"Spirtual AM radio classics" and unusual plunder song structures from the "Dollson Family" (Jaren Blum aka Blanketship), colliding pop, prog, gospel, electronics and much more.

Jared Blum, aka Blanketship, in an eclectic album of strange audio collage, constructed songs with absurd twists in a Negativland or Plunderphonics mold.

Two EPs in one CD, 1st Blanketship's wonderful plunderphonic collage "The Sound of Fun...", and then a 35 minute work for People Like Us' WFMU radio show that ran in May 2008.

Borful Tang returns after a 3 year hiatus with this plunderphonic narrative work that cuts up vinyl, field recordings, Christian broadcasts and alien worshippers.

Borful Tang, the outer inter-dimensional exile, in a 2 CD set of live collaged field recordings, instrument recordings and dusty vinyl found-sound.

Producer and Gigante co-founder, Dominic Cramp, moves his plunderphonics into more melodic and beat driven territory with crumpled beats and fractured dubs over rolling hills of heavyweight bass.

A live performance at Judson Church in Manhattan as part of the 20th Vision Festival from the NY/France free improvising trio of Joelle Leandre on double bass, Mat Maneri on viola, and Gerald Cleaver on drums and percussion, two tracks of steadily building, incredibly compatible dialog.

Alarmed by the warning signs of social deterioration, political overreach and planetary damage warning of an imminent need for revolutionary change, composer and sound artist Michael Pisaro-Liu sought and plundered references in sound from historic and current sources, producing 53 tracks that are arranged to tell a story in a mosaic form; an incredible achievement.

A series of works from improvising DJ Lenar (Marcin Lenarczyk), using material from the large volumes of miniatures created by Polish Radio Experimental Studio (PRES) artist Eugeniusz Rudnik, transformed into new concrete compositions; in other words, reprising PRES.

Electro-psychedelic explorer Chester Hawkins presenting two live performances in Washington DC -- one recorded in isolation at Intangible Arts' studio (4th September 2018) and one in public at Rhizome community arts space (8th September 2018) -- improvised autopsies of Lutoslawski's String Quartet by means of three granular synth engines and one tape-edit/concrete emulator.

Beaks Plinth (Jared Blum) takes on a stack of organ-based records slowed to a dragging 16 2/3 and 81/3 rpms of all genres; Easy, Church, Jazz, Ice Skating music and more.

The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.

After working with clarinetist Monika Bugajny on his + album, composer & electronic artist Rutger Zuydervelt, aka Machinefabriek, joined again with Bugajny for a set of eight reconstructions of classical works from Debussy, Messiaen, Brahms, Stravinsky, &c., each reinterpreted work cleverly composed from Bugajny's recording of the original composition.