"Nick Fraser has been an active and engaging presence in the Toronto new jazz and improvised music community since he moved there from Ottawa in 1995. He has worked with a veritable "who's who" of Canadian jazz and improvised music including Justin Haynes, Mike Murley, Rich Underhill, P.J. Perry, Phil Dwyer, Michael Snow, John Oswald, Andrew Downing, Jean Martin, Christine Duncan, Lina Allemano, Quinsin Nachoff, Dave Restivo, Jim Vivian, David Braid, Ryan Driver, David Occhipinti, William Carn, Nancy Walker, Kieran Overs, Kelly Jefferson, John Geggie, Scott Thomson, Marilyn Lerner, David Mott, Lori Freedman, Jean Derome, Ron Samworth and Kirk MacDonald.

In addition, he has had the opportunity to perform and/or record with such international artists as Tony Malaby, Michael Moore, Bobby Shew, Donny McCaslin, Marilyn Crispell, Anthony Braxton, Joe McPhee, William Parker, Jean-Luc Ponty, Bela Fleck, Dave Liebman, Joe Lovano, John Scofield, Wynton Marsalis, David Binney, Steve Turre, Matt Welch, Bill Carrothers and Bill Mays. Nick's recorded works as a leader include Owls in Daylight (1997), Nick Fraser and Justin Haynes are faking it (2004) and Towns and Villages (2013).

For 10 years, he co-led the co-operative group Drumheller with Brodie West, Rob Clutton, Eric Chenaux and Doug Tielli, who released four critically acclaimed CDs between 2005 and 2013. Other projects that occupy Nick regularly are Ugly Beauties (with Marilyn Lerner and Matt Brubeck), Peripheral Vision, the Lina Allemano Four and Titanium Riot.

Nick is a founding member of The Association of Improvising Musicians of Toronto, a non-profit organization dedicated to the Toronto improvising community."

"Eric Chenaux is a Canadian guitarist, songwriter, singer and sound sculptor. He has released seven solo albums of experimental song on the Montréal-based imprint Constellation, charting an adventurous and uncompromising path through avant-folk, out-jazz and pop composition, increasingly rooted in a unique and elemental juxtaposition of fried, frazzled, semi-improvised guitar and smooth, clear tenor balladry. He has been called "a musician like no other" by Tiny Mix Tapes; his solo albums praised by The Quietus as "stunningly beautiful, genuinely inimitable, whose reputation will only grow with time." Gracing the cover of The Wire magazine in 2017, the feature article declared: "Chenaux succeeds in generating an astonishing array of timbres. A singer and songwriter possessed of angelic sweetness and clarity accompanying himself with largely improvised, visceral guitar textures that seem intent on undermining and obscuring his own songs. It's the need to communicate tussling with the urge to obfuscate; lucidity versus opacity; form against chaos."

Though based in France for the past decade, Chenaux was a key figure in Toronto's fertile indie and avant/improv music scenes throughout the 1990s and 2000s, releasing a first solo album of instrumental improv guitar in 1999 and co-founding the experimental music label Rat-drifting in 2001, which documents a dynamic cross-section of iconoclastic Toronto experimental music projects, including several ensembles in which Chenaux also figured as a member: The Draperies, The Reveries, The Guayaveras, The Marmots, Allison Cameron Band, Drumheller and Nightjars. Previously he was a core member of the cult Toronto postpunk/ math-rock group Phleg Camp and the related duo Lifelikeweeds.

Chenaux's first album as a singer-songwriter was Dull Lights, released on Constellation in 2006, and an acclaimed, highly original solo discography has unfolded since then: Sloppy Ground (2008); Warm Weather With Ryan Driver (2010); Guitar & Voice (2012); Skullsplitter (2015); Slowly Paradise (2018) and Say Laura (2022). He has featured on a range of collaborative records issued by other labels through this same span, including Okraïna, Avatar, Grapefruit and Three:four. He has performed and recorded with countless artists, including Ryan Driver, Sandro Perri, Eloïse Decazes, Michelle McAdorey, Nick Fraser, Martin Arnold, Radwan Ghazi Moumneh, Pauline Oliveros, John Oswald, Michael Snow, Brodie West, Han Bennink, Christine Abdelnour, Michael Moore, Josephine Foster, Martin Tetrault, Wilbert De Joode, Gareth Davis, Jacob Wren, Norberto Lobo, Nathaniel Mann and many more. Chenaux also composes for film and contemporary dance, including a long-standing association with conceptual filmmaker Eric Cazdyn for his solo music, and in recurring collaboration with multi-media and sound installation artist Marla Hlady.

Eric Chenaux lives at Le Pouget in the commune of Condat-sur-Ganaveix in central France."

"Alto saxophonist Brodie West's fascination in sound has taken him from Alexandra Park to Addis Ababa. As a bandleader and collaborator he is a key member of Toronto's vibrant creative music scene. Leader of avant-calypso unit Eucalyptus as well as his eponymous quintet, West also regularly performs with the The Ryan Driver Sextet, the Lina Allemano 4, a duo called Ways and an ongoing collaboration with Andrew Zukerman/Fleshtone Aura. Brodie's music has been released by some of Toronto's most celebrated labels, including Healing Power, Pleasence, Blocks Recording Club and Rat-Drifting, while his European connections have put him in the company of legendary art-punks The Ex as well as the late Getatchew Mekuria, the revered veteran of the Ethiopian saxophone.

Originally hailing from Nanaimo, British Columbia, jazz studies at Humber College brought Brodie to Toronto. Emerging as a member of Zebradonk, Deep Dark United and Drumheller, he was soon in demand as a featured guest, adding his spirit to recordings ranging from Broken Social Scene's seminal You Forgot It in People to more recent appearances with Jennifer Castle, Snowblink and Tasseomancy. Studies at the Amsterdam Music Conservatory with Misha Mengelberg lead to musical encounters with percussionist Han Bennink as well as The Ex, culminating in two tours to Ethiopia and the group's collaborative recordings with Getatchew Mekuria.

West's current artistic practice sees him inspired by the radiant joy of being a father as well as frequent improvised gigs with a wide range of musicians. As a composer working with some of Toronto's leading creative musicians (including Nicole Rampersaud, Ryan Driver, Mike Smith, Nick Fraser, Tania Gill and Evan Cartwright) he is always leading new melodic excursions while his ensembles, often featuring two or even three percussionists, are also exploring fresh rhythmic terrain."-Joe Strutt, Mechanical Forest Sound

"Rob Clutton is a composer/performer with two solo bass recordings, Dubious Pleasures and Suchness Monster, on the Rat-Drifting label. In 2015 the Cluttertones released Ordinary Joy, a recording of original compositions, on the Healing Power label. Earlier independent releases of original compositions include Holstein Dream Pageant and Tender Buttons. Rob has participated in collaborative projects including Handslang, This Moment, Drumheller, Clutton/Michelli/West, Kavli, and Sweet Session. As a side person, other long- term projects have included the Steve Koven Trio, NOJO, John Millard and Happy Day, Lina Allemano's Titanium Riot, the Ryan Driver Sextet, Pete Johnston's See Through 2, Tim Posgate's Jazzstory, Nick Fraser Quartet featuring Tony Malaby, Ronda Rindone's Quorum, the David Mott Quintet, Bill Grove Quartet, Mark Segger Sextet, AimToronto Orchestra, Shurum Burum Jazz Circus, Faint Praise, and the Winged Marsupials. Touring with these and other projects has included Europe, Canada, the U.S., Mexico, Ecuador, The Caribbean, and Japan."