"Tom Djll studied electronic music with Stephen Scott at the Colorado College, working with the EMS Synthi 100 system at Packard Hall. In 1978 and 79 Djll studied at the Creative Music Studio in Woodstock, NY, with Roscoe Mitchell, Anthony Braxton, Wadada Leo Smith, George Lewis, the Art Ensemble of Chicago, Karl Berger and many other giants of new music. He spent the years 1981-1993 working with the Serge Modular Music System before enrolling in Mills College Contemporary Music Program, where he extended his quest to develop and integrate an idiosyncratic trumpet language into an electronic sound environment, while also pursuing advanced improvisation studies, formally, with Pauline Oliveros, and, informally, with Jack Wright. While at Mills, Djll concentrated on microtonal composition, split-tone trumpet technique, and computer music. He also worked extensively with Chris Brown, resulting in contributions to Brown's recordings LAVA (Tzadik) and DUETS (Artifact).

Further refinement of trumpet languages and free improvisation with his band GROSSE ABFAHRT was undertaken from 1999 - 2010, published on the Emanem, Creative Sources, and Setola di Maiale labels. Beginning in 2012, Djll gradually re-introduced electronics into his sound-set. The results are heard in projects like hackMIDI (extreme electro-mechanical piano music), piano + analog electronics in TENDER BUTTONS (with Tania Chen and Gino Robair), delicate environments in EUPHOTIC (with Cheryl Leonard and Bryan Day), austere acoustic spaces with KOKUO (Kanoko Nishi-Smith, John McCowen, Jacob Felix Heule, and Kyle Bruckmann) and ongoing sessions and performances within the lively and ever-evolving Bay Area scene, including: Tim Perkis, Amanda Chaudhary, Jordan Glenn, Clarke Robinson, Suki O'Kane, Matt Ingalls, Tom Nunn, bran(...)pos, and Karen Stackpole.

Obligatory list of famous musicians Djll has played and/or recorded with:

Roscoe Mitchell, David Toop, Fred Frith, William Winant, Rova Saxophone Quartet, Pauline Oliveros, Ava Mendoza, John Butcher, Vladimir Tarasov, Le Quan Ninh, Tania Chen, Wobbly, Frank Gratkowski, Miya Masaoka, nmperign, Tatsuya Nakatani, Vijay Iyer, and Zeena Parkins."

"Frédéric Blondy Born in Bordeaux in 1973.

On completing his studies in Mathematics and Physics at Bordeaux University, Frédéric Blondy dedicated himself full time to music, firstly as a jazz pianist and subsequently as a student at the Bordeaux National Conservatory where he studed piano, harmony, analysis and composition. Since moving to Paris he has worked with Marie-Christine Calvet at the "International Piano Center", refining a body-based approach to the instrument.

As musician, Frédéric Blondy has performed in many festivals and venues in Europe, North America, Middle East and Asia, working with, amongst others Paul Lovens, Rhodri Davies, Lê Quan Ninh, Michel Doneda, Joëlle Léandre, Urs Leimgruber, Thomas Lehn, Daunik Lazro, Radu Malfatti, John Tilbury, Otomo Yoshihide, Mats Gustafsson,.... and developed a thorough work with ensembles like Hubbub, Ethos.

As composer, he wrote music for films, videos, and danse and works with several ensembles.

In 2011 he created the Orchestre de Nouvelles Créations, Expérimentations et Improvisations Musicales (ONCEIM - ensemble of 30 musicians) to develop links between improvisers skills and written music. He is actually artistic director and composer for this ensemble.

He runs for several years a regular workshops on improvisation and contemporary sound practices, first at the Instants Chavirés then as part of the Rendez-Vous Contemporains of Saint Merry.He is a regular speaker at the Cité de la Musique in Paris for workshops on contemporary sound practices and new creation tools.

More occasionally he is requested in many festivals in Europe, North America and Japan to lead courses and presenting lectures aboutimprovisation and contemporary sound practices.

He has made almost twenty recordings published on different European labels. He is a regular guest on national radio for concerts or to participate in broadcasts. His concerts are regularly recorded and broadcast by national radios : France Musique, SWR, BBC,...

He is also involved in the promotion of improvised and contemporary music as well as visual arts through Rendez-Vous Contemporains of Saint Merry and the festival Crak in Paris inviting international artists for concerts, performances, screenings, meetings..."

"George Cremaschi works with a variety of approaches and strategies in the areas overlapping music, sound art and noise. In thirty years as a composer and performer he has worked with a long and diverse list of distinguished musicians, dancers and choreographers, filmmakers, installation artists, and writers. Some of his current projects include the groups KRK (w/Matthew Ostrowski), Rohr Rohr (w/dieb13 and Gino Robair) and Lambs Gamble (w/Fritz Welch and Eric Boros). He is also the founder (w/Petr Vrba) and director of Pražský Improvizační Orchestr (PIO), a 15-member group working with conducted and free improvisation and graphic scores.

As an interpreter, he has performed works by many composers including Adamčiak, Andriessen, Braxton, Cage, Cardew, Feldman, Mingus, Oliveros, Penderecki, Tenney, Xenakis, etc and has appeared on over 40 recordings on Apestaartje, Beak Doctor, Black Saint, Emanem, Evander, Evolving Ear, Leo, Music & Arts, Nine Winds, Rastascan and other labels. Born in New York where he studied music and composition, he later lived for many years in California and currently lives in Prague, Czech Republic."

"As a classical trained percussionist, Lê Quan Ninh worked with contemporary music ensembles and was a founder member of Quatuor Hêlios (1986-2012), a percussion quartet that performed and recorded, among others, John Cage's percussion works. Their last creation was Seul à Seuls by Georges Aperghis premiered in late 2006 at the Musica Festival in Strasbourg (France).

As an improvisor, he participates at numerous meetings in Europe and in North America and plays regularly in ensembles in forms that mix improvised acoustic & electroacoustic music, 'performance art', dance, poetry, experimental cinema, photography and video.

With the cellist Martine Altenburger, he founded in 2006 the ensemble]h[iatus, a contemporary music ensemble whose its members are at the same time interpreters and improvisers. They commissioned pieces to the composers Vinko Globokar, Peter Jakober, Steffen Krebber, Jennifer Walshe and Anthony Pateras

His discography counts about 40 CD on european and north american labels. The last release (Aplomb, 2015) is a duet with his long term colleague Michel Doneda.

In 2014, he publishes the translation of his book Improvising Freely. The ABCs of an Experience (previously published in french)."

"Gino Robair has created music for dance, theater, radio, television, silent film, and gamelan orchestra, and his works have been performed throughout North America, Europe, and Japan. He was composer in residence with the California Shakespeare Festival for five seasons and served as music director for the CBS animated series The Twisted Tales of Felix the Cat. His commercial work includes themes for the MTV and Comedy Central cable networks.

Robair is also one of the "25 innovative percussionists" included in the book Percussion Profiles (SoundWorld, 2001). He has recorded with Tom Waits, Anthony Braxton, Terry Riley, Lou Harrison, John Butcher, Derek Bailey, Peter Kowald, Otomo Yoshihide, the ROVA Saxophone Quartet, and Eugene Chadbourne, among many others. In addition, Robair has performed with John Zorn, Nina Hagen, Fred Frith, Eddie Prevost, Thinking Fellers Union Local 282, Myra Melford, Wadada Leo Smith, and the Club Foot Orchestra.

Robair is a founding member of the Splatter Trio and the heavy-metal band, Pink Mountain. In addition, he runs Rastascan Records, a label devoted to creative music.

As a writer about music technology, Robair has contributed to Mix, Remix, Guitar Player, and Electronic Musician (EM) magazine, where he was an editor for 10 years. He is the author of two books, including The Ultimate Personal Recording Studio (Thompson; 2006)."