"Ntshuks Bonga was born in Johannesburg, 1st October 1963. He moved to London with family in 1970. He took lessons on guitar & violin at school, and is mostly self taught on saxophones and clarinets. His past projects & collaborations include: various wonderful Maggie Nicols groups circa 1991-1993; Louis MoholoÕs Exiles [Louis Moholo, Gibo Pheto, Pule Pheto, Claude Deppa] circa 1992; Silapha [with Gibo Pheto & Pule Pheto]; Ntshuks BongaÕs Tshisa [with Marcio Mattos & Ken Hyder]; Robyn Hitchcock; Claude DeppaÕs fabulous Horns Unlimited [12 horns, 3 percussion CMN tour in 1998); Ntshuks BongaÕs Tokolosho [with Veryan Weston, John Grieve, Winston Rollins, Brian Abrahams, Mark Sanders, Julia Doyle]; Lucky RankuÕs African Jazz All Stars; FJQ [with Robin Musgrove, Jerry Bird and Alfredo Genovesi] recorded FJQ in 1998; Lydia Lunch (fabulous winter tour in 2004; still receovering!); Dave Draper/Jim LeBaigue/Ntshuks Bonga trio"

"Versatile" is the only word for bassist Andy Champion. A much in demand bass guitarist and double bassist; Andy has done just about every gig going, from theatre shows in Dubai to radio stations in Finland to massive outdoor Jazz festivals in China. Andy first started his musical journey in the world of metal but always found that his skill demanded a higher goal and like most musicians he found his attention turn to jazz, not only because he was able to experiment and learn new techniques but also it offered up the possibility to play double bass something Andy is renowned world over. Andy's hard work in the field of jazz paid off in 2013 as he was selected by international music producers Serious (London Jazz Festival amongst other things) to take part in the prestigious artist development scheme 'Take Five', giving Andy access to some of the best musicians and producers working in UK jazz today. "

"Born and based in Derby, Corey Mwamba's commitment to jazz and improvised music in Britain and Ireland drives all aspects of his work, whether through composition, playing, or promoting new music. Corey predominantly plays vibraphone; he also plays dulcimer and uses audio processing software. He is recognised as a highly creative improviser and composer working across a wide range of jazz and contemporary music. Mwamba's distinctive approach and tone is instantly recognisable in any context: a potent blend of pure sound, highly melodic phrases and ethereal textures; barely whispered chords and ear-piercing robotic screams. Corey won a PRSF/Jerwood Foundation Take Five artist development award in 2007; was short-listed for the Innovation category in the BBC Jazz Awards in 2008; and was nominated for "Rising Star on Vibraphone" in the 62nd, 63rd, and 64th DownBeat Annual Critics' Polls.

Mwamba's main group is the critically acclaimed Yana with Dave Kane (bass) and Joshua Blackmore (drums). This group exemplifies a core ideal of creating an "open, living music"; listening and responding spontaneously as a unit to make music that has love, language and a groove. Their first studio release don't overthink it was hailed as "engaging and evocative" (All About Jazz) and described as "the sound of three minds working together in a utopian zone, way beyond the individual ego - and producing something quite beautiful in the process" (Jazzwise). Dave and Corey are also in an improvising sextet called The Spirit Farm, formed out of research by pianist Adam Fairhall. Mwamba and Fairhall also form a trio with drummer Johnny Hunter called Backyard Chassis.

He is a member of the Anglo-French quartet Sonsale with bassist Andy Champion, drummer Sylvain Darrifourcq and cellist Valentin Ceccaldi. Corey also works with Andy in an improvising trio with saxophonist Ntshuks Bonga. He plays in duos with saxophonist Rachel Musson; pianist Robert Mitchell; percussionists Martin Pyne and Walt Shaw; and the multi-instrumentalist Orphy Robinson. [...]

Mwamba was granted an AHRC studentship for a Master of Research degree in Music at Keele University, for which he was awarded a distinction in 2014. Through this research, he developed new dark art, which is a notational and theoretical music system that takes early European medieval music practice as a starting point to create modern music. He is currently undertaking doctoral research in Jazz Studies at Birmingham City University on a Midlands3Cities/AHRC studentship."