"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

"Daniel Levin is "one of the outstanding cellists working in the vanguard arena" (All About Jazz), "ridiculously fluent, virtually overflowing with ideas" (New York City Jazz Record) and "very much the man to watch." (Penguin Guide to Jazz). No matter what setting he plays in, cellist Daniel Levin occupies a musical space bordered by many kinds of music, but fully defined by none of them.

"Demonstrating an impressive breadth of texture and contrast, the cellist Daniel Levin comes well prepared for a career in jazz's contemporary avant-garde." (Nate Chinen, The New York Times).

Elements of European classical music, American jazz, microtonal and new music, and European free improvisation all figure prominently in his unique sound. As critic John Sharpe observes in The New York City Jazz Record, "he invokes all manner of musics with prodigious skill: jazz, classical, improv, noise, vocal chorus. His technique is unquestioned and he revels in the physicality of the instrument. Those with an adventurous streak or interest in the outer reaches of the cello universe will find much to savor."

Born in Burlington, Vermont, he began playing the cello at the age of six. In 2001, he graduated with a degree in Jazz Studies from the New England Conservatory of Music, and arrived on New York City jazz scene shortly therafter. Since then, Daniel has developed his own unique voice as a cellist, improviser, and composer. Ed Hazell noted upon release of Levin's first record as a leader, "Cellist Daniel Levin is a major new voice on his instrument and in improvised music." He has performed and/or recorded with Billy Bang, Borah Bergman, Tim Berne, Anthony Braxton, Gerald Cleaver, Andrew Cyrille, Mark Dresser, Ingebrigt Haker Flaten, Tony Malaby, Mat Maneri, Joe Morris, William Parker, Ivo Perelman, Warren Smith, Ken Vandermark, and many others. Daniel is the recipient of a 2010 Jerome Foundation award."

"Percussionist/composer Jeff Davis has established himself in New York as a vital contributor to the local and international creative music scenes. Jeff is widely sought out for his unique, textural approach to the drum set, as well as for his power and intensity. As a featured member of a number of creative ensembles in New York, Davis has recorded for such labels as Clean Feed, Fresh Sound/New Talent, Green Leaf, Loyal Label, Jazzaway, and innova records. These ensembles include the Jesse Stacken Trio, Michael Bates Outside Sources, Kirk Knuffke Quartet, Landon Knoblock Trio/Quartet, Ben Holmes Quartet, Pascal Niggenkemper 'Newfield' trio, Pedro Giruado Jazz Orchestra, Pete Robbins' Unnamed Quartet, Jon Irabagon's Outright!, Eivind Opsvik's Overseas, Tone Collector(Tony Malaby, Eivind Opsvik, Jeff Davis), the RIDD Quartet, Kris Davis Quartet, and the Ryan Keberle Organ Group. In addition to these working bands, Davis has also performed with such artists as Tony Malaby, Chris Speed, Gebhard Ullmann, Brad Shepik, Ralph Alessi, and Ron Horton.

Davis has toured Europe and China and has performed at several prominent jazz festivals, including the North Sea Jazz Festival, Oslo Jazz Festival, the Vancouver Jazz Festival, and the Earshot Jazz Festival. He performs regularly in various New York listening rooms, such as the Stone, the Jazz Standard, the Jazz Gallery, Birdland, NuBlu, Barbes, Zebulon, the Knitting Factory, Joe's Pub, the Iridium, and the 55-Bar.

Jeff Davis is currently leading and composing for his own ensemble, featuring New York greats Tony Barba, Kirk Knuffke, Jon Goldberger, Kris Davis, and Eivind Opsvik. This group of like minded improvisers recorded for Davis' debut CD in June of 2007, and is set to be released on Tuesday, March 30th 2010 for the record label, Loyal Label. The music from this group ventures to blur the line between composition and improvisation, and highlights equally the individual soloist as well as collective improvisation. Jeff also leads a trio/quartet featuring Matt Pavolka, Oscar Noriega, and Jon Goldberger.

Originally from Greeley, Colorado, Jeff Davis began playing marimba at the age of nine and later studied classical percussion at the University of Northern Colorado. While in Colorado, Jeff had the opportunity to study and perform with ECM recording artist/pianist Art Lande and trumpet great Ron Miles. Davis holds a Masters degree from the Manhattan School of Music."