"Cor Fuhler, described by the ABC as 'A Modern Day Renaissance Man', is an interdisciplinary eclectic musician, improviser, composer, sound artist, multi instrumentalist, instrument builder, inventor, visual artist, researcher and scholar whose practice crosses into installation, visual art, dance, puppetry, comic strip, music theatre and site-specific performance. He is a conservatorium trained pianist, guitarist and experimental electronics player, and is renowned for his pioneering extended piano techniques and his invention the keyolin, a hybrid violin and piano. He often functions as axle between various art forms: he has written scripts, choreographies and music for theatre, radio plays, dance and puppetry. Cor has a preference for juxtaposing old and new technologies (from super 8 film to the latest digital software) and he has composed for ethnic instruments, western instruments, self built devices and various electronic media. In his work, he puts a strong emphasis on awareness of acoustic and visual phenomena at a specific time and place.

Born 1964 in the Netherlands in a multi-cultural family (he is partly Romani), after travelling and since 2010 living in Australia, Cor is influenced by several creative cultures. He took his first lessons on organ at the age of 10, but disillusioned by the complete lack of understanding from his teachers (he mostly changed compositions and instruments to his personal preference), he soon became autodidact. Again disillusioned, but now by his own lack of instrumental technique and general knowledge, in 1983 he decided to go to the highly esteemed Sweelinck Conservatorium Amsterdam to study piano and teaching methodology (his main teachers were Nico Langenhuijsen - piano and Misha Mengelberg - composition). During this time he spent much of his time in libraries, museums and on his bicycle in order to avoid musical tunnel vision. After finishing his studies in 1989, a year earlier than planned, he travelled around in Indonesia and went back to his natural state of following his own intuition. Since then he has been the artistic leader of his own ensembles (e.g., Corkestra, Wayang Detective, Fuhler/Bennink/de Joode, Cortet and solo), he toured internationally (Europe, Canada, USA, Japan, etc.) and released over 50 CDs, mostly with his own works and artistic concepts.

After a two-year research period Cor attained his PhD in composition in 2016 at the University of Sydney (with supervision by composer Damien Ricketson) and is now an active researcher with special interest in the relationship improvisation-composition, compositional multiplicity, corporeal kinetic installations, Fluxus, magic and mystery in art, and acoustic ecology. In 2017 he published his book Disperse and Display (which demonstrates a holistic approach to his research on modular compositional techniques and extended instrumental techniques) and he started working at the Conservatorium of Music in Hobart and the Sydney Conservatorium of Music; here he partly lectures composition, improvisation and ensemble as well as marks composition students' essays. In 2018 Cor started a position as senior lecturer in sound and creative media studies at the SAE Creative Media Institute in Sydney."

"Gert-Jan Prins focuses on the sonic and musical qualities of electronic noise and percussion and investigates its relationship with the visual. While he started his career as a drummer, his works include performances, sound-installations, compositions, electronic circuits and collaborations with other musicians, visual artists, composers, and dancers."