"Jimmy Lyons (December 1, 1931 Ð May 19, 1986) was an alto saxophone player. He is best known for his long tenure in the Cecil Taylor Unit. Lyons was the only constant member of the band from the mid-1960s until his death in 1986. Taylor never worked with another musician as frequently as he did with Lyons. Lyons' playing, influenced by Charlie Parker, kept Taylor's avant-garde music tethered to the jazz tradition.

Lyons was born in Jersey City, New Jersey and raised there until the age of 9, when his mother moved the family to Harlem and then the Bronx. He obtained his first saxophone in the mid-1940s and took lessons from Buster Bailey.

After high school, Lyons was drafted into the United States Army and spent 21 months on infantry duty in Korea. He then spent a year playing in army bands. Once discharged he attended New York University. By the end of the 1950s, Lyons was supporting his interest in music by working for the United States Postal Service.

In 1961, Lyons followed Archie Shepp into the saxophone role in the Cecil Taylor Unit. His post-Parker sound and strong melodic sense became a defining part of the sound of that group, from the 1962 Cafe Montmartre sessions onwards.

During the 1970s Lyons also ran his own ensemble, with bassoonist Karen Borca and percussionist Paul Murphy. They often performed in the loft jazz movement around Studio Rivbea. Lyons' group and Cecil Taylor Unit continued a parallel development throughour the 1970s and 1980s, often involving the same musicians, including trumpeter Raphe Malik, bassist William Parker and percussionist Murphy.

In 1976, Lyons performed in a production of Adrienne Kennedy's A Rat's Mass directed by Cecil Taylor at La MaMa Experimental Theatre Club in the East Village of Manhattan. Musicians Rashid Bakr, Andy Bey, Karen Borca, David S. Ware, and Raphe Malik also performed in the production. Taylor's production combined the original script with a chorus of orchestrated voices used as instruments.

Lyons died from lung cancer in 1986 at the age of 54. He didn't publish many recordings with his own ensemble, though Ayler Records did release a 5-CD box set of recordings from 1972 to 1985."

"Karen Borca (born September 5, 1948, Green Bay, Wisconsin, United States) is an American avant-garde jazz and free jazz bassoonist.

Borca studied music at the University of Wisconsin with John Barrows and Arthur Weisberg, graduating in 1971. While there she met Cecil Taylor, who taught there during the 1970/71 academic year; she studied with him and played in his big bands, ensembles and the Cecil Taylor Unit, and was his assistant at Antioch College, Ohio, in the Black Music Program. She was an assistant to saxophonist Jimmy Lyons in 1974 during his artist in residence at Bennington College, Vermont and married the longtime Taylor sideman; she played in Lyons's band for 12 years until he died in 1986. She performed with her own bands at the Newport Jazz Festival New York City Salute to Women in Jazz, '78 and '79, Soundscape, Vision Festival, Jazz Fest Berlin and other festivals, concerts, clubs and lofts.

She has performed with her own bands in New York City, the U.S. ,and Europe, with musicians such as Cecil Taylor, William Parker, Bill Dixon, Butch Morris, Marco Eneidi, Joel Futterman, Sonny Simmons, Alan Silva, and Jackson Krall."

"Paul F. Murphy (born January 25, 1949) is a percussionist, bandleader and composer. He is best known for having led a variety of small jazz ensembles, and for his long tenure in groups led by saxophonist Jimmy Lyons.

Murphy began playing drums at a very early age, and made the acquaintance of Gene Krupa at age six. He went on to study with Krupa, Louis Bellson, and Joseph Levitt, the principal percussionist of the National Symphony Orchestra and director of the Peabody Conservatory.

At age sixteen, Murphy began playing in the Washington, D.C. area with Duke Ellington's bassist Billy Taylor, who exposed him to the music of pianist Cecil Taylor. At Billy Taylor's advice, Murphy moved to San Francisco, where he established himself as a bandleader. While there, he met and befriended Cecil Taylor and Jimmy Lyons. At the suggestion of Lyons, he then moved to New York, where he managed Ali's Alley, a club run by drummer Rashied Ali, and began playing and recording with Lyons' groups as well as his own quintet. While in New York, Murphy immersed himself in both the experimental jazz and punk rock scenes.

Following Lyons' untimely death in 1986, Murphy spent time playing drums in Las Vegas, then moved back to San Francisco, where he formed Trio Hurricane with saxophonist Glenn Spearman and bassist William Parker. He moved back to the Washington, D.C. area in 1990, and has since collaborated with pianists Joel Futterman and Larry Willis, poet Jere Carroll, and others.

Murphy has been described as "a fluent, compositionally minded master drummer." One reviewer wrote "It is hard to believe that Murphy is actually moving through space as he moves from one part of the drum set to another because the action is seamless... Murphy uses every tool he has on every drum surface; hands, brushes, mallets and sticks on snare, tom, cymbals, bass and bongos. The drumming possesses substantial physicality even in its subtleties, and often an incredibly rapid and feather-light touch." Another reviewer described him as "a drummer/sound painter who totally trusts his wildest creative impulses." "

"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."

In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.

Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."