


Reuniting violinist Carlos Zingaro and cellist Fred Lonberg-Holm with bassist João Madeira and bass clarinetist Bruno Parrinha, Enleio captures a dynamic Lisbon session of free improvisation rich in textural interplay, pointillist gestures, and evolving sonic dialogues, blending expressive restraint with bursts of manic energy across four nuanced and immersive pieces.
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Bruno Parrinha-bass clarinet
Carlos Zingaro-violin
Fred Lonberg-Holm-cello
Joao Madeira-double bass
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UPC: 199199462963
Label: 4DaRecord
Catalog ID: 4DRCD017
Squidco Product Code: 36229
Format: CD
Condition: New
Released: 2025
Country: Portugal
Packaging: Cardboard Gatefold
Recorded at Officina Das Artes, i Lisbon, Portugal, on November 23rd, 2024, by Joao Madeira.
"Portuguese violinist Carlos Alves "Zingaro" began a musical relationship with Chicagoan cellist Fred Lonberg-Holm many years ago in 2003: Grammar brought them together with turntable player Lou Mallozzi (Rossbin CD 2003) and Zingaro / Lonberg-Holm as a duo was recorded during the same trip (Aspidsistra label).
Here they are again from 2024, in two sessions in Lisbon with double bassist João Madeira, the boss of 4DARecords, and respectively with clarinettist (bass) Bruno Parrinha on the present CD Enleio and with Swiss guitarist Florian Stoffner on the CD Na Parede released on the same 4DAR label, preceded by a digital release on Catalytic and reviewed in these pages.
Enleio's music is at once or successively energetic, pointillist, multifaceted and constantly evolving according to the mood and instant inspiration of the four improvisers. It has several facets: in Trama (9:47) the improvisers jump up and down, re-launching each other with brief, zigzagging interventions that respond sharply to each other and play leapfrog without leaving each other any time to say phew, fragmentary ideas cascade...
Note bass clarinettist Bruno Parrinha's decision to blend in with his bandmates as closely as possible, as if he were the viola in a quartet. He does this with flair, using small touches rather than playing the omnipresent soloist over his three comrades.
"Nervos" (18'35'') begins with a slow lament in several voices forming expressive twists. The emphasis is on the quality of the bowing, the stretching of the sound, a specific timbre quality for each of the three string players, all coming together and distinguished by their respective dynamics, woody tactile vibrations and an intensely metamorphic quality.
You really must listen again to this long second piece, with its multiple phases, its asperities, its liquid or silver fluctuations, its nuances, its playful diversions and its sometimes contrasting moving forms. If the violins and cellos are made of wood, the generic terminology for winds such as clarinets is "woodwinds". The blower is so much a part of this quartet, it was hard to believe it.
"Liames" (11'35'') deepens Nervos' initial approach with more detachment, slowness and languor, and a fine section of powerful pizzicatos from João Madeira. Note the contrast between Zingaro's arabesque flights and some of Lonberg-Holm's manic, astringent rubbings, and also how they integrate their respective facetiousness with complicit coherence.
In "Enleio" (5'34''), the last piece, Lonberg-Holm initiates jolting bow strokes, we hear col legno, squeaks, the key pressed to the point of making the string shriek, the violin whistling in the treble. In other words, a beautiful and dense concentration of expressive sonorities, such as the modus operandi, empathy and manic feeling of collective free improvisation that leads instrumentalists in trance to let burst through our dazzled perception.
A truly successful session." — Jean-Michel Van Schouwburg, orynx-improvandsounds.blogspot.com
Get additional information at Orynx Improv Sound

Artist Biographies
• Show Bio for Bruno Parrinha "Bruno Parrinha - alto sax / soprano, Clarinet Sb / Alto, flute Around the age of 10 began playing the clarinet. At 17 he bought a flute and entered the Academy of Music where he Amateurs solfeggio and instrument with Paulo Curado for two years . Later he was always playing clarinet and tenor saxophone ( self-taught ) and at age 21 he was invited to join the band Pop Radar Gaddafi with whom he recorded . Later he was cast of musicians on the play " Vieux Carré " in teatro da Graça playing tenor sax . Spent a year on the scene . At 87 he began to attend formations of Sei Miguel resulting in vinyl LP recorded at 88 " Songs love and against terrorism ." Since then he has dedicated his commitment to free improvisation and has participated in numerous trainings and concerts with illustrious musicians including Rodrigo Amado , Rodrigo Pinheiro , Miguel Mira , João Lucas , Paulo Curado , Ernesto Rodrigues , Guilherme Rodrigues , Ulrich Mitzlaff , Manuel Guimarães Cyril Bondi , " D' Incise ," Raphael Ortiz , Nicolaus Gerwinsky , Phill Niblock , Raymond McDonald , Victor Nubla , Nuno Rebelo , Marco Franco, Gabriel Ferrandini , Hernani Faustino , Luís Lopes , José Oliveira , Carlos Santos , Carlos " Zingaro " João Pedro Viegas , Victor Rua , Abdul " moimême " , Luís Vicente , João Lancaster , Luis Gil , Paulo Pimentel , Francisco Andrade , Albert Cicera and many others. Presently a part of groups : ARGUE, IKB , VGO , Miguel Mira Quartet , Open Mind and Puma. " ^ Hide Bio for Bruno Parrinha • Show Bio for Carlos Zingaro "Carlos Zíngaro (or Carlos "Zíngaro" Alves, born 1948 in Lisbon, Portugal) is a Portuguese violinist and electronic musician active in free improvisation. He studied classical music in Lisbon and began working with a number of leading improvisers in the mid-1970s, becoming one of the European top improvisers presently. He has worked with such musicians as Richard Teitelbaum, Joëlle Léandre, Peter Kowald, Barre Phillips, Daunik Lazro, Derek Bailey, Jon Rose, Ken Vandermark, Ken Filiano, Rodrigo Amado, Ned Rothenberg, Rüdiger Carl, Dominique Regef, Evan Parker, Annick Nozati, Theo Jörgensmann and Paul Lovens. Zíngaro has performed at new and improvised music festivals in Europe, Asia, and North America, produced several film scores, and collaborated with dance companies. He is also a prolific illustrator and comics author." ^ Hide Bio for Carlos Zingaro • Show Bio for Fred Lonberg-Holm "Fred Lonberg-Holm (born 1962) is an American cellist based in Chicago. He relocated from New York City to Chicago in 1995. Lonberg-Holm is most identified with playing free improvisation and free jazz. He is also a composer of concert works. As a session musician and arranger, he is credited on many rock, pop, and country records. Lonberg-Holm currently leads the Valentine Trio, with Jason Roebke (bass) and Frank Rosaly (drums). This jazz trio performs original compositions as well as tunes by both jazz composers (e.g. Sun Ra) and pop songwriters (e.g. Jeff Tweedy, Syd Barrett). The group released its first album Terminal Valentine, in 2007, which was reviewed by AllAboutJazz critic Nils Jacobson. He coordinates and directs performances of his Lightbox Orchestra, an improvising ensemble with a flexible, ever-changing membership. Lonberg-Holm does not play an instrument in this group, but rather conducts its non-idiomatic improvisations via the "lightbox" and by holding up handwritten signs. The lightbox contains a light bulb for each musician which Lonberg-Holm switches on or off to suggest when they should play. Collective groups of which Lonberg-Holm is a member include Terminal 4 who released an album, in 2003, called When I'm Falling that received four and a half stars, and AMG Album Pick by Allmusic, and it was reviewed by Allmusic's Joslyn Layne, The Boxhead Ensemble, Pillow, the Lonberg-Holm/Kessler/Zerang trio (with Kent Kessler and Michael Zerang), and the Dörner/Lonberg-Holm duo (with Axel Dörner). Among groups led by other people, he is a member of the Vandermark 5, the Joe McPhee Trio, the Peter Brötzmann Chicago Tentet, Keefe Jackson's Fast Citizens, and Ken Vandermark's Territory Band. When he lived in New York, Lonberg-Holm frequently collaborated with the rock group God Is My Co-Pilot pianist and composer Anthony Coleman as well as multi-instrumentalist Paul Duncan of Warm Ghost. In Chicago, he has worked with Jim O'Rourke, Bobby Conn (on "Llovessonngs" [1999] and "The Golden Age" [2001]), The Flying Luttenbachers, Lake Of Dracula, Wilco, Rivulets, Mats Gustafsson, Sten Sandell, Jaap Blonk, John Butcher, and a great many others. Lonberg-Holm's concert works have been premiered by William Winant, Carrie Biolo, the Austin New Music Co-Op, Subtropics Ensemble, Duo Atypica, the Schanzer/Speach Duo, New Winds, Paul Hoskin, Kevin Norton, the E.S.P. Ensemble, and others. His scores for dance have been performed at the Brooklyn Academy of Music and Dance Theater Workshop as well as many other venues. He is a former composition student of Anthony Braxton and Morton Feldman. He performed improvised music in the role of a troubled composer who finds inspiration in the love of a couple he spots on the street in a short film for the Playboy channel." ^ Hide Bio for Fred Lonberg-Holm • Show Bio for Joao Madeira Joao Madeira: "I was born in Lisboa and I've dedicated most of my energy to the doublebass since I was 12. When I went to study at the Conservatório de Lisboa my role model was doublebassist João Panta Nunes, and lately my studies were oriented by Jorge Lee, at Cascais. I have a degree in Musicology, investigation work on Fado's candidature to World Immaterial Heritage by UNESCO, and coordination of the Music Department at INATEL/FNAT. Since 1999 I have a strong activity (studio and performance) in several styles and genres, but improvised music and original composition (whatever the style...) are the places where my musical language riches its higher satisfaction and plenitude. In the recordings you are about to hear it's me who plays all the instruments. My passion is at the simple act of artistic creation. For me, music is all about musicians and genuine expression! It doesn't matter the genre neither the instrument per si. In theater I have collaborations (musician, composer, actor) with Companhia do Chapitô and Artistas Unidos, amongst others. I also love books (...) I've studied aesthetics and Portuguese literature since I remember, and love to read and write poetry." ^ Hide Bio for Joao Madeira
6/25/2025
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6/25/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
6/25/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.
6/25/2025
Have a better biography or biography source? Please Contact Us so that we can update this biography.

Track Listing:
1. Trama 9:48
2. Nervos 18:35
3. Liames 11:35
4. Enleio 5:34

Improvised Music
Jazz
Free Improvisation
Collective & Free Improvsation
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