The Squid's Ear Magazine


Other Dimensions in Music featuring Fay Victor: Kaiso Stories (Silkheart)

Other Dimension with Roy Campbell, Daniel Carter, William Parker, & Charles Downs, plus vocalist Fay Victor for an album influenced by Kaiso, a music of African and Spanish colonial influences.
 

Price: $16.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units

Sample The Album:





product information:

Personnel:



Roy Campbell, Jr.-trumpet, pocket trumpet, flugelhorn, flute, recorder, shepherd pipes, arghul, bird whistles, panpipes, bells

Daniel Carter-alto, tenor and soprano saxophones, flute, trumpet, clarinet

William Parker-doublebass, gembri, bass duduk, trombonium

Charles Downs-drums, percussion

Fay Victor-voice


Click an artist name above to see in-stock items for that artist.




UPC: 7320470142011

Label: Silkheart
Catalog ID: SHCD-158
Squidco Product Code: 14052

Format: CD
Condition: New
Released: 2011
Country: Sweden
Packaging: Jewel Tray
Recorded, mixed and mastered by Jim Clouse on September 8th, 2010 at ParkWest Studios, Brooklyn, NY.

Descriptions, Reviews, &c.

"Kaiso - A music of western African derivation and Spanish colonial influence. The precursor to the modern Calypso, narrative in form and often has a cleverly concealed political subtext. Kaiso probably has its origins in the Hausa language, where it's used to exclaim approval such as "Bravo!"

Many of my childhood summers were spent at my grandmother's house in Belmont, Port of Spain - the capital of the tiny sister republic of Trinidad & Tobago - the southernmost Caribbean Islands. This yearly cycle of me leaving the Greater New York area for the summer and heading to Port of Spain started after kindergarten and continued until my early teens. Trinidad, the island where my Mom was born and raised, and my Dad grew up as well, was my cultural home. Going there immersed me in another world I felt drawn to and a part of: the food, the patois, the humor, the melodic cadence in the speech, the sun, the fruits, the sea; the music, like school-girl songs such as "London Bridge is Falling Down" and "Brown Girl in the Ring" that my sister and I used to sing and play patty-cake to. Calypso music was a steady soundtrack in the background of island life. I saw my Aunt Mary and her friends 'wine down' at parties and we kids were encouraged to do the same, we were meant to dance this way. When my Aunt cleaned the house on rainy days, she'd pull out old Mighty Sparrow and Lord Kitchener records and sing the songs out loud as she dusted. Sometimes she'd stop in the middle and dance, and we'd dance with her, break out in laughter and resume cleaning again.

This music followed me to family parties in New York, New Jersey and Toronto. Classic Calypso was played everywhere my family staked claim, even though my Mom preferred the Commodores and Harold Melvin & The Blue Notes to anything the Mighty Sparrow had to say. Yet if there was a party, Calypsos were omnipresent. After my years in college away from my family, I moved back to Brooklyn, and my Aunt, now also Brooklyn based, took me out to parties, calypso tents, parades, boat-rides and concerts, immersing me head first in the NYC Trinidadian scene. It was a great period in my life because I reconnected to that part of my culture again as an adult, mostly through music, realizing then how much it meant to me.

In 2009, Silkheart Records's Lars Gustavsson visited the Vision Festival and suggested the idea of making a record with the original Other Dimensions in Music, made up of trumpeter Roy Campbell, reedist Daniel Carter, bassist William Parker and drummer Charles Downs. I liked the idea immediately - but what kind of vocal project would work for a free jazz outfit?

Lars granted me the time to figure this out, for which I was grateful, because it allowed me to unearth something buried deep for so long - a Caribbean project. This had been on my mind for years, but I didn't have an idea strong enough to move forward with, and thus it languished on my 'to do' list of projects, hopefully to come to fruition sometime before I die.

Kaiso Stories is a free-jazz project with classic calypso lyrics. The lyrics I chose cover subjects such as politics, humor, being an immigrant and wanting to return home, speaking out against Trinidad's first prime-minister Dr. Eric Williams, stepping into the darkness of Shango Baptism, identity and what can happen at a wake. This hardly covers the cultural richness of Calypso lyrics; in my research for this project I encountered incredible stories such as elaborate scenarios to win back a jilted lover, lengthy discourse on government, strong pleas for a better economy or employment, or the value of taking care of your cat. Calypso lyrics tell the story of living life in Trinidad and calypsos were the newspaper of the people, the one place where the people could hear the issues of the day free from media-tampering by the Powers that Be. The story needs a messenger in the Calypso singer or 'Calypsonian', to tell the truth as he sees it and tell it good, otherwise the audience will let him have it. The importance of the message wasn't lost on the government and censorship boards were set up to monitor calypsos, especially around Carnival - the annual celebration held before Lent of which Calypsos are an integral part. So Calypsonians devised clever strategies such as double-entendre to get their message across to the audiences it was intended for. This makes Calypso lyrics some of the most beautiful and imaginative I've ever heard in any genre.

Two days before going into the studio to record what is now in your hands, we performed at the Local 269 on the Lower East Side, as part of the weekly Evolving Voice & Music Series. It was our first performance together and from the first moment, I knew this music would be about connection- about a long running group like Other Dimensions in Music connecting to me and the ideas I wanted to try and, about me reconnecting with a musical friend I've had since birth, reconfigured for the person I've become, and most of all, about all of us together connecting to the audience whom became part of a secret treasure trove of great Calypso stories, and gleefully so. It was a great meeting and a tremendous experience. Thanks for taking the time to try it. [...]"-Fay Victor, from the liner notes


Artist Biographies

"Roy Sinclair Campbell Jr. (September 29, 1952 - January 9, 2014) was an American trumpeter frequently linked to free jazz, although he also performed rhythm and blues and funk during his career.

Born in Los Angeles, California, in 1952, Campbell was raised in New York City. At the age of fifteen he began learning to play trumpet and soon studied at the Jazz Mobile program along with Kenny Dorham, Lee Morgan and Joe Newman. Throughout the 1960s, still unacquainted with the avant-garde movement, Campbell performed in the big bands of the Manhattan Community College. From the 1970s onwards he performed primarily within the context of free jazz, spending some of this period studying with Yusef Lateef.

In the early 1990s Campbell moved to the Netherlands and performed regularly with Klaas Hekman and Don Cherry. In addition to leading his own groups, he performed with Yo La Tengo, William Parker, Peter Brotzmann, Matthew Shipp, and other improvisors. Upon returning to the United States he began leading his group Other Dimensions In Music and also formed the Pyramid Trio, a pianoless trio formed with William Parker. He performed regularly as part of the Festival of New Trumpet Music, which is held annually in New York City.

He died in January 2014 of hypertensive atherosclerotic cardiovascular disease at the age of 61."

-Wikipedia (https://en.wikipedia.org/wiki/Roy_Campbell_Jr.)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Daniel Carter (born December 28, 1945, in Wilkinsburg, Pennsylvania) is an American experimental saxophone, flute, clarinet, and trumpet player active mainly in New York City since the early 1970s.

Carter is a prolific performer and has recorded or performed with William Parker, Federico Ughi, DJ Logic, Thurston Moore, Yo La Tengo, Sun Ra, Cecil Taylor, Sonic Youth, scientist/musician Matthew Putman, Cooper-Moore, Sam Rivers, David S. Ware, Yoko Ono, Living Colour, Medensky Martin and Wood and Jaco Pastorius among others. He is a member of the cooperative free jazz groups TEST and Other Dimensions In Music."

-577 Records (http://www.577records.com/danielcarter/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."

In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.

Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."

-William Parker Website (http://www.williamparker.net/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Charles Downs is a New York City drummer known for band Centipede, influenced by Miles Davis, Coltrane, Pharaoh Sanders, samba, Afro Cuban, and Caribbean feelings, and points in between. He was a member of Jameel Moondoc's Muntu. He worked with Bobby Zankel, and performed with Cecil Taylor, including being a member of Cecil Taylor's big band. He is a member of Flow Trio with Louie Belogenis and Joe Morris, and Other Dimensions in Music.

-Squidco 11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Called "a thrilling improviser" by Downbeat magazine, Fay Victor consistently hones a unique vision of the vocalist's role in jazz and improvised music. Victor's eight (8) critically acclaimed recordings as a leader since the late 90's has seen praise in venerable media outlets such as Downbeat, JazzTimes, The New York Times, The Village Voice, Time Out New York, The Wire, Signal to Noise, Popmatters.com, The San Francisco Chronicle, Time Out Chicago, The Chicago Reader, The New York City Jazz Record and JazzWise (UK). Victor's long standing group, the Fay Victor Ensemble - an expansive and cohesive mix of jazz, rock, blues, new music and free improvisation - released three albums to huge critical acclaim (2009's The FreeSong Suite made it onto numerous year-end lists including The Village Voice, NPR and Popmatters.com). The experimental blues project The Exposed Blues Duo, with FVE guitarist Anders Nilsson delving deep into a variety of blues forms released Bare in 2010. There is Herbie Nichols SUNG, Victor's homage to the unsung be-bop pianist incorporating Victor's lyrics and arrangements in a quintet and trio format. The trio project has been recorded and currently looking for label support for release and 2018 will see Victor release Wet Robots on ESP-DISK, a brand new vehicle for fresh sounds and improvisational approaches in a group called SoundNoiseFUNK.

In addition to Victor's band-leading vehicles on record, her voice has attracted esteemed ensembles including Other Dimensions in Music (ODIM), the perennial free jazz outfit joined forces with Victor for 2011's Kaiso Stories on Silkheart Records in 2011, lauded for its impressive fusion of Calypso, the music of Trinidad & Tobago and home to Victor's cultural roots, with free jazz. The legendary and longstanding Dutch outfit, the Instant Composer's Pool Orkest (ICP) led by Misha Mengelberg/Han Bennink invited Victor to tour with them in Europe in 2010 and appear during US tours in 2011, 2014 and 2015. Victor is the first vocalist to work consistently with ICP in it's 50 year history. Victor was one of the vocalists on Trillium E (New Braxton Records 2011) with Anthony Braxton's Tri-Centric Orchestra and Trillium J during the four-day Braxtonian Festival in 2011. Reedist Ab Baars invited Victor and french horn hero Vincent Chancey to celebrate 20 years with his esteemed trio in 2011 including a 15-concert European tour, the first time Baars had written material for voice and specifically for Victor; that work is contained on The Invisible Blow (Stichting Wig 2014). Victor received a presenting commission from Anthony Braxton himself on behalf of the Tricentric Foundation for Neighborhood Dynamics (co-composed with Jochem van Dijk) that was presented during the TriCentric Festival in a double bill with Anthony Braxton's Nonet in 2014. Neighborhood Dynamics is a piece about gentrification and the changing demographic landscape of Brooklyn, NY, where Victor calls home. Over the past four years, Victor's work with esteemed avant-garde trombonist Roswell Rudd has seen a deeper connection appearing on his 2014 Trombone for Lovers(Sunnyside Records 2014) and now appearing on every track of Embrace (RareNoise 2017), a project of re-imagined standards. Victor was part of a voice/percussion/piano duo with MacArthur genius grant recipient, professor and composer/multi-instrumentalist Tyshawn Sorey, with appearances at Constellation in Chicago, IL (2016) and Vision Festival XVVI (2014) amongst their performance highlights.

Victor is also out on record as a part of Glorious Ravage, a sprawling song-cycle in honor of Victorian-era female explorers composed by Bay Area bassist/composer Lisa Mezzacappa (New World Records 2017). Mezzacappa and Victor have collaborated frequently since 2011 and the song cycle was originally inspired by Victor's first trip out West to play with Mezzacappa. Finally, Victor is part of ReDDeer a trio of improvisors that met at MusicOmi in 2010 with a record of live duo/trio recordings in New York & Austria called New York - St. Johann (Evil Rabbit Records 2017) and Victor is a featured guest on Marc Ribot's Songs of Resistance, due for release in January 2018. Victor was just awarded a residency at Yaddo Corp. for Music Composition, staying there for 6 weeks to complete a large work on the life and death of her mother, in early 2018.

Victor performances has included such luminaries as Wadada Leo Smith, Marshall Allen (Sun Ra), NEA Jazz Master Dr. Randy Weston, NEA Jazz Master Archie Shepp, Roswell Rudd, Nicole Mitchell, William Parker, Myra Melford, Lawrence Butch Morris, Gary Lucas, Dave Burrell, Henry Threadgill, Andrew Cyrille, Jason Moran, Sam Newsome, Darius Jones, Anthony Coleman, Aruan Ortiz, Joe Morris, Vijay Iyer, Matana Roberts, Mark Dresser, Steven Bernstein, Marika Hughes, Mazz Swift, Marty Ehrlich, Melvin Gibbs, Henry Butler, Curtis Clark and the Duke Ellington Orchestra.

Victor has graced stages around the world including BAMCafe Live, The Stone (NY), Symphony Space (NY),The Jazz Standard (NY), Jazz at Lincoln Center (NY), National Sawdust (NY), Firehouse 12 (New Haven), The Bimhuis (The Netherlands), Cankarjev Dom (Slovenia), Koln Philharmonie (Germany), Nardis(Turkey), Rostov Philharmonic Hall (Russia), De Loft (Koln), The 55 Bar (monthly residency for over 5 years - NY), Vision Festival XV, XVI, XVIV, XXI, The ArtActs Festival (Austria), New Frequencies Festival (San Francisco) and River to River Festivals (New York)."

-Fay Victor Website (https://www.fayvictor.com/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Maryanne Revisited 13:33

2. Three Friends Advised 15:24

3. Kitch Goes Home 7:36

4. Saltfish Refried 10:46

5. John Gilman Wants Tobacco 1:57

6. An Open Letter 10:02

7. De Night A De Wake 6:45

8. We Is We Trini 8:24

Related Categories of Interest:

Ayler Records

Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
Unusual Vocal Forms
Parker, William
Staff Picks & Recommended Items
2011 Top 40
Quintet Recordings

Search for other titles on the label:
Silkheart.


Recommended & Related Releases:
Other Recommended Releases:
Carter, Daniel / Ayumi Ishito / Eric Plaks / Zach Swanson / Jon Panikkar
Open Question Vol. 1
(577 Records)
A wonderfully warm and innately lyrical free jazz quintet that grew organically from weekly jam sessions in Harlem starting in 2019, comprised of tenor saxophonist Ayumi Ishito, pianist Eric Plaks, bassist Zach Swanson, and drummer Jon Panikkar, and later, multi-instrumentalist Daniel Carter, Ishito the driving force in the project and this beautiful recording.
Playfield (Carter, Muhr, Ishito, Plaks, Namenwirth, Takahashi, Swanson, Panikkar)
Vol. 3
(Orbit577)
The third of a 3-album trilogy, Playfield offers the musical equivalency of a walk through the diversity of New York in a loft-style extended improvisation from the octet of Daniel Carter on horns, reeds, Luisa Muhr on voice, Ayumi Ishito on saxophone, Eric Plaks on Nord piano, Aron Namenwirth and Yutaka Takahashi on guitar, Zach Swanson on bass, and Jon Panikkar on drums.
Dopolarians (William Parker / Kidd Jordan / Alvin Fielder / Chad Fowler / Christopher Parker / Kelley Hurt)
Garden Party
(Mahakala Music)
Legendary players, drummer Alvin Fielder, bassist William Parker, and saxophonist Kidd Jordan joined younger generation players pianist Christopher Parker, vocalist Kelley Hurt, and saxophonist Chad Fowler in New Orleans to record this exceptional album of modern jazz compositions primarily from Fowler, plus a collective improvisation and a narrative from Hurt.
Carter, Daniel / Stelios Mihas / Irma Nejando / Federico Ughi
Radical Invisibility [VINYL]
(577 Records)
Debut of this group named by NY multi-instrumentalist Daniel Carter, with Stelios Mihas on guitar, Federico Ughi on drums, and (mysterious) Irma Nejando on bass, presenting this studio album of free, well-matched and interactive collective improvisations of acoustic and electric instrumentation, each track dedicated to artists who inspired the members of the quartet.
Carter, Daniel / Patrick Holmes / Matthew Putman / Hilliard Greene / Federico Ughi
Electric Telepathy, Vol. 1
(577 Records)
Multi-instrumentalist Daniel Carter's Telepathic Band with Patrick Holmes (clarinet), Matthew Putman (keyboards), Hilliard Greene (bass) and Federico Ughi (drums) present their first volume of "psych-jazz", in actively mesmerizing music that explores the border between the "default world" and the "dream world", a meditation on electricity through profound playing.
Carter, Daniel / Stelios Mihas / Irma Nejando / Federico Ughi
Radical Invisibility
(577 Records)
Debut of this group named by NY multi-instrumentalist Daniel Carter, with Stelios Mihas on guitar, Federico Ughi on drums, and (mysterious) Irma Nejando on bass, presenting this studio album of free, well-matched and interactive collective improvisations of acoustic and electric instrumentation, each track dedicated to artists who inspired the members of the quartet.
Carter, Daniel / Tobias Wilner / Djibril Toure / Federico Ughi
New York United [VINYL + DOWNLOAD]
(577 Records)
An excellent blend of electronics and acoustics as saxophonist, flutist and trumpeter Daniel Carter meets sound artist Tobias Wilner from world-renowned electronic pop band Blue Foundation, with Wu-Tang Clan bass player Djibril Toure and drum wiz Federico Ughi rounding out this forward-thinking album of hazy and rhythmic electroacoustic environments.
Steve Swell Quintet (Swell / Moondoc / Burrell / W. Parker / Cleaver)
Soul Travelers [VINYL + DOWNLOAD]
(RogueArt)
A great set of Downtown NY players led by trombonist Steve Swell, with Jemeel Moondoc on alto sax, Dave Burrell on piano, William Parker on double bass and Gerald Cleaver on drums, a heartfelt and masterfully soulful album of excellent modern jazz in a limited LP.
McPhee / Saft / Morris / Downs
Ticonderoga
(Clean Feed)
A burning spiritual session inspired by John Coltrane's "Live at the Village Vanguard Again" that began when Jamie Saft told Joe Morris about his deep admiration for Alice Coltrane's playing, adding McPhee and Downs as the perfect complement to realize this excellent album.
Udu Calls Trio feat. William Parker
The Vancouver Tapes
(Long Song Records)
A live recording from 1999 in Vancouver, two extended improvisations from drummer Tiziano Tononi's UDU Calls Trio featuring William Parker on double bass; Tiziano Tononi on drums, congas, gong, bells & whistles; Daniele Cavallanti on saxophone, Ney flute and bells.



Customers Who Bought This Item Also Bought:
Lobo, Joao (Lobo / Lobo / Kempeneer)
Simorgh
(Shhpuma)
Drummer Joao Lobo's trio with guitarist Norberto Lobo and double bassist Soet Kempeneer perform the drummer's dynamic compositions, along with one traditional works, a tight trio of highly interactive playing and a sense of familial interplay as the band weaves around Lobo's layered drumming and emphatic grooves, taking time for introspection among their energetic spontaneity.
Lencastre / Nuno / Faustino / Valinho
Anthropic Neglect
(Clean Feed)
Three heavy "Concept" pieces of electric jazz from the quartet of Lisbon saxophonist José Lencastre, electric bassist Felipe Zenicola (from Rio de Janeiro, Brazil), drummer João Valinho and Jorge Nuno, a guitarist generally associated with psychedelic rock, as the band slowly seethes through a brew that flirts with rock and 70s fusion in unique ways.
Oceans Roar 1000 Drums
[VINYL]
(Sacred Realism)
Their first proper vinyl release since forming in 2008, this studio album recorded in Berlin finds Berlin saxophonist and electronic artist Bryan Eubanks, double bassist Andrew Lafkas, and NY drummer & cymbal player Tod Capp in an extended and dark improvisation, with Catherine Lamb's "secondary rainbow synthesizer" interacting and filtering their work as a 4th member.
Pavone, J. String Ensemble
Lost and Found [CD]
(Astral Spirits)
Jessica Pavones String Ensemble with Pavone and Abby Swidler on violas, and Erica Dicker and Angela Morris on violins, are recorded live at Firehouse 12 in a set of Pavone compositions combining traditional notation and improvisation, with a focus on sustained collaborative playing and the application of ideas exploring the healing potential of sonic vibrations.
Futterman, Joel / Ike Levin Duo
The Present Gift
(IML Music)
A meeting in the studio in 2001 between frequent collaborators, pianist Joel Futterman, also performing on curved soprano saxophone & wooden Indian flute, and Chicago tenor saxophonist Ike Levin, also on bass clarinet and Brazilian Kalimba, beautifully capturing the extraordinary conversation of strongly articulated dialog between the two improvisers; impressive!
Jordan, Kidd / Joel Futterman / William Parker / Alvin Fielder
Live At The Guelph Jazz Festival 2011
(Creative Collective)
The 2011 Guelph Jazz Festival presented this quartet of legendary players--William Parker on bass, Alvin Fielder on drums & percussion, Joel Futterman on piano & flute, and Kidd Jordan on tenor saxophone--for an exemplary concert of jazz that uses free approaches to create melodic, inventive and soulful music, the expansive conversations sophisticated and wonderfully exhilarating.
Futterman / Levin / DuRoche
Timeless Memories
(JDF/CLM )
Bringing together exemplary jazz musicians from three cities--Virginia-based pianist Joel Futterman, Bary Area multi-reedist Ike Levin, and Portland, OR percussionist Tim DuRochse, for two sets of dynamic collective free jazz with a lyrical intent, joyfully spontaneous music that unfolds in ways that appear composed through the compatibility and familiarity of each artist.
Lonberg-Holm, Fred / Joe McPhee
No Time Left for Sadness
(Corbett vs. Dempsey)
"This Time", "That Time" and "Next Time", the three titles from the first duo meeting of Joe McPhee on tenor saxophone and cellist Fred Lonberg-Holm, also bringing electronics, the distillation of their playing outside of Survival Unit III a revelation in intensity and unconventional creativity, fueled by magnificent playing and an empathetic rapport.
Chadbourne, Eugene / Henry Kaiser
Wind Crystals: Guitar Duets By Wadada Leo Smith
(Relative Pitch)
Long-time collaborators, guitarists Henry Kaiser and Eugene Chadbourne perform the compositions of trumpeter Wadada Leo Smith, starting with their recording from 1977 of his "Wind Crystals", then improvising over 5 other Smith compositions, ending the album with an updated, 2017 version of "Wind Crystals"; an excellent refresh and retrospective from two incredible improvisers.
Kaikou (Yoshino / Natsuki Tamura)
Kaikou
(Oniva)
An intimate and unique collaboration between two far-ranging Japanese performers--Yoshino, also known for her work in Japanese underground rock, here on biwa (a short-necked fretted lute) and voice; and trumpeter Natsuki Tamura, Satoko Fujii collaborator and Gato Libre leader--presenting exotic narratives in song using instrumental intervention of ardent improvisation.
Boneshaker (Williams / Nilssen-Love / Kessler)
Fake Music
(Soul What Records)
Masterful, fervent free jazz from trans-Atlantic trio of Mars Williams on saxophones, Kent Kessler on bass, and Paal Nilssen-Love on drums, captured live at Elastic Arts, in Chicago in 2017 for three impressive collective improvisations of intense energy, articulate and extended expression, and ecstatic improvisation in an exceptional and cohesive concert.
DNMF (Machinefabriek + Dead Neanderthals)
Smelter [CD]
(Moving Furniture)
The DNMF collaboration of Netherland's sonic experimenter Machinefabriek (Rutger Zuydervelt) and the Dead Neanderthals duo of saxophonist Otto Kokke and drummer Rene Aquarius, in their second album of heavy, droning style, reveling in a resonant, high-volume, long-form work of hypnotic sound merging metal, drone and dark ambience.
This Is It! (Satoko Fujii / Natsuki Tamura / Takashi Itani)
1538
(Libra)
Part of pianist Satoko Fujii's "Kanreki" (60th Birthday) tour and monthly album release, the "This Is It!" Trio with trumpeter Natsuki Tamura and drummer/percussionist Takashi Itani is heard at Koendori Classics, in Tokyo, Japan, in January 2018, for an incredible album of Fujii's compositions that include quirky asides in coherent and effusive playing.
Flamingo (Chris Heenan / Adam Pultz Melbye / Christian Windfeld / Roy Carroll)
Loud
(Relative Pitch)
This Berlin-based collaboration with sound engineer Roy Carroll performing on electronics features the trio of Chris Heenan on contrabass clarinet, Adam Pultz Melbye on double bass, and Christian Windfeld on snare drum, percussion & objects, using a reductionist approach to deep sonic improvisation of mysterious origins, in an extended journey of sound.
Reid, Tomeka / Kyoko Kitamura / Taylor Ho Bynum / Joe Morris
Geometry of Caves
(Relative Pitch)
Bringing New York and Chicago performers together, the quartet of cellist Tomeka Reid, guitarist Joe Morris, cornetist Taylor Ho Bynum and free vocalist Kyoko Kitamura present an album of expressive and creative collective improvisation, bridging chamber forms and free jazz with a captivatingly eccentric appeal from Kitamura's wordless vocalese.
Tatakai Trio (Kuchen / Lindsjo / Strid)
HappI
(Relative Pitch)
A trio of well-versed Swedish free improvisers--Martin Kuchen on soprano & sopranino saxophones, Raymond Strid on drums, and Anders Lijndsjo on guitar--in 8 studio improvisations of unusual and highly rhythmic and upbeat interplay, titled with happy adjectives, an apt description of the joy these three find in unconventional approaches to improvisation.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC