Live recordings from 1973-74 from the trio of drummer John Stevens, guitarist Derek Bailey, and saxophonist Trevor Watts, dynamic works performed "impromptu" with a wealth of ideas as these innovators demonstrate the skills that helped define them as masterful players.

Free improvising guitarist Derek Bailey in duo with tap dancer Will Gaines, whose percussive dancing can be heard clearly, while Bailey plays guitar and Gaines "raps" in a sort of vaudevillian approach; a unique item even in Bailey's catalog!

A reissue of Emanem 4301, a classic concert and studio performances from '70-'72 by the innovative trio of Paul Rutherford (trombone, piano) Derek Bailey (guitar) and Barry Guy (double bass), which was a much expanded reissue of the early Incus releaes 3/4 of the same name.

Music for the 1971 film by Michael Grigsby and performed by the trio of Paul Rutherford (trombone), Derek Bailey (guitar) and Barry Guy (double bass), a fascinating and distinctive set, more restrained and gentle than their live performances from that time.

A previously unissued 1972 concert by the original version of Iskra 1903 - Paul Rutherford (trombone), Derek Bailey (guitar) and Barry Guy (double bass) - extraordinary performances, plus 2 short extracts from another concert.

2013 reissue of the seminal London & European Free Improv trio release from 1970 with two additional tracks, making an amazing release showing the relationships between established jazz forms and the emerging modern language.

Pianist and keyboardist Pat Thomas plays transcriptions of Derek Bailey's early recordings, and the music of Monk performed at the 2007 Cohesion Festival at Oxford.

American and London artists Anthony Braxton and Derek Bailey performing as a duo at The Victoriaville Festival in 1986, an amazing exchange between two noted masters of free improvisation.

"Fairly Early With Postscripts is meant to be a scrapbook of Derek Bailey's activities from 1971 to 1998. Most of the material included on this CD had been previously released on hard-to-find LPs (mostly on the label Emanem) and f...

A much-need reissue of the 1974 Emanem LP presenting saxophonist Anthony Baxton, also on flute, with guitarist Derek Bailey on acoustic and electric, performing at London's Wigmore Hall for twelve duets of a diverse, playful, and accesible character.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Free improvising guitar legend Derek Bailey was invited to perform in his home town of Sheffield, England in 2004 with the trio of Mick Beck on tenor sax, bassoon, and whistles, and Paul Hession on drums, Bailey's first visit in many years, and a joyful occasion as the collective group explores a wide range of approaches to creating instant compositions.

An impressive vinyl reissue of guitarist Derek Bailey, one of the most unique and influential free improvisers, in his 1974 solo recording on the Incus label, with Bailey playing on two amps and two volume pedals, a veritable duo split in the stereo field with occasional banter and observations, as he blends abstract and lyrical approaches on guitar in amazing ways.

A proper reissue of the 1976 Incus album from guitarist Derek Bailey and cellist Tristan Honsinger, primarily from a live concert at at Verity's Place in London on February 7, 1976, with two unusual studio recordings punctuating the album, an early example of their long history of collaboration and a great example of their intense, joyful, and truly free improvisation together.

Reissuing the 1st CD on UK free improvising guitarist Derek Bailey's Incus label is this 1982 duo with Brazilian percussionist Cyro Baptista, a remarkable dialog that draws percussive qualities from Bailey and lyrical aspects from Baptista, as the two push each other into inventive and exotic exchanges in an exuberant album; an incredible start to the Incus CD series.

An unusual pairing between UK non-idiomatic improvising legend Derek Bailey and clarinetist Tony Coe, best known for his work with Franz Koglmann (heard on Hatology) his work with Tony Oxley, and work in avant classical settings; here they find common ground in a miniature chamber improv approach of both technical virtuosity and atonal lyricism.

An impressive lineup of legendary players in this much-need reissue of guitarist Derek Bailey's 1976 Music Improvisation Company album 1968-1971", exploring innovative free and electroacoustic improvisation in these 1969 & 1970 recordings with Evan Parker on soprano saxophone & amplified auto harp, Hugh Davies on live electronics & organ, and Jamie Muir on percussion.

Derek Bailey's impressive guests for his July 1982 "Company" concert at London's Institute of Contemporary Arts were pianist Ursula Oppens, singer Julie Tippetts and pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

The 2nd of 2 albums from Derek Bailey's July 1982 "Company" concert at London's Institute of Contemporary Arts with pianist Ursula Oppens, singer Julie Tippetts and pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

Recordings from Stavanger, Norway in 1992 by a trio of legends--Derek Bailey on amplified guitar, John Stevens on percussion and mini trumpet, and Frode Gjerstad on alto saxophone--a trio that only performed three gigs on three consecutive days, this album captured on the last of those performances, a testament to their great compatibility and intent.

IST, configured as the duo of double bassist Simon H. Fell and cellist/percussionist Mark Wastell, performing a virtual quartet at London's Cafe OTO, using using pre-recorded fragments of solo work from late guitarist Derek Bailey and tap dancer Will Gaines, combined with sections of silence of unforeseeable length, and then combined with the live musicians; amazing.

Released for their 50th anniversary, The LJCO, in configurations of up to 21 musicians including Derek Bailey, Trevor Watts, Evan Parker, Peter Brotzmann, &c., perform works by Kenny Wheeler, Barry Guy, Paul Rutherford and Howard Riley, captured live at the Berliner Jazztage in 1972; at Donaueschingen Musiktage in 1972; in the studio in 1980; and London's Round House in 1980.

Recordings from 3 days of live performances in May, 1984 at the Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) in France, using AACM legend and computer music innovator George Lewis' interactive virtual improvisor sytem Rainbow Family in virtual duo, trio and quartet settings with Douglas Ewart, Joelle Leandre, Derek Bailey & Steve Lacy.

A reissue of the Bailey solo guitar cassette tape release of a 1983 concert in Milwaukee, Wisconsin from the same year, originally sold by Bailey in concert during his tour of Japan in the same year.

Authoritative and playful free improvisation in the European Free Jazz style, this 1978 album on Misha Mengelberg and Han Bennink's Instant Composers Pool (ICP) label, included the pianist and drummer along with Peter Brotzmann, Peter Bennink and Evan Paker on sax, Paul Rutherford on trombone, and Derek Bailey on guitar, in a much-need reissue of this seminal album.

Recorded in 1982 during a series of extraordinary free improv concerts by guitarist Derek Bailey and trumpeter Charlie Marrow, performing in configurations from solo to full septet with performers from NY's "New Wilderness" collective: percussionist Glen Velez, saxophonist & sound poet Steve McCaffery, trumpeter Carol E. Tuynman, saxophonist Patricia Burgess and trumpeter Michael Snow.

An epic journey in free vocal improvised music from the trio of vocalist Anna Gadt with Zbigniew Chojnacki on accordion & live electronics and Krzysztof Gradziuk on drums, performing live in the studio in Nieport, Poland, with arrangements, deconstructions and original music by Anna Gadt, along with the theme from "Monumentum pro Gesualdo" by Igor Stravinski.

Reissuing the 2005 Utech release from the duo of Frode Gjerstad on clarinets and Steve Hubback on hand-made drums, cymbals and gong, performing live at Lille Konsertsal, Stavanger, Norway, in February 2001.

Reissuing percussionist and electronic innovator Tony Oxley's 1977 Incus album, collecting works from Oxley's evolving approaches, including a quartet with bassist Barry Guy and violinists David Bourne & Philipp Wachsmann; a trio with Barry Guy and Ian Brighton on electric guitar; and solo pieces including a piece for Evan Parker emulating his sound through electronics.

Two performances by one-off groups, both featuring Evan Parker (saxophones) and Paul Rogers (double bass) -- a 1983 trio studio recording with percussionist Jamie Muir, and a 1991 quartet gig with percussionist Mark Sanders and visiting trombonist Wolter Wierbos.

Since 2015 Chicago's Experimental Sound Studio has hosted a series of concert followed by a discussion with the artist, with funding for the series assisted by Corbett vs. Dempsey; this CD collects recordings from the last year, including Susan Alcorn, Gerry Hemingway, Greg Kelley, Kris Davis, Wayne Horvitz, Ingrid Laubrock, LaDonna Smith, Sandy Ewen, Douglas Ewart, &c &c.

Revised version of this 2001 chamber work inspired by the remarkable worlds of Henry Darger, Lewis Carroll and Unica Zurn, remastered and resequenced with a new postlude.

A reissue of the 1981 Incus LP of guitarist Derek Bailey with one-time King Crimson percussionist Jamie Muir ("Larks Tongues in Aspic"), also a member of Bailey's Music Improvisation Company, an album of hovering harmonics from Bailey's feedback amidst Muir's kitchen-sink collection of items that creates a unique and riveting complement to Bailey's playing.

Derek Bailey's Company Week between June 29th and July 3rd in 1982 brought together a superb set of free and open-minded improvisers--including Keith Tippets, Phillip Waschmann, George Lewis, Julie Tippets, Fred Frith, &c--performing "Epiphany" (sides A & B) as a continuous work for all musicians, and "Epiphanies" (sides C & D), shorter pieces of smaller groupings.

2018 Reissue: A much-needed vinyl reissue of the seminal London & European Free Improv trio release from 1970, an amazing album showing the relationships between established jazz forms and the emerging modern language.

Discovered in the archives of guitarist and free improv innovator Derek Bailey's Incus Records label are these two live performances between Bailey and percussionist Paul Motian, mastered by Jim O'Rourke and presented as a vinyl LP with a 1990 performance at JazzMarathon at De Oosterpoort, in Groningen, and as a download with a concert in 1991 at New Music Cafe, NYC.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Derek Bailey's 1987 trip to Japan yielded a number of important recordings, including a duo with Mototeru Takagi, a trio with Sabu Toyozumi & Peter Brötzmann, and this concert at IMAI-Tei with Toyozumi, one of the first generation Japanese free improvisers and the only non-American to become a member of the AACM; here in three duos and Bailey's solo "Diaphragm".