"Michael Bisio, bassist/composer, has eighty five recordings in his discography, twenty four of these are split evenly between leader/co-leader, ten of them document his extraordinary association with modern piano icon Matthew Shipp. Michael has been called a poet, a wonder and one of the most virtuosic and imaginative performers on the double bass. Nate Chinen in the New York Times writes : "The physicality of Mr. Bisio's bass playing puts him in touch with numerous predecessors in the avant-garde, but his expressive touch is distinctive;..."

As a composer Michael has been awarded nine grants and an Artist Trust Fellowship

Collaborators include Matthew Shipp, Joe McPhee, Charles Gayle, Connie Crothers, Whit Dickey, Ivo Perelman, Barbara Donald, Newman Taylor Baker, Rob Brown, Sonny Simmons and Sabir Mateen."

"Melanie Dyer performs and composes in creative, improvised and through-composed music spheres. She trained with William Lincer (Principal Violist, New York Philharmonic), Lee Yeingst (Principal Violist, Colorado Symphony Orchestra), John Jake Kella (NY Metropolitan Opera) and Naomi Fellows (Colorado Symphony Orchestra); and studied viola performance at the LaMont School of Music/University of Denver.

Melanie founded WeFreeStrings, an improvising string/rhythm collective rooted in improvised music in 2011. ​From 2004 - 2013, under her Bb Universe banner and in collaboration with the multi-generational, multi-ethnic Scientific Soul Sessions collective, Melanie's Harlem home became the scene of underground public performances by WeFreeStrings and other large and small music ensembles. Bb Universe hosted open rehearsals and performances, recordings, lectures, one-act plays and films including presentations by recognized indigenous activists Toaksin Ghosthorse, a performance of Robbie McCauley's Sally's Rape and a screening of John Douglas' documentary, Grenada: The Future Coming Towards Us. These monthly and semi-monthly events brought cultural luminaries, emerging artists, social and environmental activists, working and under-employed people together. Open dialogues, emphasizing individuals as agents of change, were central to Bb Universe and Scientific Soul Sessions.​Melanie currently performs with the Sun Ra Arkestra, Heroes Are Gang Leaders, Gwen Laster's New Muse 4tet, William Parker, Tomeka Reid Stringtet, Patricia Nicholson's Women w an Axe to Grind. She's played and/or recorded with Henry Grimes, Nona Hendryx, Joe Bonner, Reggie Workman, Howard Johnson, and a many other notable musicians in Europe, South Africa and across the U.S.

Recordings include WeFreeStrings Fulfillment (Indepstrings, 2018), David Haney's Birth of a City (2019), Come Sunday (T. Cumberbatch, 2015); Fred Ho & Quincy Saul Present the Music of Cal Massey: A Tribute (2011); Live at St Nick's Pub, Salim Washington & Donald Smith Ensemble, Cadence Records (2007); With Strings, Salim Washington & The Harlem Arts Ensemble, CIMP Records (2007); Harlem Homecoming, Salim Washington & The Harlem Arts Ensemble, UJam Records (2005), and others. WeFreeStrings has received project support from New Music USA, Chamber Music America, Bonfils-Stanton Foundation, and individual donors."

"Originally from Santa Barbara, California, multi-instrumentalist / singer / songwriter / performer, Marianne Osiel, was a sought-after "sideman" in Nashville for a decade and an halt, as a recording session player and singer while also fulfilling her "day job" playing oboe in the Nashville Symphony.

She remembers, with fondness, being encouraged by conductor Kenneth Schermerhorn to march up in front of the orchestra and audience and make up lyrics to the very melodies that shaped the Russian symphonies the orchestra would then proceed to play during kiddies concerts, so that there could be a bridge made between their lives in full color and these otherwise "dead white men with big white hair" who were credited as having written these epic brilliant aural novels.

She also was hired by NSO's pop conductor, Amerigo Marino, to sing a few torch tunes for folks during their summer run-out's.

Marianne has performed and/or recorded with artists such as John Hall, Nanci Griffith, Jennifer Maidman, Rachel Sage, and Daryl Tookes, just to name a few.

Her instrumental arsenal includes oboe/English horn, flute, recorder, piano, guitar, and voice.

For years, Marianne made her living in the classical and the pop world at the same time, sometimes in symphony orchestras, others as a "sideman" for other artists, and then as center stage doing her own music, solo or in bands she has lead.

As a string quartet arranger, Marianne has written and recorded for artists such as David Olney, Susan Piper, Bob Hillman, as well as her own CD's.

Her original recordings include Strange Girl and Full of Wholes (both singer/songwriter CD's), a "live"duo recording from the famous Bluebird Café in Nashville, and "How The Light Gets In" ", an all-improvised instrumental CD featuring duets with four uniquely gifted New York keyboardists, with Marianne on oboe and English horn.

Her latest musical inclusion is in the world of improvisation, having been asked to join Karl Berger's "Improvisors Orchestra" (Kingston), as well as working with other "soundpainters" in the area."

"Jay Rosen (born November 20, 1961) is an American jazz drummer. He is a member of Trio X with Joe McPhee and Dominic Duval and performs in Cosmosomatics with Sonny Simmons.

At age 10, Rosen became interested in jazz drumming after seeing Tony Williams perform with Sonny Rollins. He took lessons from Tracy Alexander, son of Mousey Alexander (with an occasional lesson from the elder Alexander). Later, he would study briefly with Barry Altschul.

Around age 18, Rosen became a professional musician. He worked at studios, weddings, and cocktail lounges in rock, rhythm and blues, country, jazz, and Brazilian music. His recording career in improvised music began in the mid-1990s, when he recorded Split Personality (GM Records) with Mark Whitecage and Dominic Duval. He began an association with the CIMP label in 1996, and has also recorded for Cadence). Todd Jenkins describes Rosen and Duval as the "house rhythm section" for CIMP, given the number of recordings on which they have appeared.:231

Since 1998, Rosen has performed with Joe McPhee and Dominic Duval in Trio X.:360 In 2000, he joined Cosmosomatics, a quartet with saxophonists Sonny Simmons and Michael Marcus and bassist William Parker.:114

Rosen describes himself as "a musician who plays percussion" rather than "'just a drummer.'" He uses a set of small cymbals that he approaches "like a string player, or a reed player," and his drum kit includes objects such as a boat propeller and a set of organ pipes that he activates with foot-driven bellows. Although Rosen is associated with free improvisation, he questions whether the music he plays is "free:"

"While 'free music' indicates that you're free to play whatever you want to play and you're not following chord progressions, and there's no time, there's no this, no that...The way I've been playing free music, with my constituents, doesn't really follow those guidelines. When we play, it's very well put together, in actuality. We're not just blowing to blow; there's listening going on, there's concerted effort at construction and organization, at putting things together - at minute levels - that hardly go on in 'free music' anymore."