The Squid's Ear Magazine


Yuganaut: Sharks (Engine)

Eclectic and playful jazz from the trio of Tom Abss on bass instruments, Stephen Rush on keyboards, trombone and toys, and Geoff Mann on drums, percussion and trumpet.
 

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product information:

Personnel:



Stephen Rush-rhodes, moog, trombone, toys

Tom Abbs-bass, cello, violin, tuba, didjeridoo

Geoff Mann-drums, percussion, trumpet


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UPC: 825481000345

Label: Engine
Catalog ID: e034
Squidco Product Code: 12945

Format: CD
Condition: New
Released: 2010
Country: USA
Packaging: Digipack - 3 panel
Recorded October 16, 2009 at Audio Recording Studio, University of Michigan by Jason Corey and DAvid Greenspan. Mixed by Geoof Mann, Mastered by Steven Wolcott.

Descriptions, Reviews, &c.

"Calling the three members of Yuganaut "multi-instrumentalists" is a little too easy. What is needed is some kind of word that would connote being multiple bands. Between them they could be a small brass group, an electric chamber ensemble or a straight-ahead jazz trio. But such formal confines may not leave room for the moments of playfulness or the passages of spacey psychedelia that sneak in between their evocative and highly original sounds. Between them, band members Stephen Rush, Tom Abbs and Geoff Mann play Fender Rhodes and Moog synthesizer; trumpet, trombone and tuba; bass, cello and violin; and drums, toys and didgeridoo. Does that sound streamlined? Their previous release also included mandolin, euphonium and vibes.

More important than the listing of implements is the fact that the three gentlemen of Yuganaut are more than conscientious about leaving room in the music, not just for each other but to let the music grow. Between them they can boast of Reggie Workman's tutelage, performance with the Warsaw National Symphony and membership in the Fela-inspired Antibalas Afrobeat Orchestra. Which is to say there is tradition, formalism, groove and a sense of fun at play. They are at core, perhaps, a jazz band; but being a jazz band means (or should mean) that anything is possible. There's ritual, there's storytelling, they're contemplative, extrapolative, expressive, even impressive. Yuganaut is not here to be pigeon-holed. They're just here to play for you."-ESP


Artist Biographies

"Stephen Rush is a Professor at the University of Michigan, where he has taught since 1987. He studied with third-stream pioneer Gunther Schuller, David Liptak and Samuel Adler, and is the author of the new book, "Free Jazz, Harmolodics and Ornette Coleman," which includes extensive interviews with Ornette.

Rush's compositional output includes six operas, chamber music (some of which is standard repertory), orchestra work and over 150 scores for dancers. His compositions have been recorded and performed worldwide by the Warsaw and Detroit Symphonies and members of the New York and Cleveland Philharmonics, and recently, classical ensembles in Spain, Korea, and Switzerland. As a performer, Rush has presented his multi-media work in Japan, Europe (Florence, Berlin, and Budapest, etc.), Latin America, and India. He has over 30 CD's to his credit ranging from electronic experimental music, orchestra performances, chamber music, and jazz. He works often with his electronic group, "Crystal Mooncone" with Chris Peck and Jon Moniaci, as well as with his acoustic jazz group, "Naked Dance" with Andrew Bishop and Jeremy Edwards.

Rush is the director of the Digital Music Ensemble (DME) at the University of Michigan. With DME, Rush has premiered works by John Cage, Philip Glass, and LaMonte Young, and has recorded with Pauline Oliveros and "Blue" Gene Tyranny. The group has also worked with Alvin Lucier, Robert Ashley, Pamela Z and Elliott Sharp. DME is widely known for its site-specific work, "Gypsy Pond Music", which is performed annually at the University of Michigan and elsewhere.

Stephen Rush works frequently as a jazz musician, performing with Roscoe Mitchell, Henry Grimes, Steve Swell, Eugene Chadbourne, the late Peter Kowald, and his own New York-based-trio Yuganaut, with Tom Abbs and Geoff Mann (including a new release on Nessa Records with Roscoe Mitchell). His first book, Better Get It In Your Soul, discusses radical approaches to church liturgy.

He has studied South Indian Classical vocal music for twenty years with Sharada Kumar (Ann Arbor), Sashi Kumar (Varinasi, India) and Kamala Rajalakshmi (Mysore, India). For the last seven years he has taken a dozen students to India for one month in the summer to study Classical Indian Dance and Music, as well as Yoga, Philosophy and Sociology. His work in this area is recognized internationally, including frequent requests to speak about Indian Music and Culture in the U.S. and in India, with an invitation to be the keynote speaker at the International Peace Conference in Mysore, India, 2011.

He also has an interesting side-career, having publicly interviewed such varied luminaries as Laurie Anderson, Ravi Shankar, LaMonte Young, Archbishop Desmond Tutu, Ornette Coleman, the Kronos Quartet, and revered Swami Chinmayananda."

-Stephen Rush Website (https://stephenjrushmusic.com/?page_id=2)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Breakthrough/Zhu 4:05

2. Fade to Frenzy 3:33

3. Landfill/Sharks 6:18

4. Lost in the Field 5:13

5. See Saw 2:28

6. Local Motive 5:36

7. Vger 2:37

8. Wrenchwork 3:18

9. Again, and Sweetly 6:04

Related Categories of Interest:

ESP

Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings

Search for other titles on the label:
Engine.


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The Squid's Ear Magazine

The Squid's Ear Magazine

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