Live recordings from the duo of frequent collaborators Ken Vandermark on sax & reeds and Fred Lonberg-Holm on cello and electronics performing at Chicago's Heaven Gallery in 2013, for a superb set with surprising twists and turns and a great range of dynamics and approaches.
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Ken Vandermark-reeds
Fred Lonberg-Holm-cello, electronics
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Label: Bocian
Catalog ID: bc - kf
Squidco Product Code: 20754
Format: CD
Condition: New
Released: 2015
Country: Poland
Packaging: Cardboard Gatefold 3 Panels
Recorded at Heaven Gallery in Chicago, Illinois, on September 21st, 2013 by Dave Zuchowski.
"When you consider all the musicians that have recorded duos with cellist Fred Lonberg-Holm, it sounds kind of like the SPAM Monty Python sketch comedy piece. "Yes, I'll have some Fred Lonberg-Holm and Ken Vandermark." What, you don't want Fred Lonberg-Holm and Axel Dörner, or Fred Lonberg-Holm and Mats Gustafsson, or Fred Lonberg-Holm and Peter Brotzmann, or Fred Lonberg-Holm and Paal Nilssen-Love, or Fred Lonberg-Holm and Frode Gjerstad or Fred Lonberg-Holm and Nick Stephans, or Fred Lonberg-Holm and David Stackenäs, or Fred Lonberg-Holm and Michael Zerang? SPAM, Fred, SPAM, Fred, SPAM, Fred, Fred Fred.
Lonberg-Holm is in such demand because he is both a resourceful accompanist and a versatile musician. He was the most natural replacement for Jeb Bishop in the Vandermark 5, recording with the quintet until it dissolved a few years ago. He has been a key ally to saxophonist Ken Vandermark in his various Territory Bands, The Frame Quartet, Pipeline, the Topology Nonet, and the Vandermark organized Peter Brotzmann Chicago Tentet.
As a duo, they are the definition of simpatico.
Resistance recorded live in 2013 is an expected performance of unforeseen music. That said, it boosts Vandermark's stock (not that he needs it) as a soloist. He has, of late, stepped out of his role as composer, arranger, and organizer of ensembles to perform solo and in improvising duos with Nate Wooley, Agustí Fernandez, Mats Gustafsson, and Tim Daisy. Freed from all the duties associated with large ensembles, he can focus on improvising.
Here his saxophone and various clarinets weave, bounce, and at times, collide with Lonberg-Holm's cello and electronics. "J = óE" pairs a drunken tenor saxophone with a skidding sawed cello that builds into a locomotive engine of sound. The pair develop a thunderhead of animation, saxophone pushing against the thrum of electric energy. "P = 12R" searches for poetry in the small bites of circulating thought. Lonberg-Holm's cello can muster Jimi Hendrix notes or play the tip-toeing soundtrack to a Warner Brothers' cartoon. He scrapes (literally) notes from the wood of his instrument on "I = V/R" while Vandermark's clarinet explores the quiet corners of their meeting. The music here, all improvised, fills a gap in both their discographies, and it was a long time coming."-Mark Corroto, All About Jazz
Also available on Vinyl LP.Get additional information at All About Jazz
Artist Biographies
• Show Bio for Ken Vandermark "Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music." ^ Hide Bio for Ken Vandermark • Show Bio for Fred Lonberg-Holm "Fred Lonberg-Holm (born 1962) is an American cellist based in Chicago. He relocated from New York City to Chicago in 1995. Lonberg-Holm is most identified with playing free improvisation and free jazz. He is also a composer of concert works. As a session musician and arranger, he is credited on many rock, pop, and country records. Lonberg-Holm currently leads the Valentine Trio, with Jason Roebke (bass) and Frank Rosaly (drums). This jazz trio performs original compositions as well as tunes by both jazz composers (e.g. Sun Ra) and pop songwriters (e.g. Jeff Tweedy, Syd Barrett). The group released its first album Terminal Valentine, in 2007, which was reviewed by AllAboutJazz critic Nils Jacobson. He coordinates and directs performances of his Lightbox Orchestra, an improvising ensemble with a flexible, ever-changing membership. Lonberg-Holm does not play an instrument in this group, but rather conducts its non-idiomatic improvisations via the "lightbox" and by holding up handwritten signs. The lightbox contains a light bulb for each musician which Lonberg-Holm switches on or off to suggest when they should play. Collective groups of which Lonberg-Holm is a member include Terminal 4 who released an album, in 2003, called When I'm Falling that received four and a half stars, and AMG Album Pick by Allmusic, and it was reviewed by Allmusic's Joslyn Layne, The Boxhead Ensemble, Pillow, the Lonberg-Holm/Kessler/Zerang trio (with Kent Kessler and Michael Zerang), and the Dörner/Lonberg-Holm duo (with Axel Dörner). Among groups led by other people, he is a member of the Vandermark 5, the Joe McPhee Trio, the Peter Brötzmann Chicago Tentet, Keefe Jackson's Fast Citizens, and Ken Vandermark's Territory Band. When he lived in New York, Lonberg-Holm frequently collaborated with the rock group God Is My Co-Pilot pianist and composer Anthony Coleman as well as multi-instrumentalist Paul Duncan of Warm Ghost. In Chicago, he has worked with Jim O'Rourke, Bobby Conn (on "Llovessonngs" [1999] and "The Golden Age" [2001]), The Flying Luttenbachers, Lake Of Dracula, Wilco, Rivulets, Mats Gustafsson, Sten Sandell, Jaap Blonk, John Butcher, and a great many others. Lonberg-Holm's concert works have been premiered by William Winant, Carrie Biolo, the Austin New Music Co-Op, Subtropics Ensemble, Duo Atypica, the Schanzer/Speach Duo, New Winds, Paul Hoskin, Kevin Norton, the E.S.P. Ensemble, and others. His scores for dance have been performed at the Brooklyn Academy of Music and Dance Theater Workshop as well as many other venues. He is a former composition student of Anthony Braxton and Morton Feldman. He performed improvised music in the role of a troubled composer who finds inspiration in the love of a couple he spots on the street in a short film for the Playboy channel." ^ Hide Bio for Fred Lonberg-Holm
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/20/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Z = sL 4:42
2. E = pJ 13:54
3. I + V / R 7:07
4. J = OE 6:17
5. P = I2 R 4:35
Improvised Music
Free Improvisation
Duo Recordings
Chicago Jazz & Improvisation
Ken Vandermark
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