"Lindsay Cooper (3 March 1951 Ð 18 September 2013) was an English bassoon and oboe player, composer and political activist. Best known for her work with the band Henry Cow, she was also a member of Comus, National Health, News from Babel and David Thomas and the Pedestrians. She collaborated with a number of musicians, including Chris Cutler and Sally Potter, and co-founded the Feminist Improvising Group. She wrote scores for film and TV and a song cycle Oh Moscow which was performed live around the world in 1987. She also recorded a number of solo albums, including Rags (1980), The Gold Diggers (1983) and Music For Other Occasions (1986).

Cooper was diagnosed with multiple sclerosis in the late 1970s, but did not disclose it to the musical community until the late 1990s when her illness prevented her from performing live. In September 2013, Cooper died from the illness at the age of 62, 15 years after her retirement."

"Willem Breuker (4 November 1944, Amsterdam - 23 July 2010 Amsterdam) was a Dutch jazz bandleader, composer, arranger, saxophonist, and (bass) clarinetist.

During the mid 1960s he played with percussionist Han Bennink and pianist Misha Mengelberg, co-founding the Instant Composers Pool (ICP), with which he regularly performed until 1973. He was a member of the Globe Unity Orchestra and the Gunter Hampel Group.

In 1974, he began leading the 10-piece Willem Breuker Kollektief, which performed jazz in a theatrical and often unconventional manner, drawing elements from theater and vaudeville. With the group, he toured Western Europe, Russia, Australia, India, China, Japan, the United States, and Canada.

He was also known as an authority on the music of Kurt Weill. In 1997, he produced, with Carrie de Swaan, a 48-hour, 12-part radio documentary on the life of Weill entitled Componist Kurt Weill.

In 1974, he founded the record label BVHaast. Beginning in 1977, he organized the annual Klap op de Vuurpijl (Top It All) festival in Amsterdam. Haast Music Publishers, which he also operated, published his scores.

In 1992, Editions de Limon published the book Willem Breuker by J. and F. Buzelin in France. Uitgeverij Walburg Pers published a Dutch translation in 1994. BVHaast published the book Willem Breuker Kollektief: Celebrating 25 Years on the Road, which includes two CDs, in 1999.

In 1998, Breuker was knighted with the Order of the Netherlands Lion.

Willem Breuker died on 23 July, 2010 in Amsterdam. He suffered from lung cancer and had been ill for some time."

"Phil Minton comes from Torquay. He played trumpet and sang with the Mike Westbrook Band in the early 60s- Then in dance and rock bands in Europe for the later of part of the decade. He returned to England in 1971, rejoining Westbrook and was involved in many of his projects until the mid 1980's.

For most of the last forty years, Minton has been working as a improvising singer in lots of groups, orchestras, and situations, all over the place. Numerous composers have written music especially for his extended vocal techniques. He has a quartet with Veryan Weston, Roger Turner and John Butcher, and ongoing duos, trios and quartets with above and many other musicians.

Since the eighties, His Feral Choir, where he voice-conducts workshops and concerts for anyone who wants to sing, has performed in over twenty countries."

"Bruno Chevillon (born 23 August 1959) is a French jazz double bassist who is well known in avant-garde jazz as well as in new improvised music.

Born in Valréas Vaucluse, Chevillon followed a double training since he graduated from the Beaux Arts in 1983 where he studied photography, and at the same time followed Joseph Fabre's classical double bass teaching at the Conservatoire à rayonnement régional d'Avignon [fr]. He made his debut in jazz by following the class of André Jaume [fr], is a member of the Groupe de recherche et d'improvisation musicales (GRIM), then joined the Lyon collective Association à la Recherche d'un Folklore Imaginaire [fr] where he made a decisive encounter: that of Louis Sclavis. Chevillon was then associated with a large part of the clarinettist's projects.

In addition to his long collaboration with Sclavis, the double bassist plays with the main actors of avant-garde jazz and Free improvisation : Marc Ducret, Claude Barthélemy, Stéphan Oliva, François Corneloup, François Raulin, Joey Baron, Elliott Sharp, Franck Vigroux, Benjamin de la Fuente, Samuel Sighicelli, Laurent Dehors, Gerome Nox etc.

Essentially a sideman, Chevillon also flourishes as a soloist, however, notably in his performance on Pier Paolo Pasolini. Contemporary classical music is also part of his work.

In 2007, he recorded his only solo album Hors-Champ published on the label d'Autres Cordes, which mixes double bass and electronics. In 2014, he joins the [National Jazz Orchestra] as artistic advisor, alongside Olivier Benoit."

"Born in 1947, Chris Biscoe was drawn to jazz by hearing Fats Waller, Erroll Garner and Benny Goodman on the radio. Early listening to Lester Young and Stan Getz (Jazz Samba) and Charlie Parker led to him starting to learn alto sax in 1963. Chris is self-taught on sax and clarinet. Turning to tenor sax in 1965, Chris's major influences were Sonny Rollins, Charlie Rouse and Dexter Gordon, but after his tenor was stolen he returned to alto.

While studying at Sussex University Chris met pianist Ben Sidran and made his first recording with Ben in 1970. After graduating in 1968 Chris played gigs in London but soon realised that not reading music was a serious barrier, so under the influence of educator and composer Ken Gibson began to attend rehearsal bands and joined NYJO, with which he made two LPs. He became a professional player in 1973.In 1975 Chris joined Red Brass with Pete Hurt and led by Tony Haynes. The association with Tony continues to this day, including numerous concerts and recordings. In 1979 Chris joined the Mike Westbrook Brass Band, and since then has played in many of Mike's bands, from trio to big band. Mike asked Chris to join 'The Cortege', and this led to him starting to play the baritone sax seriously, which he carried on into the Brass Band, the Westbrook Trio and several records.

In 1986 Chris Biscoe joined the George Russell Anglo American Orchestra for its first tour, staying with the band until the final 80th Birthday Concert in 2003 and making three CDs. Also in 1986 Chris augmented his regular quartet (with Peter Jacobsen) to make the first recording under his name: 'Chris Biscoe Sextet'. The quartet and quintet performed regularly in England in the 1980s and 1990s. He also broadcast and recorded with Pete Hurt ('Lost for Words') and the Brotherhood of Breath ('Country Cooking'). From the 1990s on Chris has been associated with French bassist/composer Didier Levallet in his quartet, tentet, The Orchestre National de Jazz and The Brotherhood Heritage, touring and making 4 CDs.BiographyChris started to learn clarinet in the early 1970s, picking up the rarely used alto clarinet in 1975. This instrument he featured in the improvising quartet Full Monte, in various Westbrook bands, with The Liam Noble Group ('In the Meantime'), with the long-running groups exploring the music of Charles Mingus ('Profiles of Mingus') and in The Profiles Quartet with Tony Kofi dedicated to Eric Dolphy ('Gone in the Air' and 'Live at Campus West'). Chris is now playing alto clarinet and baritone sax in Two of a Mind.

In most of these bands Chris has also played alto sax, and soprano sax, which he started to play around 1970. The baritone sax has often been a separate strand, in the John Williams Baritone Band, with the Hermeto Pascoal Big Band, The New York Composers Orchestra and The Dedication Orchestra. Chris Biscoe and Allison Neale joined forces in 2015 to bring to the fore the sense of collective improvisation on standard material so brilliantly demonstrated by Paul Desmond and Gerry Mulligan."

"The French guitarist-improvisor Noël Akchoté is a frighteningly competent and active person. He has recorded a lot of music in various styles, he writes about music in the Austrian magazine Skug, he is the owner of a record label, he produces many different groups and participates in various projects. Born in Paris, the 7th december 1968, he started guitar at the age of 8. Soon meeting and studying with artists such as Tal Farlow, Barney Wilen, Chet Baker, Philip Catherine, John Abercrombie. During the early 90's, he started to explore beyond jazz, also playing more experimental and improvised musics. He played in the groups of Henri Texier, Louis Sclavis, Daniel Humair, Jacques Thollot, Sam Rivers as well as with Derek Bailey, Eugene Chadbourne, Marc Ribot, Fred Frith, Evan Parker, Lol Coxhill, Tim Berne or George Lewis. He collaborated since with David Grubbs, Luc Ferrari, David Sylvian, Jim G. Thirlwell (Steroïd Maximus), Max Nagl's Big Four (Steven Bernstein, Bradley Jones, Joey Baron), Jean-François Pauvros or Dylan Carlson's Earth. Other projects have seen him recording and playing with The Recyclers, Blixa Bargeld, Aki Onda, Phil Minton, Tony Hymas, Katerine, Tetuzi Akiyama, Otomo Yoshihide, Julie Tippets, Mike Cooper, Wolfgang Puschnig, Linda Sharrock, Tom Cora, Keith Rowe, Christian Fennesz, Nobuyoshi Araki or Daido Moriyama. In 1996 he co founded with Quentin Rollet, the mostly Vinyl label Rectangle (all reissued as downloads​in 2011). During the same period, he produced for the Münich based label Winter & Winter a series of " Audio Films " revisiting a wide range of Chansons & Cabaret traditions (Au Bordel, Cabaret Modern, Toi-Même... featuring Red, Jean-Louis Costes, Han Bennink, Steve Beresford, Sasha Andrès, John Giorno or Kevin Blechdom), as well as unique re- readings of the music of Sonny Sharrock (Sonny II) and Kylie Minogue (So Lucky). He is also featured in various movies as an actor, soundtrack composer or musical director (with Thierry Jousse, Michael Lonsdale, Claire Denis, Lio ...). He also happens to be the older brother of the electro artist SebastiAn (Ed Banger, Daft Punk). In 2011, he signed an exclusive distribution contract with Believe Digital (Worldwide Downloads), issueing since over 100 rare live tracks and previously unreleased studio albums, from which a wide Renaissance and Baroque section raised (Carlo Gesualdo, Guillaume de Machaut, Claudio Monteverdi, Luys Milan,Robert de Visée)."

"Born near Belfort (France) in 1960, Michel Godard soon established himself as an extraordinarily versatile exponent of the tuba, pursuing a career in jazz and classical music.Today he is one of the most virtous tuba and serpent players in Jazz as well as in improvised music.

Michel Godard's tuba performance is fantastic in every sense: his technical skill is astounding, his tone clear and warm, his ability to produce overtones ("multiphonics") and his musicality leaves the listener surprised at how light a seemingly cumbersome and heavy-weight tuba can sound.

In 1979 he picked up also the ancestor of the tuba, the serpent, an instrument with a name derivated after its form - looking like a coiled snake. The serpent's ivory mouthpiece gives it a characteristic warm and intense tone. With this "second" instrument, Michel Godard has taken yet another step in broadening the field of expression in ancient music as well as in Jazz. Since 2002, Michel Godard is the serpent teacher at the "Conservatoire national de musique" in Paris.

On the classical side, Michel Godard played since 1988 with the Radio-France Philharmonic Orchestra, the French National Orchestra, the Ensemble Musique Vivante, , the ancient music Ensemble La Venice and "XVIII-21Musique de Lumieres". He was also a member of the "Arban Chamber Brass" quintet (notably touring Japan, the U.S., Africa) and interprets works from the solo repertory, too. Little wonder that, with recourse to such a fund of experience, he gives international master classes, and has been discovered by European jazz as well as by the avant garde. On the jazz side he was a member of the French Orchestre National de Jazz from 1989 to 1991 . Since then all over Western and Souther Europe Michel Godard has been involved in numerous creative projects with Michel Portal, Louis Sclavis, Henry Texier, Enrico Rava, Michael Riessler, Kenny Wheeler, Ray Anderson, Rabih Abou-Khalil, Sylvie Courvoisier, Klaus König, Simon Nabatov, Wolfgang Puschnig, Linda Sharrock, Pierre Favre, Misha Mengelberg, Linda Bsiri, Gianluigi Trovesi, Christof Lauer, Maria Pia De Vito, Pino Minafra, Luciano Biondini,Willem Breuker, Herbert Joos, Dave Bargeron and many more.

As a composer, Michel Godard was comissioned by Radio France ("Penthés(il)ée II"), Donaueschinger Musiktage/Südwestrundfunk ("de mémoire de tuba", "Tra la folla, mora, mormora" , "Praeludium"), French Ministere de la Culture ("Bradamente aux aguets", "les enfants d'un paradis").

He records many cds wit his own projects: "Archangelica", "ImpertinAnce", "Cousins Germains" for CAMjazz, "Castel del monte", "Tubatuba" for Enja, "Deep", "trio rouge" for Intuition..........

Michel Godard also played and recorded with the pipeband of the Normandy town Quimper, with reggae star Alpha Blondy and with "Canterbury" rock musicians John Greaves and Pip Pyle. Together with harpsichordist Freddy Echelberger, he collaborates with writer Nancy Huston (Tendres ténèbres, pérégrinations Goldberg, Tentatives de renaissance)"