The Squid's Ear Magazine


Weston, Veryan / Jon Rose / Hannah Marshall: Tuning Out [2 CDs] (Emanem)

Improvised pieces for tracker action organs and strings recorded in five English churches from the trio of violinist Jon Rose, Veryan Weston on tracker action organ, and cellist Hannah Marshall, inviting the public to re-imagine the nature of pitch relationships.
 

Price: $24.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 5.00 units

Sample The Album:





product information:

Personnel:



Veryan Weston-tracker action organ

Jon Rose-violin

Hannah Marshall-cello


Click an artist name above to see in-stock items for that artist.




UPC: 5030243520725

Label: Emanem
Catalog ID: 5207
Squidco Product Code: 21148

Format: 2 CDs
Condition: New
Released: 2015
Country: Great Britain
Packaging: Cardboard Gatefold 3 Panels
1-1: Liverpool, Blue Coat Chapel

1-2: York, All Saints Church

1-3 to 1-5: Newcastle, Saint Silas Church

2-1 to 2-3: Sheffield, St Matthew's Church

2-4: London, All Hallows-on-the-Wall Church

Descriptions, Reviews, &c.

"Improvised pieces for tracker action organs and strings recorded in five English churches. Because these organs are entirely mechanical, there is a more direct physical relationship between the instrument and the player. When each stop is very carefully and slowly pulled while a key is pressed, a myriad of uncertain transitional stages of sound is produced. Thus organist Veryan Weston has a much wider of range of tones than he would have if he were playing a piano or electric organ. Violist Jon Rose and cellist Hannah Marshall adjust the tuning of their instruments to fit in with the particular environment, resulting in music not usually heard in churches (or anywhere else)."-Emanem



Tour Announcement for Tuning Out:

"Tuning Out is series of concerts taking place around the UK, which will invite a listening public to visit some wonderful instruments around the UK and re-imagine the nature of pitch relationships. The music will explore the lesser chartered areas of microtones, unequal temperaments and unusual instrumental tunings. The project involves three musicians who question the rules of equal temperament in their own different ways. They will be making use of some of the UK's many underused tracker - action pipe organs, and using re-configured and re-tuned string Instruments.

Over several concerts in diverse areas of the country from Liverpool to London, Newcastle to Brighton, audiences can expect to be part of a rich sonic experiment, and have the chance to hear extraordinary instruments where new tunings open a world for new harmonies and colours that have, until now, remained locked away un-played. Veryan Weston - long term explorer of underused and ancient instruments and Jon Rose - re-builder and re-thinker of the instrumental properties of the Violin, have been collaborating for the last 10+ years creating recordings and concerts that re-invent possibilities of how instruments can sound, and who use altered tunings as a primary avenue for improvisation."-, hannahmarschall.com


Artist Biographies

"Born in 1950, and moved from Cornwall to London in 1972 and began playing as a freelance jazz pianist as well as developing as an improviser at Little Theatre Club.


1975-85: Residency & fellowship for Digswell Arts Trust (Hertfordshire). Activities included:

Collaborations with visual artists (potter-Elizabeth Fritsch and fine artist Steve Cochrane).
Work on written theoretical material, commissioned by The Digswell Arts Trust.
Co-ordinating music workshops, supported by Eastern Arts Association.
Co-founded and composed for young local group - Stinky Winkles, voted 'Young Musician of 1979' by Greater London Arts Association and won first prizes in France, Spain and Poland.
Collaborations with Lol Coxhill, music for Derek Jarman Film. First released recordings.

Throughout 1980s and early 90s worked with Eddie PrŽvost Quartet, Trevor Watts' MoirŽ Music and Lol Coxhill and Phil Minton. Major festivals have included Zurich, Berlin, Nickelsdorf, Karlsruhr, Warsaw, Wroclaw, San Sebastian, Bombay, Vancouver, Nancy, Aukland, Nevers, Washington, Lille, Houston, Le Mans, Strasbourg, Bologna and Victoriaville.

Ensemble projects with Minton:

Duo - Ways, Ways Past, and....Past - diverse songs, originals & improvisation structures.
Songs from a Prison Diary - French commission for 25 singers with poems by Ho Chi Minh.
Naming the Animals -a quartet with Lianne Carol and Ian Shaw, words by Adrian Mitchell.
Mouthfull of ecstasy - with John Butcher, Roger Turner, texts from Joyce's Finnegans wake.
Makhno - for chamber choir commissioned by Taktlos Festival 1997.
4Walls - a quartet with songs and improvisations with Luc Ex and Michael Vatcher.


Other recent duo collaborations with:

Trevor Watts - improvisations with a feeling of form, where rhythm and melody sit comfortably with more abstract moments. A major current project.
Caroline Kraabel - duets that explore acoustic phenomena related to two instruments and how these sounds interact in specific acoustic spaces.
Jon Rose - improvisations using different acoustic keyboards and violins with selected tunings derived from science, history and the imagination.
Hugh Metcalfe - Films by Hugh, images of objects, animals, humans, holidays, journeys, unfold, transform, collide and provide the basis for accompanying duet improvisations.


Local activities:

(1995-6) playing in rhythm section for 'Changes' jazz club in North London with British jazz artists.
Awarded A4E National Lottery support to give series of workshops/concerts with John Edwards & Mark Sanders titled 'Playing Together' in East Anglia (1998).

Helped coordinate and arrange the Lindsay Cooper Song Project (1999). European festivals - Taktlos (Zurich), Angelica (Bologna, commissioned arrangement of "Oh Moscow" for orchestra), Moers (Germany) and Roccella Jonica (Italy)"

-Veryan Weston Website (http://veryanweston.weebly.com/biog--discog.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jon Rose started playing the violin at 7 years old, after winning a music scholarship to King's School Rochester. He gave up formal music education at the age of 15 and from then on, was mostly self-taught.

Throughout the 1970's, first in England then in Australia, he played, composed and studied in a large variety of music genres - from sitar playing to country & western; from 'new music' composition to commercial studio session work; from Bebop to Italian club bands; from Big Band serial composition to Sound Installations. He became the central figure in the development of Free Improvisation in Australia, performing in almost every Art Gallery, Jazz and Rock club in the country - either solo or with an international pool of improvising musicians called The Relative Band.

In 1986, he moved to Berlin in order to more fully realise his on-going project (of some 25 years): The Relative Violin). This is the development of a Total Artform based around the one instrument. Necessary to this concept has been innovation in the fields of new instrument design (over 20 deconstructed violin instruments including the legendary double piston triple neck wheeling violin, environmental performance (eg. playing fences in the Australian outback using the violin as a bow), new instrumental techniques (tested sometimes in uninterrupted marathon concerts of up to 12 hours long), both analogue (built into the violins themselves) and the more recently inter-active electronics (3 bowing to Midi systems)... plus using the mediums of radio (over 20 major International productions for radio stations like ABC, BBC, WDR, SR, BR, Radio France, RAI, ORF, SFB, etc including 'Eine Violine für Valentin', 'The Long Sufferings of Anna Magdalena Bach' and 'Breadfruit'), live-performance-film, video and television to create a new, alternative, personal and revised history for THE VIOLIN.

Jon Rose performs his group projects and solo music in upwards of 50 concerts every year - in North America, Japan, Australia, South America, China, Scandinavia and just about every country in West & East Europe. He is featured regularly in the main festivals of New Music, Jazz and Sound Art e.g. Strasbourg New Music Festival; New Music America; Moers New Jazz Festival; European Media Festival; The Vienna Festival; Ars Elektronica; The Northsea Jazz Festival; Dokumenta; Roma-Europa Festival; Festival D'Automne; Festival Musique Actuelle; The Berlin Jazz Festival, etc. Rose has also been invited to curate Contemporary Music Festivals in Germany (e.g. Berlin Urbane Aboriginale) and Austria (e.g. Wels 'Unlimited'). He has curated his own festival "String 'em up" of radical string players and their instruments, taking place in Podewil, Berlin in 1998 and Dodorama and V2, Rotterdam in 1999 , Tonic, New York in 2000, Mains D'Oeuvres, Paris in 2002, and IPR, New york in 2010.

Jon Rose has appeared on over 100 records and CD's; He has worked with many of the innovators and mavericks in contemporary music such as The Kronos String Quartet, John Zorn, Derek Bailey, Butch Morris, Barry Guy, Fred Frith, Joelle Leandre, Connie Bauer, Johannes Bauer, Chris Cutler, Otomo Yoshihide, KK Null, Alex Von Schlippenbach, Toshinori Kondo, Francis-Marie Uitti, Alvin Curran, Evan Parker, Paul Lovens, Phil Minton, Shelley Hirsh, Mark Dresser, Ben Patterson, Emmett Williams, John Cage, Joel Ryan, Peter Kowald, Borah Borgmann, Tristan Honsinger, Mari Kimura, The Soldier String Quartet, Borah Bergman, Sainko, Tristan Honsinger, Tony Oxley, Cor Fuhler, Steve Beresford, Eugene Chadbourne, Bob Ostertag, Malcolm Goldstein, Jim Denley, David Moss, Miya Masaoka, Barre Phillips, Roger Turner, George Lewis, Gunter Christmann, Davy Williams, Misha Mengelberg, Elliott Sharpe, Elena Kats Chernin, Lauren Newton, Uli Gumpert, Christian Marclay, Richard Barret, Pierre Henry, etc).

In 1989, in co-operation with New Music Festival 'Inventionen' (Berlin), he directed the first 'Relative Violin Festival' with over 50 violinists from around the world.In 1991, he directed "Das Rosenberg Museum", a surrealist satire commissioned by German Television's ZDF, this piece later became the first interactive video ever to be controlled by a violin bow. Other films/videos include 'Café Central' and 'Shopping' (both made for ORF, Austria). The Rosenberg Museum does actually exist.

Jon Rose is also the originator of 4 books - The Pink Violin and Violin Music in the Age of Shopping (both published by NMA, Melbourne); "Music of Place: Reclaiming A Practice", and rosenberg 3.0 - not violin music. Jon Rose is currently performing Palimpolin - Hyperstring 4, one of a number of highly acclaimed works for violin and inter-active software. In addition there are performances of Violin Factory featuring large string orchestras and interactive video in Europe and Australia. His group projects include Strung, Violin Music in the Age of Shopping (with the likes of Chris Cutler, Lauren Newton, Otomo Yoshihide, etc); the infamous Berlin Noise-Impro-Rock Band Slawterhaus (with Johannes Bauer, Dietmar Diesner & Peter Hollinger); The interactive 'Badminton' game Perks, based on the musical innovations and perversions of Australian freak composer Percy Grainger; and there are five established improvising trios which are currently available... The Exiles (with Tony Buck & Joe Williamson), and The Kryonics (with Aleks Kolkowski & Matthias Bauer), Artery (with Chris Abrahams and Clayton Thomas), Futch (with Thomas Lehn and Johannes Bauer), Strike (with Clayton Thomas and Mike Majkowski) and the bicycle-powered chamber orchestra composition Pursuit.

The duo Temperament was formed in 2000 with pianist Veryan Weston, specialising in improvisation with different tunings (Just, 19 tone, etc) for the keyboards and various scordatura for the violins.

Other on going projects are Australia Ad Lib which documents alternative music practice in Australia and the duo Great Fences of Australia, a collaboration with US violinist Hollis Taylor.

Since 2001 Jon Rose is again based full time in Australia: in 2005 he finished a major commission Pannikin for The Melbourne Festival, and was awarded a 2 year fellowship from The Australia Council to research and develop The Ball Project.

In 2009 The Kronos String Quartet and The Sydney Opera House commissioned Music from 4 Fences.

From 2008-2010 Jon Rose collaborated with Robin Fox on the Transmission Project and he received a further grant in 2009 from The Australia Council to work with KMI in the USA, on the K-Bow. He is also a member of the Advisory Council for The International Society for Improvised Music (ISIM).

The Music Board of The Australia Council has honored Jon Rose with its most prestigious award for life time achievement and contribution to Australian music, The Don Banks Prize 2012.

Currency House has recently published his call to action "Music of Place: Reclaiming A Practice". "

-Jon Rose Website (http://www.jonroseweb.com/a_jonrose_biography.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Hannah Marshall is a cellist who is continuing to extract and invent as many sounds and emotional qualities from her instrument as she can , playing experimental & freely improvised music and collaborating with other musicians, theatre and performing artists in the UK and Europe. She trained at The Guildhall school of music and Drama from 1992-1996. She plays regularly with The London Improvisors Orchestra and has performed at various festivals including VNM-Graz, Freedom of the City - London, Fete Qua Qua, Nickelsdorf-Konfrontationen, Banlieue Bleu-Paris, Jazz em Agosto-Lisbon, Barcelona Horta Cordel, ring ring-belgrade, Wels Unlimited- Austria, Alpen Glow - UK/Austria, Taktlos, Nantes festival, Saalfelden jazz festival, Red Ear Amsterdam, thirstyfish festival - London, Konfrontationen, Akouphene-Geneva, Europa Jazz Festival, Joyful Noise Festival- Swtizerland, Blurred Edges Festival- Hamburg. She has been invited by Fred Frith, Thomas Lehn and Suichi Chino in their residencies at café Oto, and by Evan Parker in his monthly residency at The Vortex Club."

-Music Teachers UK (https://www.musicteachers.co.uk/user/6fdca7e3c5ca7ab082f8/biography)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



CD 1



1. May 12 Liverpool 18:30

2. May 13 York 29:43

3. May 15 Newcastle I 12:59

4. May 15 Newcastle II 9:02

5. May 15 Newcastle III 7:29

CD 2



1. May 16 Sheffield I 7:40

2. May 16 Sheffield II 12:48

3. May 16 Sheffield III 18:49

4. May 19 London 37:48

Related Categories of Interest:


Improvised Music
London & UK Improv & Related Scenes
Free Improvisation
Trio Recordings
Rose, Jon
EMANEM & psi
Australian Improvisers, Composers and Experimenters

Search for other titles on the label:
Emanem.


Recommended & Related Releases:
Other Recommended Releases:
Rose, Jon / Chris Abrahams
Peggy
(Recommended Records)
Rose, Jon
State of Play [2 CDs]
(Recommended Records)
An expansive double album from Australian violinist and mad genius Jon Rose, in solo, duo and odd orchestral settings, including tracks with Jim Denley, Clayton Thomas, Robbie Avenaim, &c.; a project with a 32-string automaton violin + string ensemble; a work for a casino-music driven player-piano; a dueling banjo and interactively bowed violin, &c. &c.; masterfully inexplicable!
Musson, Rachel
I Went This Way
(577 Records)
UK improvising saxophonist Rachel Musson incorporates spoken word text and daring instrumental experimentation in a large work for an 8-piece ensemble of bass, sax, and strings, with narration in a through-composed text written by Musson that explores the process of improvisation, and her reflections on the experiential process of making music.
Weston, Veryan
Discoveries on Tracker Action Organs
(Emanem)
Legendary pianist Veryan Weston set out across England in 2014 in search of tracker-action organs, which he tested for suitability for a planned trio album, where possible recording himself on the instrument, as heard in these seven recordings of unusual and impressive improvisations.
Bay's Leap
Swans Over Dorking
(Citystream)
The debut album by the British Improvised Music trio Bay's Leap of clarinetist Noel Taylor, pianist Clare Simmonds and cellist James Barralet, presenting 11 spontaneously improvised compositions that bridge avant jazz and contemporary classical chamber music.
Weston, Veryan / Trevor Watts
Dialogues with Ornette!
(FMR)
Live recordings in 2015 from Bim Huis, and in Quintavant/Audio Rebel in Rio de Janeiro, the first a tribute to the late saxophonist Ornette Coleman in a 3 part suite of fast-paced and insightful improv; the 2nd "Quantum Illusion", an introspective and rich 2-part work.
Bourne / Davis / Kane
Broken Light
(Confront)
A live recording at Belfast's Sonic Arts Research Centre during the Translating Improvisation: Beyond Disciplines Beyond Borders colloquium, from the intrepid improvising trio of Matthew Bourne (piano), Steve Davis (drums) and Dave Kane (double bass).



Customers Who Bought This Item Also Bought:
Fragile Quartet (Moore / Fraanje / van der Feen / Hemingway)
Cretan Dialogues
(Ramboy)
If fragile means a thoughtful album of improvisation with a lyrical intention and sophisticated playing, then reedist Michael Moore's quartet with Harmen Fraanje on piano, Clemens van der Feen on bass, and Gerry Hemingway on drums & percussion shows a sublimely muscular fragilility in a lovely and extremely intelligent modern jazz album of embraceable and exemplary work.
Dunmall, Paul Nonet The
Interpretations of Beauty
(FMR)
Paul Dunmall's nonet with Neil Metcalfe, Philip Gibbs, Trevor Taylor, Hannah Marshall, Sarah Farmer, Theo May, Alison Blunt and John Edwards on one track, is a larger ensemble blurring improvisation and compositional approaches through violin, viola, cello, double bass guitar, reeds, flute, and guitar; sophisticated chamber improvisation of superb quality.
Burn, Chris / Philip Thomas
as if as
(Confront)
Contemporary composer, improviser and pianist Chris Burn in 4 lively, playful and fasciatingly structured works, as heard in Philip Thomas's renderings: "as if as"; "only the snow"; a transcription of Derek Bailey's "from ten, two, and three" in 6 parts; "pressings and screening" in 4 parts; and "the sky a silver dissonance" with Kate Ledger as a 2nd pianist.
Spectral (Dave Rempis / Darren Johnston / Larry Ochs)
Empty Castles
(Aerophonic)
Spectral, since 2012 the working horn trio of Dave Rempis on alto & baritone sax, Darren Johnston on trumpet, and Larry Ochs on sopranino & tenor sax, split their time between San Francisco and Chicago, in their 3rd album of spontaneous, complex free improv, here using the setting of Bunker A-168 in Mare Island Shoreline Heritage Preserve, CA, to influence their performance.
Wooley, Nate
Argonautica
(Firehouse 12 Records)
Trumpeter Nate Wooley's major 3-part work makes oblique reference to dodecaphony, ambient tape music, and the minimalist rock of Terry Riley, conceived as a tribute to Wooley's mentor Ron Miles, who performs alongside Devin Gray & Rudy Royston (drums), Cory Smythe & Jozef Dumoulin (piano).
Rara Avis (Ken Vandermark / Stefano Ferrian / Simone Quatrana / Luca Pissavini / Sec)
Rara Avis
(Not Two)
Chicago multi-reedist Ken Vandermark in a quintet with Italian musicians Stefano Ferrian (tenor saxophone), Simone Quatrana (piano), Luca Pissavini (double bass), and SEC_ (Revox tape recorder, instant sound treatment) in an uninhibited live concert in 2013 at Dragon Club in Poland.
Lexer, Sebastian / Steve Noble
Muddy Ditch
(Fataka)
Two live sets of exemplary improvisation: the first revelatory encounter of pianist Sebastian Lexer and drummer/percussionist Steve Noble from 2011, and a more considered and spacious meeting in 2014, both from London's Cafe OTO.
Ensemble SuperMusique
Les accords intuitifs
(Ambiances Magnetiques)
Montreal's most creative large ensemble, led by Joane Hetu & Daniell Palardy Roger, in their 5th release presenting works composed between 1976-2015 featuring twenty musicians playing in different combinations, showing the creative breadth and skills of this amazing band.
Levin, Daniel / Mat Maneri
Transcendent Function
(Clean Feed)
Two string masters--Mat Maneri on viola and Daniel Levin on cello--recording at The Village in Copenhagen, Denmark in an album titled for psychologist and philosopher Carl Jung, reflecting the balance between intuitive spontaneity and pre-established conditions.
Wooley, Nate Quintet (Wooley / Sinton / Moran / Opsvik / Eisenstadt)
(Dance to) The Early Music
(Clean Feed)
Nate Wooley assembled his outstanding quintet of Josh Sinton on bass clarinet, Matt Moran on vibs, Eivind Opsvik on bass and Harris Eisenstadt on drums to present a non-ironic take on the early music of a trumpeter who inspired Wooley at an early age - Wynton Marsalis.
AMM
Spanish Fighters
(Matchless)
Recorded at the festival Neposlusno (Sound Disobedience) in Ljubljana, Slovenia in 2012, the AMM duo of Eddie Prevost on percussion and John Tilbury on piano perform an extend improvisation of tension and dynamic, delicately balancing sound in a rich dialog.
McPhee / Saft / Morris / Downs
Ticonderoga
(Clean Feed)
A burning spiritual session inspired by John Coltrane's "Live at the Village Vanguard Again" that began when Jamie Saft told Joe Morris about his deep admiration for Alice Coltrane's playing, adding McPhee and Downs as the perfect complement to realize this excellent album.
Rydberg (Werner Dafeldecker / Nicolas Bussmann)
Rydberg
(Monotype)
Rydberg was a Swedish physicist with a moon crater named after him, here celebrated by the the duo of Nicholas Bussmann (sampler, electronics) and Werner Dafeldecker (function generator, electronics) in an album blending ambient electronics and muted, guiding rhythms.
Sanna, Claudio
Ammentos
(Hatology)
Sardinian pianist Claudio Sanna, versed equally in the classical, jazz, and electroacoustic traditions, in his debut recording of 8 original compositions blending composition and improvisation, revealing an enthusiastic and curious approach to music.
Brotzmann / van Hove / Bennink
1971
(Corbett vs. Dempsey)
Unreleased material from legendary European players Peter Brotzmann (sax), Fred Van Hove (piano) and Han Bennink (drums), captured live in 1971 for intensely heavy playing at the 2nd Internationales New Jazz Meeting Auf Burg Altena, and in detailed studio work at Radio Bremen.
Thollem / Wimberly / Cline
Radical Empathy
(Relative Pitch)
A trio of collective-improvisers recording in NYC's East Village in 2015 for exceptionally sympathetic dialog, instigated by electric keyboard improvisor Thollem McDonas, with Nels Cline on guitar and Charles Gayle cohort Michael Wimberly on drums; Fred Frith liner notes!
Morris, Joe
Solos - Bimhuis
(Relative Pitch)
Live recordings from guitarist Joe Morris, performing solo at Bimhuis in Amsterdam in two Octobers from 2013 to 2014, showing remarkable technical and creative skills while captivating his audience with accessible progressions and story-telling; masterful!
Eskelin, Ellery
Solo Live At Snugs
(Hatology)
Ellery Eskelin performing solo on tenor saxophone at 61 Local in Brooklyn, NY, four original compositions, personal and distinctive improvisation like listening to tales from a well seasoned and adept traveler.
Halvorson, Mary
Reverse Blue
(Relative Pitch)
Guitarist Mary Halvorson's project with Chris Speed on sax & clarinet, Eivind Opsvik on bass, and Tomas Fuijwara on drums, a band formed for a one-off concert at the Blue Note in NYC, that continued on based on the strength of the bond between them, as heard on this superb release.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC