"Described as 'exceptionally virtuosic and sensitive', South African harpist Jacqueline Kerrod is perfectly at home across multiple genres and performs throughout the United States and Europe.

Most recently, she has been touring internationally with composer and multi-reedist Anthony Braxton, both in duo and as part of his ZIM music ensemble. She was a founding member and co-songwriter of the pop duo Addi & Jacq, who were winners of NYC's Battle of the Boroughs in 2015, and recently toured her show, 'Harps Uncovered' featuring vocalist Hannah Sumner through 12 states of the US. Currently, she is working on a solo project further exploring her love of improvisation, songwriting, and use of electronics to augment and manipulate sound.

As a champion of contemporary music, Jacqueline has performed with the International Contemporary Ensemble (ICE), the Argento Chamber Ensemble, Talea Ensemble, Wet Ink, Alarm Will Sound, and Metropolis Chamber Ensemble. As a native South African, she is passionate about commissioning and performing music written by South African composers and has performed over a dozen works written for her. She has also performed with elite chamber groups such as the Chamber Music Society of Lincoln Center and the Jupiter Symphony Chamber Players.

Described as an 'eclectic harpist' by Lucid Culture, her discography includes a recently released duo with Anthony Braxton on the 'dischi di angelica' label. Recorded live on May 27th, 2018 at the AngelicA, Festival Internazionale di Musica at the Centro di Ricerca Musicale / Teatro San Leonardo, Bologna, Italy. Available on Bandcamp.Contemporary music, 3 self produced albums with Addi & Jacq, Greg Spears' Requiem (New Amsterdam Records), Robert Paterson's Star Crossing and Book of Goddesses (American Modern Recordings), and MAYA - In The Spirit(Perspectives Recordings). Other notable recordings that feature Jacqueline include Tristan Murail's Winter Fragments (AEON), Anthony Braxton's Trillium J, and the single Crazy in Love by Antony and the Johnsons (Secretly Canadian/Rough Trade Records). Her recording, "Candlelight Carols" with Grammy®-nominated vocal ensemble Seraphic Fire debuted at #11 on the Classical Billboard charts.

She has performed with Kayne West, Antony & the Johnsons, Jane Birkin, Rufus Wainwright, Santigold, Jónsi & Alex, to name a few.Orchestral

Jacqueline has had the great fortune of playing alongside principal harpists, Deborah Hoffman and Nancy Allen in the Metropolitan Opera and the New York Philharmonic orchestras respectively, and as principal harpist with the New York City Opera, American Ballet Theater, American Symphony and the American Composers orchestras. She has performed for various Broadway and off- Broadway shows (Cinderella, The Producers, Beauty and the Beast, The Fantasticks and Donnybrook!). degrees / awards

Jacqueline began playing the harp at the age of nine in Johannesburg, South Africa, where she went on to receive her Bachelor of Music in performance with distinction from the University of the Witwatersrand under the tutelage of Ventura Rosenthal and Pauline Nossel. She was a finalist in the Jim Joel Music Prize and ATKV National Music Competitions. With the prestigious Oppenheimer Memorial Trust Foundation Scholarship, she moved to the US on the invitation of Nancy Allen to study with her at the Yale School of Music (Master of Music and Artist Diploma). During this period she spent her summers at the Aspen Music Festival as the Fellowship recipient and was the winner of the harp competition '01."

"Joe Morris was born in New Haven, Connecticut on September 13, 1955. At the age of 12 he took lessons on the trumpet for one year. He started on guitar in 1969 at the age of 14. He played his first professional gig later that year. With the exception of a few lessons he is self-taught. The influence of Jimi Hendrix and other guitarists of that period led him to concentrate on learning to play the blues. Soon thereafter his sister gave him a copy of John Coltrane's OM, which inspired him to learn about Jazz and New Music. From age 15 to 17 he attended The Unschool, a student-run alternative high school near the campus of Yale University in downtown New Haven. Taking advantage of the open learning style of the school he spent most of his time day and night playing music with other students, listening to ethnic folk, blues, jazz, and classical music on record at the public library and attending the various concerts and recitals on the Yale campus. He worked to establish his own voice on guitar in a free jazz context from the age of 17. Drawing on the influence of Coltrane, Miles Davis, Cecil Taylor,Thelonius Monk, Ornette Coleman as well as the AACM, BAG, and the many European improvisers of the '70s. Later he would draw influence from traditional West African string music, Messian, Ives, Eric Dolphy, Jimmy Lyons, Steve McCall and Fred Hopkins. After high school he performed in rock bands, rehearsed in jazz bands and played totally improvised music with friends until 1975 when he moved to Boston.

Between 1975 and 1978 he was active on the Boston creative music scene as a soloist as well as in various groups from duos to large ensembles. He composed music for his first trio in 1977. In 1980 he traveled to Europe where he performed in Belgium and Holland. When he returned to Boston he helped to organize the Boston Improvisers Group (BIG) with other musicians. Over the next few years through various configurations BIG produced two festivals and many concerts. In 1981 he formed his own record company, Riti, and recorded his first LpWraparound with a trio featuring Sebastian Steinberg on bass and Laurence Cook on drums. Riti records released four more LPs and CDs before 1991. Also in 1981 he began what would be a six year collaboration with the multi-instrumentalist Lowell Davidson, performing with him in a trio and a duo. During the next few years in Boston he performed in groups which featured among others; Billy Bang, Andrew Cyrille, Peter Kowald, Joe McPhee, Malcolm Goldstein, Samm Bennett, Lawrence "Butch" Morris and Thurman Barker. Between 1987 and 1989 he lived in New York City where he performed at the Shuttle Theater, Club Chandelier, Visiones, Inroads, Greenwich House, etc. as well as performing with his trio at the first festival Tea and Comprovisation held at the Knitting Factory.

In 1989 he returned to Boston. Between 1989 and 1993 he performed and recorded with his electric trio Sweatshop and electric quartet Racket Club. In 1994 he became the first guitarist to lead his own session in the twenty year history of Black Saint/Soulnote Records with the trio recording Symbolic Gesture. Since 1994 he has recorded for the labels ECM, Hat Hut, Leo, Incus, Okka Disc, Homestead, About Time, Knitting Factory Works, No More Records, AUM Fidelity and OmniTone and Avant. He has toured throughout the U.S., Canada and Europe as a solo and as a leader of a trio and a quartet. Since 1993 he has recorded and/or performed with among others; Matthew Shipp, William Parker, Joe and Mat Maneri, Rob Brown, Raphe Malik, Ivo Pearlman, Borah Bergman, Andrea Parkins, Whit Dickey, Ken Vandermark, DKV Trio, Karen Borca, Eugene Chadborne, Susie Ibarra, Hession/Wilkinson/Fell, Roy Campbell Jr., John Butcher, Aaly Trio, Hamid Drake, Fully Celebrated Orchestra and others.

He began playing acoustic bass in 2000 and has since performed with cellist Daniel Levin, Whit Dickey and recorded with pianist Steve Lantner.

He has lectured and conducted workshops trroughout the US and Europe. He is a former member of the faculty of Tufts University Extension College and is currently on the faculty at New England Conservatory in the jazz and improvisation department. He was nominated as Best Guitarist of the year 1998 and 2002 at the New York Jazz Awards."