"Chris Cutler started messing about with banjo, guitar and trumpet at school, settling for drums and playing shadows and other instrumental covers in his first band in 1963. Subsequently he played in R'n'B and Soul Bands, winding up in 1967 playing in London's psychedelic clubs. At the start of the seventies, with Dave Stewart, he co-founded The Ottawa Music Co, a 22 piece Rock composer's orchestra, eventually joining British experimental group Henry Cow with whom he toured, recorded and worked in dance and theatre projects until it's demise in 1978. In 1977 Henry Cow, The Mike Westbrook Orchestra and Frankie Armstrong formed a big-band and toured around Europe. After Henry Cow, Cutler went on to co-found a series of mixed national groups Art Bears, News from Babel, Cassiber, The (ec) Nudes, P53 and The Science Group. He was a permanent member of American bands Pere Ubu, Hail and The Wooden Birds and now works sporadically with John Rose, Fred Frith, Zeena Parkins, Iancu Dumitrescu, Peter Blegvad and Stevan Tickmayer.

Other lasting collaborations have included Aqsak Maboul (Belgium), Lussier/Derome and Les Quatre Guitaristes (Canada), The Kalahari Surfers (Africa), Perfect Trouble (Germany), Between (Sweden), N.O.R.M.A., (Italy), Telectu (Portugal), Mieku Shimuzu (Japan),The Hyperion Ensemble (Romania), The Film Music Orchestra, 'Oh Moscow', Gong, The Work and Towering Inferno (UK), The Residents (USA), and stateless Tense Serenity and Mirror Man. There have also been countless improvisational groupings and solo performances. Recent projects include Radio pieces with Lutz Glandien and Shelly Hirsch, Live Soundtrack for Carl Dreher's Vampyr (with Italians Musci and Venosta), his Timescales project and work with David Thomas and Linda Thompson.

He also founded and runs the independent label and distribution service ReR/Recommended and, until 1991, the East European specialist label Points East. He is editor of the New Music magazine Unfiled and author of the theoretical book File Under Popular as well as of numerous articles and papers published in 14 languages. He lectures intermittently on theoretical and music related topics. He has appeared on more than 100 recordings."

"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.

In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.

The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.

He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.

His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.

Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."

"John Greaves (born 23 February 1950) is a British bass guitarist and composer, best known as a member of Henry Cow and his collaborative albums with Peter Blegvad. He was also a member of National Health and Soft Heap, and has recorded several solo albums, including Accident (1982), Parrot Fashions (1984), The Caretaker (2001) and Greaves Verlaine (2008).

John Greaves was born in Prestatyn, North Wales, but grew up in Wrexham in north-east Wales. At the age of 12, he was given a bass guitar by his father, a Welsh dancehall bandleader, and within six months, he was playing in his father's orchestra. He continued playing in the orchestra for four years, during which time its varied musical styles gave Greaves valuable musician and arranger skills. He was educated at Grove Park Grammar School in Wrexham from 1961 to 1968.

In 1968, Greaves entered Pembroke College, Cambridge to study English, and at Cambridge he met members of the burgeoning English avant-rock group Henry Cow in 1969. The band had been established the previous year by fellow Cambridge students Fred Frith and Tim Hodgkinson and had undergone numerous personnel changes up to that point. They were looking for a bassist and after several months of persuading, Greaves joined the band in October 1969. After juggling his time with the band and his studies, Greaves completed his Master of Arts degree in 1971. By the end of 1971, Henry Cow settled into a permanent core of Frith, Hodgkinson, Greaves and Chris Cutler. Greaves remained with the band until March 1976, toured Europe extensively with them (with his wife Sarah doing the sound-mix at many of their concerts), and appeared on five of their albums (including two with Slapp Happy). Greaves also contributed several compositions to the band's repertoire, including "Half Asleep; Half Awake", recorded on their second album, Unrest (1974).

Greaves left Henry Cow to work on a project, Kew. Rhone. with Slapp Happy's Peter Blegvad in New York City. Greaves had met and worked with Blegvad during the brief merger of Henry Cow and Slapp Happy between November 1974 and April 1975, their first collaboration, "Bad Alchemy", appearing on the two bands' joint album Desperate Straights. Kew. Rhone. was a song cycle with all the music composed by Greaves and the lyrics written by Blegvad. In addition to bass guitar, Greaves also played keyboards and sang. The album was released in 1977 and credited to Greaves, Blegvad and Lisa Herman, the lead vocalist. It was well received by critics: AllMusic described it as "An unfortunately neglected masterpiece of '70s progressive rock ..."; and Robert Wyatt reportedly liked it so much he bought two copies "just in case the first got worn out!"

After Kew. Rhone. Greaves returned to England to work in theatre as a composer, arranger and actor. In early 1978 he joined National Health and remained with them until the band split up in 1980. He toured with the band, appearing on the album Of Queues and Cures, for which he wrote the instrumental tour-de-force "Squarer for Maud", the later reunion effort DS Al Coda (1982) and the archive release Play Time. During this time (1979-88) he also performed with a free-improvising group, Soft Heap with Elton Dean from Soft Machine, Pip Pyle from National Health, and maverick guitarist Mark Hewins.

In the early 1980s Greaves began a series of solo projects and collaborations. Having secured a deal with independent French-American label Europa Records, he recorded his first solo album, Accident in Paris in 1981-82. He moved to France permanently in 1984, and formed a touring band with François Ovide (guitar and trombone), Denis van Hecke from Aksak Maboul (cello), Mireille Bauer (formerly of Gong) (stand-up drums and percussion) and Blegvad's brother, Kristoffer Blegvad (backing vocals). This line-up also featured on Greaves's second solo album, Parrot Fashions (1984). During this time he also recorded and/or toured with the Penguin Cafe Orchestra and the Michael Nyman Band. He reunited with Peter Blegvad again on The Lodge project (alongside Kristoffer Blegvad, Jakko Jakszyk and Anton Fier) which produced an album, Smell of a Friend in 1987 (but only ever made a couple of attempts at performing live).

For his next album, 1991's La Petite Bouteille de Linge (Little Bottle of Laundry), Greaves retained the services of Ovide on guitar, adding his old mate Pip Pyle on drums and the latter's then-partner, Sophia Domancich on piano. Over the next few years his music took on a more acoustic flavour and Greaves eventually settled on a drum-less line-up comprising Domancich, Ovide (now on acoustic guitar exclusively) and double bass player Paul Rogers. This resulted in the 1995 album Songs, which consisted largely of acoustic arrangements of songs from his previous efforts, going back to Kew.Rhone. Greaves himself only handled lead vocals on one track, "The Green Fuse" (based on a Dylan Thomas poem), leaving the spotlight to Robert Wyatt, opera singer Susan Belling, Kristoffer Blegvad and French variety singer Caroline Loeb. During the 1990s, Greaves also embarked on one-off collaborations with David Cunningham from The Flying Lizards, on 1991's greaves, cunningham album, and Peter Blegvad on 1995's Unearthed. He also played bass in Blegvad's own trio alongside Chris Cutler on drums, which recorded two studio albums.

In the early 2000s Greaves chose to divide his time between two contrasting bands, an electric trio named Roxongs with François Ovide on guitar (later replaced by Patrice Meyer then Jef Morin) and Manu Denizet on drums, heard on 2001's The Caretaker, and an acoustic trio named Jazzsongs, with Sophia Domancich on piano and Vincent Courtois on cello, heard on 2003's The Trouble With Happiness, once again a mixture of old and new songs, but this time with Greaves himself singing all the way through.

Originally intended as a follow-up of sorts to the acclaimed Songs, 2004's Chansons saw Greaves team up with lyricist Christophe Glockner and vocalist Elise Caron for a collection of all-new songs with predominantly acoustic instrumentation, including guest spots by Robert Wyatt and Louis Sclavis.

During the same period, Greaves appeared as featured vocalist on a number of projects. He contributed lyrics and vocals to two songs on saxophonist Julien Lourau's acclaimed Fire & Forget (2005), to much of Sophia Domancich's Snakes & Ladders (2010) sharing the microphone with Himiko Paganotti and Robert Wyatt, and sang all the vocals on Alain Blésing's Songs From The Beginning project, revisiting 1970s progressive rock classics by King Crimson, Soft Machine, Henry Cow and Hatfield and the North among others, Catherine Delaunay's Sois Patient Car Le Loup (2011), the French clarinettist's settings of texts by Malcolm Lowry, and Post-Image's In An English Garden (2012), a special project celebrating the jazz-fusion group's 25th anniversary. Having had two of his songs used by the Daniel Yvinec-led edition of the Orchestre National de Jazz's tribute to Robert Wyatt, Greaves fulfilled a lifelong dream by fronting the ONJ at the legendary Theatre du Chatelet in Paris in January 2011, singing several Billie Holiday songs either solo or alongside Sandra Nkaké.

Since the mid-2000s, Greaves' main focus has been a series of projects centered on French poet Paul Verlaine (1844-1896), beginning with 2008's, Greaves Verlaine, his own settings of Verlaine poems with a decidedly un-retro aesthetic conceived in cooperation with French multimedia collective Les Recycleurs de Bruits. In addition to his Roxongs bandmates the album featured regular collaborators Jeanne Added (vocals) and Scott Taylor (accordion, trumpet), as well as appearances by Karen Mantler and Dominique Pifarély. Concerts promoting this release saw Greaves accompanied by line-ups ranging from just Taylor on accordion to a full electric septet. A second volume saw the light of day in 2011 but received very little media attention due to nonexistent promotion. Instead, Greaves embarked on yet another Verlaine project, this time composing to an original libretto by Emmanuel Tugny. "Verlaine, Les Airs" saw Greaves team up with a trio of French vocalists, Elise Caron, Jeanne Added and Thomas de Pourquery. The work was premiered in December 2012 at Le Triton following a residency at the venue, has since been performed at the Orléans Jazz Festival and at Les Sables-d'Olonnes, and a studio album was released in April 2015 on Bruno Letort's Signature label."

"Tim Hodgkinson (b. 1949) studied social anthropology at Cambridge, and co-founded the politically and musically radical group HENRY COW with Fred Frith in 1968. In addition to composing, he has a long involvement in improvisation, and came back to anthropology in the 1990's with research into music and shamanism in Siberia.

He has participated in many concerts with Iancu Dumitrescu's Hyperion Ensemble both as bass clarinetist and composer and conductor. His compositions have been interpreted in such international festivals as: Spectrum XXI (Brussels, Paris, Geneva, , Berlin, London), Huddersfield Contemporary Music Festival (U.K.) where he was a featured composer in 2007, Craiova and Ploiesti Festivals (Romania), Guarda Festival (Portugal), Cantiere Internazionale d'Arte di Montepulciano (Italy), Konfrontationen Festival (Austria), Nordlyd Festival (Norway), Musique Action (France) and the European Symposium of Experimental Music at Barcelona.

His Piece for Harp and Cello was selected for the SPNM shortlist in 2005. His composition SHHH was accepted for the IMEB electroacoustic music archive at Bourges in 2006. His piece Fragor appeared in the Martin Scorsese film Shutter Island in 2010. He has worked with Hyperion Ensemble, Talea Ensemble, Ne(X)tworks, the Bergersen String Quartet, London Sinfonietta, Insomnio Ensemble, Phoenix Ensemble, Basler Schlagzeug Trio, Nidaros Slagverkensemble, Bindou Ensemble.

As an improvising musician on reeds and lap steel guitar Tim Hodgkinson has performed all over the world with many of the most acclaimed artists in the field, and continues to be fully engaged in the celebrated Konk Pack trio with Roger Turner and Thomas Lehn. In 2009 he released KLARNT - a CD of solo clarinet improvisations.

With Ken Hyder, and Gendos Chamzyryn from Tuva, he works in the K-Space project: numerous tours of Europe and Siberia and CD releases - including INFINITY, a set of recordings that uses customised software to re-compose the music with each listening. In 2009, K-Space developed a sound-installation for the exhibition Shamans of Siberia at the Museum of Ethnology in Stuttgart.

As a writer, he has published articles and reviews on improvised music, musique concrète, spectralism, the ethnomusicology of shamanism, and the aesthetic problems of the impact of new technology on contemporary music - in, amongst others, Perspectives of New Music, Arcana, Contemporary Music Review, Musicworks, The Wire, Cambridge Anthropology, Variant, Rer Quarterly, and Resonance Magazine. His book, MUSIC AND THE MYTH OF WHOLENESS will be published by MIT in January 2016.

He has given lectures, workshops and seminars at Cagliari and Lyon Conservatoires, at the Institute of Contemporary Art, at Goldsmiths College and the School of Oriental and African Studies in London, at Istanbul, Edinburgh and Cornell Universities, and art schools in several European countries, at COMA summer school, and at the Verband für Aktuelle Musik in Hamburg where he was artist in residence in 2010."

"Geoff Leigh (born 5 October 1945) is an English jazz and progressive rock musician, playing primarily soprano saxphone and flute. He was a member of the English avant-rock group Henry Cow and founded several bands himself, including Red Balune, Random Bob, Black Sheep, Mirage, and Ex-Wise Heads.

Geoff Leigh's first gigs were with soul music bands in Manchester in 1965, (the beginnings of the now infamous Northern Soul Scene), in clubs like the Twisted Wheel. His professional career began in 1968, touring the United Kingdom and Europe with various jazz-rock-progressive rock groups, mainly Crazy Mabel. In 1969 he joined Gerry Fitzgerald's band Mouseproof, which introduced Leigh to the budding Canterbury scene and musicians like Daevid Allen, Kevin Ayers and Robert Wyatt.

In the early 1970s Leigh performed with Henry Cow on several occasions, having known the band's drummer, Chris Cutler, from school. Leigh accepted Henry Cow's invitation to join the band in 1972, and he played on their first album Legend (1973). After a tour of the Netherlands at the end of 1973, and his preference for playing composed as opposed to improvised music, Leigh left Henry Cow. (Leigh himself insists it was the other way round - he found the composed music becoming more complex for the sake of it, and the improvisations too contemporary classical for his essentially free jazz approach).[citation needed] The band's timeline of its history in the 1991 CD of Legend stated that Leigh left because he was "apparently unhappy with [the] increasingly total & scheduled group life."

As Henry Cow were, at the time, signed to Virgin Records, Leigh took advantage of Virgin's network of artists and performed and recorded with a number of their musicians and groups, including Slapp Happy and Hatfield and the North. In November 1973, Leigh participated in a live-in-the-studio performance of Mike Oldfield's Tubular Bells for the BBC, with Mick Taylor, Steve Hillage and members of Henry Cow, Gong and Soft Machine. It was released on Oldfield's Elements DVD. He also guested on Henry Cow's album In Praise of Learning (1975).

In 1974, Leigh formed Radar Favourites, with Gerry Fitzgerald (vocals, guitar), Cathy Williams (keyboards, vocals), Jack Monck (bass guitar) and Charles Hayward (drums). After only a few months, musical differences led to Monck and Fitgerald leaving, to be replaced by Charles Bullen (guitar), and Alan Möller (bass). The group disbanded the following year after Virgin Records turned them down (for purely financial reasons[citation needed]) - Hayward and Bullen went on to form This Heat, one of the most seminal and influential groups of the time.[citation needed] Leigh and Williams then embarked on a long musical relationship - their first project was a duo, Rag Doll, followed by Red Balune, a music theatre collective they formed in 1976. Red Balune grew over the next few years and attracted a number of musicians, including Colin McClure (bass), Robin Musgrove (drums), Henk Weltevreden (keyboards), Aloijsius van Saus (industrial sounds and performance), and Anne-Marie Roeloffs (trombone).

In December 1977, Red Balune toured the Netherlands and returned to England in January 1978 to begin recording an album. The album was never finished, but they did release a single, "Spider in Love" c/w "Capitalist Kid", in 1978, on their own MCCB record label, which became a "seminal underground classic". In April 1978 the band relocated to the Netherlands, recording the EP Maximum Penalty in early 1979, which featured guest appearances by ex-Henry Cow members Fred Frith (guitar, violin), Tim Hodgkinson (keyboards, alto saxophone, clarinet), Chris Cutler (piano scrapes and general burning ideas), and Aksak Maboul founder Marc Hollander (bass clarinet).

By then Leigh was spending more time in Brussels, playing with experimental bands Aksak Maboul and Univers Zéro, and after the release of his solo EP Chemical Bank in 1979, played solo performances for almost eighteen months, mainly in Belgium and France. In 1981 Leigh moved back to Rotterdam and formed the Kontakt Mikrofoon Orkest, featuring Colin McClure, Aloijsius van Saus (vocals, guitar, alto sax, keyboards, electronics), Gert van Seters (drums), and Jos Valster (saxophones and clarinets). This short-lived group recorded one single on the MCCB label, "Living in Rotterdam"/"Do the Residue", before splitting in late 1981. But the seeds of Black Sheep were sown with Colin McLure and Aloijsius van Saus. In 1981 they released a 12-inch maxi single, "Animal Sounds", and contributed "Strangelove" (on which Zeena Parkins made her recording debut, as backing vocalist) to a Recommended Records compilation disc. They toured extensively in the Netherlands, Belgium, France, Switzerland, Sweden, and Yugoslavia.

After leaving the Black Sheep in 1982, Leigh formed several bands which owed more to world music than any of his previous work, the most long-standing being Random Bob, featuring Colin McClure, Henk Weltevreden, and percussionist Asad Oberoi, later replaced by drummer/percussionist Coen Aalberts.

In 1986, Leigh headed back to Brussels, where he became even more closely involved in the world music scene, performing with Algerian singer Hamsy Boubaker, and Moroccan oud players Hassan Erragi and Abid. With Abid he co-composed and performed the music for a one-woman theatre production with Tunisian-Belgian actress Sabra Ben Arfa, produced by Moroccan actor-producer Amid Chakir, a close associate of Belgian film maker Chantal Akerman. The play was performed many times in Belgium, Tunisia, and Egypt. Around this time Leigh also had a long-term musical partnership with Moroccan guimbri player, vocalist, and percussionist Jalil El Afra.

Leigh continued working with Rotterdam-based percussionist Asad Oberoi, composing and performing music for several dance productions. Via his contacts in Brussels he worked with film maker Alain de Halleux on many TV and movie ads, including a trilogy of ads for Perrier. Several short-lived duos and one-off projects from this period included musicians John van Rymenant (saxophones, electronics, programming), Peter Beyls (self-designed software, controllers, interfaces, electronics), Claude Janssens (alto saxophone, trombone, programming). Leigh played with Pierre Jacob (keyboards, flutes, percussion, vocals) in the fusion group Sables from 1988 until 1992, and in 1988 formed the Morton Fork Gang with British saxophonist Joe Higham - the band included Daniel Denis (drums) and Guy Segers (bass guitar) from Univers Zéro, cellist Jan Kuijken, and saxophonists Mark Bogaerts and Daniel Stokart.

In 1992 Leigh was diagnosed with dystonia, an incurable neurological condition, contracted after a badly performed dental operation some two years earlier, which affected his performing capabilities to such an extent that he eventually stopped playing altogether. He managed to fulfil some concert obligations with Morton Fork and Sables in Brussels in early 1993, and after returning permanently to the UK, rehearsed and performed in small venues with original Radar Favourites bassist Jack Monck and Moroccan percussionist Lahcen Lahbib, as the Highly Irregulars.

But the medication Leigh was prescribed (Trihexyphenidyl hydrochloride, formerly known as Artane) did actually work - only about 1 in 10 sufferers can tolerate this medicine, and the chances of it having a long term positive effect are very slight. Throughout the 1990s he slowly regained sufficient control of the condition to resume work.[citation needed]

In 1999 he formed the ethno-fusion band Ex-Wise Heads with bass-guimbri player Colin Edwin from progressive rock band Porcupine Tree. A chance meeting in 2002 with Berliner Tom Zunk (waterphone and Indonesian percussion) led to the formation of the duo Men Working Overhead, which performed several concerts in Germany and London between 2002 and 2004, often augmented by dancer-video artist Elke Postler.

Since the re-release in 2005 of the entire MCCB back catalogue on Ad Hoc Records, a subsidiary of Recommended Records, the Black Sheep recorded the album Out of Quarantine, featuring both previously unreleased material from 1981-82 and recordings from 2005. As a result of renewed interest in the MCCB release, Leigh and Cathy Williams formed the band Mirage. They released their second album, Child's Play, in 2007, augmenting the group with Sam Christie (percussion), and Gem McSweeney (mandolin and various strings, flutes, and percussion).

In July 2005 Leigh played a one-off concert in London with Faust founder members Jean-Hervé Péron and Werner "Zappi" Diermaier, then played with Lucianne Lassalle (voice, electronics) as Henrico Reed & Lulu at the Faust Avant Garde Festival near Hamburg in September 2005. The duo performed again on the 2006 festival, and also contributed to the Faust UK tour in October/November 2005. A box set, Faust....in Autumn was released on Dirter Records in December 2006, featuring the band and both Leigh and Lassalle. Leigh performed solo at the 2008 Faust festival.

In 2009, Leigh was involved in several projects, including solo performances, a duo with Simon Crab (laptop processing, ex-Bourbonese Qualk), and several on-line collaborations. He also has several archive releases in the pipeline, including a Radar Favourites album release, and possibly an album from the Morton Fork Gang. An album with Japanese pianist-vocalist-composer Yumi Hara Cawkwell is planned for release in June.[when?] He has become something of a regular at Hastings Electric Palace Cinema, recently voted one of The Guardian's Top Ten UK arthouse cinemas, contributing live improvised soundscapes to short experimental movies.

Other activities in 2009[when?] included a solo performance at the Kraak Festival in Brussels in March, five concerts and two workshops in Japan with Yumi Hara, plus a guest appearance with Japanese psychedelic rock band Acid Mothers Temple. Leigh and Yumi Hara were joined by Japanese drummer Tatsuya Yoshida for a concert in Tokyo. Saxophonist Ryoko Ono also guested on one concert. In August, Leigh performed at the annual Avant Garde Festival in Schiphorst, Germany, with Yumi Hara and ex-Henry Cow members Chris Cutler (drums) and John Greaves (bass and vocals), which led to them forming The Artaud Beats. He was also invited to perform with Nurse With Wound. In late October 2009, Leigh played solo at the Nodutgang Festival in Bodo, Norway, and several concerts in Sweden with Magnus Alexanderson (guitar and electronics).

In 2010, after playing a short tour of Italy in February with guitarist Adriano Lanzi, Leigh decided to take a break from live performances due to ongoing dental problems, which have obliged him to temporarily stop playing saxophone. However the year saw a handful of local performances, including two appearances at Brighton's Spirit of Gravity, one with the Warrior Squares, the second with cellist Bela Emerson. Three new albums were released: Radar Favourites, Ex Wise Heads, and Uwe Bastiansen's Stadtfischflex, featuring Leigh alongside Jean-Herve Peron and Zappi Diermaier (Faust), and Tim Hodgkinson (Henry Cow)."