"Arto Lindsay (b. 1953) has stood at the intersection of music and art for more than four decades. As a member of DNA, he contributed to the foundation of No Wave. As bandleader for the Ambitious Lovers he developed an intensely subversive pop music,a hybrid of American and Brazilian styles.. Throughout his career, Lindsay has collaborated with both visual and musical artists, including Vito Acconci, Laurie Anderson, Animal Collective, Matthew Barney, Caetano Veloso and Rirkrit Tiravanija. Having been involved with carnaval in Brazil for many years in 2004 he began making parades."

"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

John Anton Fier III (June 20, 1956 - September 14, 2022) "Born in Cleveland, Ohio in 1956, Fier joined the Feelies in 1978 and, despite leaving the band a year earlier, played drums on their 1980 debut album 'Crazy Rhythms'. Fier was also an early member of avant-garde jazz group the Lounge Lizards, playing on the group's self-titled 1981 debut. He also performed in the Voidoids, and was briefly a member of Pere Ubu.

Fier formed the Golden Palominos in 1981, and served as its bandleader for decades, joined by a revolving cast of other musicians that consistently included bassist Bill Laswell and guitarist Nicky Skopelitis.

Headed by Fier, the band shared its self-titled debut album in 1983, and released seven more albums up to 1996's 'Dead Inside'. In 2012, the group released a collaborative album with Kevin Kinney titled 'A Good Country Mile', which served as the Palominos' first recorded output in roughly a decade and a half.

Among Fier's many other collaborators throughout his life were Hüsker Dü and Sugar frontman Bob Mould, Bootsy Collins, avant-garde saxophonist John Zorn, Jack Bruce, John Greaves, Kenji Suzuki, Makino Kazu and more. His production work included the Kinney-fronted Drivin 'n' Cryin's 1988 album 'Whisper Tames The Lion', 2009 album 'The Great American Bubble Factory' and more."