Christoph Anders is a German vocalist and multi-instrumentalist, best known for the band Casssiber. He also is known for the groups Sogenanntes Linksradikales Blasorchester, and Toto Lotto. Her performs on vocals, synthesizer, organ, electric guitar, tenor saxophone, samples, violin.

"Chris Cutler started messing about with banjo, guitar and trumpet at school, settling for drums and playing shadows and other instrumental covers in his first band in 1963. Subsequently he played in R'n'B and Soul Bands, winding up in 1967 playing in London's psychedelic clubs. At the start of the seventies, with Dave Stewart, he co-founded The Ottawa Music Co, a 22 piece Rock composer's orchestra, eventually joining British experimental group Henry Cow with whom he toured, recorded and worked in dance and theatre projects until it's demise in 1978. In 1977 Henry Cow, The Mike Westbrook Orchestra and Frankie Armstrong formed a big-band and toured around Europe. After Henry Cow, Cutler went on to co-found a series of mixed national groups Art Bears, News from Babel, Cassiber, The (ec) Nudes, P53 and The Science Group. He was a permanent member of American bands Pere Ubu, Hail and The Wooden Birds and now works sporadically with John Rose, Fred Frith, Zeena Parkins, Iancu Dumitrescu, Peter Blegvad and Stevan Tickmayer.

Other lasting collaborations have included Aqsak Maboul (Belgium), Lussier/Derome and Les Quatre Guitaristes (Canada), The Kalahari Surfers (Africa), Perfect Trouble (Germany), Between (Sweden), N.O.R.M.A., (Italy), Telectu (Portugal), Mieku Shimuzu (Japan),The Hyperion Ensemble (Romania), The Film Music Orchestra, 'Oh Moscow', Gong, The Work and Towering Inferno (UK), The Residents (USA), and stateless Tense Serenity and Mirror Man. There have also been countless improvisational groupings and solo performances. Recent projects include Radio pieces with Lutz Glandien and Shelly Hirsch, Live Soundtrack for Carl Dreher's Vampyr (with Italians Musci and Venosta), his Timescales project and work with David Thomas and Linda Thompson.

He also founded and runs the independent label and distribution service ReR/Recommended and, until 1991, the East European specialist label Points East. He is editor of the New Music magazine Unfiled and author of the theoretical book File Under Popular as well as of numerous articles and papers published in 14 languages. He lectures intermittently on theoretical and music related topics. He has appeared on more than 100 recordings."

"Heiner Goebbels, born on August 17, 1952 in Neustadt/Weinstrasse, lives in Frankfurt/Main since 1972. He studied sociology and music.

While doing several record productions and many concerts with the Goebbels/Harth-Duo (75-88), Sogenanntes Linksradikales Blasorchester (76-81), and the art-rock-group Cassiber (82-92), he wrote at the same time theatre music (for Hans Neuenfels, Claus Peymann, Matthias Langhoff, Ruth Berghaus and other directors), film music (for Helke Sander, Dubini Brothers, and many others) and ballet music (for the Ballet Frankfurt).

In the middle of the 80s he began composing and directing audio plays of his own, most of them based on texts by Heiner Mueller Verkommenes Ufer (Wasteland Waterfront), Die Befreiung des Prometheus (The liberation of Prometheus), Wolokolamsker Chaussee I-V (Volokolamsk Highway), Schliemanns Radio, Der Horatier/Roman Dogs/Chiens Romains and others.

After the staged concerts Der Mann im Fahrstuhl (Man in the Elevator) 1987, Die Befreiung des Prometheus (The liberation of Prometheus), 1991 and the concert for dancers Thraenen des Vaterlands (Tears of the fatherland), together with Christoph Nel/Ballet Frankfurt, 1986, he created together with Michael Simon the music theatre pieces Newtons Casino in 1990 and Roemische Hunde (Roman Dogs) in 1991 at the TAT in Frankfurt.

Since 1988 Heiner Goebbels composes ensemble music for the Ensemble Modern (Red Run, Befreiung, La Jalousie) and the Ensemble Intercontemporain (Herakles 2).

In 1994 followed Surrogate Cities, a 90 minutes composition for big orchestra commissioned by the Alte Oper Frankfurt and performed by the Junge Deutsche Philharmonie, conductor: Peter Rundel. 1996, as a commision for Donaueschingener Musiktage, he composed Industry & Idleness (premiered by Radiokamerorkest Hilversum, conductor: Peter Eotvos). Walden for extended orchestra was created in 1998 for the first tour of the newly founded Ensemble Modern Orchestra (conductor: Peter Eotvos).

Invitations to nearly all major theatre-, music- and performing arts -festivals and tourings with all his ensembles, the productions for stage got him to more than 50 countries in the last 30 years. More than 20 CD productions have been published.

In 1993 the music theatre piece Ou bien le débarquement désastreux (Or the hapless landing) was directed by himself in Paris. In 1995 his music theatre piece Die Wiederholung (The Repetition, La Reprise - based upon motifs by Kierkegaard, Robbe-Grillet and Prince) was created in Frankfurt (Theater am Turm). His music theatre piece Schwarz auf Weiss (Black on White) was created at the TAT Frankfurt in 1996 for 18 musicians of the Ensemble Modern. It was filmed for Arte, recorded for BMG and the SWF and is still being shown in Europe and overseas.

Apart from several installation and exhibition projects in Bauhaus Weimar, Centre Pompidou, ZKM, MAC Lyon, Museum Mathildenhöhre, Albertinum Dresden, New Space Moscow, Kunsthalle Gießen, Museo da Arte Bogota and many others, he participated in documenta VII, VIII and X with concerts, performances, and installations - in 1997 with his music theatre sketch Landscape with man being killed by a snake.

In 1997 he also created the music theatre piece Schliemann's Scaffolding in Athens and Volos. The music theatre piece Max Black with Andre Wilms premiered in April 1998 in Lausanne, and together with the Ensemble Modern he created a tribute to Hanns Eislers' 100th anniversary called Eislermaterial - a staged concert which was first shown in Munich in May 1998.

In 2000 Heiner Goebbels composed the sound installations Timée / Timeios and Fin de Soleil for Centre Pompidou in Paris, the music theatre piece Hashirigaki in Theatre Vidy and the staged concert ...même soir.- with Les Percussions de Strasbourg.

Nearly all of his music theatre works have been performed between 50 and 150 times on the major music and theatre festivals in Europe as well as in the USA, Southamerica, Australia and Asia.

1994/95 guest professor at "Institut für Angewandte Theaterwissenschaft" University Giessen.1997/98 guest professor at "Musikhochschule Karlsruhe - Kompositionsklasse".

Nearly 20 years - from 1999 until 2018 - Heiner Goebbels worked as a professor (and from 2003 until 2011 as a managing director) at the Institute for Applied Theatre Studies of the Justus Liebig University in Giessen (Germany). He was in charge of the artistic practise, seminars, and scenic projects, as well as cooperative projects with the students of international institutions (in Italy, France, Austria, Denmark, Netherlands etc). The institute is as well dedicated to scientific research as to artistic practice (contemporary theatre and performance) and especially to the possibilities of linking both. (For further information please visit its homepage).

Since then, he is widely engaged to advance the conditions and structures of contemporary theatre education being a cofounder of several cooperative structures like the Hessian Theatre Academy, the Hessian Film- and Media Academy, tanzlabor_21 and Frankfurt LAB. He also worked in several boards for upcoming experimental artists.

2018 he recieved the first appointment for the newly established Georg Büchner Professorhip, which he recieved from the President of the Justus Liebig University and which is established at the interdisciplinary research centre ZMI - Centre for Media and Interactivity in Gießen.

In 2002 Heiner Goebbels premiered his first opera Landschaft mit entfernten Verwandten / Paysage avec parents éloignés / Landscape with distant relatives. In the context of his 50th birthday Heiner Goebbels released his first book "Komposition als Inszenierung". Also ECM released a CD of Eislermaterial.

In 2003 Heiner Goebbels premiered his orchestra piece Aus einem Tagebuch (From A Diary) as a comission of the Berlin Philharmonics / conductor Sir Simon Rattle. in this season the Berlin Philharmonics performed ten concerts with the music of Heiner Goebbels: two performances of Surrogate Cities in Lausanne and Berlin and many following concerts of Aus einem Tagebuch (From A Diary) in Salzburg, London, New York, San Francisco and others.

In 2004 he premiered his music theatre piece called Eraritjaritjaka - museé des phrases after words by Elias Canetti with the actor André Wilms and the Mondriaan String Quartett at the theatre vidy in lausanne, which has been awarded with seven international theatre prizes and performed more than 125 times worldwide.

From 2006 until 2018 Heiner Goebbels was President of the Theatre Academy Hessen.

In 2007 he premiered the performative installation Stifters Dinge - a music theatre producion without performers, musicians or actors. After the first shows at the coproducing institutions in Lausanne, Berlin, Luxembourg and Frankfurt this piece is touring worldwide and had already more than 250 performances. A CD of Stifters Dinge was released by ecm records in 2012. In 2007 also the staged concert Songs of Wars I have seen has been composed for the London Sinfonietta and the Orchestra in the Age of Enlightenment, London - with words by Gertrude Stein.

In 2008 he premiered his music theatre production I went to the house but did not enter on the Edinburgh International Festival, with the Hilliard Ensemble and Texts by T.S.Eliot, Maurice Blanchot and Samuel Beckett.

In 2007/2008 he was fellow at the Wissenschaftskolleg zu Berlin (Institute for advanced studies), in 2010 artist in residence of the Cornell University, Ithaca, USA.2012 awarded with the International Ibsen Award by the Norwegian Government - and with a Honorary Doctorate by the Birmingham City University.For the Years 2012, 2013, 2014 Heiner Goebbels worked as artistic director for the "Ruhrtriennale - International Festival of the Arts'.

In 2012 he premiered his latest music theatre production When the Mountain changed its clothing as well as John Cage: Europeras 1&2 on the Ruhrtriennale - International Festival of the Arts. In 2013 he directed the European Premiere of Harry Partch: Delusion of the Fury, in 2014 the new production of Louis Andriessen: De Materie.

As artistic director of the "Ruhrtriennale - International Festival of the Arts 2012-2014" Heiner Goebbels curated, produced and presented two new works by Robert Wilson, three new works by Romeo Castellucci, and more new works by Michal Rovner, Boris Charmatz, Robert Lepage, Jan Lauwers, Ryoji Ikeda, Douglas Gordon, William Forsythe, Lemi Ponifasio, Mathilde Monnier, Saburo Teshigawara, Anne Teresa de Keersmaker, Rimini Protokoll, Tim Etchells, Gregor Schneider and many others.

More and more he also works as a light designer for his staged concerts, such as Songs of Wars I have seen, Surrogate Cities, Louis Andriessen: De Materie / staged concert version, and in collaboration with John Brown also for Everything that happened and would happen, for A House of Call in collaboration with Hendrik Borowski, for Liberté d'action with Marc Thein.

In 2018 he created the music theatre work mit einem Namen aus einem alten Buch and the Sound-. und Videoinstallation Landschaftsstücke/Landscape Plays in Gießen, and the large scale performance Everything that happened and would happen produced by Artangel London and the Manchester International Festival. in 2019 this production was presented by the coproducers Park Avenue Armory New York and Ruhrtriennale aswell as during the Theatre Olympics in St. Petersburg.

In 2020 he composed the orchestra cycle A House of Call, which had its world premiere due to the Corona pandemic only in 2021 at Berlin Philharmony, Cologne Philharmony, Hamburg Elbphilharmony and others in Septemer 2021. He also composed a new radiowork "Gegenwärtig lebe ich allein" with words by Henri Michaux and a music theatre piece called Liberté d'action in 2021. He published an expanded Edition of his Ästhetik der Abwesenheit and the book A House Of Call - Materialausgabe

As guest professor of Goethe University Frankfurt in 2023 he led a stage project for students referring to Bertolt Brecht's 'Lehrstücke' at Frankfurt LAB."

"Dietmar Diesner (born September 2, 1955 in Elsterwerda) is a German woodwind player (soprano saxophone, clarinet) who works primarily in the field of free improvisational music.

Diesner studied at the Cottbus Conservatory from 1975 to 1978 and then at the "Carl Maria von Weber" University of Music in Dresden until 1984. Since 1979 he has played in the "Dresden Music Brigade" and in the Cottbus improvisation trio "Evidence" and has been heard at international festivals since 1982. He worked with musicians such as Ulrich Gumpert, Ernst-Ludwig Petrowsky, Manfred Schulze, Hans-Günther Wauer, Hans Rempel, Joe Sachse, Hannes Bauer and Radu Malfatti, but also with Helge Leiberg's interdisciplinary project "Gokan" since 1982 and with Sasha since 1983 Waltz. Later he also appeared with Tony Oxley, Fred Frith, Arto Lindsay, Sven-Åke Johansson (CD "Konsumdelikatessware", 1988), Heiner Goebbels, Jon Rose, Shelley Hirsch, David Moss, Günter Baby Sommer, Franz Koglmann and Theo Jörgensmann. Since 1983 he has also been giving solo concerts as a saxophone actor. He also belonged to Georg Gräwe's "Grubenklangorchester" and the "King Übü Orchestra" as well as to noise bands such as "Kixx" ("Weißer Voodoo", 1991) and "Slawtherhaus".

According to the Reclams Jazz Lexicon, the development of prepared electronic saxophone sounds and individual playing techniques earned Diesner, who promotes real-time composition, the reputation of an innovative improviser. He also wrote stage music for Heiner Müller and the film music for Das Bergwerk - Franz Fühmann."

"René Lussier (born April 15, 1957) is a musician based in Quebec, Canada. He is a composer, guitarist, bass guitarist, percussionist, bass clarinetist, and singer. Lussier has collaborated with such figures as Fred Frith, Chris Cutler, Jean Derome and Robert M. Lepage. His work, which combines elements from all major genres, is often referred to within the discourse of New Music, or Musiques Actuelles, in French.

Born in Montreal, Lussier began his musical career in 1973 in Chambly as part of the progressive rock group Arpège. From 1976 to 1980, he was a member of the Montreal folk-progressive group Conventum, led by André Duchesne. Lussier was also a member of the groups Quatour de l'Emmieux and les Reins, Nébu and La G.U.M in the late 1970s and early 1980s. In 1986 he joined Duchesne's Les 4 Guitaristes de l'Apocalypso-Bar.

He began doing soundtrack work in 1979, via a collaboration with Duchesne on the music for a short film called Tanobe. Lussier has written or co-written the scores to more than 35 films, including Chronique d'un génocide annoncé, a documentary by Danièle Lacourse and Yvan Patry about the Rwandan genocide.

Lussier played guitar for the popular singer Pauline Julien between 1982 and 1984, though he also worked on esoteric music that blurred distinctions between progressive rock, jazz, improvisation, modern composition, and circus music. His first solo album, Fin du travail (version I), was released in 1983 and consolidated his reputation as a quirky, humorous and talented guitarist-composer. He has collaborated extensively with Derome and Lepage and has recorded as a member of the Fred Frith Guitar Quartet. Lussier is featured prominently in Step Across the Border (1990), a documentary feature film by Nicolas Humbert and Werner Penzel about the work and travels of Frith. Lussier was also a member of Frith's band Keep the Dog (1989-1991).

In 1983, Lussier co-founded the Ambiances Magnétiques record label and recording collective with Derome, Lepage and Duchesne, and produced an extensive body of work in this environment. His best known work, Le trésor de la langue (1989), was created during this period. The album interspersed music with taped recordings of Quebec residents discussing the importance of the French language. It won the Grand Prix Paul-Gilson award in 1989.

In the late 1990s, Lussier recorded two albums for solo guitar and a pair of collaborations with Martin Tétreault which reflected an interest in the history of musique concrète and electroacoustic music composition and theory."