The Squid's Ear Magazine
Nov 29 - Dec 1: Blue Squid / Black Friday Sale
Save 5% - 15% on all new and used items!




Duplant, Bruno / Seth Nehil: The Memory Of Things (Sublime Retreat)

An immersive and often explosive set of dark compositions from Seth Nehil & Bruno Duplant, blending field recordings, electronics, percussion and percussive objects into a controlled chaos of inexplicably murky and uncategorizable sounds, at times like a surreal firework display, or inserted into a complex machine on the verge of collapse, all imbued with a consistent resonant hue.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Seth Nehil-composer, performer

Bruno Duplant-composer, performer


Click an artist name above to see in-stock items for that artist.




Label: Sublime Retreat
Catalog ID: SR013
Squidco Product Code: 32781

Format: CD
Condition: New
Released: 2022
Country: Poland
Packaging: Cardstock Sleeve, sealed

Descriptions, Reviews, &c.

"The sound materials of "the memory of things" appear to emerge from a time that does not exist, or has yet to exist. It is not the memories themselves that are important, but the way we connect them: we tangle, we weave, we classify by improbable, sometimes unheard intervals. Selvedges are crossed and paths are traced. Our attention is drawn to the noise heard just behind us. Things' memories are forming a time capsule. We build a memorial and sound structure by piling one layer of the present on top of another. It is a landscape with immediate depth to which our ears remain attentive."-Frederic Tentelier



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Seth Nehil (b. 1973) is an american visual, performance and sound artist. He started to work with sound around 1990 using found objects and instruments, old records, reel-to-reel machines, discarded magnetic tape and other detritus.

Then, Alial Straa was formed in 1994 by John Grzinich and Seth Nehil as a studio project involving Grzinich's handmade amplified piano wire instruments and Nehil's analogue tape treatments and instruments. The heart of Straa music is the topographical contour of an immense plain - a 'balanced field'.

He also worked with N D magazine from 1995-2000 as a writer and artistic contributor. He received a BA in studio art from the University of Texas at Austin in 1998 and now resides in Portland, Oregon where he works as a teacher's assistant in a Montessori elementary classroom. He currently continues collaborations with John Grzinich, Olivia Block and Michael Northam in sound, performance and organization."

-Seth Nehil Website (https://sethnehil.net/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Bruno Duplant is a composer, improviser and multi-instrumentist (double bass, percussion, electronics, phonography...) living in the north of France. He has collaborated with lot of instrumentalists around the globe and has also made solo works for such labels as B-Boim, Engraved Glass, Peira, Ilse, Impulsive Habitat, Con-v, Unfathomless, Et le feu comme matière formatable technologiquement, Audiotong, Insubordinations and his own label curated with Pedro Chambel, Rhizome.s...

For him, composing, playing, improvising music is like imagining, creating and sometimes decomposing new spaces/realities, new entities. But it is also a reflection on 'memory', not the historic one, but a memory of all things, spaces & moments.

His new works, mostly based on phonographies & graphic scores, perfectly reflect that."

-Another Timbre (http://www.anothertimbre.com/az8.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. The Memory Of Things 11:00

2. Souvenirs (And Other Unimportant Things) 13:50

3. The Limits Of The Sea 13:50Cardstock Sleeve, sealed

Related Categories of Interest:


Electro-Acoustic
Improvised Music
Free Improvisation
Electro-Acoustic Improv
Sound, Noise, &c.
Duo Recordings
European Improvisation, Composition and Experimental Forms
Staff Picks & Recommended Items
New in Experimental & Electronic Music
Recent Releases and Best Sellers

Search for other titles on the label:
Sublime Retreat.


Recommended & Related Releases:
Duplant, Bruno
Paysages Sans Age III
(Sublime Retreat)
Two encompassing and tranquil works of sound from French composer Bruno Duplant, the album title translating to Ageless Landscapes as Duplant envisions two terrains through slow motion tones, piano and synthetics, evocatively described in an accompanying poem that conjures expansive fog, blurred trees, hawks slowly spiraling, a history in a hillside.
Other Recommended Releases:
Sheffield, Colin Andrew
Moments Lost
(Sublime Retreat)
Debuting at the Molten Plains Festival 2023, Colin Andrew Sheffield's work blends manipulated samples from vintage soundtrack LPs into an abstract plunderphonic symphony; using layered loops, ambient drones, and vinyl surface noise, creating a haunting sonic collage of deconstructed melodies and textures, fusing past and present in a dream-like exploration of hidden secrets and lost moments.
Deasy, Johnathan
Le Sacre
(Sublime Retreat)
Unfolding as a deep listening experience with slowly oscillating sine waves created through SuperCollider, Jonathan Deasy's hour-long drone composition blends digital artistry with warmth, evoking orchestral textures reminiscent of processed cello or trombone with ascending and descending notes, creating a dramatic yet slow-moving, dark and spacious soundscape.
Modelbau
Extricate
(Sublime Retreat)
Monteiro, Alfredo Costa
Transient Spaces as Impermanent Lines
(Sublime Retreat)
Unfolding as a sonic drift through varied sound atmospheres, Alfredo Costa Monteiro's large sonic canvas creates a narrative akin to a psychogeographical wander that evokes emotional states of disorientation; inspired by found footage techniques in cinema, it serves as a "cinema for the ear," where found sounds stripped of context form an immersive, unpredictable auditory journey.
Innovative Landscapes Laboratory
Spontaneous Dimensions
(Sublime Retreat)
Duplant, Bruno / Rutger Zuydervelt
Edge Of Oblivion
(Machinefabriek)
The third collaboration between sound and electronic artists Bruno Duplant and Rutger Zuydervelt (Machinefabriek) is a darkly heavy and dramatic work of subtle motion that slowly unfolds and shifts through vast sonic environments, fueled by acousmatic sources that take the listener to the edge of darkness and then pulls them back in warm waves or rich ambiance.
Olsen, Lance Austin / Bruno Duplant
Coincidence
(Ftarri)
A single extended duo performance from improviser, composer and leader of the Infrequency Editions label, Lance Austin Olsen, performing on guitar, field recordings, wax cylinder recordings, MIDI organ & amplified objects, along with French pianist, composer and improviser Bruno Duplant, also credited with "sounds", a moody and tense work that meticulously uses innuendo and space.
Vehicule
Aubusson
(Sublime Retreat)
A diverse set of compositions spanning dreamlike aural landscapes, petite songs and assertive experiments of rich sound, in the fourth album from French sound artist Sylvain Milliot under the project name Véhicule, developed from improvised recordings that were then developed in the studio, each piece fitting together in a larger and aurally satisfying framework.
Dead Mauriacs, The
Le Parc, rapport d'observations
(Sublime Retreat)
The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.
Deli Kuvveti
In the Summer Dusk
(Sublime Retreat)
The title an excellent reflection of the work, Seattle-based, Turkish-born Deli Kuvveti developed these two works that flow into each other to create an absorbing impression of a serene summer evening with dark undertones, using a granular synthesis configuration that creates movement through textured sounds, creating two complex and highly detailed narratives.
Cammisa, Edoardo
io_u,E
(Sublime Retreat)
Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.
Vales, David
Beta Vulgaris
(Sublime Retreat)
Working with sound and the relationship to food, crops, and the culinary identity of communities, Beta Vulgaris, (the latin name of the common beet) was composed by Bogota, Columbia born David Velez, a PhD graduate in Sound Art from the University of Huddersfield, who used these specific tones to stimulate the growth of beetroot in the garden of the Modern Art Museum in Medellin.
Belorukov, Ilia
Someone Has Always Come
(Sublime Retreat)
The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece.
Zenial
Lancelot's Delusions
(Sublime Retreat)
The music project of Polish sound explorer Lukasz Szaankiewicz is Zenial, merging minimal ambient and micro-sounds with field recordings and a sense of skewed motion, creating long-form virtual journeys through strange environments, or in rich textures of a dark night accompanied by slowly moving tones, his years of experience heard through exceptional sonic qualities.
Duplant, Bruno
Le Jour D'apres
(Sublime Retreat)
A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.
Vandromme, Guy / Bruno Duplant
l'infini des possibles (12 etudes pour piano) [2 CDs]
(elsewhere)
Twelve etudes for solo piano by French composer Bruno Duplant and interpreted by pianist Guy Vandromme, each etude consisting of eight lines of lowercase letters a-g representing white keys, with accents, uppercase shifts, apostrophes, &c. affecting those letters, the performer given an "infinity of possibilities" through choices of combinations and repetions of the score.
Duplant, Bruno / Pierre Gerard
Soleil Clandestin
(Edition Wandelweiser Records)
Five "Soleil Clandestin" soundscapes using abstract voice, guitar, electronics, field recordings & percussion from sound artists Bruno Duplant and Pierre Gerard, on the surface peaceful, minimal and using space and silence, but buried inside are disquieting additions through vocal abstractions placed in unusual position to the sound; curious and captivating.
Duplant, Bruno
Deux Songes (Les Jours Sont Faits Pour Expliquer Les Nuits)
(Meenna)
Two beautifully subtle works for an ensemble of strings and electric piano from French composer Bruno Duplant, realized by the Boston-based Ordinary Affects ensemble or Jordan Dykstra, Morgan Evans-Weiler, JPA Falzone, Luke Martin and Ashley Frith, the first a quintet and the second a string quartet, creating illusory affects of motion and space through abstraction.
Wadham, Rachael / Philippe Lenglet / Bruno Duplant
everydayisagoodday
(Confront)
Starting from John Cage's Zen quote--"Every day is a good day"--the trio of Rachael Wadham on piano, Philippe Lenglet on acoustic guitar and cithar (a type of harp), and contrabass, recorded these improvisations approaching their instruments not for melodies but as tools for experimentation, from which this trio finds a wealth of inventive sound.



Customers Who Bought This Item Also Bought:
Gleaming Shard (Wang / Bryerton)
Mirrors in Light Diamonds
(Balance Point Acoustics)
Sculpted sonics through prepared guitars, electronics, synthetics, drums, gongs, metal and percussion, the Chicago duo Gleaming Shards of guitarist Da Wei Wang and drummer Jerome Bryerton, both veterans of improvisation, experimental and avant rock groups, evoke the album title and group name through shimmering and subtly shifting expanses of sound and punctuated movement.
Lyle, K. Curtis / George R. Sams / Ra Kalam Bob Moses
29 Birds You Never Heard
(Balance Point Acoustics)
Powerful free improvisation led by the words of poet K. Curtis Lyle, known for his work with Julius Hemphill, part of a sextet with trumpeter George R. Sams, a member of United Front, two double bassists — Adi Bu Dharma Joshua Weinstein and Damon Smith — and two percussionists — Henry Claude and Ra Kalaam Bob Moses — in a gatefold CD with a 10-page booklet of related poems from K.Curtis Lyle.
Parker, William / Cooper-Moore / Hamid Drake
Heart Trio
(Aum Fidelity)
A mesmerizing and organically spiritual album of collective improv from three global travelers based around the NY and Chicago scenes--long-time collaborators William Parker, Cooper-Moore and Hamid Drake--their instrumentation on this beautiful album also uniquely global, including doson ngoni, shakuhachi, bass dudek, Serbian flute, Ney flute, ashimba, hoe-handle harp and frame drum.
Brown, Marion
Three For Shepp to Gesprachsfetzen Revisited
(ezz-thetics by Hat Hut Records Ltd)
Remastering and restoring Marion Brown's 1967 Impulse! album with Grachan Moncure III, Dave Burrel, Stanley Cowell, Sirone, Beaver Harris & Bobby Capp, and his 1968 album on the Calig label with Gunter Hampel, Steve McCall, Ambrosa Jackson & Buschi Niedergall; two albums of essential "New Thing" work through fascinating composed forms by Brown, plus Archie Shepps' "Delicado"; essential.
Sijstermans, Germaine
Betula [2 CDs]
(elsewhere)
The solo debut album from Dutch composer & clarinetist Germaine Sijstermans: seven recent contemplative works in a Wandelweiser vein, composed between 2017-2019 and performed with six exemplary and complementary performers: Antoine Beuger (concert flute), Rishin Singh (trombone), Johnny Chang (viola), Fredrik Rasten (guitar, ebow), and Leo Svirsky (accordion).
Di Domenico, Giovanni / Silvia Tarozzi / Emmanuel Holterbach
L'Occhio Del Vedere
(elsewhere)
During an artistic residency at the GMEA in Albi, France, composer & pianist Giovanni Di Domenico recorded with the trio of violinist Silvia Tarozzi and percussionist Emmannuel Holterbach performing on a large frame drum, completing the piece into this mysteriously insinuating and lovely triptych where sparse melodies emerge & submerge into a multidimensional expanse.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC