The cosmological concept of the aeon, the conflict between matter and spirit, is explored in eight "Chronicles" of collective free improvisation using impressive technique and concentrative interaction from the Portuguese quartet of Flak on acoustic guitar, Guilherme Rodrigues on cello, Bruno Parrinha on bass clarinet and Ernesto Rodrigues on violin.
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Sample The Album:
Flak-acoustic guitar
Guilherme Rodrigues-cello
Bruno Parrinha-bass clarinet
Ernesto Rodrigues-violin
Click an artist name above to see in-stock items for that artist.
UPC: 5609063407686
Label: Creative Sources
Catalog ID: cs768
Squidco Product Code: 33229
Format: CD
Condition: New
Released: 2023
Country: Portugal
Packaging: Cardboard Gatefold
Recorded it Alfarim, Portugal, on December 27th 2022, by Flak.
"Aeon - the most recent quartet album from Ernesto Rodrigues and Creative Sources, recorded late last month - presents a contrasting followup to Definitive Bucolic, a trio album (also recorded in 2022) reviewed here in July: The quartet adds Guilherme Rodrigues on cello to the previous three musicians, who all change instruments: Flak switches to acoustic guitar for Aeon, Bruno Parrinha is back on his more frequent bass clarinet (versus saxes), and Ernesto changes too (I guess to follow the switching theme), to violin. So it's obviously a more classical instrumentation, versus that (I'd already noted that) Definitive Bucolic can project something of a "pop vibe" (e.g. around electric guitar). Also I wrote about Definitive Bucolic because it yielded a distinct affective stance, while moreover noting its paradoxical sense of time, i.e. its "cyclical or self-referential temporal scheme."
The latter notion is then explored further for Aeon, including as announced explicitly by the eight tracks (called "Chronicles") appearing out of numerical (and so recording?) order: These are apparently each intact acoustic tracks, so don't involve pop "cut up" technique in a "details" sense at all, although it's interesting to note that presenting tracks "out of production order" has become so common in this space (e.g. as in film production).... But the sense of contrast also does come off as intentional, the mysterious opening of strange clicks, twangs and rumblings - not so different from the sound world of Ekphrastic Discourse from the previous entry, including some unusual and recurring senses of quasi-vocal production as well... - yielding immediately in the next track to strongly contoured and aggressively expressed string figures.
The result (of the full set) is ultimately temporal bewilderment - yet also bringing the mind a kind of "reset." I've thus found Aeon to produce a powerful wake, leaving me listening to silence for many minutes.... And the title (from Greek mythology) does contrast with Chronos, the "usual" sense of chronological time (reasserted differently by each chronicle...), whereas Aeon involves the emergence of "time" per se, i.e. the substance on which more mundane chronologies rest. (Note that Rodrigues had already released albums involving music presented out of order, or rearranged electronically according to e.g. cyclical symmetries, so this sort of temporal-sequential interrogation has a history in his output....) "Smallness" consequently opens to a sense of eternity. And one finds oneself asking what just happened....
So Aeon did make a more specific impression than a couple of other recent Rodrigues quartet albums, but ongoing studies of string textures are also appealing to me in general (and that Rodrigues produces so many of these can make it seem more exciting when they appear from elsewhere, although his work certainly remains among the most advanced... and of course the most prolific): Brecht, recorded in November with Dirk Serries and Nuno Torres joining the two Rodrigueses (with no Parrinha on either of these...), is generally taut and multidimensional, bringing an urban-frenetic quality, as well as some romance, to an intricate post-serial interaction (as Serries himself becomes increasingly central...). And before that, presenting even more as a sequence of studies (and absent horn, so via different ensemble shape...) was Chaos (recorded in September) with double bassist Joao Madeira and percussionist Jose Oliveira (the latter returning from e.g. Chiaroscuro - also only just recorded in 2022!). So all three (or four) quartet albums feature innovative textural passages, while Aeon also seems to project something ineffable about time and temporality."-Todd McComb's Jazz Thoughts
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Artist Biographies
• Show Bio for Flak Flak is an improvising and rock guitarist, best known for the Portuguese rock band Rádio Macau.-Squidco 11/20/2024 ^ Hide Bio for Flak • Show Bio for Guilherme Rodrigues "Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings. Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene. Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ... Has performed and toured in all Europe. Released more than 30 albums of his own projects." ^ Hide Bio for Guilherme Rodrigues • Show Bio for Bruno Parrinha "Bruno Parrinha - alto sax / soprano, Clarinet Sb / Alto, flute Around the age of 10 began playing the clarinet. At 17 he bought a flute and entered the Academy of Music where he Amateurs solfeggio and instrument with Paulo Curado for two years . Later he was always playing clarinet and tenor saxophone ( self-taught ) and at age 21 he was invited to join the band Pop Radar Gaddafi with whom he recorded . Later he was cast of musicians on the play " Vieux Carré " in teatro da Graça playing tenor sax . Spent a year on the scene . At 87 he began to attend formations of Sei Miguel resulting in vinyl LP recorded at 88 " Songs love and against terrorism ." Since then he has dedicated his commitment to free improvisation and has participated in numerous trainings and concerts with illustrious musicians including Rodrigo Amado , Rodrigo Pinheiro , Miguel Mira , João Lucas , Paulo Curado , Ernesto Rodrigues , Guilherme Rodrigues , Ulrich Mitzlaff , Manuel Guimarães Cyril Bondi , " D' Incise ," Raphael Ortiz , Nicolaus Gerwinsky , Phill Niblock , Raymond McDonald , Victor Nubla , Nuno Rebelo , Marco Franco, Gabriel Ferrandini , Hernani Faustino , Luís Lopes , José Oliveira , Carlos Santos , Carlos " Zingaro " João Pedro Viegas , Victor Rua , Abdul " moimême " , Luís Vicente , João Lancaster , Luis Gil , Paulo Pimentel , Francisco Andrade , Albert Cicera and many others. Presently a part of groups : ARGUE, IKB , VGO , Miguel Mira Quartet , Open Mind and Puma. " ^ Hide Bio for Bruno Parrinha • Show Bio for Ernesto Rodrigues "He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio. His main interest shifted towards contemporary improvised and composed music. The relationship with his instruments is focused in sonic and textural elements. Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning. Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups. Music for Dance, Cinema, Video and Performance. Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music." ^ Hide Bio for Ernesto Rodrigues
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11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Chronicle IV 8:01
2. Chronicle VIII 4:26
3. Chronicle III 7:00
4. Chronicle V 5:00
5. Chronicle I 4:14
6. Chronicle II 4:05
7. Chronicle VII 6:57
8. Chronicle VI 5:57
Creative Sources
Improvised Music
Free Improvisation
Collective Free Improvsation
European Improvisation, Composition and Experimental Forms
Jazz
Quartet Recordings
Search for other titles on the label:
Creative Sources.
 | Floridis, Floros / Ernesto Rodrigues / Guilherme Rodrigues / Ulf Mengersen Xafnikes Synantiseis (Creative Sources) |
| Legendary Greek bass clarinetist and improviser Floros Floridis, also performing on clarinet, and German double bassist Ulf Mengersen of the Berlin Improvisers Orchestra and Ensemble MIA, meet the ever-creative duo of violist Ernesto Rodrigues and cellist Guilherme Rodrigues for this 6-part active studio improvisation whose title aptly translates to "Unexpected Encounters". | |
 | Baars, Girilal / Ernesto Rodrigues / Carlos Santos / Monsieur Trinite Surrealistisk (Creative Sources) |
| Three surreal improvisations with an hallucinatory edge, drawn into a dreamlike nature by the free vocals of Girilal Baars (Girilal Baars Trio, Äijä), from a 2024 concert at COSMOS in Lisbon, PT with Ernesto Rodrigues on viola & crackle box, Carlos Santos on electronics and Monsieur Trinite on percussion; unconventional electroacoustic incantatory interactions. | |
 | Rodrigues, Guilherme / Ben Bennett / Ernesto Rodrigues This Full Mouth (Creative Sources) |
| An extraordinary meeting in Berlin, where Portuguese cellist Guilherme Rodrigues resides, with Creative Sources label leader and long-time collaborator as a father/son duo, violist Ernesto Rodrigues, joining as a trio with US percussionist Ben Bennett, known for his work with Michael Foster and Jack Wright, for an incredibly well-balanced album of unorthodox technique and creative expresion. | |
 | Rodrigues, Ernesto / Luisa Goncalves / Flak / Bruno Parrinha / Miguel Mira Nocturne (Creative Sources) |
| The title an apt description of this dreamlike improvisation guided by the piano of Luisa Gonçalves, in a quintet with Flak on acoustic guitar & ebow, Bruno Parrinha on bass clarinet, Miguel Mira on cello and Ernesto Rodrigues on viola & crackle box, the latter adding crepuscular bird calls and whispers to this nuanced nocturnal meditation of dark ambiance and furtive encounters. | |
 | Rotor (Rodrigues / Torres / Santos) Impulses And Signals (Creative Sources) |
| Seven studio improvisations from frequent collaborators Ernesto Rodrigues on viola & crackle box, Nuno Torres on alto saxophone and Carlos Santos on digital electronics, quiet conversations of subtle and extended technique that adhere to the session title, emulating electronic impulses and signals through understated and impeccably controlled acoustic and electronic expression. | |
 | Rodrigues, Ernesto / Dirk Serries / Joao Madeira / Jose Oliveira Dripping (Creative Sources) |
| One of the core Creative Sources trios of Ernesto Rodrigues on viola & crackle box, João Madeira on double bass and Jose Oliveira on percussion, is extended to a quartet with Netherland's New Wave of Jazz/Vidna Obmama archtop guitarist Dirk Serries, presenting the 9-part "Dripping" series of free chamber-oriented lowercase improvisation. | |
 | Rodrigues, Ernesto / Carlos Bechegas / Joao Madeira / Monsieur Trinite Free to Open (Creative Sources) |
| On the active and experimental side of Creative Sources' acoustic configurations organized by label leader and violist Ernesto Rodrigues, this energetic chamber quartet with Carlos Bechegas on piccolo, flute & alto flute, Joao Madeira on double bass and Monsieur Trinite on percussion, explore the three-part title work through rapid action and highly textured reflection. | |
 | Symbolist (Flinn / Rodrigues / Carroll) The Age Of Bronze (Creative Sources) |
| Improvising collaborators, percussionist Stephen Flinn and cellist Guilherme Rodrigues join with Irish improviser and composer Roy Carroll, a member of Splitter Orchestra and who works with the amplification and signal processing of diverse objects, here the trio performing an extended improvisation of exotic and transformative sonic interaction through unusual, encompassing soundscapes of exotic and transformative sonic interaction. | |
 | Rodrigues / Gratkowski / Rodrigues / Griener Unstable Molecules (Creative Sources) |
| Bridging jazz and contemporary forms, this 2024 live recording of four improvisations at Berlin's Kuhlspot Social Club channels collective power with chamber jazz influences, showcasing the refined techniques and deep experience of Ernesto Rodrigues on viola, Frank Gratkowski on clarinets and alto saxophone, Guilherme Rodrigues on cello, and Michael Griener on percussion. | |
 | Hunter Underwater (Rodrigues / Rodrigues / Kohn / Lin) Archipelago (Creative Sources) |
| In their second release, the Hunter Underwater quartet of four cellists — Guilherme Rodrigues (Portugal), Gábor Hartyáni (Budapest), Guido Kohn (Buenos Aires), and Hui-Chun Lin (Taiwan) — record at Berlin's Zentrifuge, creating sound sculptures and landscapes with layered harmonics and dynamic interplay through composition and improvisation. | |
 | Rodrigues / Sa / Rocha / Rodrigues / Silva / Varela / Goncalves / Flak / Trindade Mimesis (Creative Sources) |
| Primarily an acoustic ensemble of nine improvisers led by Ernesto Rodrigues on viola — including saxophonist Joana Sá, percussionist Monsieur Trindade, guitarist Flak, and pianist Luisa Gonçalves — performs a live, extended improvisation of tightly controlled, deeply detailed conversation as part of the 2024 Creative Sources Cycle in Lisbon. | |
 | Rodrigues / Torres / Hencleeday / Santos Synopsis (Creative Sources) |
| Recorded live during the Creative Sources Cycle at Lisbon's Cossoul on May 2, 2024, this collaboration brings together Ernesto Rodrigues (viola, crackle box), Nuno Torres (alto saxophone), Andre Hencleeday (piano), and Carlos Santos (modular synth) in a delicate journey of reductionist improvisation, blending acoustic and electronic textures to craft an intricate, lower-case performance of subtle sonic dialogues and dynamic restraint. | |
 | Lisbon String Trio & Carlos Santos Cobra (Creative Sources) |
| The Lisbon String Trio — Ernesto Rodrigues (viola), Miguel Mira (cello) and Alvaro Rosso(double bass) — collaborates with Carlos Santos (electronics, modular synth) to create a sophisticated, assertive set that enriches the trio's soundscape with nuanced electronic textures, building on the trio's nearly telepathic coordination and harmonic depth, blending physicality and subtle electronics to evoke mysterious, wave-like motifs and dynamic subtlety. | |
 | Sjostrom, Harri / Floros Floridis / Guilherme Rodrigues / Lawrence Casserley Fields (Creative Sources) |
| Two reeds, a cello and a signal processing instrument in this live electroacoustic improvisation session captured at Petersburg Art Space, in Berlin, Germany between cellist Guilherme Rodrigues, saxophonist Harri Sjostrom on soprano & sopranino using selected mutes, clarinetist Floris Floridis and electronic improvising legend Lawrence Casserley. | |
 | Rodrigues, Ernesto / Nuno Torres / Johannes von Buttlar Cosmic Collision (Creative Sources) |
| Frequent collaborators Ernesto Rodrigues on viola & crackle box and Nuno Torres on alto saxophone join with Berlin percussionist Johannes von Buttlar, a member of the Altered Forms Trio who have collaborated with Fred Frith, Raymond McDonald, &c., for four "Cosmic Collisions", highly interactive improvisations with impressive inertia and extraordinary technique. | |
 | Rodrigues / Rodrigues / Madeira / Taylor / Parrinha / Taubenfeld / Carmelo / Trinite A Tale Unfolds (Creative Sources) |
| In four parts this primarily acoustic octet of Lisbon improvisers evolve a deceptive narrative of collective interaction, highly textured through rich combinations that emerge and subside throughout the natural development of their converstations; with Ernesto & Guilherme Rodriguez, João Madeira, Noel Taylor, Bruno Parrinha, Ziv Tuabenfeld, Guilherme Carmelo and Monsieur Trinite. | |
 | Bechegas, Carlos / Ernesto Rodrigues / Carlos Santos Echoing The Chorus Of Life (Creative Sources) |
| Lisbon contemporary flutist and improviser Carlos Bechegas, an associate of Carlos Zingaro and his electroacoustic trio, joins violist Ernesto Rodrigues and long-time collaborator Carlos Santos in a uniquely electronic, chamber-oriented, mysteriously crepuscular improvisation captured live at Casa do Comum, Lisbon, Portugal during the 2024 "SpectraLx" event. | |
 | Gato, Joao / Bruno Parrinha Two (Phonogram Unit) |
| Two Portuguese saxophonists of different generations both playing on alto sax--Bruno Parrinha, an established and extraordinary player involved with many projects on Clean Feed and Creative Sources, and João Gato, leader of Apophenia Quartet--present 11 improvisations recorded in the studio, their voices intertwining amid masterful technique and creative impulse. | |
 | Variable Geometry Orchestra L'Heure Derniere du Silence (Creative Sources) |
| L'Heure Dernière du Silence stands as a testament to VGO's ongoing exploration of the interplay between silence and sound, solidifying their position as a leading force in contemporary improvised music as heard in this live recording captured during the cycle "A Hora Derradeira do Silencio" at St. George's Church, in Lisbon, Portugal in 2024. | |
| Baars, Girilal / Ernesto Rodrigues / Carlos Santos / Monsieur Trinite Surrealistisk (Creative Sources) |
| Three surreal improvisations with an hallucinatory edge, drawn into a dreamlike nature by the free vocals of Girilal Baars (Girilal Baars Trio, Äijä), from a 2024 concert at COSMOS in Lisbon, PT with Ernesto Rodrigues on viola & crackle box, Carlos Santos on electronics and Monsieur Trinite on percussion; unconventional electroacoustic incantatory interactions. | |
| Rodrigues, Ernesto / Luisa Goncalves / Flak / Bruno Parrinha / Miguel Mira Nocturne (Creative Sources) |
| The title an apt description of this dreamlike improvisation guided by the piano of Luisa Gonçalves, in a quintet with Flak on acoustic guitar & ebow, Bruno Parrinha on bass clarinet, Miguel Mira on cello and Ernesto Rodrigues on viola & crackle box, the latter adding crepuscular bird calls and whispers to this nuanced nocturnal meditation of dark ambiance and furtive encounters. | |
 | Uebele, Gerhard / Ernesto Rodrigues / Guilherme Rodrigues Con versa tions (Creative Sources) |
| Recordings from the Maeng Museum in Berlin, Germany from the free improvising string trio of father/son collaborators Ernesto Rodrigues on viola and Guilherme Rodrigues on cello with Berlin musicologist and violinist Gerhard Uebele, very much in a sophisticated chamber jazz mode that borrows from contemporary classical approaches and free improvisation. | |
| Rodrigues, Ernesto / Carlos Bechegas / Joao Madeira / Monsieur Trinite Free to Open (Creative Sources) |
| On the active and experimental side of Creative Sources' acoustic configurations organized by label leader and violist Ernesto Rodrigues, this energetic chamber quartet with Carlos Bechegas on piccolo, flute & alto flute, Joao Madeira on double bass and Monsieur Trinite on percussion, explore the three-part title work through rapid action and highly textured reflection. | |
| Floridis, Floros / Ernesto Rodrigues / Guilherme Rodrigues / Ulf Mengersen Xafnikes Synantiseis (Creative Sources) |
| Legendary Greek bass clarinetist and improviser Floros Floridis, also performing on clarinet, and German double bassist Ulf Mengersen of the Berlin Improvisers Orchestra and Ensemble MIA, meet the ever-creative duo of violist Ernesto Rodrigues and cellist Guilherme Rodrigues for this 6-part active studio improvisation whose title aptly translates to "Unexpected Encounters". | |
 | Okura / Rodrigues / Rodrigues / Buder Your Dramatic Joy (Creative Sources) |
| Father and son string improvisers Ernesto Rodrigues on viola and Guilherme Rodrigues on cello join with Berlin improvisers Fumio Okura (Ensemble 222) on violin and Hannes Buder on guitar for six collective chamber free improvisations using extraordinary technique and focus, creating parallel and converging conversations that build and recede in vigorous momentum. | |
 | Rodrigues, Ernesto / Nuno Torres / Guilherme Rodrigues / Eric Bauer / Stephen Flinn Letters to Milena (Creative Sources) |
| Referencing the book Letters to Milena (Briefe an Milena) by Franz Kafka of his intense love affair with Czech journalist & writer Milena Jesenská, through four lettered parts of a subtly sophisticated set of improvisations by Ernesto Rodrigues (viola), Nuno Torres (alto sax), Guilherme Rodrigues (cello), Eric Bauer (electronics) and Stephen Flinn (percussion). | |
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