Quinsin Nachoff's disc on Songlines is a strangely striped cat. It has classical music claws with its string quartet of improvising musicians, but with the groovy padded feet of the drums and bass duo of Mark Helias and Jim Black, a pair of killer rhythmists. The combination of jazz trio (Nachoff, saxophone, Helias, bass and Black, drums) with string quartet (Nathalie Bonin and No�mi Racine Gaudreault, violin; Jean Ren�, viola; and Julie Trudeau, cello) makes for a very appealing cocktail, that goes down like a daiquiri, very subtle and elegant, but intoxicating nonetheless. Nachoff's soprano musings are earnest and whimsical, but I prefer the tenor, which he can play with a wider-ranging expressivity. The strings sound great; no surprise, since these are some of the best of the crossover musicians in Qu�bec. The voicings for the violins, viola and cello are creative and fresh, with mannerisms from "classical" quartet writing seamlessly integrated into a more jazz-oriented context (i.e. rhythmically plastic and blues-informed). Some tunes, sound like re-workings of standard jazz repertoire-e.g. "October" sounds like "'Round Midnight." "How Postmodern of Me" is, to these ears, the strongest cut, with its frenetic yet spot-on cross-cutting between grooves, styles, meters, tempi and textures. Most of the disc is, on first hearing, rather startling, with the confluence of dry string textures, the keening saxophone and the urban beats and bass, but this is music that starts from very polished and controlled composition but, happily, does not end there and develops via some risk-taking, yet beautiful playing.