"Hugo Carvalhais was born in Oporto/ Portugal and took a degree in Painting at the Fine Arts School there. Despite being self-taught, Carvalhais studied and participated in seminars with musicians including Ron Carter, Eddie Gomez, Hein Van de Geyn, Mario Pavone, Carlos Bica and Miroslav Vitous. Considered as one of the most talented and "sui generis" Portuguese double-bass players of his generation, Hugo has worked with musicians such as Julian Arguelles, Tim Berne, Emile Parisien, Dominique Pifarély, Liudas Mockunas, Sheila Jordan, Jefferey Davis, Art Themen, among others.

2010 sees the launch of his first record as a leader featuring saxophone player Tim Berne. "Nebulosa" was considered one of the best albums of the year by "Jazz.pt" magazine and received outstanding reviews by national and international press. The album was also chosen among the most representative records of Clean Feed label by their 10th anniversary.

In 2012 Hugo Carvalhais releases is second album called "Particula" with his regular band mates ( Gabriel Pinto, Mário Costa ) and the participation of Dominique Pifarély and Emile Parisien. "Particula" was considered one of the best jazz records of 2012 by: Jornal Público (Portugal), Cuadernos de Jazz (Spain), San Diego Reader ( USA), JazzWrap (USA), Downtown Music Galery ( USA ), Otro Jazz Blog ( México), Délire Actuel (Canada), This is our music Blog ( Canada), Percorsi musicali (Italy), Karl Lippegaus - Süddeutsche Zeitung( Germany), Perfect Sounds (Norway) and Rua de baixo ( Portugal).

"Grand Valis" was released in 2015 as the doublebassist third work and was the first portuguese record distinguished with "CHOC" label by the french JazzMagazine publication."

Gabriel Pinto: "Born in Porto in 1977. He began studying music at the age of nine, and from the age of 17 he began to focus on listening to progressive and psychedelic rock from the 70's and avant-garde composers from the 20th century. At the age of 18 he entered the Conservatory of Music of Porto to study classical piano and there he had his first contact with jazz. He participated in workshops and seminars with musicians such as Mario Rossi, Mário Laginha, George Colligan, Don Byron, Cecil Bridgewater, among others.

He made his recording debut with the CD Nebulosa by Hugo Carvalhais (Clean Feed). He currently plays in the group led by this bassist."

"Mário Costa, was born in 1986 in Viana do Castelo. Starts the study of the drums at 7 years of age. His learning path passes through the Vocational School of Music of Viana do Castelo where he studies percussion with teachers Rui Rodrigues, Nuno Aroso and Pedro Oliveira. In 2008 he graduated in Jazz from ESMAE, under the guidance of Professor Michael Lauren. In that same year, he moved to the United States where he attended private lessons with Ian Froman, Rodney Green, Ari Hoening, Eric Harland, John Riley and Hal Crook. He attends and participates in workshops with Jeff Ballard, Adam Cruz, Ferenc Nemeth, Peter Erskin, Dom Famularo, Billy Hart, Alexandre Frazão, Marc Miralta, Allan Ferber, Chris Corsano, David Freedman, Billy Coabhan, John Riley, Dan Weiss, among others.

He is an award-winning drummer with a number of distinctions in the music scene, including the 1st Prize at the "II Young Performers Competition" in Spain, 1st prize at the "Tum-Pa-Tum-Pa" drum competition ) and the 1st prize in the "Yamaha Drum Sessions" in the category of over 18 years.

In 2010 he is invited by Casa da Música to present his project "Mário Costa - Homo Sapiens" in the cycle "New Values ​​of Jazz". At the same time he is invited to participate in various projects in festivals, such as: Serralves in Festa - "Adapt / Oppose", "Corsano - Queijo - Costa" and Trama - Festival of Performative Arts - "Improvisations / Collaborations".

Mário Costa is known for his diverse formations, such as: Hugo Carvalhais - Nebula, GS Quartet, Ensemble Super Modern, Carlos Mendes Quarteto, Metamorphose, Maria Mendes, Miguel Martins, Carlos Azevedo Trio, Mário Costa - Dual Experience, José Valente - Experience of Today.

Currently he is part of the project of Miguel Araújo and Ana Moura's latest album, where he has performed more than 140 concerts in the first year of the world tour of the album "Desfado", through Coliseu dos Recreios, Coliseu do Porto, Centro Cultural de Belém, Victoria Hall (Switzerland), Apolo Hall (Spain), SF Jazz Center (USA), Napa Valley Opera House (USA), Berklee Performance Center (USA), Barbican Center (UK), Paradiso Room (Amsterdam), Les Muzik Festival Elles (France), Opera Nationala Romana (Romania), El Lunario (Mexico City), Festspielhaus (Austria), Muffathalle (Munich), Festival Mawazine (Rabat), Teatro Mayor Julio Mario Santo Domingo Arts (Rio de Janeiro), Bansko Jazz Fest (Bulgaria), among others."

"Tim Berne (born 1954) is an American jazz saxophonist and composer.

Described by critic Thom Jurek as commanding "considerable power as a composer and ... frighteningly deft ability as a soloist", Berne has composed and performed prolifically since the 1980s. His mainstream success has been limited Ð Berne recorded two albums for Columbia Records Ð but he has released a significant body of work over the decades spanning dozens of critically acclaimed recordings.

Though Berne was a music fan, he had no interest in playing a musical instrument until he was in college, when he purchased an alto saxophone. He was more interested in rhythm and blues music Ð Stax records releases and Aretha Franklin, especially Ð until he heard Julius Hemphill's 1972 recording Dogon A.D.

Hemphill was known for his integration of soul music and funk with free jazz. Berne moved to New York City in 1974. There Berne took lessons from Hemphill, and later recorded with him.

In 1979, Berne founded Empire Records to release his own recordings. He recorded Fulton Street Maul and Sanctified Dreams for Columbia Records, which generated some discussion and controversy, due in part to the fact that Berne's music had little in common with the neo-tradionalist hard bop performers prominent in the mid-1980s. Some regarded Berne's music as uncommercial. In the late 1990s Berne founded Screwgun Records, which has released his own recordings, as well as others' music.

Beyond his recordings as a bandleader, Berne has recorded and/or performed with guitarist Bill Frisell, avant-garde composer/sax player John Zorn, violinist Mat Maneri, guitarist David Torn, cellist Hank Roberts, trumpet player Herb Robertson, the ARTE Quartett and as a member of the cooperative trio Miniature.

Recent years have found Berne performing in several different groups with drummers Tom Rainey and Gerald Cleaver, keyboardist Craig Taborn, bassists Michael Formanek and Drew Gress, guitarists Marc Ducret and David Torn, and reeds player Chris Speed.

He is one-third of the group BBC (Berne/Black/Cline) along with drummer Jim Black and Nels Cline of Wilco. The group released a critically acclaimed album called The Veil in 2011.

Berne's complex, multi-section compositions are often quite lengthy; twenty- to thirty-minute pieces are not unusual. One critic wrote that Berne's long songs "don't grow tiresome. The musicians are brilliantly creative and experienced enough not to get lost in all the room provided by these large time frames." "