This Heat/Camberwell Now drummer Charles Hayward's latest solo album after a long wait, an incredible and unique journey through drums, electronics and song, personal, pointed and brilliant statements from one or rock's master voices.

Massacre with Fred Frith, Bill Laswell and Charles Hayward in an album collecting live recordings from Frith's private archives, documenting their 1999 European tour and 2008 performances, spectacular improvised rock.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Recorded in 2005 with an ensemble of like-minded instrumentalists and then edited and collaged for the next year and a half, this was a project of Charles Hayward during his time at The Albany in Deptford, London, using their digital recording suite to create a large work using a variety of strategies and developed in a dramatic story form, issued here for the 1st time.

A dynamic collaboration between This Heat/Massacre legendary drummer Charles Hayward and the Dungeness improvising sound duo Harmergeddon of Polyphoniefae and Nathan Greywater, who use photophonics, electromagnetic fields and consumer electronic junk to create detailed and interactive sound environments that propel Hayward into exultant rhythmic territory.

Matching two distinct keyboards--Xavier Camarasa's piano with Jean-Marc Foussat's synthi AKS--two improvisers present two extended works roughly translating to "The Immensity of The Instincts" and "There, or all is water ...", contrasting between melodic and otherworldly sounds, a complex tapestry that guides and excites the listener in an unusual convergence.

Taking his Bay Area trio with bassist Jason Hoopes and drummer Jordan Glenn on the "Road", guitarist and improviser Fred Frith first presents the trio itself in a wonderfully diverse extended set at the Week-End Fest in Koln, Germany; then invites trumpeter Susana Santos Silva at Old Cabell Hall in University of Virginia; and then saxophonist Lotte Anker at Altes Kino in Ebersberg, Germany.

The 2nd part of a composition commissioned by L'Ecole Nationale de Musique de Villeurbanne as a 2 year residency and performed by a large group conducted by Frith.

A fully free, quirky and marvelous set of virtually indescribable improvisation from the trio of French vocalist Clara Weill (known from her work with Fred Frith), Olivia Scemama on bass and Tom Malmendier on drums, three active international collaborators with powerful technical skills and a strange sense of humor willing to take their music where ever it oddly leads.

Merging France's Nautilis Ensemble with musicians from Chicago created this large improvising orchestra, here in a new suite composed by Rob Mazurek and dedicated to Great Lake Michigan and the devestation of thousands of shipwrecks over many centuries, using historical data, first hand accounts of shipwrecks off both shores, magical realism and steampunk aesthetics.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.