The Squid's Ear Magazine

Spunk

Still Eating Ginger Bread For Breakfast

Spunk: Still Eating Ginger Bread For Breakfast (Rune Grammofon)

Norway's unconventional improvising quartet SPUNK with Maja S. K. Ratkje, Hild Sofie Tafjord, Lene Grenager and Kristin Andersen are heard live at Nasjonal Jazzscene in Oslo, Norway in 2015, capturing these two sets of uniquely unexpected and jaw-dropping recordings from a band on the cutting edge of avant improvisation.
 

Price: $15.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:




product information:

Personnel:



Lene Grenager-cello

Hild Sofie Tafjord-French horn

Kristin Andersen-trumpet, recorder

Maja Solveig Kjelstrup Ratkje-voice, Theremin


Click an artist name above to see in-stock items for that artist.




UPC: 7033662021888

Label: Rune Grammofon
Catalog ID: RCD 2188CD
Squidco Product Code: 23986

Format: CD
Condition: New
Released: 2016
Country: Norway
Packaging: Digipack
Recorded live at Nasjonal Jazzscene in Oslo, Norway, in December 2015.

Descriptions, Reviews, &c.

"Formed in 1995, Spunk comprises four of Norway's most innovative musicians: Kristin Andersen - trumpet and recorders; Hild Sofie Tafjord - french horn, toys, live processing and sampling; Maja S. K. Ratkje - voice, theremin, oscillators, live processing and sampling; Lene Grenager - cello. For their 20th anniversary concert in December 2015, they moved to the exotic concert sites of Oslo's Nasjonal Jazzscene, home of the most interesting local and international jazz and improvisation concerts in the capital. Still Eating Ginger Bread For Breakfast is a recording of that concert - divided into two sets - as on the evening. It is also Spunk's ninth album since their 1999 debut Det Eneste Jeg Vet Er At Det Ikke Er En Stovsuger, all on Rune Grammofon. "Last time I heard Spunk was phenomenal! They are among the most exciting improvising groups in the world right now."-Fred Frith.


Artist Biographies

"Lene Grenager studied composition and the cello at the Norwegian State Academy of Music in Oslo under Aage Kvalbein (cello), Olav Anton Thommessen and Alfred Janson (composition). She has also attended seminars and lectures with the following composers: Louis Andriessen, Gerard Grisey, George Benjamin, Brian Ferneyhough, Magnus Lindberg, Philip Manoury, Iannis Xenakis, Tristan Murail, Klas Torstensson, Alejandro Vinao, Bent Sørensen, James Dillon, Trevor Wishart and Judith Weir.

Currently (2009-2013) she holds a five year work grant from the Norwegian State, and the same institution awarded her a three year work grant (2002-2004) for Young Artists. She has also been awarded grants from Fegerstens Legat, Komponistenes vederlagsfond and TONO. In 2002 she was awarded the Lindeman Prize for young composers. From 1999 till 2001 she held a scholarship position in composition at Agder University College. From 1998 she is a member of the Norwegian Society of Composers.

Grenager works both as composer and musician. She has been working professionally since 1995 with commissions from a.o. Cikada, Ensemble Ernst, Trondheim Symphony Orchestra, Bodø Sinfonietta, Nordic Music Days, Fylkingen and Affinis ensemble. She has had portrait concerts at the festivals Ultima, Borealis and Ilios and her works has been performed at festivals and concerts all over Europe. She finds it important that the musicians own voices and choices are reflected in the performances of her works but simultaneously that the core of the work is clearly defined from her hand. This has resulted in a great variety of notational techniques and richness in detail in the different scores. Grenager"s work as performing improvisational musician has also influenced her compositions. She tours extensively all over the world with the improvisation bandsSPUNK, Lemur and with Sofia Jernberg. She has also cooperated closely with dancers, visual artists and actors.

Grenager participates on some 20 recordings as composer, musician and producer a.o. "Affinis-suite" (+3db), "Slåtter, slag og slark" (Euridice) og "Systema naturae" (Øra), and with SPUNK (Rune Grammofon), Lemur (+3db) og Jernberg/Grenager (olofbright)."

-Lene Grenager Website (http://www.grenager.no/index.php?id=abo_eng)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Hild Sofie Tafjord has re-written the sonic possibilities of the French Horn and established herself as one of Norway's most arresting musicians. Pushing the limits of her instrument for years, whether acoustically or electronically, she has made her mark as composer, performer and improvisor. Her signature is present in her group playing in SPUNK and LEMUR, Zeitkratzer but takes front row in her solo work.

Tafjord is active as a solo performer and in groups like SPUNK, Lemur, Agrare, Zeitkratzer Ensemble, Trinacria, Phantom Orchard Orchestra a.o. She has a broad range as an artist and has made music for dance, film, theater, installations and sculptures. She has also worked with performances, given workshops and site specific concerts. She has played and collaborated with numerous mucisians and artists in Europe, Amerika, Canada and Asia, like Fred Frith, Ikue Mori, Zeena Parkins, Evan Parker, Matmos, Wolf Eyes a.o. Hild Sofie participates on more than 40 releases, and her first solo album Kama is out on Picadisk."

-+3dB (http://plus3db.net/artists/hild_sofie_tafjord/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Kristin Andersen (born 1973) is a Norwegian trumpeter and composer. She educated at the Norwegian Academy of Music in Oslo. Her music has been performed all over Scandinavia. In addition to SPUNK Kristin Andersen can often be heard in various free improvised constellations. Kristin also works as a studio technician and producer, as well as with writing and web design."

-Panrec (http://www.panrec.com/artists/kristin_andersen)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Maja Solveig Kjelstrup Ratkje, composer and performer (born Dec. 29th 1973 in Trondheim, Norway), finished composition studies at the Norwegian State Academy of Music in Oslo in 2000. Her music is performed worldwide by performers such as Ensemble Intercontemporain, Klangforum Wien, Oslo Sinfonietta, The Norwegian Radio Orchestra, BBC Scottish Symphony Orchestra, Fretwork, TM+, Cikada, Mivos and Bozzini string quartets, Quatuor Renoir, crashEnsemble, Pearls for Swine Experience, Torben Snekkestad, Marianne Beate Kielland, SPUNK, Frode Haltli, POING and many more. Portrait concerts with her music has been heard in Toronto and Vienna, she has been composer in residence at festivals like Other Minds in San Francisco, Trondheim Chamber Music Festival, Nordland Music Festival in Bodø, Avanti! Summer Festival in Finland, Båstad Chamber Music Festival and Huddersfield Contemporary Music Festival.

Ratkje has received awards such as the International Rostrum of Composers in Paris for composers below 30 years of age, the Norwegian Edvard prize (work of the year) twice, second prize at the Russolo Foundation, and in 2001 she was the first composer ever to receive the Norwegian Arne Nordheim prize. Her solo album Voice, made in collaboration with Jazzkammer, got a Distinction Award at Prix Ars Electronica in 2003. In 2013 she was nominated for the Nordic Council Music Prize for her vocal work.

Ratkje is active as a singer/voice user and electronics performer and engineer, as a soloist or in groups such as SPUNK and BRAK RUG. She has been soloist with orchestras such as The Norwegian Radio Orchestra, Ensemble Intercontemporain, Klangforum Wien, Avanti! Chamber Orchestra and BBC Scottish Symphony Orchestra. Other collaborations are with Jaap Blonk, Joëlle Léandre, Ikue Mori, Zeena Parkins, Stephen O'Malley, Lasse Marhaug, POING and many more. Ratkje has performed her own music for films, dance and theatre, installations, and numerous other projects. Visual art or text material is often a part of her own work, in installations or staged works. She has made large gallery works with SPUNK, she has made music for a radio play by Elfriede Jelinek, and in 2003, she played a part in her own opera, based on the texts from the Nag Hammadi Library.

Her scores are found at the National Library of Norway's publishing service, NB noter, and her records are released on Tzadik, Rune Grammofon, 2L, ECM, Important Records and many other labels."

-Maja Solveig Kjelstrup Ratkje Website (http://ratkje.no/bio/short-bio/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. SPUNK 20 First Set 43:55

2. SPUNK 20 Second Set 35:09

Related Categories of Interest:


Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Unusual Vocal Forms
Quartet Recordings
European Improvisation and Experimental Forms
Staff Picks & Recommended Items

Search for other titles on the label:
Rune Grammofon.


Recommended & Related Releases:
Other Recommended Releases:
Eriksen, Espen Trio w/ Andy Sheppard
Perfectly Unhappy
(Rune Grammofon)
Pianist Espen Eriksen's Trio with bassist Lars Tormod Jenset and drummer Andreas Bye in their third album of melodic and inventive creative jazz, here with 8 new lyrical pieces informed by their extensive touring, and charged by the addition of legendary UK saxophonist Andy Sheppard, for whom Eriksen wrote a set of tunes tailored to his playing.



Customers Who Bought This Item Also Bought:
Steidle, Oli & The Killing Popes (Steidle / Mobus / Nicholls / Downes / Donkin)
Ego Pills
(Shhpuma)
Rapid fire playing and a wicked humor fuels drummer Olie Steidle's album with guitarist Frank Mobus, keyboardists Kit Downes and Dan Nicholls, and bassist Phil Donkin, mashing together electro-jazz, art rock, hardcore and club music into upbeat and twisted music, building up to a narrative "Speed Junky on Funny Human Darts"; insanely embraceable and stunning.
Hein, Nicola L.
The Oxymothastic Objectar
(Shhpuma)
Using an electric guitar, preparations, and objects as a tool of reflection, Nicola L. Hein presents an album of philosophical bent, about the question of skepticism in music, or a skeptical form of improvisation, through tumultuous playing of impressive technique caught live at Spectrum in NYC, as each track title presents observations or questions that Hein seeks to resolve.
Vicente, Luis / Vasco Trilla
A Brighter Side Of Darkness
(Clean Feed)
Starting from silence, the improvisations on this collective and fully spontaneous album from trumpeter Luis Vicente and percussionist Vasco Trilla never reaches cathartic crescendo, but as only skilled innovators such as they can do, they captivate the listener in other-worldly environments of advanced technique and profound intention; engrossing and ineffable.
Spring Roll (Helary / Mayot / Rayon / Lemetre / Davis)
Episodes
(Clean Feed)
Picking up from flutist Sylvaine Helary's 2015 Ayler release "Spring Roll/Printemps", this evolved album of chamber jazz performed with Hugues Mayot on saxophone & clarinet, Antonin Rayon on piano & Moog, Sylvain Lemetre on vibes & percussions, and Kris Davis on piano, presents sophisticated compositions from Helary, Davis, Rayon Dan Blake, and Matt Mitchell.
Spillmann, Matthias Trio (Spillmann / Lang / Baumgartner)
Live At The Bird's Eye Jazz Club
(Clean Feed)
Matthias' Spillmann's Trio with the leader on trumpet and flugelhorn, Swiss drummer Mortiz Baumgartner and Danish Bassist Andreas Lang are caught live at Bird's Eye Jazz Club, in Basel Switzerland in 2017 for a lyrical and informed album of hard bop, seminal free jazz and jazz standards, including pieces by Ornette Coleman, Billy Strayhorn, Joe Lavano, and William C. Handy.
Fictive Five, The (Ochs / Wooley / Filiano / Niggenkemper / Eisenstadt)
Anything Is Possible
(Clean Feed)
A tour-de-force of modern creative jazz from the quintet of Larry Ochs on tenor & sopranino saxophones, Nate Wooley on trumpet, Ken Filiano on bass & effects, Pascal Niggenkemper on bass & effects, and Harris Eisenstadt on drums, the familiar history of the musicians and the staggering skill of each bearing out the album's title, in 2 collective and 3 Ochs compositions.
Guillotine (Lopes / Ceccaldi / Wildhagen)
Guillotine
(Clean Feed)
Recalling the French Revolution, Portuguese guitarist Luis Lopes joins forces with French cellist Valentin Ceccaldi and Norwegian drummer Andreas Wildhagen as they slice through complex electric improvisation in a triptych for Marie Antoinette, ending in a Robespierre-like reign of terror "Orgasmic Dance"; muscular, convoluted, unsettling and exultant.
Various Artists
Asian Meeting Recordings #1
(Doubtmusic)
Otomo Yoshihide started The Asian Meeting Festival in 2005 to foster creative interaction between Japanese and other Asian musicians, since 2014 curated by DJ Sniff, and here in the 2017 edition at GOK Sound, in Tokyo, Japan with a who's-who of players including Yoshihide, Ryoko Ono, Ko Ishikawa, Son X, KEITO, Yuji Ishihara, Yuen Chee Wai, &c. &c.
Kobi, Christian / Christian Muller
A Second Day
(Herbal International)
An album of unusual reed improvisations using extended and unusual acoustic techniques and further extended with electronics, field recordings, and samples, from the Swiss duo of Kobi Christian on soprano sax and Christian Muller on bass clarinet, sampler & electronics.
Gorilla Mask (Van Huffel / Fidezius / Fischerlehner)
Iron Lung [VINYL]
(Clean Feed)
An assertive album of free playing from the trio of Peter Van Huffel on alto sax, Roland Fidezius on electric bass, and Rudi Fischerlehner on drums, giving the music punk-jazz overtones in sound and rhythmic approach while clearly adhering to the heavy free jazz styles of the European masters.
Okazaki, Miles
Trickster
(Pi Recordings)
Intricate interplay in modern jazz from guitarist Miles Okazaki in a quartet with fellow New Yorkers Craig Taborn on piano, Anthony Tidd on bass, and Sean Rickman on drums--Tidd and Rickman his compatriots in Steve Coleman and Five Elements--performing Okazaki's playfully complex and innovative compositions that drive some serious grooves.
Dickey, Whit / Mat Maneri / Matthew Shipp
Vessel In Orbit
(Aum Fidelity)
While working with Matthew Shipp on an Ivo Perelman album, drummer Whit Dickey and pianist Shipp agreed to record an album of their own and enlisted violist Mat Maneri to record this album of deep space-themed improvisations, collective music of heavy propulsion that bursts from impassioned exchange to convoluted clusters of sound.
Fujii, Satoko Orchestra Tokyo + KAZE
Peace (Tribute To Kelly Churko)
(Libra)
Pianist Satoko Fujii's Orchestra Tokyo + the band Kaze, bringing guests trumpeter Cristian Pruvost and drummer Peter Orins alongside trumpeter Natsuki Tamura into a spectacular big band of great power but also subtle meditation, in four works that include a tribute to the late guitarist and Fujii collaborator Kelly Churko.
Parker, Evan / John Russel / Ian Brighton / Phillip Wachsmann / Marcio Mattos / Trevor Taylor
Reunion: Live From Cafe Oto
(FMR)
London's Cafe Oto organized a reunion of String Thing, guitarist Ian Brighton's project with violinist Phillip Wachsmann, bassist Marcio Mattos, & Trevor Taylor on percussion and electronics, adding guitarist John Russell and saxophonist Evan Parker, here capturing an impressive night of improv, and Brighton's first public appearance in nearly 40 years.
Butcher, John / Thomas Lehn / Matthew Shipp
Tangle
(Fataka)
After "Exta", where saxophonist John Butcher and electronics artist Thomas Lehn met with pianist John Tilbury, the duo now meet with New York pianist Matthew Shipp for a distinct improvisational entanglement of Butcher's dense streams, Lehn's rich sound floor, and Shipp's thick repetitions.
Corsano / Courviosier / Wooley
Salt Task
(Relative Pitch)
First recorded meeting of Chris Corsano (drums), Sylvie Courvoisier (piano), and Nate Wooley (trumpet) in the studio in Brooklyn, 2015, for a completely open, sensitive set of improvisations that are constantly on the edge, at times explosive, and always in a focused dialog.
Jaruzelski's Dream
Jazz Gawronski
(Clean Feed)
Italian Transalpine reedist Piero Bittolo (El Gallo Rojo) in his oddly named trio playing freeform jazz with a groovy accent, refined technique, imagination, soul and guts.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC