A 2-CD release from the impressive trio of Finnish saxophonist Mikko Innanen and legendary US improvisers bassist William Parker, and drummer Andrew Cyrille, presenting one studio disc of Innanen compositions recorded in 2010, and a live CD from IBEAM Brooklyn in 2012.
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Mikko Innanen-alto saxophone, baritone saxophone, Indian clarinet, Uilleann chanter, nose flute, whistles, percussion
William Parker-doublebass
Andrew Cyrille-drums
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UPC: 6430015280427
Label: Tum
Catalog ID: TUMR42.2
Squidco Product Code: 19866
Format: 2 CDs
Condition: New
Released: 2015
Country: Finland
Packaging: Digipack - 3 panel with attached booklet
CD-1 recorded at Systems Two Studio in Brooklyn, New York on January 15, 2010 by Joe Marciano.
CD-2 recorded live at Ibeam Music Studio on June 2nd, 2012 by Max Johnson.
"Song for a New Decade features Finnish saxophonist Mikko Innanen, one of the most compelling new voices in European improvised music, with two American legends of the music: bassist William Parker, who rose to prominence during New York's loft jazz era of the 1970s, and drummer Andrew Cyrille, who is one of the elders of improvised music going back to the early 1960s.
The first CD comprises a studio recording of Mikko Innanen's compositions and a spontaneous improvisation by the Innanen, Parker & Cyrille trio whereas the second CD comprises a six-part live improvisation by Innanen and Cyrille at IBEAM Brooklyn. Both sessions were recorded in New York City."-Tum Records
Artist Biographies
• Show Bio for Mikko Innanen "Mikko Innanen is a saxophonist, composer and bandleader from Finland. A deft and adaptable improviser, he thrives in settings that span jazz's past, present and future: be it in freely improvised solos, duos or trios, small and large ensembles playing his own compositions, or working as a sideman interpreting other people's music. His journey through jazz and improvised music began in Loviisa, in small-town southern Finland, where the contents of his father's comprehensive jazz record collection of jazz records led him to pursue the saxophone further. After starting out in local marching and big bands, he studied at Helsinki's Sibelius Academy, during which time he spent a crucial exchange year at Copenhagen's Rhythmic Music Conservatory. Currently based in Helsinki, Innanen has spent a lot of time on the road, playing throughout Finland, Europe and the rest of the world. The diversity of Innanen's playing and composition is well documented, with a discography of over 50 records. This active touring and recording allows him to continuously expand his network of collaborators, and to find further opportunities to explore the spontaneous creativity at the heart of his musical vision. Saxophonist Innanen is fluent with all the members of the saxophone family but he describes himself as "basically an e-flat guy," nowadays devoting his energies to the alto, baritone and sopranino. Along with the saxophone language of Charlie Parker and John Coltrane, a key early influence was his first sax teacher, Bengt Ingelin, whom Innanen credits with nurturing his understanding of the importance of basic musical fundamentals. Innanen's own approach seamlessly links the diverse pathways the saxophone has taken through jazz. Within a single solo he can move from being deep in the melody or exploring complex chord changes to playing in free and far-out areas. He switches between horns just as fluently, incorporating special techniques, reeds from around the world and other little instruments if the situation deems it necessary. "If I find a sound I like, I use it," he says. "I don't want to sound like anybody else, but in the heat of the moment I might also listen to my inner Ben Webster, Sonny Rollins or Ornette Coleman." Composer & improviser Innanen's improvising and composition spring from the same source - a dedication to melody and a strong rhythmic foundation. Yet from this base he branches out in multiple directions, from interpreting traditional swing and blues-tinged, and sometimes even schlager-esque melodic themes to setting his own texts to music, exploring more theoretical concepts or reaching for the abstract and unknown. "As in life, in music you need to find a balance between beautiful and ugly, cerebral and carnal, sacred and profane, and fun and serious." His explorations have ranged from small-scale settings to much larger contexts. The former include solo saxophone performances on a small raft in the middle of the River Aura in Turku, the digital solo project F60.8. and improvised sax/drum duos with Mika Kallio, Simo Laihonen, Andrew Cyrille, Han Bennink and Andrew Barker. His work in ensembles shows a similar range: Mikko Innanen & Innkvisitio, Gourmet, Delirium, Tonight at Noon, Innanen/Piromalli/Hauta-aho/Lovens, Mr. Fonebone, Nuijamiehet, his 12-piece band Mikko Innanen 10+ (the latter even including with a full chorus for one performance), and several trio formations, such as PLOP, The Curators, Mikko Innanen Trio with Joe Fonda and Lou Grassi, Mikko Innanen with William Parker and Andrew Cyrille, Innanen/Sooäär/Bennink Trio, and Triot. Bandleader & collaborator When leading, he works to challenge and inspire the other musicians, to give them a reason and purpose for playing his music. He strives for the maximum result in his performances yet realizes that the outcome is always unknowable: "You have to accept that it is what it is, that it couldn't be any other way." Innanen is an active bandleader, but he is equally at home contributing as a sideman and a featured soloist. His skills and taste as a band member have been trusted by, among others, Stefan Pasborg, Kalle Kalima, Mika Kallio, Teppo Mäkynen, Wadada Leo Smith, Henrik Otto Donner, TUMO, Seppo Kantonen, Per Zanussi, Jori Huhtala, Triade, Ibrahim Electric, Pekka Tuppurainen, Jussi Fredriksson, Iro Haarla & Ulf Krokfors, Admiral Awesome, Espoo Big Band and Trondheim Jazz Orchestra. Live & in the studio In the studio or as well as on the bandstand, Innanen seeks to capture openness and take advantage of spontaneity. Though he has an extensive discography, with over more than two dozen records under his own name and a couple few dozen more as a collaborator, he particularly enjoys being in the moment of performance with others, engaging in the direct communication that emerges in front of an audience. He has performed throughout Europe, though his touring schedule has taken him as far away as South America, Asia and North Africa. In 2008 he began making extended stays and gigging regularly in New York City. These visits culminated in two mini-festivals in Brooklyn in 2012 and 2013, featuring his collaborations with a wide range of world-class improvisers." ^ Hide Bio for Mikko Innanen • Show Bio for William Parker "William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time." In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists. Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others." ^ Hide Bio for William Parker • Show Bio for Andrew Cyrille "Andrew Charles Cyrille (born November 10, 1939) is an American avant-garde jazz drummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. Cyrille was born on November 10, 1939, in Brooklyn, New York into a Haitian family. He began studying science at St. John's University, but was already playing jazz in the evenings and switched his studies to the Juilliard School. His first drum teachers were fellow Brooklyn-based drummers Willie Jones and Lenny McBrowne; through them, Cyrille met Max Roach. Nonetheless, Cyrille became a disciple of Philly Joe Jones, who in some performances such as Time Waits used Cyrille's drum kit. His first professional engagement was as an accompanist of singer Nellie Lutcher, and he had an early recording session with Coleman Hawkins. Trumpeter Ted Curson introduced him to pianist Cecil Taylor when Cyrille was 18. He joined the Cecil Taylor unit in 1964, and stayed for about 10 years, eventually performing drum duos with Milford Graves. In addition to recording as a bandleader, he has recorded and/or performed with musicians such as David Murray, Irène Schweizer, Marilyn Crispell, Carla Bley, Butch Morris and Reggie Workman among others. Cyrille is currently a member of the group, Trio 3, with Oliver Lake and Reggie Workman." ^ Hide Bio for Andrew Cyrille
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
CD 1
1. Song for a New Decade 8:48
2. The End Is a Beginning 6:47
3. Karl's Castle 6:28
4. Look for the Red Door 8:59
5. A Morning, a Day, a Night 7:10
6. See You at 103 6:37
7. Blue in Nublu 4:50
8. Small and Big Steps 8:58
CD 2
1. Song 1 8:49
2. Song 2 6:54
3. Song 3 5:12
4. Song 4 12:58
5. Song 5 12:31
6. Song 6 8:46
Improvised Music
Jazz
NY Downtown & Metropolitan Jazz/Improv
Trio Recordings
Parker, William
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