"Following interacting points within expanding harmonic space, Catherine Lamb has devoted her structural work to the inner life of tonality, constantly searching through the limits of human perceptions and resonances in overlaying atmospheres.

Lamb's continued series Prisma Interius (2016-ongoing), made with her partner and frequent collaborator Bryan Eubanks, filters the outside environment into a harmonic field, basso continuo, tanpura, or bridge between the musical form and the perceptual listening space. Her first orchestral work, Portions Transparent/Opaque (2014), was premiered by the BBC Scottish Symphony Orchestra at the 2014 Tectonics Festival in Glasgow, Scotland. After an extended tour of her solo work Shade/Gradient (2012) through North America in 2012, Lamb received a travel grant from the Henry Cowell Foundation, allowing her to pursue work with Eliane Radigue and to form new relationships with European musicians.Earlier in her career, Lamb studied under composers James Tenney and Michael Pisaro at the California Institute of the Arts, where she also met director and dhrupadi Mani Kaul. It was during this time that she began diving deeply into her own practice of what she later termed "the interaction of tone."

Lamb is the co-founder of Singing by Numbers (2009-11), an experimental vocal ensemble formed with Laura Steenberge that focused on pedagogical research around pure ratio tuning. She has written for ensembles such as Ensemble Dedalus, Konzert Minimal, the London Contemporary Orchestra, NeoN, Plus/Minus, and Yarn/Wire. Lamb is involved in ongoing research with Marc Sabat on intonation; with Johnny Chang on Viola Torros; develops work regularly with musicians such as Rebecca Lane, Dafne Vincente-Sandova, and Frank Reinecke; as well as taking part in Triangulum with Julia Holter and Laura Steenberge.

Lamb is the recipient of a fellowship from Akademie Schloss Solitude (2016); an Emerging Composers Grant from the Wallace Alexander Gerbode and William and Flora Hewlett Foundations (2008-09); and was a Staubach Fellow at the International Summer Course for New Music in Darmstadt, Germany (2016). Lamb's writings and recordings have been published by another timbre, Black Pollen Press, Kunst Musik, NEOS, THE OPEN SPACE Magazine, Q-O2, sacred realism, and winds measure recordings.She received a B.M. from California Institute of the Arts, and an M.F.A. in music/sound from Bard College."

"Berlin-based composer-performer Johnny Chang engages in extended explorations surrounding the relationships of sound/silence and the in-between areas of improvisation, composition, performance and listening. Current collaborations/projects include: Antoine Beuger, Alessandro Bossetti, Lucio Capece, Olivier Di Placido, Jürg Frey, Chris Heenan, Christian Kesten, Annette Krebs, Luke Munn, Koen Nutters, Michael Pisaro, Derek Shirley."

"Xavier Lopez (born 1981, Perpignan, France) is a multi-instrumentalist currently based in Paris. He studied saxophone, piano and drums at Perpignan's conservatory before moving to Amsterdam in 2002, where he studied jazz and classical music. He moved to Paris in 2006. Today Lopez performs electroacoustic music either solo or as half of the duo Chance."

Rebecca Lane is a flute and bass flute performer from Melbourne who is currently based in Berlin.

"Lucy Railton is a British cellist and composer whose work bridges experimental electronic and electroacoustic practices with modern classical composition and performance. Since graduating from the Royal Academy of Music in 2008, Railton has worked as a cofounder and director of the London Contemporary Music Festival, played with electronic producers as varied as Peter Zinovieff and Beatrice Dillon and performed works by avant-garde artists such as Iannis Xenakis and Morton Feldman. In March 2018, she released her debut solo album, Paradise 94, on the Modern Love label. As she explores her interest in electroacoustic music, improvisation and modified cello, Railton's sound is an absorbing, often extreme examination of the potential of an acoustic instrument."

"Jon Heilbron is an Australian Double Bass player, improviser and composer, working within the areas of contemporary classical, improvised and experimental music. Jon has performed both as a soloist and with various groups in Australia, Germany, the United Kingdom, Argentina, Denmark, Israel, Russia, Norway, Austria and Singapore.

As an interpreter of contemporary music, he has performed with Klangforum Wien (Austria), Apartment House (UK), Kammerensemble Neue Musik (Germany), An Assembly (UK), Ensemble Soundinitiative (France) Konzert Minimal (Germany) and Ensemble Schallfeld (Austria).

He has presented music at festivals including the Darmstädter Ferienkürse (Germany), Archipel Geneva (Switzerland), Wien Modern (Austria), Manifeste Paris (France), the Impuls festival, Graz (Austria), The Bendigo International Festival of Exploratory Music (Australia), SpinaFest in St. Petersburg (Russia) and the Multiversal Festival in Copenhagen (Denmark).

He is active within improvised and experimental music with his collaborative groups Ellipsis, Arches, DRUM and doubleFRAU, and is the founder of the Phonetic Orchestra, an ensemble made up of some of Melbourne's most innovative emerging Improvisers, composers and performers."

"Joseph Houston is a British pianist active in the fields of contemporary and experimental music. Based in Berlin, Joseph performs regularly in festivals and venues across Europe both as a soloist and with other artists. He particularly enjoys projects which involve collaborating closely with composers and other performers, including recently with: Christian Wolff, Lore Lixenberg, Louis D'Heudieres, Rolf Hind, Nomi Epstein, Mark Barden, Stephen Crowe, Catherine Lamb, and Christian Mason. He is principal pianist with the Octandre Ensemble, a London-based new music group focusing on music written since 1945.

Joseph aims to curate unique and immersive programmes that combine works from various musical genres, generating a whole that is bigger than the sum of its parts, while involving himself as much as possible in the compositional process of new commissions. He believes music is fundamentally collaborative and is particularly interested in works that challenge the traditional composer-performer-listener triangle; new or unusual notation practices; and pieces that intensely explore the sonic possibilities of the instrument. He works on a project-by-project basis, building programmes that explore these ideas.

After undergraduate studies at the University of York - receiving a first-class BA in Music and the Wilfrid Mellers Prize for outstanding academic achievement - Joseph attended the Royal College of Music, London, where he was awarded the Frank Merrick Prize, 2nd Prize in the Beethoven Piano Competition, and an MMus in Advanced Performance with distinction.

Soon after leaving the RCM he was selected for Making Music's Philip and Dorothy Green Award for young concert artists; received 2nd Prize in the British Contemporary Piano Competition; won a Help Musicians UK 'Emerging Excellence' award; and gained a place on City Music Foundation's young artist scheme. He was also chosen as a Park Lane Group Young Artist in 2013, which led to his debut solo recitals at the Purcell Room and Wigmore Hall, performing works by Scriabin, Michael Zev Gordon, Beethoven, Thomas Simaku, Charlotte Bray, Colin Matthews, and Debussy. Joseph has performed as a soloist with various orchestras, playing music ranging from Brahms' 1st Piano Concerto and Tchaikovsky's 1st Piano Concerto, to Messiaen's 'Turangalîla-Symphonie' and John Cage's 'Concert for Piano and Orchestra'. In recent years he has performed all over Europe at venues and festivals such as the Akademie der Künste (Berlin), Ухо Festival (Kiev, Ukraine), the BBC Proms, Summartónar Festival (Faroe Islands), and Lilles Piano(s) Festival. His playing has been broadcast on BBC Radio 3, 4, and 6 Music, Radio Cemat Rome, France Musique, SWR2, and SRF Radio.

Recent performances include Cat Lamb's 'Prisma Interius VIII' at the Berlin Biennale, duos with Sarah Saviet (violin) at Radialsystem as part of Sasha Waltz's ZUHÖREN, and solo performances at Donaueschinger Musiktage 2019. Future projects include a CD of Thomas Simaku's chamber music with Quartor Diotima, to be released on BIS; a portrait CD of composer Mark Barden, to be released on WERGO; and performances throughout 2020 of Feldman's 'Patterns in a Chromatic Field' with Lucy Railton in Berlin, Paris, Copenhagen, and London."

"Xavier Lopez (born 1981, Perpignan, France) is a multi-instrumentalist currently based in Paris. He studied saxophone, piano and drums at Perpignan's conservatory before moving to Amsterdam in 2002, where he studied jazz and classical music. He moved to Paris in 2006. Today Lopez performs electroacoustic music either solo or as half of the duo Chance."