"Jenny Scheinman is a violinist, fiddler, singer, and writer of songs with and without words. She grew up on a homestead in Northern California and has been performing since she was a teenager. She has worked extensively with some of the most innovative jazz artists in the world such as Bill Frisell, Jason Moran, Brian Blade, Nels Cline and Marc Ribot. She has also toured and recorded with numerous American songwriting legends such as Lucinda Williams, Bruce Cockburn, Rodney Crowell, Lou Reed and Ani Difranco. In March of 2015 she premiered a multi-media performance at Duke University entitled Kannapolis:A Moving Portrait which she continues to present in theaters around the country. She has released eight albums of original music: Here On Earth, The Littlest Prisoner, Mischief & Mayhem, Jenny Scheinman, Crossing The Field, 12 Songs, Shalagaster, The Rabbi's Lover, and Live At Yoshi's."

"For pianist, composer and Guggenheim fellow Myra Melford, the personal and the poetic have always been intimately and deeply connected. Raised outside Chicago in a house designed by the renowned architect Frank Lloyd Wright, Melford grew up literally surrounded by art. Where most of us find the beauty in our childhood homes through the memories and associations we make within its four walls, Melford saw early on that aesthetic expression could both be built from and be a structure for profound emotions.

Over the course of a career spanning more than two decades, Melford has taken that lesson to heart, crafting a singular sound world that harmonizes the intricate and the expressive, the meditative and the assertive, the cerebral and the playful. Drawing inspiration from a vast spectrum of cultural and spiritual traditions and artistic disciplines, she has found a "spark of recognition" in sources as diverse as the writings of the 13th-century Persian poet Rumi and the Uruguayan journalist Eduardo Galeano; the wisdom of Zen Buddhism and the Huichol Indians of Mexico; and the music of mentors like Jaki Byard, Don Pullen, and Henry Threadgill.

The latest incarnation of this ever-evolving cross-disciplinary dialogue is Language of Dreams, which will premiere in November 2013 at the Yerba Buena Center for the Arts. The multi-media work is inspired by Uruguayan writer Eduardo Galeano's Memory of Fire trilogy, a history of the Americas told through indigenous myths and the accounts of European colonizers. The piece will combine music for Melford's quintet Snowy Egret with narration by a multi-lingual actor, dance by Los Angeles-based choreographer Oguri, and video by Bay Area filmmaker David Szlasa.

While Language of Dreams is her most ambitious project to date, it is not the first time that Melford has constructed a piece from such a wealth of disciplines. In 2006, the Walker Arts Center premiered Knock on the Sky, a piece inspired by Albert Camus' essay "The Myth of Sisyphus" and Kobo Abe's novel Woman in the Dunes, in which Melford collaborated with New York City-based choreographer/dancer Dawn Akemi Saito and Austrian architect Michael Haberz.

Snowy Egret, Melford's latest working group, made its debut in 2012. The quintet comprises some of creative music's most inventive and individual voices: trumpeter Ron Miles, guitarist Liberty Ellman, bassist Stomu Takeishi, and drummer Tyshawn Sorey. Melford's spacious, contemplative, exploratory compositions have long attracted and almost demanded such forward-thinking artists. Her past ensembles have included Be Bread, with Cuong Vu, Ben Goldberg, Brandon Ross, Stomu Takeishi, and Matt Wilson; The Same River, Twice, with Dave Douglas, Chris Speed, Erik Friedlander, and Michael Sarin; Crush, with Takeishi, Vu, and Kenny Wolleson.

Melford also currently is one-third of the collective Trio M with bassist Mark Dresser and drummer Matt Wilson; their most recent CD, The Guest House, was one of 2012's most acclaimed releases. She also performs in the duo ::Dialogue:: with clarinetist Ben Goldberg and will release her first solo album in October 2013, a collection of work inspired by the paintings of the late visual artist Don Reich.

Melford's musical evolution has long run in parallel with her spiritual search, a personal journey that has led her to Aikido, Siddha Yoga, and the wisdom traditions of the Huichol people of Mexico's central highlands. Sonically, that quest is expressed via her wide-ranging palette, which expands from the piano to the harmonium and electronic keyboards or to amplifying barely audible sounds in the piano's interior. Her playing can build from the blissful and lyrical to the intense and angular, with accents from Indian, African, Cuban and Middle Eastern musics or the cerebral abstraction of European and American jazz and classical experimentalism.

While Melford's music continually reaches toward a state of transcendence, it still remains deeply rooted in the blues traditions she heard growing up in the Chicago area. In 1978, she first encountered violinist Leroy Jenkins, her introduction to the AACM, whose boundary-free, adventurous approach to jazz remains an influence. She would go on to study with Jenkins, together forming the collective trio Equal Interest with multi­reedist Joseph Jarman in 1997.

Melford moved to the east coast in 1982 and began performing in New York City's thriving Downtown scene, making her recorded debut as a leader in 1990; she has since released more than twenty albums as a leader or co-leader and appeared on more than 40 releases as a side-person. In 2000, she spent a year in North India on a Fulbright scholarship, immersing herself in the region's classical, devotional, and folk music. Melford relocated to the west coast in 2004, joining the faculty of the University of California, Berkeley as an associate professor of contemporary improvised music. There, she engages students in the theory and practice of improvisation, employing diverse creative strategies.

Her work has earned Melford some of the highest accolades in her field. In 2013 alone, she was named a Guggenheim Fellow and received the Doris Duke Charitable Foundation's Performing Artist Award and a Doris Duke Residency to Build Demand for the Arts for her efforts to re-imagine the jazz program at San Francisco's Yerba Buena Center for the Arts. She was also the winner of the 2012 Alpert Award in the Arts for Music. She has been honored numerous times in DownBeat's Critics Poll since 1991 and was nominated by the Jazz Journalists Association as Pianist of the Year in 2008 and 2009 and Composer of the Year in 2004."

"Trumpeter Russ Johnson is a recent Midwest transplant after spending 23 years as an important member of New York City's jazz community. He has 7 recordings as a leader or co-leader and performed on more than 75 recordings as a sideman. Russ has worked alongside many of the legendary figures in jazz including Lee Konitz, Steve Swallow, Bill Frisell, and Joe Lovano. In addition, he has recorded and/or performed with a long list of the most prominent musicians currently on the international jazz scene, including Myra Melford, Ken Vandermark, and Tony Malaby. Russ has performed in more than 40 countries across the globe. His groups have recently performed at the Chicago, Winter Jazz Fest (NYC) Hyde Park, (Chicago) and Bergamo, (Italy) jazz festivals.

His most recent recordings, Meeting Point (Relay Recordings) and Still Out To Lunch! (Enja Records) received 4 1/2 & 4 stars respectively from Down Beat Magazine and appeared on many "Best Recordings of 2014/5" lists including Down Beat, the Chicago Tribune, Chicago Reader, NYC Jazz Record and Magnet magazine. Russ will be releasing a new recording by his "Headlands" Quartet in 2017.

Russ is also active as an educator/clinician, having taught at colleges and universities across the U.S. and Europe. He currently serves as Director of Jazz Studies at the University of Wisconsin Parkside where he won the university wide "Stella Gray" Teaching Excellence award in 2016."

"About Trevor Dunn

1968: born traversing a fine line between hippies and rednecks behind the redwood curtain. first musical affinities: the beach boys, blondie, cheap trick, kiss. first television: ultraman, speedracer, bugs bunny. first films: over the edge, the mouse and his child, snoopy come home, bedknobs & broomsticks. first books: zylpha keatly snyder's witches of worm, the velvet room and the headless cupid.

1977: began studies on clarinet

1981: began studies on electric bass and subsequently quit the clarinet as i realized that girls would now talk to me.

1986: the same year that Lynch's blue velvet and Slayer's reign in blood were released, graduated from EHS. the school's motto: "pigs live in litter, loggers live in pride". started a band called Mr. Bungle. then i got a job at shakey's pizza. began classical technique studies on the contrabass.

1990: graduated from humboldt state university after studying the likes of harry partch, iannis xenakis, alban berg, igor stravinksy, gustav mahler, js bach, you know, all the cats. Also performed Koussevitsky's Concerto for Double Bass with the HSO.

1992: first Mr. Bungle record released on Warner Bros. Moved to SF and two months later embarked on the first MB tour of the US. At the age of 24 I was one of the oldest people in the van. For the next eight years played lots of weddings and restaurants between tours with MB. Learned a lot about music playing with Connah, Goldberg, Schott, Kavee, Amendola, Greenlief, et al.

2000: relocated to Brooklyn, NYC.

Currently playing in various projects under the direction of John Zorn (Nova Quartet, Dreamers, Electric Masada, Aleph Trio). The Nels Cline Singers, Curtis Hasselbring's New Mellow Edwards, Melvins Lite, Endangered Blood, Tomahawk, The Darius Jones Quartet & Erik Friedlander's Bonebridge. I still have plans for my own bands: trio-convulsant, PROOF Readers and MadLove; and I continue to write music for independent films, practice long tones, pine over Daisy Lowe and drink shitty beer in heavy metal saloons."

"Kenny Wollesen (born 1966) is an American drummer and percussionist.

Wollesen lives in New York City. He has recorded and toured with Tom Waits, Sean Lennon, Ron Sexsmith, Bill Frisell, Norah Jones, John Lurie, Myra Melford, Steven Bernstein, and John Zorn. He is a founding member of the New Klezmer Trio and a member of the Sex Mob and Himalayas groups. He also performs on the soundtrack to the popular children's show The Backyardigans.

Kenny grew up in Capitola, CA, studying at Aptos HS and spent many teenage years jamming with Donny McCaslin. He spent quality classroom time with flugelhornist and arranger Ray Brown at Cabrillo College. Kenny also arranges and studied vibraphone at Cabrillo."