The Squid's Ear Magazine


Belorukov, Ilia: Someone Has Always Come (Sublime Retreat)

The third in Ilia Belorukov's series of electroacoustic compositions on Spina!Rec and Moving Furniture, here in a set of four compositions, each presenting detailed layers of acoustic and electronic instrumentation and field recordings captured throughout Europe and Russia, carefully placed over heavily laden synthetic drones that guide the motion of each piece.
 

Price: $12.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units


EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





product information:

Personnel:



Ilia Belorukov-composer, performer


Click an artist name above to see in-stock items for that artist.




Label: Sublime Retreat
Catalog ID: SR008
Squidco Product Code: 32784

Format: CD
Condition: New
Released: 2022
Country: Poland
Packaging: Cardboard Gatefold
Recorded 2017-2020.

Descriptions, Reviews, &c.

"Someone Has Always Come is a third album by Ilia Belorukov in a series started with There Was Hardly Anybody There (Spina!Rec, 2016) and followed by Nobody Ever Escaped From There (Moving Furniture Records, 2018).

In the new works Ilia combines diverse sound sources to create idiosyncratic electro-acoustic compositions. In 4 tracks you can hear elements of musique concrète, drone, ambient and virtual soundscapes based on field recordings, but these compositions are unique sonic worlds in themselves, transcending the boundaries of any particular genre.

The whole list of instrumentation used: 0-coast, modular synthesizer, korg electribe amkII, vcv rack,electric organ, axolotl, electromagnetic pickup, vinyl samples, ppooll, flutophone, alto saxophone, effects pedals, nord drum 2, field recordings on sony pcm-m10, zoom h2n, sansa clip in Saint-Petersburg, Moscow, Yaroslavl, Nizhny Novgorod, Berlin, Zurich, Helsinki, Biel/Bienne, Tarasovskaya.

About Ilia Belorukov

Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He's a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments. Also he is a founder of Intonema label (www.intonema.org) and one of curators of Spina!rec label (spinarec.bandcamp.com). Organizer of events in Russia, co-organizer of the SpinaFest and Teni Zvuka festivals in Saint-Petersburg. He writes reviews for his own blog on Syg.ma, was reviewer of Contemporary Music, Music & Time, Topot and GEZeta journals.

Ilia had played with such musicians as Keith Rowe, Alfredo Costa Monteiro, David Stackenas, Radu Malfatti, Lucio Capece, Jason Kahn, Birgit Ulher, Ignaz Schick, Jonas Kocher, Gaudenz Badrutt, Stefan Thut, Arturas Bumsteinas, Thomas Buckner, Bryan Eubanks, Jack Wright, Andrew Drury, Andrey Popovskiy, Alexei Borisov, Kurt Liedwart and many others. Released his works on labels Moving Furniture Records, Copy For Your Records, Ilse, Cabin Floor Esoterica (USA), Hideous Replica (UK), Creative Sources (Portugal), QuasiPop (Ukraine), 1000fussler (Germany), Mikroton, Intonema, Spina!Rec (Russia) and many others.

He participated in various festivals: SKIF, Teni Zvuka, Aposition, ReMusik (Saint-Petersburg); Noise & Fury, Long Arms, Tilde 2, RichterFest (Moscow); Budapest Spring Festival (Budapest); Gogolfest (Kiev); Jauna Muzika (Vilnius & Klaipeda); Angelica (Bologna); Baba Fest (Rome); Altera Festival (Naples); Jazz Bez (Lvov); John Cage Year (Lublin); Theses (Kemerovo); Helsinki City Festival, Chance Meeting (Helsinki); Mozg Festival (Bydgoszcz); MEX25 (Dortmund); SKOP Festival (Frankfurt); Wien Modern (Vienna) etc.



"Evidence suggests that Ilia Belorukov is allergic to idleness. Besides running the Intonema label and playing reeds with improvisers, including Birgit Ulher, David Stackenas, Vasco Trilla and Jason Kahn, he pursues a sideline in bleakly atmospheric electronic music. Someone Has Always Come slots into the latter category. The album projects a massive presence, with long, low tones looming like moisture-burdened cloudbanks seen just before dusk. Squint with your ears, however, and you'll hear a lot more happening, although it's not always clear what it is. Electrical sounds sizzle and pulse, and radio captures mutter, flickering deep in the murk. Chase them with your ears, and you'll happen upon another layer of sound, mostly collected on Russian streets and train platforms. Turn it up loud enough for everything to register and you'll find yourself feeling very small indeed."-Bill Meyer, Dusted Magazine



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Get additional information at Dusted

Artist Biographies

"Ilia Belorukov is a musician from Saint-Petersburg, Russia. He works in the directions of improvised, noise and electroacoustic music. He's a member of different projects with local and foreign musicians. He collaborates with artists who work in other musical directions (from hardcore and metal to academic contemporary music); with dancers and painters; with theater. Ilia practices an experimental approach of sound extraction on alto saxophone with objects, uses electronics and other instruments. Also he is a founder of Intonema label (www.intonema.org) and one of curators of Spina!rec label (www.spinarec.bandcamp.com). Organizer of events in Russia, co-organizer of the SpinaFest and Teni Zvuka festivals in Saint-Petersburg. He writes reviews for his own blog on Syg.ma, was reviewer of Contemporary Music, Music & Time, Topot and GEZeta journals.

Ilia had played with such musicians as Keith Rowe, Alfredo Costa Monteiro, David Stackenas, Radu Malfatti, Lucio Capece, Jason Kahn, Birgit Ulher, Ignaz Schick, Jonas Kocher, Gaudenz Badrutt, Stefan Thut, Arturas Bumsteinas, Thomas Buckner, Bryan Eubanks, Jack Wright, Andrew Drury, Andrey Popovskiy, Alexei Borisov, Kurt Liedwart and many others. Released his works on labels Copy For Your Records, Ilse, Cabin Floor Esoterica (USA), Hideous Replica (UK), Creative Sources (Portugal), QuasiPop (Ukraine), 1000fussler (Germany), Mikroton, Intonema, Spina!Rec (Russia) and many others.

He participated in various festivals: SKIF, Teni Zvuka, Aposition, ReMusik (Saint-Petersburg); Noise & Fury, Long Arms, Tilde 2 (Moscow); Budapest Spring Festival (Budapest); Gogolfest (Kiev); Jauna Muzika (Vilnius & Klaipeda); Angelica (Bologna); Baba Fest (Rome); Altera Festival (Naples); Jazz Bez (Lvov); John Cage Year (Lublin); Theses (Kemerovo); Helsinki City Festival, Chance Meeting (Helsinki) etc."

-Ilia Belorukov Website (http://belorukov.blogspot.com/p/bio_8023.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. If He Had Been There He Could Not Have Seen 7:16

2. He Stood There For A Bit 9:04

3. Nobody Stirring 8:00

4. It Could Have Been Anybody 8:40

Related Categories of Interest:


Electro-Acoustic
Organized Sound and Sample Based Music
Compositional Forms
Electroacoustic Composition
Sound, Noise, &c.
Field Recordings
Solo Artist Recordings
Staff Picks & Recommended Items
New in Experimental & Electronic Music
Recent Releases and Best Sellers

Search for other titles on the label:
Sublime Retreat.


Recommended & Related Releases:
Belorukov, Ilia / Gabriel Ferrandini
Sculptor
(Tripticks Tapes)
Red Trio drummer Gabriel Ferrandini joins alto saxophonist Ilia Belorukov for a three-part freely improvised set captured live at Masterskaya Anikushina, in St. Petersberg, Russia, the former workspace of architect Mikhail Anikushin, a large space that creates a unique resonance that the two improvisers take advantage of through insistent yet discerningly constrained dialog.
Belorukov, Ilia / Gabriel Ferrandini
Disquiet
(Clean Feed)
Saint Petersburg alto saxophonist Ilia Belorukov and Lisbon drummer Gabriel Ferrandini in a studio album uniting two continents through exploratory free improvisation of exemplary skill and intense concentrative discourse, bringing Belorukov's creative approach to the instrument in close conversation with Ferrandini's powerful technique and clever interventions.
Zuydervelt, Rutger (w/ Ilia Belorukov / Rene Aquarius)
The Red Soul
(Sofa)
Music for the movie "The Red Soul" by Jessica Gorter, a chilling and fascinating look at the legacy of Josef Stalin, from an electroacoustic trio of Rutger Zuydervelt (Machinefabriek) editing and processing the playing of saxophonist Ilia Belorukov and percussionist Rene Aquarius, a dark and muted set of 14 emotional tracks that reflect a dark history.
Belorukov, Ilia / Kurt Liedwart / Abdul Moimeme / Ernesto Rodrigues
Kletka
(Creative Sources)
Creative Sources regulars Ernesto Rodrigues on viola and Abdul Moimeme on electric guitar join the long-running duo of alto saxophonist Ilia Belorukov and electronics artist and Mikroton label-leader Kurt Liedwart to record these two lowercase electroacoustic improvisations, transmuting acoustic and electronic sound in both stark and subdued ways.
Moslang, Norbert / Ilia Belorukov / Kurt Liedwart
sale_interiora
(Mikroton Recordings)
Live recordings from the Dom Cultural Center in Moscow by the trio of Norbert Moslang on cracked everyday-electronics, Ilia Belorukov on sax, electronics & laptop, and Kurt Liedwart on analog synthesizer, electronics, ppooll, superb ea-improv balancing reserve and cracked power.
Other Recommended Releases:
Sheffield, Colin Andrew
Moments Lost
(Sublime Retreat)
Debuting at the Molten Plains Festival 2023, Colin Andrew Sheffield's work blends manipulated samples from vintage soundtrack LPs into an abstract plunderphonic symphony; using layered loops, ambient drones, and vinyl surface noise, creating a haunting sonic collage of deconstructed melodies and textures, fusing past and present in a dream-like exploration of hidden secrets and lost moments.
Deasy, Johnathan
Le Sacre
(Sublime Retreat)
Unfolding as a deep listening experience with slowly oscillating sine waves created through SuperCollider, Jonathan Deasy's hour-long drone composition blends digital artistry with warmth, evoking orchestral textures reminiscent of processed cello or trombone with ascending and descending notes, creating a dramatic yet slow-moving, dark and spacious soundscape.
Modelbau
Extricate
(Sublime Retreat)
Monteiro, Alfredo Costa
Transient Spaces as Impermanent Lines
(Sublime Retreat)
Unfolding as a sonic drift through varied sound atmospheres, Alfredo Costa Monteiro's large sonic canvas creates a narrative akin to a psychogeographical wander that evokes emotional states of disorientation; inspired by found footage techniques in cinema, it serves as a "cinema for the ear," where found sounds stripped of context form an immersive, unpredictable auditory journey.
Innovative Landscapes Laboratory
Spontaneous Dimensions
(Sublime Retreat)
Salter Ensemble (Belorukov / Harnik / Kocher / Grom / Beiner / Klammer / Kutin / Lang / Tomazin / Badrutt)
Tri Dela
(Bruit Editions / Zavod Sploh)
Operating on the border between free improvisation and composition, the international electro-acoustic ensemble Šalter Ensemble present three incredible works composed by members of the ensemble -- Tomaž Grom; Jonas Kocher & Gaudenz Badrutt; and Elisabeth Harnik -- developed with the full ensemble, incorporating jazz, free improvisation, electronics & sound art.
Directives
Glimmer
(Aubjects)
A series of instrumental compositions from D. Petri (Dog Hallucination), structured as songs of a rhythmic nature using synths, samples, field recordings and effects, eight embraceable and upbeat work with layers of detail, influenced by Petri's love of explorative electronic music including YMO or Tom Ellard, or labels like Mille Plateau and Raster.
Merzbow
Cafe OTO [2 CDs]
(Cold Spring Records)
A live and extended performance of brutal but shifting sonic assault performed before an appreciative audience at London's Cafe OTO in 2016, a solo performance from Japanese noise legend Masami Akita, AKA Merzbow, each of the 2 CDs in this set more than 50 minutes of tightly controlled electronic mayhem from the unremitting determination of one of the globe's masters of noise.
Vehicule
Aubusson
(Sublime Retreat)
A diverse set of compositions spanning dreamlike aural landscapes, petite songs and assertive experiments of rich sound, in the fourth album from French sound artist Sylvain Milliot under the project name Véhicule, developed from improvised recordings that were then developed in the studio, each piece fitting together in a larger and aurally satisfying framework.
Dead Mauriacs, The
Le Parc, rapport d'observations
(Sublime Retreat)
The mysterious French audio collective The Dead Mauriacs led by Olivier Prieur in a 3-part work of electroacoustic compositions sourced from field recordings made during time spent in Brussels, developing these works based on daily recordings of audio observations at cafes, parks, churches, plus manipulated objects and some parakeets in a park; truly inspired collage work.
Deli Kuvveti
In the Summer Dusk
(Sublime Retreat)
The title an excellent reflection of the work, Seattle-based, Turkish-born Deli Kuvveti developed these two works that flow into each other to create an absorbing impression of a serene summer evening with dark undertones, using a granular synthesis configuration that creates movement through textured sounds, creating two complex and highly detailed narratives.
Cammisa, Edoardo
io_u,E
(Sublime Retreat)
Understated and enigmatic, the work of Northern Italian sound artist Edoardo Cammisa, aka Banished Pills, presents a very short work on decay, and then two expanded sound works composed from synthesisers, spring reverb, microphones, field recordings, no-input mixing, organ & sampler; the environments are murky but with movement, and engaging in their dark evening ambiance.
Duplant, Bruno
Paysages Sans Age III
(Sublime Retreat)
Two encompassing and tranquil works of sound from French composer Bruno Duplant, the album title translating to Ageless Landscapes as Duplant envisions two terrains through slow motion tones, piano and synthetics, evocatively described in an accompanying poem that conjures expansive fog, blurred trees, hawks slowly spiraling, a history in a hillside.
Vales, David
Beta Vulgaris
(Sublime Retreat)
Working with sound and the relationship to food, crops, and the culinary identity of communities, Beta Vulgaris, (the latin name of the common beet) was composed by Bogota, Columbia born David Velez, a PhD graduate in Sound Art from the University of Huddersfield, who used these specific tones to stimulate the growth of beetroot in the garden of the Modern Art Museum in Medellin.
Zenial
Lancelot's Delusions
(Sublime Retreat)
The music project of Polish sound explorer Lukasz Szaankiewicz is Zenial, merging minimal ambient and micro-sounds with field recordings and a sense of skewed motion, creating long-form virtual journeys through strange environments, or in rich textures of a dark night accompanied by slowly moving tones, his years of experience heard through exceptional sonic qualities.
Duplant, Bruno
Le Jour D'apres
(Sublime Retreat)
A dark journey into a nocturnal world of synthetic tones and urban environments, emerging from footsteps and impressions of the passing world imbued through vaporous and skewed progressions, like moonlight piercing through a veil, from French composer and electroacoustic artist Bruno Duplant in an extended work dedicated to Belgian pianist Guy Vandromme.
Duplant, Bruno / Seth Nehil
The Memory Of Things
(Sublime Retreat)
An immersive and often explosive set of dark compositions from Seth Nehil & Bruno Duplant, blending field recordings, electronics, percussion and percussive objects into a controlled chaos of inexplicably murky and uncategorizable sounds, at times like a surreal firework display, or inserted into a complex machine on the verge of collapse, all imbued with a consistent resonant hue.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC