Discovered in a box of recordings in BPA's possession, this recording from 2003 restores a stimulating freely improvised studio encounter between then-West Coast frequent collaborators, double bassist Damon Smith and percussionist Gino Robair, in a trio with Austrian alto saxophonist & bass clarinetist Tanja Feichtmair, mastered to pristine quality by Weasel Walter.

Since 2010 the Indonesian duo Senyawa of vocalist Rully Shabara and instrumentalist Wukir Suryadi have merged traditional Indonesian music with experimental approaches, heard here in their seventh album, released through a cooperative arrangement with more than 30 labels across the globe, in an attempt to decentralize the hierarchical structures of the music industry.

Using percussion, cymbals, various objects, computer and sound sculptures made by Bruno Girardi, Italian percussionist Lucio Bonaldo, known for the group L'imbroglio, presents a set of recordings performed live and direct, captured between 2018 & 2019, including a Sonorization of a literary passage taken from "Traviso" by Alberto Cellotto, and "Altken", an overdubbed work.

Two Israeli tenor saxophonists of different generations--Stephen Horenstein, who is associated with Bill Dixon and the Kadima label, and Eyal Netzer of Lab Orchestra and works with Albert Beger--in an intimate dialog of passionate playing merging jazz forms and experimental approaches to improvisation, both taking up drums, Horenstein also performing on soprano sax.

With an ensemble of adept improvisers including Luis Vicente on trumpet, Nuno Torres, Jose Lencastre and Bruno Parrinha on reeds, Luis Lopes on guitar, &c, Creative Sources leader and violist Ernesto Rodrigues' Isotope Ensemble examines the element "Helium" in a monumental 44-minute electroacoustic improvisation recorded live at O'Culto da Ajuda, in Lisbon.

A percussive "Natchtprogramm" and a tonal "Syntax" from composer Torsten Papenheim, recorded in the studio in Cologne and Berlin, the former performed with trombonist Matthias Much, double bassist Achim Tang and pianist Philip Zoubek; the latter with Johannest Trondle (violincello) & Axel Haller (electric bass), then with Elena Kakaliagou (french horn) & Evi Filippou (percussion).

Argentinian sound artist Alexis Perepelycia explores his influences in an extended sonic work, drawing on his roots in the sounds of garage, punk, metal, industrial music into his work in academia, using abstract references of assertive and acousmatic sound with powerful electronic emphasis as he seeks his ghosts amidst references like Russolo, Stockhausen, &c.

Three connected journeys in drifting tones, unidentifiable and sometimes aberrant intersections and melodically abstract guitar work, composed by guitarist Lance Austin Olsen and performed with guitarist Barry Chabala, using layers of sound like an audio version of a colour field painting, emulating a field of seeds waiting for changing conditions to allow them to emerge.

A three part solo improvisation from pianist and composer Joel Futterman, also performing on Indian flute and curved soprano saxophone, each track a complete unedited first take with no overdubs, presented in the order performed, the first part a nearly 53 minute epic of powerful and consequential playing, from vigorous technical runs to beautifully languid moments; stunning.

NY double bassist Sean Ali presents an engrossing journey in seven pieces that depict an inner journey through tone, technique and words, using the double bass to create deep sonic environments through interactively playing and layering, using extended approaches that support and contrast his narration; a compelling and descriptive observation on the nature of self.

While on vacation in Rome in 2018, NY percussionist Carlo Costa took his portable recorder inside a grain silo in the countryside north of the city, eschewing traditional percussion for found bricks, pipes, rocks and branches found nearby, recording in the resonance of the silo with the sounds of cicadas and other ambiance permeating the silo as he unfolds this engrossing, thoughtfully paced improvisation.

The title referencing police tactics used to subdue a suspect, the 2nd solo album from NY trumpeter Joe Moffett finds the imporoviser approaching the instrument with atypical technique and a sense of sonic power in five engrossing works of technical prowess and creative imagination, producing "mangled, oscillating, chittering noises, a collision of muscle, bone, and metal".

An exotic album of tradition-spanning improvisation from the trio of tenor saxophonist Ivo Perleman, oud player Gordon Grdina and percussionist Hamin Honari on tombak and daf, avoiding any cliches of "world fusion" as the effusive Middle Eastern rhythmic devices propel Perelman and Grdina into joyful flights of ecstatic playing that bridge the East and West.

An articulate and important collection of songs devoted to the marginalized voices of women around the world from NY vocalist Jen Shyu, performed in a masterful quintet with Ambrose Akinmusire on trumpet, Mat Maneri on viola, Thomas Morgan on bass, Dan Weiss on drums, Shyu singing and performing on percussion, piano, Taiwanese moon lute, and Japanese biwa.

The third of a 3-album trilogy, Playfield offers the musical equivalency of a walk through the diversity of New York in a loft-style extended improvisation from the octet of Daniel Carter on horns, reeds, Luisa Muhr on voice, Ayumi Ishito on saxophone, Eric Plaks on Nord piano, Aron Namenwirth and Yutaka Takahashi on guitar, Zach Swanson on bass, and Jon Panikkar on drums.

Reissuing two essential and innovative piano trio albums: Paul Bley Trio's 1965 album Touching with Bley on piano, Kent Carter on double bass and Barry Altschul on drums, plus the title track from the 1967 Bley album In Haarlem - Blood with Altschul and Mark Levinson taking the double bass roll, performing compositions by Paul Bley, Carla Bley and Annette Peacock.

After 3 consecutive nights performing in trio & quartet formats at Balete at Kamias, in Quezon City, Philippines, the duo of drummer Sabu Toyozum and alto saxophonist Rick Countryman performed the final set as a duo, their many collaborations evident in the freedom and flexibility each provides to the other, delivering an exemplary example of a free jazz sax & drum duo.

Three disparate improvisers--Guy-Frank Pellerin on soprano & tenor saxophones, Matthias Boss on violin & voice and Eugenio Sanna on amplified guitar plus small metallic layers, balloons & voice--present a non-idiomatic, fully improvised set of "sonorities, fragments, atmospheres seeming to constitute independent parts, but actually forming a unicum".

An energetic trio of Serbian free improvisers from Tibor Takacs Faki on reeds, Laslo Lenkes on guitar and Goran Grubisic on drums, Tibor Takacs Faki and Goran Grubisic both part of the rock band Wooden Ambulance, that energy translating into their indefatigable approach to collective improvisation, just keeping a lid on their rambunctious interaction.

The debut solo album of London tenor saxophonist Rachel Musson, the title a wordplay on the spoken word interactions that accompanying her unique voice on the sax -- gritty melodic lines trading off with unusual asides and techniques -- engaging the listener as she interjects words, phrases and utterance that serve as jumping off points to direct her improvisations.

A live recording without an audience and the start of the Welcome To Silkeborg project between Lisbon improvisers Tiago Varela (Equinox Quartet, Isotope Ensemble) on melodicas & voice, and Monsieur Trinité (Equinox Quartet, IKB, Potlatch, Variable Geometry Orchestra) on percussive objects, their first encounter finding the two in a relaxed dialog of creative conversation.

The first meeting between Art Ensemble of Chicago saxophone legend Roscoe Mitchell and the long running improvisational trio of Sandy Ewen (guitar), Damon Smith (double bass) and Weasel Walter (drums), in an epic 72-minute recording captured live at Duende in Oakland, CA in 2014, an amazing display contrasting control & chaos, form and deconstruction; exemplary!

Dinged Sleeve corners from rough postal handling

The first of two planned volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 1st volume presenting the finest of their investigations.

Despite countless collaborations in a variety of settings, UK saxophonist Paul Dunmall and drummer/percussionist Mark Sanders have never recorded one of the most straight-forward of pairings — the saxophone and drum duo — correcting their omission with his superb album of exploratory and exuberant dialogs, five tracks showing the skill and kinship between the two.

IKB, a ten-piece reductionist electroacoustic ensemble of strings, reeds, guitar, computer, percussion, piano, drums & objects, continues their exploration of exotic animal species with this 2020 live performance at O'Culto da Ajuda in Lisbon, Portugal, detailing the long-billed shore bird Limosa through intricate, restrained and remarkable expression.

Dedicated to Dada legend Hugo Ball, founder of the Cabaret Voltaire, through modern interpretations of six sound poems written by Ball in 1916, performed at BIMHUIS in 1989 by the trio of Jaap Blonk (voice), Bart van der Putten (saxophone) and Pieter Meurs (double bass); and in 2013 at radio station KUHF by the duo of Jaap Blonk and Damon Smith on double bass.

Two unique and adventurous takes on collective free improvisation led by Paul Dunmall and recorded in the studio, using the group that appears on his first Paul Dunmall Presents series in January 2020: Dunmall on tenor sax, John O'Gallagher on alto sax, Percy Pursglove on trumpet, Elliott Sansom on piano, Chris Mapp on electric bass and Miles Levin on drums.

Taking its album title and the titles for three compositions from poems by Laura Winter, the German jazz quartet led by clarinetist Theo Jörgensmann with Christopher Dell on vibes, Christian Ramond on double bass and Klaus Kugel on drums present an advanced example of modern creative, chamber-oriented collective free jazz with a stunning level of communication.

Michael Marcus composed these lyrical jazz works to create a message about "New York City realities", recorded in two studio sessions with Marcus on soprano & tenor sax, octavin, A clarinet & tarogato, along with Denton Darien on piano, John Austria on Fender Rhodes, Tyler Mitchell on bass, Warren Smith on drums & percussion, and Lawrence Feldman on alto flute.

Composed by pianist Magda Mayas for an octet of superb avant improvisers including Rhodri Davies, Zeena Parkins, Michael Thieke, Angharad Davies, &c. and performed live at the 2019 Music Unlimited 33, in Wels, Austria, this extended work uses a graphic score to interpret 12 photographs taken over an hour observing the merging waters of the Rhone and the Arve rivers.

Using prepared drums drums, objects, voice, and Kalimba, Italian drummer Alberto Pederneschi presents eight solo works recorded in the studio, an unhurried but authoritative set of pieces that merge composed and improvised sections, drawing and evoking a narrative sense in coherent arrangements and intimate story telling.

Tight interaction in an incredible weaving of creative ideas and technical prowess from the duo of tenor saxophonist Ivo Perelman and trumpeter Nate Wooley, the two New York-based improvisers recording in the studio in Brooklyn in 2020 for ten dialogs, a perfect distillation of their work together after four CDs in larger group efforts; captivating.

Recorded at the 79th Salon fur Klang+Kunst, in Krailling, Munich, the pairing of multi-instrumentalist Udo Schindler performing on alto saxophone, brass & synthesizer and Patrick Schimanski performing on percussion, live electronics & voice was inspired by the novella fragment Lenz written by Georg Büchner in 1836 based on Jean Frédéric Oberlin's diary.

A member of the Paul Dunmall Quintet and Ed Gauden's Crux, Birmingham UK pianist, composer and band leader Steve Tromans presents an album of original work, lyrical and introspective pieces improvised in the studio as a response to the duress of the global pandemic, motivated to record on a great piano in the great Sansom Studio based on recent life experiences.

A beautiful and authoritative set of duo performances by London-born, Japanese-raised and now residing in NYC, saxophonist & clarinetist Yuma Uesaka, and pianist Marilyn Crispell, performing a program of Uesaka compositions, each based around a poem by Rushi Vyas, realized in confident dialogs of powerful yet sensitive expression; a satisfying and lyrical collection.

A live recording without an audience and the start of the Welcome To Silkeborg project between Lisbon improvisers Tiago Varela (Equinox Quartet, Isotope Ensemble) on melodicas & voice, and Monsieur Trinité (Equinox Quartet, IKB, Potlatch, Variable Geometry Orchestra) on percussive objects, their first encounter finding the two in a relaxed dialog of creative conversation.

The title referencing police tactics used to subdue a suspect, the 2nd solo album from NY trumpeter Joe Moffett finds the imporoviser approaching the instrument with atypical technique and a sense of sonic power in five engrossing works of technical prowess and creative imagination, producing "mangled, oscillating, chittering noises, a collision of muscle, bone, and metal".

Argentinian sound artist Alexis Perepelycia explores his influences in an extended sonic work, drawing on his roots in the sounds of garage, punk, metal, industrial music into his work in academia, using abstract references of assertive and acousmatic sound with powerful electronic emphasis as he seeks his ghosts amidst references like Russolo, Stockhausen, &c.

A member of the Paul Dunmall Quintet and Ed Gauden's Crux, Birmingham UK pianist, composer and band leader Steve Tromans presents an album of original work, lyrical and introspective pieces improvised in the studio as a response to the duress of the global pandemic, motivated to record on a great piano in the great Sansom Studio based on recent life experiences.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Newly Distributed in 2021: A 12-CD set presenting Braxton in dialogue with three distinctive duet partners: violinist Erica Dicker, vocalist Kyoko Kitamura and bassoonist Katherine Young, recorded in the summer of 2012 over two sessions with each player, a remarkable and expansive set of innovative and creative improvisation.

The first of two planned volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 1st volume presenting the finest of their investigations.