Developed over outdoor sessions performed during the summer of 2020 around NYC, this is the first release from the duo of multi-instrumentalist Daniel Carter and acoustic guitarist Jessica Ackerley, their warm collaboration heard in effortless interactions inspired by the dream-like, meditative approach in both improviser's playing; lovely.

Rugged, experimental and avant jazz in the debut album from the SSWAN group of Patrick Shiroishi on saxophones, Chris Williams on trumpet, Jessica Ackerley on electric guitar, Luke Stewart on bass and Jason Nazary on drums, the group focused first on sound and velocity rather than pitch and harmonic information as they carve out a unique space between free jazz and free improv.

Rugged, experimental and avant jazz in the debut album from the SSWAN group of Patrick Shiroishi on saxophones, Chris Williams on trumpet, Jessica Ackerley on electric guitar, Luke Stewart on bass and Jason Nazary on drums, the group focused first on sound and velocity rather than pitch and harmonic information as they carve out a unique space between free jazz and free improv.

The second volume from the trio of Tennessee-to-NYC transplant Zoe Amba on tenor saxophone & flute, legendary double bassist William Parker and Francisco Mela on drums, performing three compositions by Amba recorded in the studio in NYC; emphatic free jazz with a powerful rhythm section elucidating Amba's spiritually fueled approach to compelling, lyrical improvisation.

New generation New York tenor saxophonist Zoe Amba, a Tennessee transplant whose spirit is illuminated with free styles that harken back to Ayler, recording in the studio with a trio of luminary players--William Parker on bass and Francisco Mela on drums--performing three Amba compositions, one featuring Amba on flute; the CD edition contains one bonus improvisation.

Astroturf Noise is Sam Day Harmet on mandolin, Sana Nagano on violin, Zach Swanson on bass, Billy Martin on percussion, and Sarah Bernstein on violin, living at the intersection of American folk & roots music and free improvisation, using effects and sonic additions in an unusual mix that the quintet makes completely natural and all their own.

A merging of free jazz and free improvisation in the UK/US West Coast quintet of legendary AMM drummer Eddie Prévost, guitarist Henry Kaiser on "ismguitar", N.O. Moore on "guitarisism", Blinker Golding on saxophone and Olie Brice on double bass, in a rollicking album of electric jazz recorded in the studio in London for two exhilarating "Doors" of quick shifting improv.

Performing at Bimhuis in 2013, the trans-Atlantic quintet of Roy Campbell on trumpet, flugelhorn & flute, John Dikeman on saxophone, Raoul van der Weide on cello & percussion, Peter Jacquemyn on bass & voice and Klaus Kugel on drums, perform an extended, energetic and dynamic set of free improvisation, with intricate melodies and beautifully rich transitions.

Reflecting on the 1952 Van Gelder studio sessions of The Thelonious Monk Trio with bassist Gary Mapp and drummers Art Blakey or Max Roach, 2021 pianist Frank Carlberg and drummer Francisco Mela revisited those recordings with bassist John Hebert in new compositions absorbing and quoting those icon works, and on two tracks, improvising conversations with the one and only Monk.

A wonderfully warm and innately lyrical free jazz quintet that grew organically from weekly jam sessions in Harlem starting in 2019, comprised of tenor saxophonist Ayumi Ishito, pianist Eric Plaks, bassist Zach Swanson, and drummer Jon Panikkar, and later, multi-instrumentalist Daniel Carter, Ishito the driving force in the project and this beautiful recording.

A collage of styles and experimentation developed over several years by bassist and multi-instrumentalist Evan Strauss, using long-form graphically notated conceptual compositions based on bird calls along with thematic material from Ursula K. Le Guin, expanded with narration and poetry from Daniel Carter and titled from an excerpt by Virginia Woolf.

A collage of styles and experimentation developed over several years by bassist and multi-instrumentalist Evan Strauss, using long-form graphically notated conceptual compositions based on bird calls along with thematic material from Ursula K. Le Guin, expanded with narration and poetry from Daniel Carter and titled from an excerpt by Virginia Woolf.

The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.

The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.

After decades playing together, the quartet of Daniel Carter on tenor sax, trumpet & flute, Matthew Shipp on piano, William Parker on bass, and Gerald Cleaver on drums, release the first of two planned studio albums, with two extended and remarkably warm collective excursions bookending a shorter "Scintillate", in an exceptionally solid album of masterful modern jazz.

After decades playing together, the quartet of Daniel Carter on tenor sax, trumpet & flute, Matthew Shipp on piano, William Parker on bass, and Gerald Cleaver on drums, release the first of two planned studio albums, with two extended and remarkably warm collective excursions bookending a shorter "Scintillate", in an exceptionally solid album of masterful modern jazz.

The 2nd of two studio albums from the quartet of Daniel Carter on saxophone & flute, Matthew Shipp on piano, William Parker on bass and Gerald Cleaver on drums, recordings from the same sessions as the 1st volume with five shorter works, as the long-time collaborators and friends show their nearly telepathic rapport in adventurous and masterful modern jazz.

The latest album from the NY-based Telepathic Band of Daniel Carter on saxophones, trumpet & flute, Patrick Holmes on clarinet, Matthew Putman on keyboards, Hilliard Greene on bass and Federico Ughi on drums, explores spontaneous themes and aural landscapes through studio improvisations recomposed to create five fascinating compositions of perceptive, ecstatic jazz.

Referring to an improvisational style only possible after many years of collaboration, which they refer to as a "ghostly, boundary-pushing music between friends", this is the 4th sublime album from the quintet of Daniel Carter on reeds & trumpet, Patrick Holmes on clarinet, Matthew Putman on piano & keys, Hilliard Greene on bass, and Federico Ughi on drums.

Named for the long history of collaboration over decades, the NY free jazz Telepathic Band of Daniel Carter on saxophones, clarinet & trumpet, Patrick Holmes on clarinet, Matthew Putman on piano, Rhodes, Hilliard Greene on bass and Federico Ughi on drums are heard live at the 2018 Forward Festival in Brooklyn, NY for four outstandingly informed improvisations.

Named for the long history of collaboration over decades, the NY free jazz Telepathic Band of Daniel Carter on saxophones, clarinet & trumpet, Patrick Holmes on clarinet, Matthew Putman on piano, Rhodes, Hilliard Greene on bass and Federico Ughi on drums are heard live at the 2018 Forward Festival in Brooklyn, NY for four outstandingly informed improvisations.

Debut of this group named by NY multi-instrumentalist Daniel Carter, with Stelios Mihas on guitar, Federico Ughi on drums, and (mysterious) Irma Nejando on bass, presenting this studio album of free, well-matched and interactive collective improvisations of acoustic and electric instrumentation, each track dedicated to artists who inspired the members of the quartet.

An excellent blend of electronics and acoustics as saxophonist, flutist and trumpeter Daniel Carter meets sound artist Tobias Wilner from world-renowned electronic pop band Blue Foundation, with Wu-Tang Clan bass player Djibril Toure and drum wiz Federico Ughi rounding out this forward-thinking album of hazy and rhythmic electroacoustic environments.

An excellent blend of electronics and acoustics as saxophonist, flutist and trumpeter Daniel Carter meets sound artist Tobias Wilner from world-renowned electronic pop band Blue Foundation, with Wu-Tang Clan bass player Djibril Toure and drum wiz Federico Ughi rounding out this forward-thinking album of hazy and rhythmic electroacoustic environments.

The second volume of this rich and exotic quartet in a sublime merging of jazz, electronics and compositional approaches yielding melodically dream-like music and environments, from reedist, flutist && trumpeter Daniel Carter, Tobias Wilner (Blue Foundation) on synth and keys, Wu-Tang Clan bassist Djibril Toure and Italian/NY drummer Federico Ughi.

The second volume of this rich and exotic quartet in a sublime merging of jazz, electronics and compositional approaches yielding melodically dream-like music and environments, from reedist, flutist && trumpeter Daniel Carter, Tobias Wilner (Blue Foundation) on synth and keys, Wu-Tang Clan bassist Djibril Toure and Italian/NY drummer Federico Ughi.

Working together in tours and recording since 2005, the NY trio of multi-reedist and wind player Daniel Carter, bassis William Parker and drummer/percussionist Federico Ughi are joined by saxophonist Watson Jennison also on flute, recorder and keyboards for this enlightened album of modern and transcendent jazz in a limited, remastered LP edition with bonus material.

A journey through a diverse set of genres and styles of electronica, influenced by the New York drummer & composer Gerald Cleaver's native Detroit upbringing, bringing out elements of techno and house music tempered by his improvisational, experimental and avant work; 11 tracks with solid rhythmic foundation in both propulsive and contemplative approaches to electronic composition.

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscape, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.

Drummer Gerald Cleaver continues his explorations in electronic music, taking his compositions of modular electronics, synthesis, FM tones, and muted drum machines into intricate and wide-ranging territory, compelling through the solid and natural rhythms he imparts to each piece, many of which are titled for musicians who have influenced him.

Drawn from an experimental improv performance by drummer Gerald Cleaver and bassist Brandon Lopez at 577 Records' 2019 Forward Festival, electronic artist and producer Hprizm of the Antipop Consortium took those recording to reconstruct twelve works of illusory and often surreal music, from active beat-based electronica to hazy dreamlike ambience.

A mix of lyrical, free and traditional compositions, the majority from leader, New York bassist Sean Conly, along with pieces from long-time collaborator Michael Attias, Sam Rivers and Paul Motian, performed in the piano trio format with drummer Francisco Mela and pianist Leo Genovese, in a great balance of jazz steeped in tradition but living fully in the present.

A mix of lyrical, free and traditional compositions, the majority from leader, New York bassist Sean Conly, along with pieces from long-time collaborator Michael Attias, Sam Rivers and Paul Motian, performed in the piano trio format with drummer Francisco Mela and pianist Leo Genovese, a great balance of jazz steeped in tradition but living fully in the present.

The second of two volumes from legendary Downtown NY pianist Cooper-Moore and saxophonist Stephen Gauci, recorded after a seven-month residency at Happylucky No. 1 Gallery in Brooklyn, allowing the two players to develop a natural dialog of unique and idiosyncratic approaches to their instruments, resulting in these seven solid recordings freely improvised in the studio.

West Coast songwriter and multi-instrumentalist Coultrain, aka Aaron Michael Frison or Seymour Liberty, in a sequel to his Phantasmagoria album, a soulful, introspective and lyrical collection of songs based around a sequence of images reminiscent of a dream, capturing the hazy state of mind that drove the process behind this album, as well as its dreamy effect.

West Coast songwriter and multi-instrumentalist Coultrain, aka Aaron Michael Frison or Seymour Liberty, in a sequel to his Phantasmagoria album, a soulful, introspective and lyrical collection of songs based around a sequence of images reminiscent of a dream, capturing the hazy state of mind that drove the process behind this album, as well as its dreamy effect.

West Coast songwriter and multi-instrumentalist Coultrain, aka Aaron Michael Frison or Seymour Liberty, in an collection of songs based around a sequence of images reminiscent of a dream, capturing the hazy state of mind that drove the process behind this album, as well as its dreamy effect; soulful and introspective, an album of poetic observation and reflection.

West Coast songwriter and multi-instrumentalist Coultrain, aka Aaron Michael Frison or Seymour Liberty, in an collection of songs based around a sequence of images reminiscent of a dream, capturing the hazy state of mind that drove the process behind this album, as well as its dreamy effect; soulful and introspective, an album of poetic observation and reflection.

An exciting album of free jazz from the Australia/London-based Cyclone Trio, their name apt in the feverish interaction between saxophonist Massimo Magee and dual drummers Tony Irving and Tim Green on the opening work, the album patterned like a storm that slows introspectively for a quiet eye, then drums up a final gale force that dissipates to a sort of calm; brilliant.

The first of two planned volumes from the quartet of John Dikeman on tenor saxophone, Pat Thomas on piano, John Edwards on bass and Steve Noble on drums, bringing the American saxophonist working throughout Europe together with this nearly telepathic collaborative grouping of UK frequent collaborators, captured in concert at Cafe OTO in 2019 for two absorbing improvisations.

The first of two planned volumes from the quartet of John Dikeman on tenor saxophone, Pat Thomas on piano, John Edwards on bass and Steve Noble on drums, bringing the American saxophonist working throughout Europe together with this nearly telepathic collaborative grouping of UK frequent collaborators, captured in concert at Cafe OTO in 2019 for two absorbing improvisations.

The second of two volumes from the quartet of John Dikeman on tenor saxophone, Pat Thomas on piano, John Edwards on bass and Steve Noble on drums, bringing the American saxophonist working throughout Europe together with this nearly telepathic collaborative grouping of UK frequent collaborators, captured in concert at Cafe OTO in 2019 for two absorbing improvisations.

Despite countless collaborations in a variety of settings, UK saxophonist Paul Dunmall and drummer/percussionist Mark Sanders have never recorded one of the most straight-forward of pairings — the saxophone and drum duo — correcting their omission with his superb album of exploratory and exuberant dialogs, five tracks showing the skill and kinship between the two.

A prime example of the early Bristol, UK jazz scene and saxophonist Paul Dunmall's association with it, this trio born out of the band Spirit Level where Dunmall and drummer Tony Orrell first worked, and double bassist Paul Rogers with whom Dunmall would go on to work in Mujician, here in two live recording with Dunmall on soprano and in a burning Coltrane mode; exceptional!

A live performance from London's I'klectik by British musicians John Edwards (double bass), N.O. Moore (guitar), and Eddie Prévost (drums), who have a long-standing history as a trio known for both energetic playing and extraordinary introspection, here expanded with saxophonist Alan Wilkinson for two outstanding performances of technical mastery and deep communication.

The first trio collaboration between London pianist and innovator Pat Thomas and Swedish improvisers, Sture Ericson on saxophones, and Raymond Strid on drums, performing live at Cafe OTO in London in 2019 for four improvised soundscapes about the fictional character "Bagman", using extended and prodigious technique with both disruptive and melodic intentions.

Their first time playing together as a trio despite many permutations in various projects over the years, the trio of Robert Mitchell (F-IRE Collective) on piano & percussion, Neil Charles on double bass and remarkably collaborative drummer Mark Sanders are heard in this 2022 concert at London's Cafe OTO for two extended, free and very informed collective improvisations.

Essentially a piano trio, Portuguese pianist and composer Leo Genovese leads his trio with Demian Cabaud on bass and renowned drummer Jeff Williams (Lookout Farm, Dave Liebman), also joined by Argentinian vocalist Nadia Larcheron for four pieces, Genovese's compositions using interesting structures that balance warmly lyrical and experimental approaches to modern jazz.

A lyrical piano trio album from three seasoned Argentinian-born improvising musicians -- Leo Genovese on piano, Mariano Otero on bass and Sergio Verdinelli on drums -- each contributing compositions to the album, along with one piece by Luis Alberto Spinetta, with whom Verdinelli has performed extensively; a lovely and sophisticated album of modern jazz.

Led by tenor saxophonist James Brandon Lewis and poet Thomas Sayers Ellis, this 12-piece ensemble of pointed and ecstatic free jazz and spoken word are heard at the 2019 Sons D'Hiver Festival in Paris, 2019, their sound influenced by chamber elements and sharpened through insightful and demanding observations and the influence of Amiri Baraka (LeRoi Jones).

Led by tenor saxophonist James Brandon Lewis and poet Thomas Sayers Ellis, this 12-piece ensemble of pointed and ecstatic free jazz and spoken word are heard at the 2019 Sons D'Hiver Festival in Paris, 2019, their sound influenced by chamber elements and sharpened through insightful and demanding observations and the influence of Amiri Baraka (LeRoi Jones).

577 Records' experimental, electronic sub-label Positive Elevation releases this remix of Gerald Cleaver's Signs album, itself an innovative album of synthetic rhythms and sonic landscape, here reworked by producer Hprizm, aka High Priest of Antipop Consortium, channeling Cleaver's work into dream-like territory that re-thinks and re-paces the original.

577 Records' experimental, electronic sub-label Positive Elevation releases this remix of Gerald Cleaver's Signs album, itself an innovative album of synthetic rhythms and sonic landscape, here reworked by producer Hprizm, aka High Priest of Antipop Consortium, channeling Cleaver's work into dream-like territory that re-thinks and re-paces the original.

Two extended free electroacoustic improvisations in the AMM/London Improvisation Workshop vein, recorded live at London's Cafe OTO: first a prelude in the duo of Massimo Magee on electronics & saxophone and Joshua Weitzel on the 3-string Japanese shamisen; then expanded to a quartet with percussionist Eddie Prevost and Ken Ikeda on synthesizer.

Using double bass, violin and objects to affect their instruments, Amsterdam violinist Miriam Den Boer Salmón and Chilean double bassist Amanda Irarrazabal present ten succinct sonic landscapes through fully free improvisation, their interactions building and scraping, intersecting and interacting in fascinating and frightening ways.

Somewhere between Acid Mothers, 70s Miles or Sun Ra's Arkestra, NY-based Japanese saxophonist Ayumi Ishito's first Spacemen volume with Theo Woodward on synth & vocals, Nebula and the Velvet Queen on theremin, Jake Strauss on guitar & bass and Steven Bartishev on drums, lives up to it's cosmic moniker through exploratory improv blurring jazz, electronica and psych.

An energetic and sophisticated album of free improvisation based around three compositions by and under the direction of Boston-based South Korean pianist Eunhye Jeong, in a quintet with Allison Burik on alto saxophone & bass clarinet, Max Ridley on double bass, Francisco Mela on drums and Mina Kim on cello, who also performs Jeong's solo work for cello on the center track.

A solo sax album of patterns and intersections from London writer, artist & musician Massimo Magee, influenced by a wealth of sources from Braxton to Stockhausen, each of the five parts of "Toneflower" affected through mic placement as Magee builds to wild expressiveness, transforming round tones into stratospheric pitches, using circular breathing for extended expressiveness; stunning!

A solo sax album of patterns and intersections from London writer, artist & musician Massimo Magee, influenced by a wealth of sources from Braxton to Stockhausen, each of the five parts of Toneflower affected through mic placement as Magee builds to wild expressiveness, transforming round tones into stratospheric pitches, using circular breathing for extended expressiveness; stunning!

NY tenor saxophonist Sabir Mateen joins the German trio of Christopher Dell on vibes, Christian Ramond on double bass, and Klaus Kugel on drums, all memebers of the Theo Jorgensmann Quartet, for a live recording at A-Trane, in Berlin in 2012, finding all three energetically enthusiastic and often driven by Mateen's unique personality in performance.

Having played together in a variety of settings, but never as a trio, saxophonist Sabir Mateen, clarinetist Patrick Holmes and drummer Federico Ughi met in a recording studio in Tuscany, Italy to record this album of wide-ranging free improvisation, Mateen's Farfisa playing and vocal declamations bringing a Sun Ra element to the vehement and profound dialog.

Drummer Donald Sturge Anthony McKenzie II trades off duos with a set of masterful musicians in the second volume of his "Silenced" project, here with guitarist Elliott Sharp for a complex and inspired dialog; with bassist Bill Laswell for a rich and moody soundscape; and with guitarist Vernon Reid in a piece for McKenzie's daughter; plus one solo drum piece.

A six track album from drummer Donald Sturge Anthony McKenzie II written about the abuse of force from those charged to protect us, in a series of duos with amazing performances from guitarist Nels Cline, saxophonist Arnold Lee, bassist Melvin Gibbs, bassist Dave Hofstra, guitarist Vernon Reid, and drummer/keyboardist CX KIDTRONIX; disturbing and important work.

Extraordinary New York drummer & percussionist Francisco Mela is joined by Taiwan pianist and composer residing in NY, Shinya Lin, for two extended collective improvisations of joyful interaction, a complex interweaving of keys and drums augmented by percussive preparations from Lin and vocal exclamation from Mela, an upbeat and exuberantly intricate encounter.

The first volume of powerful free playing and intimate conversation bringing together two New York-based improvisers, Cuban native drummer/percussionist Francisco Mela and Tennessee native reed & wind player Zoh Amba, both sharing a mountain region upbringing that brings a uniquely reflective quality to their playing, fortified by the exploratory NY improv scene.

The second volume of Music Frees Our Souls, the trio of Francisco Mela on drums, Cooper-Moore on piano and William Parker on bass, recording in the studio in Brooklyn two extended, far reaching and powerful collective improvisations of music performed under the influence of Mela's work with, mentorship by and encouragement from pianist McCoy Tyner.

The second volume of Music Frees Our Souls, the trio of Francisco Mela on drums, Cooper-Moore on piano and William Parker on bass, recording in the studio in Brooklyn two extended, far reaching and powerful collective improvisations of music performed under the influence of Mela's work with, mentorship by and encouragement from pianist McCoy Tyner.

A member of pianist McCoy Tyner's Trio and Joe Lavano's Quartet, New York drummer Francisco Mela's own career as a leader is heard in this energetic trio album with two of NY's finest--pianist Matthew Shipp and bassist William Parker--recording in the studio in Brooklyn in 2020 for two extended and powerful collective improvisations and a brief "Dark Light".

A member of pianist McCoy Tyner's Trio and Joe Lavano's Quartet, New York drummer Francisco Mela's own career as a leader is heard in this energetic trio album with two of NY's finest--pianist Matthew Shipp and bassist William Parker--recording in the studio in Brooklyn in 2020 for two extended and powerful collective improvisations and a brief "Dark Light".

Influenced by both free jazz and Caribbean folk music, the NYC-based MPT Trio, led by Francisco Mela (Crash Trio, Joe Lovano, McCoy Tyner, John Scofield, Kenny Barron, Gary Bartz), presents a stylistically innovative sound on their debut album, presenting eight original pieces blending diverse musical traditions with contemporary & avant-garde jazz structures.

"Shifa", or "Healing", is the London-based trio of saxophonist Rachel Musson, pianist Pat Thomas, and drummer Mark Sanders, here in a live concert at Cafe Oto in 2018 of two collective improvisations of arching sax lines, rolling and potent drumming, powerful block chords and intricate lines, from dark to joyful moments, an intoxicating tonic for the ears.

The debut solo album of London tenor saxophonist Rachel Musson, the title a wordplay on the spoken word interactions that accompanying her unique voice on the sax -- gritty melodic lines trading off with unusual asides and techniques -- engaging the listener as she interjects words, phrases and utterance that serve as jumping off points to direct her improvisations.

Performing as part of the Blow Out Festival 2019, the UK improvising trio Shifa, meaning "healing", of Rachel Musson on tenor saxophone, Pat Thomas on piano, and Mark Sanders on drums, are captured live in Oslo for four dramatic and masterful collective improvisations, passionate and building works, releasing their tension and rebuilding in powerful waves.

Performing as part of the Blow Out Festival 2019, the UK improvising trio Shifa, meaning "healing", of Rachel Musson on tenor saxophone, Pat Thomas on piano, and Mark Sanders on drums, are captured live in Oslo for four dramatic and masterful collective improvisations, passionate and building works, releasing their tension and rebuilding in powerful waves.

A superb chamber jazz trio from NY improviser and violinist Sana Nagano, with Karl Berger on piano & vibraphone and Billy Martin on drums & percussion, Nagano having a long history with each through Berger's Improvisers Orchestra and with Martin through Creative Music Studio, their connections evident in their articulately energetic and confident collective conversations.

A superb chamber jazz trio from NY improviser and violinist Sana Nagano, with Karl Berger on piano & vibraphone and Billy Martin on drums & percussion, Nagano having a long history with each through Berger's Improvisers Orchestra and with Martin through Creative Music Studio, their connections evident in their articulately energetic and confident collective conversations.

The debut of a new electric jazz quintet from NY violinist Sana Nagano, with Peter Appfelbaum on tenor saxophone & megaphone, Keisuke Matsuno on electric guitar, Ken Filiano on acoustic bass & effects, and Joe Hertenstein on drums, an inventive and energetic album of joyful urgency and tremendous group dynamic, fueled by Nagano's exuberant and lyrical compositions.

Experimental improvisation that moves in and out of jazz territory from the Chilean trio of Benjamin Vergara on trumpet, Nicolas Carrasco on synthesizer and Matias Mardones on percussion, recording in the studio the day after their performance at the 2019 Relincha Festival in Ciudad de Valdivia, focusing on patterns of circularity and repetition to inform their playing.

Experimental improvisation that moves in and out of jazz territory from the Chilean trio of Benjamin Vergara on trumpet, Nicolas Carrasco on synthesizer and Matias Mardones on percussion, recording in the studio the day after their performance at the 2019 Relincha Festival in Ciudad de Valdivia, focusing on patterns of circularity and repetition to inform their playing.

Self-describing their approach to improvisation as a "free-range sonic stew", the trio of Jessica Pavone on viola & electronics, Lukas Koenig (MOPCUT) on drums and Matt Mottel (Talibam!) on keytar & guitar, find common ground in extended conversations, both through rapid and weaving interactions and in expansive evolutions of sweeping sonic inspiration.

Having previously released outdoor live performances integrating the sounds of NY into their expansive improvisations, the Playfield octet led by Daniel Carter with Ayumi Ishito (Sax), Eric Plaks (Piano & Rhodes), Aron Namenwirth (Guitar), Yutaka Takahashi (Guitar), Luisa Muhr (voice), Zachary Swanson (Bass) and Jon Panikkar (Drums) step inside to record three far-reaching and inclusive studio improvisations.

Meeting in the studio with an open mind to approach, guitarist Justin Purtill and long-time friend, pianist Leo Genovese, are joined by bassist Sean Conly to record this set of original Purtrill songs, along with songs by John Hurt, Joe Price, and the title track by Bob Dylan, a relaxed and expressive session of jazz-based originals and interpretations.

The first of two planned volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 1st volume presenting the finest of their investigations.

The first of two planned volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 1st volume presenting the finest of their investigations.

The second of two volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 2nd volume presenting the most interesting of their investigations.

Bringing together trumpeter Michael Sarian, keyboardist Matthew Putman, drummer Federico Ughi, and Cuban bassist-vocalist Ledian Mola to pay heartfelt tribute to Sun Ra's cosmic Afrofuturism, blending improvisational brilliance with Mola's folklore-inspired vocals and Putman's Rocksichord - the same keyboard model Sun Ra played - in a first-time collaboration and celebration of innovation.

Writer Iain Sinclair joins The London Experimental Ensemble to perform his narrative work, a sequel to Living With Buildings: And Walking With Ghosts, telling a surreal story of the imaginary 25-year journey of a whalebone box, told in detailed images and incredible sonic support through keys, strings, brass, winds, guitar, electronics and voice; profoundly powerful.

Interpreting trumpeter Wadada Leo Smith's Ankhrasmation graphic score--the term joining the Egyptian symbol for life, the Ethiopian word for leader and the universal term for mother--Smith and guitarists Alex Varty & Henry Kaiser use the rich combination of visual cues and musical notation to record this rapturous and unduplicable album of profound and engaging improvisation.

An extended improvisation performed live at Kuhlspot Social Club in Berlin from the Takatsuki Trio of Rieko Okuda on piano, Antti Virtaranta on bass and Joshua Weitzel on guitar & shamisen (a 3-stringed traditional Japanese instrument), captured at their monthly series expanding the trio to a "Quartett" for fresh perspective, here with alto saxophonist Silke Eberhard.

Finnish saxophone & flute player Jorma Tapio and his group Kaski of Ville Rauhala on bass and Janne Tuomi on drums & percussion, with both Tapio and Tuomi playing Kantele, a traditional plucked string instrument, present a beautifully rich and spiritual album named for a shaman's trip to the underworld, reflecting on local folk music and free jazz traditions.

Energetic, authoritative and unpredictable, this 2020 concert at Hyde Park Book club, in Leeds, UK from the collective free improv trio of Pat Thomas on keyboards, Chris Sharkey on electric guitar and Luke Reddin on Williams on drums, burns through an extended and far-ranging set of sonic environments and seriously exhilarating straight-on playing.

The 2nd album from the trio of Keir GoGwilt on violin, Kyle Motl on bass and Nicolee Kuester on horn, the pieces combining original poems written by GoGwilt and Kuester with precise musical arrangement and poetic structures, around which the trio improvise with melodic and unexpected approaches, fascinating their listeners with peculiar insight and superb playing.

Each track named for the instruments used (aquaspring, overtone triangles, metronome & blowing tube, &c.) and inspired by a book from Elias Canetti, Spanish percussionist Vasco Trilla's creative improvisations reflect on the phrase: "every completely unknown language is a kind of acoustic mask; as soon as one learns it, it becomes a face, understandable and soon familiar."

The debut of Trio Xolo, bringing together Mexican-American bassist Zachary Swanson, inventive Lithuanian ex-pat & long-time New York drummer/percussionist Dalius Naujokaitis and lyrical Baltimore saxophonist Derrick Michaels, three players steeped in both tradition and avant free playing, captured live in-studio for an album of perceptive creative jazz.

The "guess" was guitarist and electronics artist Dave Tucker's educated guess that these four musicians--himself, pianist/keyboardist Pat Thomas, guitarist Thurston Moore and drummer/percussionist Mark Sanders--would create someting extraordinary if he brought them together for a concert at London's Cafe OTO, this boundary-pushing album the indisputably successful result.

The "guess" was guitarist and electronics artist Dave Tucker's educated guess that these four musicians--himself, pianist/keyboardist Pat Thomas, guitarist Thurston Moore and drummer/percussionist Mark Sanders--would create someting extraordinary if he brought them together for a concert at London's Cafe OTO, this boundary-pushing album the indisputably successful result.

The 2nd half of guitarist Dave Tucker's live concert at London's Cafe OTO, bringing together himself, pianist/keyboardist Pat Thomas, guitarist Thurston Moore and drummer/percussionist Mark Sanders for two extended improvisations of spontaneous performance, layering guitars over complex drum arrangements,and distinctive electronic manipulation.

Mist and mystery in pensive and meticulous improvisation from the Portuguese duo of trumpeter Luis Vicente and percussionist Vasco Trilla, their 2nd studio album after their 2019 Clean Feed release, exploring textures and timbres through extended techniques and detailed percussive interaction, as confident expressions rise and submerges in a wonderfully abstracted haze.