"Okkyung Lee, a New York-based artist and South Korea native, has created a body of work blurring genre boundaries through collaborations and compositions while pushing the limitation of contemporary cello performance techniques. Her music draws from noise and extended techniques, jazz, Western classical, and Korean traditional and popular music.

Since moving to New York in 2000, She has released more than 20 albums including the latest solo record Ghil produced by Lasse Marhaug on EditionsMego/Ideologic Organ, Noisy Love Songs (for George Dyer) on Tzadik.She has performed and recorded with numerous artists from wide ranges such as Laurie Anderson, David Behrman, Mark Fell, Douglas Gordon, Jenny Hval, Vijay Iyer, Christian Marclay, Ikue Mori, Lawrence D "Butch" Morris, Marina Rosenfeld, Jim o'Rourke, Evan Parker, Wadada Leo Smith, C Spencer Yeh and John Zorn to name just a few.

Since 2010, she has been developing a site-specific duo project with New York based dancer/choreographer Michelle Boulé. They have performed at Issue Project Room, Mount Tremper Art Center and send+receive fesival in Winnipeg, Canada and scheduled perform at The Met Breuer Building on March 12th, 2016 as a part of the inaugural program, curated by pianist/composer Vijay Iyer. She opened for a legendary experimental rock group Swans in May, 2015 in Northern Europe and UK. In early 2015, Okkyung presented new compositions commissioned by London Sinfonietta as a part of Christian Marclay's exhibit at White Cube Gallery in London.

Okkyung was rewarded with prestigious Doris Duke Performing Artist Award in 2015 and received Foundation For Contemporary Arts Grant in 2010.

She received a dual bachelor's degree in Contemporary Writing & Production and Film Scoring from Berklee College of Music in 1998 and a master's degree in Contemporary Improvisation from New England Conservatory of Music in 2000."

"Cornelius Dufallo (composer/violinist) is a constant innovator at the forefront of the American contemporary music scene. The New York Times calls him one of the "new faces of new music" and praises his "alluring" solo performances and "imaginative" compositions. A virtuosic and versatile violinist, Dufallo plays both acoustic and electric violin and moves seamlessly from classical to pop and jazz styles. He often works with cutting-edge technology such as the K-BOW by famed instrument designer Keith McMillan. According to Allan Kozinn in the New York Times, Dufallo's performances on electric violin show "how much amplification can expand the instrument's palette. Far from robbing the violin of its beauty, electronics add textural elements and gradations of timbre that the acoustic instrument cannot approximate."

Dufallo's second solo album, Journaling (Innova Recordings, 2012) documents his ongoing work with many of today's extraordinary composers. The disc includes compositions for solo violin and violin + electronics by John King, Joan Jeanrenaud, Huang Ruo, Vijay Iyer, John Luther Adams, and Kenji Bunch.

Dufallo has toured the US, Europe, Asia, and Australia as a soloist and collaborative artist, performing in the Aspen Music Festival, the Bang On A Can Marathon, the Melbourne International Arts Festival, the Monterey Jazz Festival, the Ojai Music Festival, and the Taipei International Music Festival. He has played with a variety of jazz and rock artists including Ornette Coleman, Kurt Elling, Butch Morris, Okkyung Lee, Thomas Dolby, Todd Rudgren, and Jill Sobule. He has recorded for the Mode, Tzadik, Cantaloupe and Innova labels. He was a member of ETHEL (2005-2012) and a founder of Ne(x)tworks (2002-2011).

Dufallo's ongoing commitment to cutting edge musical ingenuity has produced collaborations with many of today's most adventurous composers including Osvaldo Golijov, Phil Kline, Joan La Barbara, Jacob TV, and Vijay Iyer. He appears as violinist on recent and forthcoming albums of music by Anna Clyne, Corey Dargel, John King, and Neil Rolnick. Dufallo recently inaugurated a recital series, Journaling, to chronicle his collaborations with living composers while tracking various paths in 21st-century music. The second installment of Jounaling took place August 15, 2010, at John Zorn's East Village storefront performance space, The Stone.

Dufallo's debut solo album, Dream Streets (Innova Recordings, 2009), is a collection of his own compositions for electric violin. Time Out New York calls it "a beautiful, evocative disc of electroacoustic soundscapes... all serve as apt reminders of this vital artist's considerable gifts." In a review for Arcane Candy, Garry Davis writes that Dream Streets ranges "from soaring, melodic notes to repetitive Terry Riley-like riffs... gentle sawing to all-out country-inspired hoe-downs... it's all reverb-drenched and spread across the stereo field like a rock band... squirrelly electronics and deep atmospheric field recordings - cawing birds, rain, traffic ambience - find their way into the mix, and it all melds together in a most pleasing manner."

Dufallo's compositions have been performed throughout the US and Europe. Recently commissioned works include Senescence Music (for ETHEL), Mindscape 1 (for OTHERSHORE Dance Company), and Night Visions (for pianist Jenny Lin's album American Insomniac). Dufallo was a featured American composer at the Library of Congress, where the Flux Quartet performed his Afterimage: the Crossing of Invisible Paths.

A dedicated violin teacher, Dufallo currently has a private studio in New York City and frequently presents master classes, guest lectures, and workshops at schools and colleges around the country. He has served as Assistant Professor of Violin at SUNY Fredonia and also as a teaching artist for the Lincoln Center Institute, American String Teachers Association, and the Grand Canyon Music Festival's Native American Composers Apprentice Project. With this spirit of service, Dufallo founded CBD Music, Inc., a not-for-profit organization dedicated to the advancement of public interest in and understanding of the musical arts through the presentation and promotion of new music. He holds Bachelors, Masters, and Doctoral degrees from The Juilliard School where he studied with Dorothy DeLay and Masao Kawasaki."

"Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011."

"Craig Marvin Taborn (/ˈteɪˌbɔːrn/; born February 20, 1970) is an American pianist, organist, keyboardist and composer. He works solo and in bands, mostly playing various forms of jazz. He started playing piano and Moog synthesizer as an adolescent and was influenced at an early stage by a wide range of music, including by the freedom expressed in recordings of free jazz and contemporary classical music.

While at university, Taborn toured and recorded with jazz saxophonist James Carter. Taborn went on to play with numerous other musicians in electronic and acoustic settings, while also building a reputation as a solo pianist. He has a range of styles, and often adapts his playing to the nature of the instrument and the sounds that he can make it produce. His improvising, particularly for solo piano, often adopts a modular approach, in which he begins with small units of melody and rhythm and then develops them into larger forms and structures.

In 2011, Down Beat magazine chose Taborn as winner of the electric keyboard category, as well as rising star in both the piano and organ categories. By May 2016, Taborn had released six albums under his own name and appeared on more than eighty as a sideman."

"Satoshi Takeishi, drummer, percussionist, and arranger [born 6 February 1962] is a native of Mito Japan. He studied music at Berklee College of Music in Boston, Massachusetts. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. One of the projects he worked on while in Colombia was "Macumbia" with composer/arranger Francisco Zumaque in which traditional, jazz and classical music were combined. With this group he performed with the Bogota symphony orchestra to do a series of concerts honoring the music of the most popular composer in Colombia, Lucho Bermudes. In 1986 he returned to the U.S. in Miami where he began work as an arranger. In 1987 he produced "Morning Ride" for jazz flutist Nestor Torres on Polygram Records. His interest expanded to the rhythms and melodies of the middle east where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded with many musicians such as Ray Barretto, Carlos "Patato" Valdes, Eliane Elias, Marc Johnson, Eddie Gomez, Randy Brecker, Dave Liebman, Anthony Braxton, Mark Murphy, Herbie Mann, Paul Winter Consort, Rabih Abu Khalil, Toshiko Akiyoshi Big Band, Erik Friedlander and Pablo Ziegler to name a few. He continues to explore multi-cultural, electronics and improvisational music with local musicians and composers in New York."

"Christopher Tordini is an in-demand bassist on the New York City music scene, where he performs with established jazz icons as well as a diverse range of emerging musicians. He has toured and recorded with Andy Milne's Dapp Theory for over 5 years, and has also played in bands led by other renowned artists such as Greg Osby and Jeremy Pelt. Tordini plays often with drummer Ari Hoenig, with the Becca Stevens Band, and is a key collaborator in projects led by drummer/composer Tyshawn Sorey and trombonist/composer Michael Dessen. A graduate of the New School for Jazz and Contemporary Music, Tordini forged strong professional relationships with several faculty members there, including Rory Stuart and George Garzone, with whom he continues to collaborate. Recently, Tordini has performed and recorded with prominent bandleaders such as Steve Lehman, Okkyung Lee, Tigran Hamasyan, Jo-Yu Chen, Mike Pinto, Andrew D'Angelo, Jim Black, and Yaron Herman. He has played at New York City's most prestigious jazz venues, including the Blue Note, the Village Vanguard, the Iridium, the Jazz Standard, Smalls, the Jazz Gallery and the Stone, among many others."

"Ikue Mori moved from her native city of Tokyo to New York in 1977. She started playing drums and soon formed the seminal NO WAVE band DNA, with fellow noise pioneers Arto Lindsay and Tim Wright. DNA enjoyed legendary cult status, while creating a new brand of radical rhythms and dissonant sounds; forever altering the face of rock music.

In the mid 80's Ikue started in employ drum machines in the unlikely context of improvised music. While limited to the standard technology provided by the drum machine, she has never the less forged her own highly sensitive signature style. Through out in 90's She has subsequently collaborated with numerous improvisors throughout the US, Europe, and Asia, while continuing to produce and record her own music. 1998, She was invited to perform with Ensemble Modern as the soloist along with Zeena Parkins, and composer Fred Frith, also "One hundred Aspects of the Moon" commissioned by Roulette/Mary Flagler Cary Charitable Trust. Ikue won the Distinctive Award for Prix Ars Electronics Digital Music category in 99.

In 2000 Ikue started using the laptop computer to expand on her already signature sound, thus broadening her scope of musical expression. 2000 commissioned by the KITCHEN ensemble, wrote and premired the piece "Aphorism" also awarded Civitella Ranieri Foundation Fellowship. 2003 commissioned by RELACHE Ensemble to write a piece for film In the Street and premired in Philadelphia. Started working with visual played by the music since 2004. In 2005 Awarded Alphert/Ucross Residency.

Ikue received a grant from the Foundation for Contemporary Arts in 2006. In 2007 the Tate Modern commissioned Ikue to create a live sound track for screenings of Maya Deren's silent films. In 2008 Ikue celebrated her 30th year in NY and performed at the Japan Society. Recent commissioners include the Montalvo Arts Center and SWR German radio program and Shajah Art foundation in UAE. Current working groups include MEPHISTA with Sylvie Courvoisier and Susie Ibarra, PHANTOM ORCHARD with Zeena Parkins, project with Koichi Makigami and various ensembles of John Zorn. New duo Twindrums project with YoshimiO　 workshop/lecture in various schools include University of Gothenburg, Dartmouth Collage, New England Conservatory, Mills Collage, Stanford University, The School of the Art Institute of Chicago"

"John Hollenbeck is a composer of music uncategorizable beyond the fact of being always identifiably his. A conceptualist able to translate the traditions of jazz and new music into a fresh, eclectic, forward-looking language of his own invention, intellectually rewarding yet ever accessibly vibrant. A drummer and percussionist possessed of a playful versatility and a virtuosic wit. Most of all, a musical thinker - whether putting pen to paper or conjuring spontaneous sound - allergic to repetition, forever seeking to surprise himself and his audiences. [...]

Hollenbeck received degrees in percussion and jazz composition from the Eastman School of Music before moving to New York City in the early 1990s. He was profoundly shaped by the mentorship of two hugely influential artists: trombonist/arranger/composer Bob Brookmeyer and composer/choreographer Meredith Monk. His relationship with Brookmeyer reached back to the age of 14, when he attended the SUNY Binghamton Summer Jazz Workshop, and continued at Eastman, through NEA-funded composition study, and finally on the bandstand with Brookmeyer's New Art Orchestra and in the studio with Brookmeyer and trumpet great Kenny Wheeler. For Monk, Hollenbeck composed and performed the percussion scores for five of her works: "Magic Frequencies," "Mercy," "The Impermanence Project," "Songs of Ascension" and "On Behalf of Nature."

Hollenbeck's awards and honors include four Grammy nominations; the 2012 Doris Duke Performing Artist Award, the 2010 ASCAP Jazz Vanguard Award and a 2007 Guggenheim Fellowship; winning the Jazz Composers Alliance Composition Contest in 1995 and 2002; Meet the Composer's Grants in 1995 and 2001; and a Rising Star Arranger win in the 2012 and 2013 DownBeat Critics' Polls as well as in 2011 for the JHLE as Rising Star Big Band. John was a professor of Jazz Drums and Improvisation at the Jazz Institute Berlin from 2005-2016 and in 2015 joined the faculty of McGill University's Schulich School of Music."