"Chandi Oliveira was born in Lisbon, Portugal, and is a ARTIVIST at InFUSION ARTelier, Animadora :- at Clowncare and Journalist at Gerador, and worked at C‰mara Municipal de Cascais and H‡ Mais Energia. She studied theater at John Frey Studio for Actors. She is associated with ISLA and Quinta do Cavalo Kiron."

"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

"Marc's classical bass career began at the Manhattan School of Music, and took an unexpected fortuitous detour to Portugal twenty years ago when he was invited to audition for the Gulbenkian Musica Orchestra in Lisbon. Marc is now the first bass chair and soloist of this much-travelled international symphony. As well as heading up the bass section of the Gulbenkian Orchestra, Marc mentors various educational projects and teaches at the Piaget University Institute and the Higher National Academy of Orchestra.

"My journey has been marked by a series of people who taught me and offered such great opportunities that one of the things that move me is being able to give back what I've received. Working with young musicians is one of the most gratifying experiences of my career." "

"Flutist, saxophonist, improvisateur, composer.

With classical and jazz training at the Amadores de Música Academy, the Conservatório Nacional and the Portugal Hot Club school of jazz, Paulo Curado works within jazz and improvised music.

"O Lugar da Desordem" is a trio founded by Paulo in 1995, which comprises drummer Bruno Pedroso and bassist Pedro Gonçalves."

"Bruno Parrinha - alto sax / soprano, Clarinet Sb / Alto, flute

Around the age of 10 began playing the clarinet. At 17 he bought a flute and entered the Academy of Music where he Amateurs solfeggio and instrument with Paulo Curado for two years . Later he was always playing clarinet and tenor saxophone ( self-taught ) and at age 21 he was invited to join the band Pop Radar Gaddafi with whom he recorded . Later he was cast of musicians on the play " Vieux Carré " in teatro da Graça playing tenor sax . Spent a year on the scene . At 87 he began to attend formations of Sei Miguel resulting in vinyl LP recorded at 88 " Songs love and against terrorism ." Since then he has dedicated his commitment to free improvisation and has participated in numerous trainings and concerts with illustrious musicians including Rodrigo Amado , Rodrigo Pinheiro , Miguel Mira , João Lucas , Paulo Curado , Ernesto Rodrigues , Guilherme Rodrigues , Ulrich Mitzlaff , Manuel Guimarães Cyril Bondi , " D' Incise ," Raphael Ortiz , Nicolaus Gerwinsky , Phill Niblock , Raymond McDonald , Victor Nubla , Nuno Rebelo , Marco Franco, Gabriel Ferrandini , Hernani Faustino , Luís Lopes , José Oliveira , Carlos Santos , Carlos " Zingaro " João Pedro Viegas , Victor Rua , Abdul " moimême " , Luís Vicente , João Lancaster , Luis Gil , Paulo Pimentel , Francisco Andrade , Albert Cicera and many others.

Presently a part of groups : ARGUE, IKB , VGO , Miguel Mira Quartet , Open Mind and Puma. "

"Studied alto saxophone within a jazz tradition spectrum. His continuous solo experimental research explores a wide scope of sound material through the use of the extended technics. Participates in several ensembles of improvisational music, electro acoustics and reductionism. Collaborates with musicians such as, Ernesto Rodrigues, Ricardo Jacinto, Sei Miguel, Fala Mariam, João Castro Pinto, Rafael Toral, Manuel Mota, David Stackenäs, Travassos, Paulo Raposo, Carlos Santos, Shiori Usui, C. Spencer Yeh, Cyril Bondi and d'incise, and developed projects as CACTO and PinkDraft, In the recent years has been also collaborating in several different projects at the intersection of the performative areas of dance, theatre and the visual arts (PARQUE, Les Voisins, Eye Height, Adriana Sá, Beatriz Cantinho). Participates and curates experimental and community radio initiatives."

Eduardo Chagas currently lives in Lisboa, Portugal. He is a member of IKB, Variable Geometry Orchestra, performing free Improvisation, and electroacoustic-improv.

"Ricardo Guerreiro (Lisbon, 1975) is a composer who predominantly develops his activity in the field of computer music creation, mainly departing from his interest in the algorithmic description of sonic phenomenon and musical structuring. Over the last years he has been collaborating with different musicians in the composition of collaborative performance situations in diversified contexts. In the field of musicological research, he is interested in the fundamentally ontological character of Aesthetics, seen as a discipline that implies an evaluation of our approach to technique, i.e., how we relate to the means we have at our disposal, as well as the broad acting context, namely the cultural, social and physical spaces.

He holds a PhD in Music Informatics / Computer Music from the School of Arts of the Catholic University of Porto. Graduated in Composition by the Escola Superior de Música de Lisboa (2000) and in Electronic Music (2004) by the Conservatorio di Musica Benedetto Marcello di Venezia, Italy. In 2007, he obtained his degree in Musicology at Universidade Nova de Lisboa. He attended several composition courses and seminars in Lisbon, Porto, Aveiro, Paris (IRCAM - '99), Darmstadt ('98 and 2000) and Venice, with names like Annette Vande Gorne, Chaya Czernowin, Curtis Roads, Emmanuel Nunes, François Bayle, Hans Zender, Helmut Lachenmann, Isabel Mundry, Julio Estrada, Mark André, Morton Subotnick and Salvatore Sciarrino, among others, as well as Giorgio Agamben's Aesthetics (2001) and Iconology (2004) semester seminars held at the Universities of Verona and Venice, respectively.

As a scholarship holder of the Italian Government he developed, between 2001 and 2002, a research project on the computer music in "Prometeo" by Luigi Nono, supervised by Prof. Alvise Vidolin and having as invited institutions the Center for Computational Sonology (CSC) of the University of Padua and the Luigi Nono Archive in Venice. Between 2004 and 2014 he created and directed the Laboratory of Sound and Composition for the course of Cinema / Motion Picture of Ar.Co (Center for Art and Visual Communication). He was professor (2010-2013) in the courses of Interactive Multimedia Production and Sound Design at the IPA (Instituto Politécnico de Estudos Autónomos). Since 2007, he has been collaborating as a trainer in both ETIC (Escola Técnica de Comunicação e Arte) and EPI (Escola Profissional de Imagem). Between January and October 2016 he was music informatics assistant at ADDAC System, a company that produces modular synthesizers."

"Bruno Duplant is a composer, improviser and multi-instrumentist (double bass, percussion, electronics, phonography...) living in the north of France. He has collaborated with lot of instrumentalists around the globe and has also made solo works for such labels as B-Boim, Engraved Glass, Peira, Ilse, Impulsive Habitat, Con-v, Unfathomless, Et le feu comme matière formatable technologiquement, Audiotong, Insubordinations and his own label curated with Pedro Chambel, Rhizome.s...

For him, composing, playing, improvising music is like imagining, creating and sometimes decomposing new spaces/realities, new entities. But it is also a reflection on 'memory', not the historic one, but a memory of all things, spaces & moments.

His new works, mostly based on phonographies & graphic scores, perfectly reflect that."

"Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production.

Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces.

Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise."

"Nuno Morão: Musician | Sound engineer, Lisbon, Lisbon, Portugal

• Scratch Built Studio | CABO Studio; • The Selva; • Hamar Trio; • Joana Barra Vaz; • Ar.Co - Center for Art & Visual Communication; • ECOSAcademic education; • University of Évora

He was born in Lisbon in 1976. In 1983, he began his musical studies at the School of Music of Loures. He was later student at the Gregorian Institute of Lisbon, Faculty of Arts of the University of Lisbon, University of Aveiro, School of Music of Lisbon and University of Évora (where he is about to graduate in Jazz).

He studied composition, organ of tubes, piano, drums, varied percussion and a panoply of plastic instruments. In the company of several musicians and projects, he practices improvisation and exploratory music (PARK, PINKDRAFT, IKB Ensemble, VGO, Hamar Trio, The Selva).

He works as a musician, composer and sound engineer (in theater, dance, performance, installation, cinema, web, audiobooks and new media), as well as operator, director, editor and sound mixer. In addition to the musical projects mentioned above, he is also an active member of Ensemble JER, Common Name, Nuno Sanches and co-editor of BOCA (audiobooks). He enjoys walking, collecting varied documentation and photographing the national railway. 40 years old. Born in Lisbon, where he lives and works as a musician, composer and sound designer (theater, performance, installation, cinema, web and new media), as well as a sound recordist, mixer, editor and director."