A proper reissue of the 1976 Incus album from guitarist Derek Bailey and cellist Tristan Honsinger, primarily from a live concert at at Verity's Place in London on February 7, 1976, with two unusual studio recordings punctuating the album, an early example of their long history of collaboration and a great example of their intense, joyful, and truly free improvisation together.

An album of dark atmospheric electroacoustic sound with voice and introductory narrative from Zu bassist Massimo Pupillo and Gordon Sharp of Cindytalk, the first meeting between the two, performed live at Cafe Oto for four pieces of rich sonics, emotional and hypnotic playing from two creative masters with a long history of powerful and passionate music.

The third album from this international trio of powerful improvisers--Norwegian drummer/percussionist Paal Nilssen-Love, Chicago bassist Kent Kessler, and Chicago/NY saxophonist Mars William-- in four odysseys that take the listener from introspective playing to out and out blowing, using technique to serve their incredible dialog.

Approaching the free side of 60s postbop in the Ornette Coleman vein, the Cortex quartet of Thomas Johansson (trumpet), Kristoffer Alberts (sax), Ola Hoyer (double bass) and Gard Nilssen (drums) are captured for a dynamic and captivating set at IBeam in Brooklyn in 2015.

Arrived from Pressing Factory With Dinged Sleeves - top right corner is bent at about 1", otherwise new, sealed mint copies, vinyl is unaffected

Sealed new copy damaged in the post, dinged corners and bends but the LPs are in mint shape.

The first album from the amalgamated band name Herr Borrelgrip, a play on the names of alto saxophonist Pierre Borel and double bassist Joel Grip, developing their work in Stockholm, Berlin and Paris starting in 2008 as a performing duo, heard here in a beautiful gatefold double LP studio release with an extensive LP-sized booklet of text in French and images.

Dinged Sleeve corners from rough postal handling

The first of two planned volumes of studio improvisations between Brooklyn trumpeter & flugelhorn player Michael Sarian and keyboardist Matthew Putman, recorded in Sarin's home studio during the 2020 pandemic, allowing freedom in exploration as they sought out cadences, rhythms and melodies, this 1st volume presenting the finest of their investigations.

Impressive experimental approaches to organized recordings of rhythmic and melodic percussion, a mix of quirky and curious samples & loops, spoken word, field recordings and inexplicable origins, captivating the listener in concise and diverse expositions and dynamic pacing, a journey in "pleasingly" upbeat passages and moments of awe and contemplation.