"Jeb Bishop was born in Raleigh, North Carolina during the Cuban missile crisis. He began playing the trombone at the age of 10, under the tutelage of Cora Grasser. Other influential teachers during junior high and high school included Jeanne Nelson, Eric Carlson, Richard Fecteau, Greg Cox, and James Cozart.

He majored in classical trombone performance at Northwestern University from 1980-82, studying with Frank Crisafulli. Deciding he did not want to pursue a career as an orchestral musician, he returned to Raleigh in 1982 and took up engineering studies at NC State University. Raleigh's developing underground rock scene attracted him, and from 1982-84 he played bass guitar in rock bands in the Raleigh area.

At the same time, he developed an interest in philosophy, eventually majoring in the subject, and spent 1984-85 studying philosophy at the Higher Institute of Philosophy of the Catholic University of Louvain, Belgium.

Returing to Raleigh in 1985, he spent the next few years working at menial jobs and playing guitar, bass, cheap keyboards, drums, etc., in rock bands including and/or, the Angels of Epistemology, Egg, and Metal Pitcher.

In 1989 he left Raleigh to pursue graduate studies in philosophy, first at the University of Arizona, then at Loyola University of Chicago (where he was awarded the Crown Fellowship in the Humanities). During 1991-92 he returned to Europe, spending the summer of 1991 studying German at the Goethe-Institut Iserlohn (now closed), and then pursuing independent studies in philosophy at the French-language division of the University of Louvain.

Returning to Chicago in 1992, he completed his M.A. at Loyola in 1993. By this time he had already begun to make connections with improvising musicians in Chicago, having joined the Flying Luttenbachers as bassist (later adding trombone) in late 1992, and playing guitar occasionally in a quartet with Weasel Walter, Ken Vandermark, and Kevin Drumm. Other bands during this period included the Unheard Music Quartet (with Vandermark, Mike Hagedorn on trombone, and Otto Huber on drums) and the Rev Trio (with Walter and saxophonist Joe Vajarsky). Bishop played electric bass in both these bands.

In late 1995, Bishop joined the Vandermark 5 as one of its founding members, and remained with the band through the end of 2004. During this period he also became associated with many other groups, including the Peter Brötzmann Chicago Tentet, School Days, Ken Vandermark's Territory Band, and his own Jeb Bishop Trio, and became a very frequent participant in ad hoc and free-improvised concerts in Chicago. Bishop performed in the inaugural concerts of two of the longest-running free-music concert series in Chicago: the Myopic Books weekly concerts (originally at Czar Bar; with Rev Trio) and the Empty Bottle Wednesday night concert series (with a quartet of Terri Kapsalis, Kevin Drumm, and Jim O'Rourke). He curated the monthly Chicago Improvisers Group concerts at the Green Mill from 1999-2002, and co-curated the weekly Eight Million Heroes concert series at Sylvie's in 2005-6.

Bishop has made dozens of recordings with many different groups, has toured North America and Europe many times, and maintains a busy performing schedule."

"I'm a jazz and improv double bassist, based in Hastings, SE England.

I lead and compose for The Olie Brice Quintet, which released our debut album 'Immune to Clockwork' in 2014. The quintet was named as one of the 'new bands 2014' in the El Intruso Critics Poll, and was described by Richard Williams as "one of the most interesting and satisfying bands on the current UK scene". The current line-up of the quintet features George Crowley on tenor, Alex Bonney on cornet, Mike Fletcher on C-melody sax and Jeff Williams on drums. Our 2nd album, 'Day After Day' will be released in Jue 2017 on the Babel label.

I'm also involved in several collaborative projects, including;

a Trio with Tobias Delius - tenor sax, clarinet and Mark Sanders - drums

duos with Achim Kaufmann - piano, Rachel Musson - tenor sax and Tom Challenger - tenor sax

BABs (James Allsopp - bass clarinet, Alex Bonney - laptop)

and am in a few people's bands, including:

Mike Fletcher Trio (Mike Fletcher - C melody sax, Jeff Williams - drums)

Dee Byrne's Entopri (Dee Byrne - alto sax, Andre Canniere - trumpet, Rebecca Nash - piano & Matt Fisher - drums)

Alex Ward Quintet (Alex Ward - clarinet, guitar, Rachel Musson - tenor sax, Tom Jackson - bass clarinet, Hannah Marshall - cello)

Loz Speyer's Inner Space Music (Loz Speyer - trumpet, Chris Biscoe - alto sax, alto clarinet, Rachel Musson - tenor & soprano, Gary Willcox - drums)

Alex Bonney Quartet (Alex Bonney - trumpet, James Allsopp - reeds, Jeff Williams - drums)

Other musicians I've appeared with include Tony Malaby, Evan Parker, Paul Dunmall, Ingrid Laubrock, Ken Vandermark, Steve Swell and many others..."

"D. Edward Davis is a composer of electronic and acoustic music. His work often engages with the sounds of the environment, exploring processes, patterns, and systems inspired by nature. Recent performers of his work include the New Mexico Contemporary Ensemble, the Witches Duo, Musica Nova, Callithumpian Consort, the Williams College Percussion Ensemble, Soundry Ensemble, Red Hedgehog Trio, yMusic, the Duke New Music Ensemble, Da Capo Chamber Players, the Wet Ink Ensemble, violinist Mari Kimura, pianist Ingrid Lee, and flutist Dalia Chin and vocalist Kate McDuffie.

His compositions are featured on the Spectropol Records compilation Possible Worlds, Vol. 2, and on recordings by Red Hedgehog Trio (10 x 10), David Thornton (Parallel Realities), Eric Honour (Phantasm: Music for Saxophone and Computer), and Erik Carlson (Music for Violin).

Davis's work has been presented at the EcoSono Environmental Music and Sound Art Festival in Anchorage, AK (2017), SlowSD - Festival of Slow Music in San Diego (2017), the Clark Art Institute in Williamstown, MA (2016), the New Music Gathering in Baltimore (2016), the Something Said Only Once festival in Flagstaff, AZ (2015), the Brooklyn Acoustic Ecology Festival (2015), the ITEA Midwest Regional Tuba-Euphonium Conference in Bowling Green, OH (2015), the Under the Radar Festival in Omaha (2014), and SoundWalk in Long Beach, CA (2013).

He has participated in the Experimental Listening & Music Sessions (Boston, 2016 and 2017), the Bang on a Can Summer Music Festival (North Adams, MA, 2016), the New York City Electroacoustic Music Festival (NYC, 2014), the EcoSono Institute (Anchorage, AK, 2013), the nief-norf Summer Festival and Research Summit (Greenville, SC, 2012, 2013, and 2014) and the Summer Institute for Contemporary Performance Practice / SICPP (Boston, MA, 2012 and 2014), and was selected as a Composer Fellow for the 2012 Other Minds Festival in San Francisco. He has attended artist residencies at the Ragdale Foundation (IL), Kimmel Harding Nelson Center (NE), and the Ucross Foundation (WY).

Davis's scholarly work "The Map and the Territory: Documenting David Dunn's Sky Drift" was published in Organised Sound (Cambridge University Press) in early 2017. He recently presented papers at the 2017 New Music Gathering in Bowling Green, OH and at the Sixth International Conference on Music and Minimalism in Knoxville, TN."

After studying saxophone at the "Conservatory of Lausanne, Switzerland, where he received in 1994, a concert license (master of arts soloist) Swiss saxophonist established in Greensboro in 2010, Laurent Estoppey, devoted himself mostly to contemporary music, but performs and teaches classic saxophone repertoire and transcriptions of baroque music.

Numerous collaborations with composers have led him to create at least one hundred works. Now his musical activity is divided between written music and improvisation, and it occurs throughout Switzerland, many European countries, but also in Canada, USA, Argentina, Guatemala and South Africa.

He works with the following orchestras: Orchestre de la Suisse Romande Orchestra (from 2008 to the present, conducted by Marek Janowski, Kazuki Yamada...), Lausanne Chamber Orchestra (1998 to the present (Christian Zacharias...) Basel Symphony, UBS Verbier Festival Orchestra (1999 James Levine) Timisoara, Orchestra of the State of Lithuania, Lausanne Sinfonietta, NEC - Chaux-de- Fonds-Contrechamps Geneva, Staatskapelle Weimar (2010, Heinz Holliger)

Estoppey has founded and developed several chamber music groups including: DILEMME (saxophone / piano with Myriam Migani), ST15 (saxophone / piano with Virginie Falquet) DEGRE21 (saxophone / guitar with Antonio Albanese), 1+1 (duo- concept Anne Gillot, recorders), compagnie CH.AU (set of nine musicians) and the 4TENORS (saxophone quartet with Vincent Daoud, Rico Gubler and Lars Mlekusch). A collaboration with saxophonist Dr.Steve Stusek (professor at UNCG) as well as the foundation of COLLAPSS (Collective for Happy Sounds) in Greensboro are his main activities in the United States. Additionally he is regularly invited to play with the saxophone quartet Basel ARTE Quartet and is a member of baBel ensemBle.

His improvisational collaborations involve meetings and concerts with musicians from all backgrounds. Many groups he has worked with are still alive today, including: HipNoiz51 (DJ, drums, saxophone, clarinet, bass and electronics) BETTY'S QUARTET (two saxophones, two voices Antoine Auberson, Anne-Sylvie Casagrande and Edmée Fleury), YET TRIO (Lingling Yu, pipa and Dragos Tara, doublebass), and Zkrabuj et chou et pâté (saxophone / percussion with LucMüller)

Estoppey as also worked alongside many independant musicians such as Jacques Demierre, Pierre Favre, Pierre Audétat, Malcolm Braff, Urs Leimgruber, Fritz Hauser and Nick Didkovsky.

He is a guest musician of the Russian theatrical troupe Akhe with whom the show "Wet Wedding" was presented in Geneva, Nice, London, Stockholm, and Mexico.

His discography includes sixteen recordings

His interest in all contemporary arts has led him to collaborate with many artists in interdisciplinary projects including, among others, projects with Georges Haldas (literature), Olivier Saudan (painting and video), Francis Baudevin Stephan Perrinjaquet, Tatiana Rihs, Claudia Comte, Christopher Cassidy, Samantha DiRosa (visual arts) Heidi Bunting, Christine Cruchon, Brianna Taylor (dance), Gil Pidoux (literature and theater).

As an educator, Estoppey used to teach saxophone from beginners to master students for around twenty years in many music schools in Switzerland. He is regularly invited to lead improvisation workshops for musicians of all levels and all instruments, as well as saxophone, improvisation and contemporary music masterclasses.

He has a real passion to share his love for art and music with children as well as teenagers and adults.

As a composer, Estoppey writes music for concerts, but also sound installation and video art.

His piece NFM for saxophone ensemble was recently performed by UNCG saxophone studio and UNCSAx Ensemble.""

"Chris Eubank has been an underrated presence on the North Carolina music scene for more than a decade. While classically trained and blessed with good bloodlines (his father is a music professor, and his mother taught piano lessons on the side), Eubank has spent most of his time playing in rock bands. Since moving up from Orlando, Fla. to Durham to attend Duke in 1982, Eubank has made his presence felt by playing in a dizzying array of bands, including the Ugly Americans, Blue Chair, Skeletal Remains, the Mind Sirens, Bicentennial Quarters, Polycarp, Repetophile and Shark Quest. His active status as the cellist/bassist in Spatula keeps us keenly interested in his well-being, but as you'll see, his membership in that band is just one aspect of his character."

"David Grubbs (born September 21, 1967), composer, guitarist, pianist, and vocalist, was a founding member of Squirrel Bait, Bastro, and Gastr del Sol. He has also played in Codeine, The Red Krayola, Bitch Magnet and The Wingdale Community Singers.

Grubbs' first band was a brief-lived punk/new wave group called The Happy Cadavers that released the four-song 7" record With Illustrations in 1982. Grubbs then formed a hardcore punk band called Squirrelbait Youth that later evolved into the influential Louisville, Kentucky group Squirrel Bait, releasing a 12" EP and an album on Homestead Records. Grubbs's next group was the post-punk power trio Bastro, which released and EP and two albums on Homestead.[1] In 1991 Bastro morphed into the more avant-garde Gastr del Sol.[1] This project soon became essentially a partnership between Grubbs and Jim O'Rourke after the band's first album.[1] The albums released by the duo include Crookt, Crackt, or Fly, Upgrade & Afterlife, and Camoufleur. In this period, Grubbs also contributed to other projects, including guitar for two tracks on Codeine's 1994 album The White Birch[2] and guitar, piano, and harmonium on recordings by Palace Music, Will Oldham, Royal Trux, Dirty Three, Matmos, Richard Buckner, Tony Conrad, Pauline Oliveros, Arnold Dreyblatt, and many others.

Since the breakup of Gastr del Sol in 1997, Grubbs has released numerous solo and collaborative records, mostly on the Drag City label, for which he co-directed the Dexter's Cigar sub-label.[3] In 2000, his album The Spectrum Between was named "Album of the Year" in the Sunday Times.

His 2017 album Creep Mission was described by The Quietus as "a typically playful and intellectually ambitious set - and is as good an entry into the world of Grubbs as any."

In 2018, Grubbs released Failed Celestial Creatures, a collaboration with Japanese guitarist and electronic musician Taku Unami. According to Pitchfork, the album "feels of a piece with Grubbs' last two records under his own name, Creep Mission and Prismrose, both nominal solo releases that each features a handful of guests. On all three albums, Grubbs uses the presence of collaborators to play with drones, repetition, and improvisatory interplay, taking his style to a more intuitive place."[4]

He operates his own label, Blue Chopsticks, which has released new and archival recordings from Luc Ferrari, Derek Bailey and Noël Akchoté, Workshop, Van Oehlen, and Mats Gustafsson. Grubbs is also known for his collaborations with writers Susan Howe, Rick Moody, and Kenneth Goldsmith, and with visual artists including Anthony McCall, Angela Bulloch, Stephen Prina, and Cosima von Bonin. He has composed the soundtracks for Angela Bulloch's installations Z Point, Horizontal Technicolour, and Hybrid Song Box.4, and his music appears in two installations by Doug Aitken. Grubbs's sound installation "Between a Raven and a Writing Desk" was included in the 1999 group exhibition Elysian Fields at the Centre Pompidou.

Grubbs's soundtrack work includes music with Matmos for Thierry Jousse's feature film Les Invisibles. Grubbs has also contributed music to the Red Krayola's soundtrack to Norman and Bruce Yonemoto's film Japan in Paris in LA and to three films by Augusto Contento (Parallax Sounds, Strade Trasparenti, and Onibus), to Braden King and Laura Moya's film Dutch Harbor: Where the Sea Breaks its Back, and to John Boskovich's film North. Music by Gastr del Sol appears in the PBS television series The United States of Poetry, Hal Hartley's film The Book of Life, and Doug Aitken's film The Diamond Sea. Grubbs composed the score for Karl Bruckmaier's radio adaptation of Peter Weiss's Die Ästhetik des Widerstands (Hessischer Rundfunk Hörbuch des Jahres 2007) and contributed music to Bruckmaier's adaptation of Alexander Kluge's Chronik der Gefühle (Deutscher Hörbuchpreis 2010, "Best Fiction").Grubbs solo in 2009.

From 1997 to 1999, Grubbs was a part-time instructor in the Liberal Arts and Sound departments at the School of the Art Institute of Chicago. He is currently Professor of Music in the Conservatory of Music at Brooklyn College, CUNY.[5] He teaches in Brooklyn College's MFA program in Performance and Interactive Media Arts (PIMA) and Brooklyn College's MFA program in Creative Writing, and is a member of the faculty of the Brooklyn College Center for Computer Music (BC-CCM).

Grubbs received a Ph.D. in English from the University of Chicago. His criticism has appeared in Texte zur Kunst, Chicago Review, TDR, Conjunctions, Bookforum, and Purple, and from 1999-2007 he regularly contributed music criticism to the Munich newspaper Süddeutsche Zeitung. Grubbs received a 2005-2006 Foundation for Contemporary Arts Grants to Artists Award.

Grubbs is the author of two books for Duke University Press: Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording (2014) and Now That the Audience Is Assembled (2018). Now That the Audience Is Assembled was described by The Washington Post as "a new book-length poem [that] reminds us that listening can feel stranger than dreaming."[6]

He is one of five musicians (with Steve Albini, Ken Vandermark, Damon Locks, and Ian Williams) profiled in Augusto Contento's 2012 documentary film Parallax Sounds.

Grubbs lives in Brooklyn with his wife, Cathy Bowman, and their son Emmett Bowman-Grubbs."

"Michael Thomas Jackson has been creating and recording music since 1985. He has been involved in fully notated composition, free improvisation, avant rock, concrete and electronic music, performance art and everything in between. He has worked with tape, found objects, analogue synthesizers, prepared guitars, various percussion, all manner of sound processing, electronic feedback systems, turntables, voice and extended techniques on the clarinet. Michael has played as, in, or with many fine projects and people including Eugene Chadbourne, Rompecabeza, Spool Ensemble, Viktimized Karcass, Alien Planetscapes, Choptsicks, Cobra Clutch, Cephalic Index, The George Steeltoe Ensemble, Brian Osborne, Chris Phinney, Martin Klapper, Rafael Flores, Isolation, Flutter, Jerry's Finger, Truncheonette, Projexorcism, Skoweyajeed, Katsu Itakura, Carl Howard, Bruce Eisenbeil, Quien Es, Thomas Dimuzio, Dave Fox, David Prescott, Pat Lawrence, Ian Davis, Scotty Irving, New Loft, Zan Hoffman, Hal McGee and O.N.E. Michael is currently active performing, recording and releasing music through the Primecuts Recordings imprint, raising a daughter and being poor."

"David Menestres is a bassist, composer, and writer currently living in the Piedmont region of North Carolina. David is the founder/leader of the Polyorchard ensemble and is the host and producer of Tone Science, a weekly two-hour radio show on taintradio.org since 2010."

"Tenor and soprano saxophonist, improviser and composer Catherine Sikora was first electrified by the sound of air vibrating in a metal tube when, as a child, she heard the wind playing tones and overtones in a metal gate. She has devoted her life to researching the magic of that sound with her saxophones, particularly in her solo work, which forms the main backbone of her creative output.

Catherine's first solo album 'Jersey' was released on Relative Pitch Records in July 2016. She followed this with 'Warrior', an all-soprano saxophone solo recording in 2019. Her next solo tenor recording, 'Sanctuary', recorded live in Paris in summer of 2020, was released in fall 2020.

In addition to her solo work, Sikora works frequently in duo and larger settings, with Eric Mingus, Brian Chase, Ursel Schlicht, Ethan Winogrand, Ross Hammond, Christopher Culpo and Matteo Liberatore. She is proud to be one third of the joyful rowdiness that is Eris 136199.

Sikora is active as an educator and writes extensively on the subject of practice."