Frequent collaborators, pianist Dave Burrell and tuba player Bob Stewart take on the early jazz music of Jelly Roll Morton alongside original compositions from Burrell, performed live at the Kolner Stadtgarten in Cologne, Germany in 1994 for a joyful look forward and back.

Live recordings from Alchemia Jazz Klub in Krakow, Poland in 2015 of the freely improvising trio of Francois Carrier on sax and Chinese oboe, Michel Lambert on drums, and Rafal Mazur on acoustic bass guitar, uniquely intertwining interchanges of joyful dialog.

The quartet of saxophonist Albert Cirera, pianist Agusti Fernandez, Hernani Faustino on bass and Gabriel Ferrandini on drums recording during the Voll Damm Festival Jazz Vic in Barcelona in 2015 for a set of four expansive, collective improvisations of intense interaction.

Live recordings from Salao, Brazil in 2016 by the quartet of John Dikeman on tenor saxophone, Luis Vicente on trumpet, Hugo Antunes on double bass, and Gabriel Ferrandini on drums, for two sets of exploratory and often explosive free jazz.

Pianist Howard Riley in a 5 CD box of absolutely impressive solo piano never before released on CD, including festival recordings in Paris & Debrecen, a 1987 cassette-only release, and three new albums from 2014, 15 & 16 titled as "Longer Story" "One", "Two" & "Three"; esssential!

Bringing together the core of the Gebhard Ullmann / Steve Swell Quartet in sax and trombone with Chicago mainstay improvisers Fred Longberg-Holm on cello & electronics and Michael Zerang on drums for an album that embraces free jazz, world rhythms, and experimental sound.

Downtown NY scene pioneering bassist, currently on the West Coast, Mark Dresser presents an album of original compositions performed with an amazing septet including Marty Ehrlich, Jim Black, Joshua White, Michael Dessen, David Morales Borof, and Nicole Mitchell.

Following jazz traditions blending lyrical and free approaches with unexpected twists and turns from the Norwegian quintet of Andree Roligheten on sax, Thomas Johansson on trumpet, Oscar Gronberg on piano, Jon Rune Strom on double bass, and Tollef Ostvang on drums.

An expansive album blending acoustic and electronic instruments in unique ways, creating a tapestry of sound as a framework for creative improvisation, composed by drummer Dre Hocevar & performed in an ensemble that includes some of New York's finest young improvisers.

Since 1999 the Norwegian Motif band has surprised listeners with their energetic, intelligent approach to experimental jazz, bridging free, structured, and collective approaches to improvised music, here as a sextet of trumpet/sax/clarinet/piano/bass/drums.

1995 recordings of the superb saxophone trio of Evan Paker on tenor & soprano, Daunik Lazro on alto & baritone, and Joe McPhee on alto & soprano, plus alto clarinet and pocket trumpet, a group that went undocumented until this live concert tape at Willisau was discovered.

Pianist and composer Eve Risser wrote this work after a mystical experience in Bryce Canyon, Utah, adding a choir to her 10-piece orchestra, balancing big band and chamber orchestra through instrumentation and approach, creating a complex and fulfilling journey in sound.

Long time collaborators and friends, part of the original Downtown NY scene, mutli-reedist and shakuhachi player Ned Rothenberg joins violinist Mark Feldman and pianist Sylvie Courvoisier to record a beautifully insightful album of commanding improvisation.

Documenting a reunion of Musica Elettronica Viva's founders Frederic Rzewski (piano and vocals), Richard Teitelbaum (keyboards and computer) and Alvin Curran (keyboards, computer and shofar) at the 32nd International Festival Of Current Music in Victoriaville, Canada in 2016.

Layered and manipulated sound created in the studio and captured through live improvisation to create these rich, resonant compositions from Grant Stewart, a member of Machine Language, Daedal, A Perfect Mirror, The Eschaton Manifest, and The Inference Engine.

Using principles similar to Pauline Oliveros' Deep Listening, the quartet of Thanos Chrysakis, Christian Kobi, Christian Skjodt, and Zsolt Sores use acoustic and electronic instruments in carefully developed improvisations based around dynamics, densities & textures.

Swiss saxophonist Christoph Gallio has led the Day & Taxi group for more than 25 years, here as a trio with Silvan Jeger on double bass and David Meier on drums for a double LP of creative jazz blending unique contemporary composition with melodic approaches.

Frequent side-man to Bill Frisell, Dave Douglas, &c., drummer Rudy Royston leads a "chord-less" trio of Mostly Other People Do the Killing/Talibam! saxophonist Jon Irabagon and bassist Yasushi Nakamura through a strong, lyrical set of 13 original jazz compositions.

First recorded meeting of Chris Corsano (drums), Sylvie Courvoisier (piano), and Nate Wooley (trumpet) in the studio in Brooklyn, 2015, for a completely open, sensitive set of improvisations that are constantly on the edge, at times explosive, and always in a focused dialog.

Downtown NY saxophonist John Zorn started his "Classic Guide to Strategy" in 1983, slowly releasing volumes up to this 4th, showing the depth of his conceptual underpinnings and superb playing style, technique, and truly unique approach to the saxophone.

Two performers who have stretched the boundaries of their instruments--Miya Masaoka on 12-string koto and Anthony Braxton on saxophones and software-based electronics--in subtle and unusual environments where each player fills the phrases of the other in unforseen ways.

French flutist Michel Edelin leads this 6-piece band named in honor of Jeremy Steig, with 4 flutists including Sylvaine Helary, Ludivine Issambourg, and Nicole Mitchell, plus John Betsch (drums) and Peter Giron (bass) in exceptional, unexpected and inclusive approaches to improv.

A massive and rewarding work of organized sound extending ea-improviser, AMM guitarist Keith Rowe's work "The Room" into a massive 4 CD set of compositions, layering work familiar from his recent improvisations with classical compositions, field recordings, &c. &c.

Three beautifully delicate works for Jurg Frey's clarinet, composed by the Amsterdam-based Wandelweiser composer/pianist Dante Boon, who has collaborated with Frey for several years and who accompanies Jurg on two of the pieces.

Acoustic instruments and feedback devices in old stone spaces, rich multi-layered music recorded during a residency in the Czech Republic by the trio of George Cremaschi (double bass and electronics), Irene Kepl (violin and electronics) and Petr Vrba (trumpet, clarinet and electronics).

An excellent instrumental 7-inch from the trio of Ava Mendoza on guitar, Maxime Petit on bass and Will Guthrie on drums, recording in the studio in France, four rocking pieces showing the band's chops, quirky asides, and aggressive yet clean playing style.

A strange and bizarrely beautiful "fanzine" of three CDs, one each from hurdy gurdy drone artist Yann Gourdon, bass guitarist Maxime Petite, and Jean Luc Guionnet on organ, with illustration by artists Fredox, Celine Guichard, and 38Fillette; an odd and absorbing package.

The Norwegian & Danish freejazz-noise-rock trio Yes Deer of Anders Vestergaard on drums, Karl Bjora on guitar and Signe Dahlgreen on sax, in their second album of high energy, cacophonous and brutally joyful (they say "enthusiastic despair") collective improvisation.

The 3rd recorded trio collaboration of pianist Thollem McDonas and guitarist Nels Cline, each changing the 3rd partner, this time with legendary accordionist, conceptualist and electronic artist Pauline Oliveros in a set of beautifully intertwining conversations.

NY vocalist Kosi (Akosua Gyebi) recorded this album to accompany a theater production called Ghosts Appearing through the Sound: a tribute to Abbey Lincoln, paying homage to the great vocalist with a 4-piece band performing works by Lincoln, Coltrane, Monk, &c.

Sound explorer Olivia Block reflects upon human "webs of significance" and the way electronic communication and recording technologies both improve and complicate those webs, in a remarkably detailed set of layered recordings contrasting clear and fragmented sound.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Live recordings at LOFT in Cologne, Germany from the trio of George Wissel on prepared saxophone, Achim Tang on doublebass, and Simon Camatta on drums & percussion, performing seven "Movements" that use prodigious technique with reserve and direction, revealing the structure of their work as the pieces build and recede in fascinating ways.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

With a list of projects including Shagma, The Core, Zanussi 5 and Mopti, the trio of Jorgen Mathisen (sax), Christian Meaas Svendsen (bass) and Andreas Wildhagen (drums), "Momentum" is an apt name for their uniquely building, unpredictable and atypical improvisations.

NY jazz vocalist Kosi (Akosua Gyebi) in her 4th solo album which she describes as a "concept album telling the story of guilt, absolution, love and self-actualization through original jazz and negro spirituals." through original songs and covers including Leonard Cohen's "Hallelujah".

LA flutist Leah Paul began these works as through-composed chamber pieces, with lyrical content evolving as each song took shape, performed in a hybrid band of improvisers and chamber players with Afton Hefley singing about meditation of dreams and childhood memories.

A live performance at Fridman Gallery in New York City as part of erstwhile's AMPLIFY 2015 festival from sound artists Taku Unami & Devin DiSanto, using electronics, concrete sounds, and spoken word to create diverse active environments of narratives and pure sound.

A composition for solo 'modified guitar' from Swiss composer d'incise peformed by guitarist Cristian Alvear, music "at the confluence of sound, melody and rhythm. Something quiet but somehow driven by a pulse, existing somewhere between the electroacoustic and the tonal conceptions of music."

A live recording from the Vilnius Jazz and Music of Silent Film Festival in 2016, performing for an adaptation of the silent film "The Lost World" by Arturas Jevdokimovas, by the trio of Martin Kuchen on sax & flute, Mark Tokar on bass, and Arkadijus Goesmanas on drums.

Six chamber works by the Paris-based Italian composer Giuliano d Angiolini, following his Edition Rz release by presenting more examples of Giuliano's careful and particular use of indeterminate elements in a series of compositions that are musically exquisite.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.