Zanussi 5, Bushman's Revenge, Puma, &c.) leads his new Acoustic Unity trio of Petter Eldh on double bass and Andre Roligheten (Albatrosh) on sax through 8 tightly conceived original jazz compositions with contributions from all 3 players.

Real time dark but beautiful composition from the Portugese trio of Susana Santos Silva on trumpet & flugelhorn, Torbjorn Zetterberg on double bass, and Hampus Lindwall on organ, a beautiful mix of experimental playing set against rich tonal music.

Sophisticated free improv from percussionist Barry Altschul's 3Dom Factor trio of frequent collaborator Joe Fonda on bass and Mostly Other People Do the Killing's saxophonist Jon Irabagon, presenting new compositions plus an Annette Peacock piece and a little Monk.

A self-aware release presenting 3 exercises exploring the relationship between performer and audience, DiSanto & Hoffman recorded and reworked these pieces from live performance, including introductions and explanations, using sound created from common objects and stochastic synthesis.

Five extended improvisations from New York collaborators, legendary drummer and percussionist Milford Graves and bassist Bil Laswell, who have worked together for several years developing a uniquely active yet dream-like, deeply rhythmic sound world.

A 2-CD release from the impressive trio of Finnish saxophonist Mikko Innanen and legendary US improvisers bassist William Parker, and drummer Andrew Cyrille, presenting one studio disc of Innanen compositions recorded in 2010, and a live CD from IBEAM Brooklyn in 2012.

A trio of Finnish free improvisers--Jari Olavi Hongisto on trombone, Teppo Olavi Hauta on double bass, and Niilo Olavi Louhivuori on drums, with all 3 handling percussion, for 12 spontanously composed studio works of open and equalitarian trio improvisation.

Balancing detached and decontextualized sound with melodic moments, the New York duo of Kevin Parks and Vanessa Rossetto construct 3 large works of sound, journeys that take the listener in and out of the process with concrete, studio, and inexplicable sound.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Live recordings from the duo of frequent collaborators Ken Vandermark on sax & reeds and Fred Lonberg-Holm on cello and electronics performing at Chicago's Heaven Gallery in 2013, for a superb set with surprising twists and turns and a great range of dynamics and approaches.

Experimental improvising in the 3rd studio release from Andrew Weathers and his Ensemble paying homage to America's myriad cultural traditions in sound tapestry and song, completing a trilogy that began in 2011 with "We're Not Cautious".

Helmut Kajzar's theatrical play with themes of physicality and death with sound performed on synthesizers and electronics, in it's 4th recording including stage directions in the narrative (in Polish) with an insert providing English translations of a selection of dialog.

The finale for the 2012 "Extreme Rituals" concert was this performance, where each artist used a wireless EEG headset to send brainwave signals to audio engineers who transformed them into audio, as the performers sculpt sound using meditative and ecstatic trance states.

Kai Parviainen's Enema Syringe in a 7" release recorded in 1987, 14+ minutes of raw and primitive staccato electronics edgy with a darkly disordered mental state, a stark testimony to the tenacity of his work, which continues into the 2010s.

Fifty tracks, one minute and three seconds long each, of open circuit electronics miniatures from sound and noise artists Bryan Eubanks, an unusual suite that challenges the senses and expectations of a suite of sound.

Goh Lee Kwang performing on no-input mixer meets Julien Ottavi on TamTam, bass drum and a computer running Puredata and Apodio 10 for an album of electronic improvisation recorded in Kuala Lumpur, Malaysia, and Nantes, France, balancing aggressive and meditative sound.

Electroacoustic composer Jocelyn Robert creates a field recording audio map of locations he's traveled to, to which he applys audio techniques equivalent to a geographer's scaling, removing, enhancing, and adding to a map, in the process creating a journey and a story.

Germany's Fragment Factory released this compilation to celebrate their 4th anniversary, with artists Joachim Montessuis, AMK, Aaron Dilloway, Philip Marshall, Krube., Michael Barthel, GX Jupitter-Larsen, Michael Muennich, Giuseppe Ielasi, Leif Elggren and Michael and Basil Esposito.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

An organized sound work paying homage to German cartographer Karl Ortmann; and a piece built around the video installation "MSTM Wall" by British media artist Ian W. Coel.

A compendium of compositions and improvisations from 2009-13 by undersea acoustician and audio engineer A.F. Jones, who uses stringed instruments and analog devices, hand-crafted and found, in works that emphasize structural components such as timbre, tone, or attack over form.

Anthony Pateras & Valerio Tricoli worked 7 years transforming pianos, organs, harpsichords, tape machines and synthesizers into an expansive sonic otherworld that celebrates the "End of Times" in three parts; a meticulous and fascinating work.

Using multiphonics, percussive effects, circular breathing and other extended approaches to the contrabass flute, composer/performer/improviser Robert Dick releases a mesmerizing album of improvisations, breaking new terrain by letting the largest of flutes lead his muse.

The duo of saxophonist Boris Hauf and pianist D Bayne team up with guitarist Martin Siewert in this collection of tracks inspired by different U.S. national parks and their representation in iconic posters.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Hailing from Rotterdam's rich underground scene, the trio of Hugo Costa on alto sax, Goncalo Aleida on bass, and Philipp Ernsting on drums, with all 3 doubling on electronics, in a dramatic and energetic album blending free jazz, improv, metal, and punk music.

SNIK IS led by trombonist Kristoffer Kompen and bassist Ole Morten Vagan, who provide the compositions for their quartet with saxophonist Kristoffer Berre Alberts and drummer Erik Nylander, in an album that ranges from meditative free playing to hard swinging bop oriented jazz.

An unusual release of drawings and coins - 98 tracks in 8 1/2 minutes, where each track is the sound of one or more coins dropping by the hand of sound artist Goh Lee Kwang, plus one track from Woody Sullender; the book has pencil drawings apparently inspired by the sound.

This progressive/folk/jazz/improv/experimental/psych quartet from Norway covers a diverse set of approaches to improvisation, from textural, minimalistic and radically abstract, like something AMM would play, using graphic and written notation.

Anders Bryngelsson and Mattin make up Regler, a project of varying genres performed on rock instruments, following sets of rules to create conceptual sound works; Regler #4 deals with harsh noise walls, generating a 30 minute piece of thick, savage sound.

SNIK IS led by trombonist Kristoffer Kompen and bassist Ole Morten Vagan, who provide the compositions for their quartet with saxophonist Kristoffer Berre Alberts and drummer Erik Nylander, in an album that ranges from meditative free playing to hard swinging bop oriented jazz.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

An unusual release from the accordion, Alfredo Costa Monteiro, placed microphones in a way to enhance the harmonics and all the particularities of every sound, layering slowly moving tones and their harmonic interaction, allowing unexpected details to emerge.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.