"Andrew Lamb (born August 26, 1958, Clinton, North Carolina) is a jazz saxophonist and flautist. Lamb was raised in Chicago and South Jamaica, Queens. Having studied with AACM charter member Kalaparusha Maurice McIntyre, Lamb came into New York City's avant-garde community during the 1970s, becoming an active presence in the Bedford-Stuyvesant arts world and winning a Brooklyn Arts Council grant.

In 1994, he led a session for Delmark, composing all the pieces on Portrait in the Mist, which featured vibraphonist Warren Smith, bassist Wilber Morris, and drummer Andrei Strobert. Lamb has since recorded duets with Warren Smith (Duet, WISland, 1999, and Dance of the Prophet), made a trio recording with Eugene Cooper and Andrei Strobert (Kiki Records), and in 2003 released Pilgrimage on CIMP with Tom Abbs and Andrei Strobert, as well as a later release with his group The Moving Form, Year of the Endless Moment (Engine Studios). Lamb has also recorded with Henry GrimesÕs Sublime Communication trio Live from WKCR (2004) and Live at Edgefest in Ann Arbor (2005), both on the JazzNewYork Productions label.

Andrew Lamb and his own ensembles remain a regular presence in the New York area, and have frequently performed at the annual Vision Festival since 1996. Lamb has been part of Alan Silva's big band project, the Sound Visions Orchestra, and has also been a member of the Cecil Taylor big band. In 2005, Lamb played in the Sublime Communication trio in Berlin and in the Henry Grimes Quartet with Marshall Allen and Hamid Drake at the tenth annual Vision Festival, and he has also toured with the Grimes-led quartet Spaceship on the Highway. Steven Loewy of Allmusic writes that Andrew Lamb is "a serious musician seeking to uplift his soul through art, and, like John Coltrane and his progeny, Lamb's vehicle is the psalm-like expression of his tenor saxophone. The results reflect his quest, testifying to his musical abilities, enormous potential, and depth of character." "

"Michael Wimberly was born and raised in Cleveland, Ohio during the civil rights era, surrounded by the toxic fumes of steel mills and buoyed by a sea of blue-collar workers. This is where Wimberly's early beginnings in soul, funk, rock, jazz, and classical music began. Beating rhythms on the hoods of cars and boxes while dancing to the pulsating music of James Brown, Sly Stone, Funkadelic, and Aretha Franklin...the spirit of revolution was in the air.

It was during Wimberly's undergraduate years at Baldwin Wallace University that the rhythms from the streets connected him to the rhythms of West Africa and 20th century contemporary music. During his graduate years at Manhattan School of Music, Wimberly broadened his musical palette studying electronic and improvised music. Music of the African Diaspora and improvisation has become key components of Wimberly's musical excavations and explorations. These explorations connected him with master musicians from Africa, Asia, the Caribbean, South America and Europe. He's performed with funk legends George Clinton and the Parliament Funkedelic; The Boys Choir of Harlem; Paul Winter Consort; rock icons: Vernon Reid, Henry Rollins, and Blondie; R&B royalty: Dionne Warwick, Valerie Simpson, D'Angelo, Angie Stone and Alyson Williams. Wimberly has been a featured artist with Berlin's Rundfunk Symphony, Vienna's Tonkuntsler Symphony, Leipzig Symphony, and International Region Symphony Orchestra performing compositions of Daniel Schnyder, as well as his own orchestral compositions performed by Yakima Symphony Orchestra, and Sage City Symphony of Vermont.

As a composer and sound designer, Wimberly's compositions have been performed by dance companies Urban Bush Women, Joffrey Ballet II, Alvin Ailey, Ailey II, Philadanco, Forces of Nature Dance Theatre, Joan Millers Dance Players, Complexions Contemporary Ballet, Ballet Noir, Alpha Omega, Purelements, and The National Song and Dance Company of Mozambique. Film scores include As An Act of Protest by Dennis Leroy Moore, and Atlantic City Lights by Brent Owens for HBO. Sound design for theatre includes Shakespeare's Midsummer Night's Dream for the Classical Theatre of Harlem, Saint Lucy's Eyes by Bridgette Wimberly for the Women's Project & Cherry Lane Theatre, and Iced Out, Shackled and Chained for the National Black Theatre for which Wimberly received two Audelco nominations."