The Squid's Ear Magazine


Rydberg (Werner Dafeldecker / Nicolas Bussmann): Rydberg (Monotype)

Rydberg was a Swedish physicist with a moon crater named after him, here celebrated by the the duo of Nicholas Bussmann (sampler, electronics) and Werner Dafeldecker (function generator, electronics) in an album blending ambient electronics and muted, guiding rhythms.
 

Price: $15.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Werner Dafeldecker-function generator, electronics

Nicolas Bussmann-sampler


Click an artist name above to see in-stock items for that artist.




UPC: 6908310927855

Label: Monotype
Catalog ID: mono092
Squidco Product Code: 21100

Format: CD
Condition: New
Released: 2015
Country: Poland
Packaging: Cardboard Gatefold
Recorded at Studio Beige in Berlin, Germany in 2013 and 2014.

Descriptions, Reviews, &c.

"Rydberg, I discovered, was a Swedish physicist who has both a highly regarded constant and a moon crater named for him. Here, it's the duo of Nicholas Bussmann (sampler, electronics) and Werner Dafeldecker (function generator, electronics). The first of three tracks, "Elevator", starts ingratiatingly enough, gentle faux-cello strums in an ambient soundscape, soon infiltrated by slow beats, which make for a kind of duet with that "cello", rather plaintive and attractive, slowly bleeding out into a hazier space, the beats still there but dissolving a bit. It's a lovely, complex location with much "minor" activity occurring--think a less fussy Radian. "Gardening" is a little jauntier, again, as in some of the music from Mirt, striking me as relating to investigations begun long ago by Jon Hassell. There's an interesting kind of discretion in play, the pair laying back, issuing new lines unaggressively (another sampled cello, if I'm not mistaken), allowing the steady but unplodding beat to absorb the various elements in stride, though it overstays its welcome a tad. In the final track, "And the Science", everything is given over to the beat and, to my ears, a pretty dull one, oppressively regular with tiresome synthed sock cymbals; the ornamentation with squelches and static can only do so much. It's very well produced, sounds great and has its charms but, obviously, will appeal to those who have more tolerance for regular beats than I do."-Brian Olewnick, Just Outside


Artist Biographies

"Werner Dafeldecker was born in Vienna in 1964 and studied the double bass which he plays with passion. As a musician, composer and sound artist he takes advantage of the manifold possibilities offered by electro-acoustics. His musical projects are often inspired and deduced by outside influences such as architecture, science, photography and film - partially resulting in the creation of graphical scores for various ensembles and instrumental performers. Werner also focuses on site specific projects, field recording and opposing natural and environmental sounds with synthetic variants. He has built up an extensive sound archive and created several electroacoustic pieces for radio and film. Around ninety sound-recordings are documenting his artistic framework. He held lectures and workshops presenting his work i.a. at University Bellas Artes-Madrid, Hochschule für Gestaltung-Karlsruhe, RMIT University-Melbourne and Edith Cowan University-Perth.

Commissions / Exhibitions / Performances:

Kammermusiktage Witten; Contemporary Arts Museum, Houston; Berliner Festspiele Maerz Musik Festival; Sound field Festival, Chicago; Festival Wien Modern; Festival Hörgänge, Wien; Centre Pompidou, Paris; Steirischer Herbst, Graz; What is Music Festival, Australia; International Music Festival, Vancouver; LMC Festival, London; Dundee Media Festival; Ultraschall Festival, Berlin; SWR; ORF; Salzburger Festspiele; Liquid Architecture Festival, Australia; Darmstädter Ferienkurse; Serralves Festival, Porto, ZKM, Karlsruhe; Museum of Contemprary Art, Zagreb; Museo Reina Sofia, Madrid; Gronland Kammermusikk Festival, Oslo; Festival Mikromusik, Berlin; Borealis Festival, Oslo; Akademie der Künste, Berlin; Klangspuren Schwaz, Tirol; Transmediale Festival, Berlin"

-Werner Dafeldecker Website (http://www.dafeldecker.net/information/biography-english.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Elevator 19:16

2. Gardening 7:27

3. And The Science 14:29

Related Categories of Interest:


Improvised Music
Electro-Acoustic
Duo Recordings
Electronica
New in Experimental & Electronic Music

Search for other titles on the label:
Monotype.


Recommended & Related Releases:
Polwechsel / Klaus Lang
Unseen
(ezz-thetics by Hat Hut Records Ltd)
The innovative acoustic free improvising ensemble Polwechsel, bridging contemporary music and free improvisation in ways that sound deceptively electroacoustic and comprised of Michael Moser on cello, Werner Dafeldecker on double bass, and Martin Brandlmayr & Burkhard Beins on cymbals & percussion, are joined by Klaus Lang performing on the church organ of St. Lambrecht's Abbey.
Polwechsel
Embrace [4 LP BOX SET]
(NI-VU-NI-CONNU)
BACK IN STOCK! The current Polwechsel quartet of Werner Dafeldecker, Michael Moser, Martin Brandlmayr and Burkhard Beins — merging improvisation and contemporary forms for outstandingly paced and conceptualized performance — are joined by luminaries John Butcher, Klaus Lang, Magda Mayas, Andrea Neumann and Peter Ablinger, released in a deluxe 4-LP box set with a 32-page booklet.
Polwechsel / Klaus Lang
Unseen
(ezz-thetics by Hat Hut Records Ltd)
The innovative acoustic free improvising ensemble Polwechsel, bridging contemporary music and free improvisation in ways that sound deceptively electroacoustic and comprised of Michael Moser on cello, Werner Dafeldecker on double bass, and Martin Brandlmayr & Burkhard Beins on cymbals & percussion, are joined by Klaus Lang performing on the church organ of St. Lambrecht's Abbey.
Moser, Michael
Resonant Cuts: (2 CDs AND BOOK)
(Edition Rz)
Book and 2 CDs documenting a 2010 concert and sound installation by Carsten Seiffarth and Michael Moser, with Polweschsel & guests (Burkhard Beins, Axel Dorner, &c) performing the concert.
Other Recommended Releases:
Rahma Quartet (Rasha Ragab / Christoph Nicolaus / Werner Dafeldecker / Lucio Capece)
"Mercy Is Called Down By Mercy To The Last" Live
(Meenna)
A multinational quartet based in Germany led by Egyptian artist Rasha Ragab who chose and recites the texts — poems from Persian mystic al-Hallaj (858-922 AD) — in this extended piece of sound-oriented instrumental compostions from Lucio Capece, who also performs on bass clarinet, in a quartet with Werner Dafeldecker on double bass and Christoph Niolaus on stone harp.
Mattin
Songbook #6 [VINYL]
(Munster Records, Insulin Addicted Records, CruditŽs Tapes)
Spanish sound artist and vocalist Mattin in his 6th "Songbook" album, performed with Farahnaz Hatam, Pan Daijing, Colin Hacklander, Werner Dafeldecker, and Dean Roberts, a vicious mix of essentially no-wave rock and experimental music, six songs at exactly six minutes each covering topics of the conflicts, confusion and frustrations of our modern age.
MIR 8 (Andrea Belfi / Werner Dafeldecker / Hilary Jeffery / Tim Wright)
Perihelion [VINYL]
(Shhpuma)
Mir 8 brings electroacoustic artists Andrea Belfi (drums/percussion), Werner Dafeldecker (electroncis, bass), Hilary Jeffrey (trombone) and Tim Wright (computer & electronics) together for their debut album of four cinematic tracks following an abstract narrative through panoramic landscapes.
Banabila, Michel
Tapu Sampler 2016
(Tapu Records)
Michel Banabila's excellent melodically experimental electroacoustic label Tapu in their 2016 double CD sampler, with tracks from Banabila, Asid & Banabila, Banabila & Van Geel, Banabila & Machinefabriek, Banabila & Erker, and Banabila/Erker/Samson.
Phillips, Simon James
Blage 3
(Mikroton Recordings)
A reduction of composer Simon James Phillips' 5 hour improvisation performed with Tony Buck (drums), Werner Dafeldecker (bass), BJ Nilsen (electronics), Liz Allbee (trumpet), Arthur Rother (guitar) & Simon James Phillips (piano) exploring time, perception and place.



Customers Who Bought This Item Also Bought:
Work, The
The Worst of Everywhere [2 CDs]
(Ultragash)
Originally released by Woof Records in 1982 on cassette, this double CD reissues an essential lo-fi document from The Work (Bill Gilonis, Mick Hobbs, Tim Hodgkinson and Rick Wilson) in live performances from gigs and rehearsals assembled in cut-up form, adding new pieces and expanding on others, joined at times by Catherine Jauniaux, Bob Ostertag, Chris Cutler, &c.
Franek, John
About The Color Of The Moon
(Edition Wandelweiser Records)
An album of evocative electronic and acousmatic soundscapes from German composer, electronic artist and keyboardist John Franek, who performs the four pieces on this album on organ and electronics, interweaving rich harmonics with stark tones, melding his sounds in slowly evolving interaction, like beams of light piercing peaceful atmospheres.
Jorgensmann / Del / Ramond / Kugel
At the Fields Edge
(Not Two)
Taking its album title and the titles for three compositions from poems by Laura Winter, the German jazz quartet led by clarinetist Theo Jörgensmann with Christopher Dell on vibes, Christian Ramond on double bass and Klaus Kugel on drums present an advanced example of modern creative, chamber-oriented collective free jazz with a stunning level of communication.
Banks / Canha / Porter / Taylor
Lost At Sea
(FMR)
Using as their inspiration the esthetic, soundscape and work of experimental Icelandic band Sigur Rós, the UK quartet of Dan Banks on piano, Jose Canha on bass, Trevor Taylor on drums and Robin Porter on saxophone present eight compositions written and arranged by pianist Banks, bringing the ethereal post-rock of Rós into the lyrical world of modern creative jazz.
Gianfratti, Antonio Panda / Marco Scarassatti / Otomo Yoshihide / Paulo Hartmann
Psychogeography, an Improvisational Derive
(Not Two)
Recorded at the 2017 Improfest (Festival Internacional de Improvisacao e Arte Sonora) in Sao Paulo, the quartet of Marco Scarassatti, Antonio Panda Gianfratti, Paulo Hartmann, & Otomo Yoshide bring viola de cocho, percussion, self-made instruments, turntable, guitar, and prepared chiquita to a superb concert of wide-ranging improvisations named by geographical location.
Hwang, Jason Kao (Filiano / Drury / Hwang / Forbes / Swell)
Sing House
(Euonymus Records)
Focusing on melody, rhythm, harmony, and texture, violinist/composer Jason Kao Hwang's Sing House employs a perceptive and swinging blend of Western and Eastern influences as his impressive band with Andrew Drury on drums, Ken Filiano on bass, Chris Forbes on piano, and Steve Swell on trombone present four lyrical, propulsive and wonderfully embraceable "songs".
Fujii, Satoko / Yuko Yamaoka
Diary 2005-2015: Tuko Yamaoka plays the music of Satoko Fujii [2 CDs]
(Libra)
A double CD of Satoko Fujii compositions, 56 short compositions from a series she started around 2005 to expand her skills as a composer, many of which fueled her many band's repertoires; in 2018 she asked respected classical pianist and educator Yuko Yamaoka to record this set of compositions as part of her 60th birthday monthly album set.
Hawkins, Chester
Magnetisk Nord
(Intangible Arts)
Chester Hawkins' curiosity for Denmark resulted in his renting an apartment in central Kobenhavn, bringing along his electronically modified lapsteel guitar, wind and reed instruments, tabletop noise-boxes, mobile synthesizer apps and a shortwave radio, which he joined with field recordings from the capital region, creating this magnificent loveletter to Denmark.
Opalio, Roberto
Once You'll Touch The Sky You Will Never Return To Dust
(Opax Records / Elliptical Noise)
Half of the Italian improvising duo My Cat Is an Alien, Roberto Opalio uses prepared mini-keyboard, handmade shortwave receiver, alientronics, and vocalizations to create this improvised prelude and statement, a shifting work that draws the listener into mesmerizing sonic environments of alien origin and transports them deceptively between ringing and textured vistas.
Meloche, Chris / Martin Archer / Gino Robair / Lyn Hodnett
The Sincerity Of Light
(Discus)
The quartet of Canadian electronics composer Chris Meloche and label leader Martin Archer on woodwinds and electronics orchestrated these pieces, performed with improvsations from Gino Robair on percussion and electronics and Lyn Hodnett on voice, for a 3 part work of rich interactive loops, drones and soundscape, ranging from spine-chilling to lush and lovely environments.
Battus / Gauguet / La Casa
Chantier 4
(Swarming)
Using the building site of the Paris Philharmonie as their source location and inspiration, the trio of Pascal Battus using found objects, Bertrand Gauget on saxophone, and Eric La Casa on microphones, improvise and record the background sounds, machines, and environmental influences, using those recordings to create these three fascinating compositions.
Bruun's, Peter All Too Human (w/ Tranberg / Ducret / Toldam)
Vernacular Avant-garde
(Ayler)
Copenhagen drummer Peter Bruun leads a band with guitarist Marc Ducret, trumpeter Kasper Tranberg and synth player Simon Toldam, and upbeat electric free jazz album of powerful intent and compelling compositions performing melodic and insightful compositions, the band well acquainted from work on Ducret's own albums and with Samuel Blaser; recommended.
Hall's, Ben Racehorse Names (w/ Joe Morris)
The New Favorite Thing Called Breathing
(Relative Pitch)
Out and unusual compositions from drummer Ben Hall and his sextet with Mick Dobday on electric piano & organ, Anthony Levin Decanini on electronics, Ronnie Zawadi on percussion, John Dierker on reeds, Mike Khoury on viola & violin, and joined by Joe Morris on guitar, for 6 "Spines", free compositions using odd compositional structures leading to superb solo and group playing.
Meier, Hermann
Works For Piano 1949 - 1987 [2 CDs]
(Edition Wandelweiser Records)
German pianist Dominik Blum presents his second album for the Wandelweiser label, performing a selection of compositions from Swiss composer Hermann Meier (1906-2002), whose forward-looking work with reduced scores, modern use of time and space, and graphics scores in compositions pre-dating Messiaen, Stockhausen, Boulez, &c. that are only recently being rediscovered.
Sinton, Josh
Krasa
(Irabbagast)
New York reedist Josh Sinton takes the contrabass clarinet on a wild ride, performing live with no overdubs, using clip-on mics, a mixing board, a sans amp box, a volume pedal, and a bass amp, as he explores sonic possibilities and unexpected directions for this big reed instrument in his quest to redefine the old Slavic word for beauty or splendor: krasa.
Eye Contact (Heyner / Sawyer / Lavelle)
War Rug
(KMB Jazz)
The New York free improvising trio of Matthew Heyner (Test, Malkuth) on bass, Matt Lavelle on trumpet and clarinet and Ryan Sawyer (Tall Firs, Stars Like Fleas) on drums in the follow-up to their 2005 Utech double CD "Embracing The Tide / Making Eye Contact With God", an impressive release of expressive technique and ritualistic drive.
Lavelle, Matt
Cuica In The Third House
(KMB Jazz)
The 2007 solo debut of New York free improvising trumpeter Matt Lavelle, here performing on the hybrid instruments, the Bass-Trumpinet and Bass-Clarumpet, introduced and punctuated with spoken word insight and declarations, and using overdubs on selected tracks, making for an intimate and accomplished album of modern free jazz.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC