The Squid's Ear Magazine


Yoshihide, Otomo / Voice Crack: Bits, Bots And Signs (erstwhile)


 

Price: $15.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units

Sample The Album:





product information:

Personnel:



Otomo Yoshihide-electronics

Norbert Moslang-cracked everyday-electronics

Andy Guhl-cracked everyday-electronics


Click an artist name above to see in-stock items for that artist.




Label: erstwhile
Catalog ID: erstwhile 011
Squidco Product Code: 900

Format: CD
Condition: New
Released: 2000
Country: USA
Packaging: Jewel Tray
Recorded at Zack Studio in St. Gallen, Switzerland, on March 27th, 2000, by Pierre Bendel.

Descriptions, Reviews, &c.
One of Otomo's first projects after abandoning (and before returning to) more traditional instruments was this meeting with the Swiss duo Voice Crack, who play "cracked, everyday electronics." Voice Crack knock the hidden voices out of toasters and microwaves, manipulating their internal electronics to make them sing. Otomo here focuses on other electronically generated sounds, including his beloved sine wave.
"There's an intense focus upon the fine detail of the unfolding electronic fields, with the Swiss duo providing a constantly shifting foreground of spontaneous events to Otomo's sparer high frequency backgrounds. The melding of the two provides an extraordinary expansiveness to the sound, rich in imagistic associations."--Alan Cummings, Wire

Artist Biographies

Otomo Yoshihide - born in 1959 in Yokohama, Japan. As a teenager, he spent time in Fukushima. Staying independent, he has consistently composed a wide range of music from improvisation to noise music and pop, and his music talent has spread all over the world. He has a successful career as a film score composer and has produced more than 70 movie soundtracks. In recent years, he has produced special type of concerts and musical works in collaboration with other various artists under the name of "ensembles". In addition, one of his priorities is,producing musical workshop projects involving handicapped children. In 2011, after the Great East Japan Earthquake , he started "PROJECT FUKUSHIMA!" along with people in various sectors. He has been active beyond the music scene and this is the reason that he has attracted a great deal of attention. In 2012, he received the Minister of Education Award for Fine Arts in the category of Promotion for "PROJECT FUKUSHIMA!". In 2013, he received various prizes including the Japan Record Award for his accomplishments, such as composing the theme music for the TV drama "Amachan".

"I use my real name "Otomo Yoshihide" as my stage name. When you write your Japanese name in English alphabet, many people often write their given names first, then their family names, following in the Western traditional culture. But originally, some Asian countries, including Japan, write their family names first, and then their given names follow after that. In my opinion, there is not only one standard for people's names and we should respect the values each person attaches to their name. Calling someone by his first name is a wonderful custom in Western culture to express familiarity with each other but that custom is not necessary in Japan because nobody has ever called me by my first name. It does not mean that people are unlikely to become close friends with me. It is just that calling me "Otomo" seems easier. There are some places with such customs in the world; where people friendlily call you by your family name. I am definitely not a nationalist but I have a feeling that something is wrong with those people who do not only disregard the tradition I am familiar with, but would rather follow Western standards.

For this reason, I would like to continue using the notation "Otomo Yoshihide" as before. When you call me, please call me "Otomo" as before. This will not cause any problems in its use. Until now, many people have written my name "Yoshihide Ōtomo" or "Yoshihide Otomo" but please understand those notations are not my intention. I am sincerely grateful for your consideration."

-Otomo Yoshihide Website (http://otomoyoshihide.com/en/?page_id=4)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. @@@1 16:53

2. @@@2 6:35

3. @@@3 14:03

4. @@@4 8:51

5. @@@5 11:44

Related Categories of Interest:

Electro-Acoustic Improv
Yoshihide, Otomo
Asian Improvisation & Jazz
Free Improvisation
Trio Recordings
Before April-2006
Electro-Acoustic
Improvised Music
erstwhile
Electro-Acoustic Improv
Yoshihide, Otomo
Asian Improvisation & Jazz
Free Improvisation
Trio Recordings
Before April-2006

Search for other titles on the label:
erstwhile.


Recommended & Related Releases:
Other Recommended Releases:
Satoh, Masahiko / Otomo Yoshihide / Roger Turner
Sea
(Relative Pitch)
After their Doubtmusic CD "Live at Hall Egg Farm", capturing the trio of Masahiko Satoh on piano, Otomo Yoshihide on electric guitar & whistle, and Roger Turner on drums & percussion in Fukaya City, this new chapter in the trio's activities finds them live at Shinjuku Pit Inn, in Tokyo the following year, for two energetically active and captivating conversations.
FEN (Otomo Yoshihide / Ryu Hankil / Yan Jun / Yuen Chee Wai)
No One's Island
(Mikroton Recordings)
FEN (Far East Network) is comprised of improvisers from Singapore (Yuen Chee Wai), Japan (Otomo Yoshihide), China (Yan Jun), and Korea (Ryu Hankil), using electroacoustic instrumentation to create a unique merging of cultural and personal aesthetic, in their 1st album recorded in NYC using electronic feedback, computer noises and guitar; intriguing and unconventional.



Customers Who Bought This Item Also Bought:
Jerkagram / Martin Escalante
Parkour
(577 Records)
Ater a concert in Los Angeles with Martin Escalante on the same bill, the twin brothers, guitarist Derek Gaines and drummer Brent Gaines, asked the extreme saxophonist to join them in the creation of a new, cathartic form of improvisation, filled with angst and dramatic release, ending with an extended journey in sound and squawk; a gripping album of gritty improv.
Brown, Marion
Why Not? Porto Novo! Revisited
(ezz-thetics by Hat Hut Records Ltd)
Reissuing two essential albums from saxophonist Marion Brown--Why Not? (ESP, 1968) and Porto Novo (Polydor, 1969)--the first recorded in NY in a quartet with pianist Stanley Cowell, bassist Sirone and drummer Rashied Ali, the second recorded in The Netherlands in a trio with Han Bennink on drums and Maarten Van Regteren Altena on double bass; essential.
Mazurek, Rob
Psychotropic Electric Eel Dreams IV
(Astral Spirits)
Recordings from the 4-channel sound composition for the ESS Florasonic installation series at Lincoln Park Conservatory in Chicago, of Rob Mazurek's work using recordings of electric eels from National Institute of Research and Technology in Manaus, Brazil, combined with analog/digital synthesis to create environments of beautiful undulating and radiant sonic textures.
Braxton, Anthony
Solo (Victoriaville) 2017
(Les Disques Victo)
On the 30th anniversary of the Victo Festival Anthony Braxton took to the stage for a magnificent solo performance on the alto sax, performing 8 spontaneous compositions and an 8+ minute version of "Body and Soul", seamlessly crossing lyrical and complex approaches to the horn using his unique intervallic, trimbral and diagrammatic language, a stunning and embraceable accomplishment.
Leandre, Joelle
No Comment
(Fou Records)
Two exemplary solo sets from the truly distinctive and commanding French double bassist and vocalist Joelle Leandres recorded at Vancouver Jazz Festival, Western Front, Vancouver, Canada, in June 1995 and at The Ibleo Jazz Festival in Ragusa, Italy in October, 1994.
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
1995 recordings of the superb saxophone trio of Evan Paker on tenor & soprano, Daunik Lazro on alto & baritone, and Joe McPhee on alto & soprano, plus alto clarinet and pocket trumpet, a group that went undocumented until this live concert tape at Willisau was discovered.
McPhee, Joe / Andre Jaume
Nuclear Family
(Corbett vs. Dempsey)
In 1979 saxophonist/cornetist Joe McPhee met French reedist Andre Jaume in Paris to record this exceptional album of standards, drawing on works from Charles Mingus, Thelonious Monk, Duke and Ellington, and Ornette Coleman; melodic, poignant, emotional and insightful jazz.
Frey, Jurg / Radu Malfatti
II
(erstwhile)
Two works, one each from trombonist Radu Malfatti and clarinetist Jurg Frey, also credited with "instruments", field recordings and couterpoints; electroacoustic reductionist work of beautiful character that unfolds slowly and rewards attentive listeners in morphing sound.
Hubsch's Primordial Soup, Carl Ludwig
Primordial Soup
(Red Toucan)
McPhee, Joe / Survival Unit II / Thorton, Clifford
N.Y., N.Y., 1971
(Hatology)
Cosmos
Tears
(erstwhile)
Howard, Earl / Denman Maroney
Fire Song
(erstwhile)
Various Artists
Ambiances Magneacutetiques Volume 3: Inedits
(Ambiances Magnetiques)
An anthology of 24 unreleased works by various members of Ambiances Magnetiques: Michel F Cote, Jean Derome, Andre Duchesne, Joane Hetu, Diane Labrosse, Robert Marcl Lepage, etc..



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC