"Born in Wuppertal, he studied sculpture at the academy of fine arts in Stuttgart and at the same time classical Doublebass with Reinald Schwarz, soloist of Stuttgart Philharmonics. Having encountered experimental music in his youth, beside classical playing he soon ventured into free improvisation as well as working with graphic notations in the ensemble of composer Klaus Fessmann, who holds a professorship at Salzburg Mozarteum. After having met Günter Christmann in the early 90s, who became a close friend over the years, a grant offered the possibility to go to London, where he finally was able to explode into a most intense period of sessions, collaborations, concerts and recording sessions, this all with help by John Russell, Chris Burn and John Butcher. Back in Stuttgart he was asked to teach experimental music at the academy of fine arts Stuttgart, which he did for a period of ten years and which led him to extended sound and performance explorations in collaboration with his students. He continued to organize the festival concepts of doing - Interaktion Tanz Musik (1992 - 2003) and, after an intense trip through many european countries meeting dancers for free improvisations and an invitation to the 5th Composers Choreographers Exchange (Southbank Center London), he was co-founding the production center for dance and performance Stuttgart. Being the head of this association for three years and after the festival of concepts of doing 2003, he pushed these structures aside for regaining breath and new freedom and inner engagement in life and arts. At the same time this moment was accompanied by his last days in ensemble zeitkratzer, which he was member of since its beginning in 1997 (performances of famous MMM by and with Lou Reed as well as music by alva noto, Merzbow, Lee Ronaldo, Elliott Sharp, DJ's a.o.).

2005 saw him establishing himself in a space in Berlin to seek new projects. Since then he has recorded three cds, created the music for the experimental film "Lupinen löschen" by Sabine Schöbel, which was shown at the Berlinale 2007, and started to work with analog electronics on the acoustic double bass as well as on an electric one, introducing this to his collaborations with dance.

He played in groups... trio with Jim Denley and Steve Noble; duo with Phil Durrant (cd); quintet with Evan Parker, Phil Wachsman, Thomas Lehn, Roger Turner; duo with Günter Christmann (cd); "Ein Quartett" with Bieler-Wendt, Kolkowski, Zimmerlin; trio with Chris Burn and Axel Dörner.

Projects with Günter Christmann: Sextett Vario 34 (cd) und "con moto" (music, dance, sound poetry, film) with David Zambrano, Urs Leimgruber, Fine Kwiatkofski, Elke Schipper (dvd).

Concerts with... Paul Lovens, John Butcher, Phil Minton, Derek Bailey, Sven-Ake Johannson, David Moss, John Russell, Johannes Bauer, LeQuan Ninh, Dietmar Diesner, LaDonna Smith, Malcolm Goldstein, Fred Frith, Vinko Globokar, Barry Guy, Torsten Müller, Carlos Zingaro, Fred van Hove, Urs Leimgruber, Mats Gustafsson, Dorothea Schürch, Herb Robertson, Alberto Braida, Michael Griener, Yumiko Tanaka a.o.

Intense work with dancers in diverse performing and rehearsing situations.

Collaborations with Julyen Hamilton, Vera Mantero, Benoit Lachambre, Ingo Reulecke, Josè Luis Sultàn, Mark Tompkins, Junko Wada, Fine Kwiatkofski, Regina Baumgart, David Zambrano, Sasha Waltz, Katie Duck, Joachim Schlömer, Thomas McManus, Nigel Charnock, Xavier Le Roy, Frans Poelstra, Virpi Pakhinen, Russell Maliphant, Anzu Furukawa, Pal Frenak, Anna Huber, Andreas Müller, Astrid Endruweit, Jennifer Lacey, Lin Yuang Shang.

concepts of doing. Between 1992 and 2003 he organized the festival "concepts of doing - Interaktion Tanz Musik" which became an important european plattform for the exchange of the arts inviting many notable artists for free collaborations during 4 days. (Please see: www.concepts-of-doing.de). cd: "screen. Festival concepts of doing 1999" mit Yoshihide, Turner, Leimgruber, Schürch, Parkins, Newton, Frangenheim.

Critics: "mikrotonale Edelsteine" (Markus Müller, Jazzthetik), "deliciously subversive" (Cadence), "music straight from the dynamo" (The Wire), "Frangenheim uses extended string techniques Gidon Cremer supplied for Luigi Nono" (The Wire).

Lives in Berlin since 2005. In preparation for creative space for 2009, which will allow him to continue his work with dance and other media.

Projects: trio with Chris Burn and Axel Dörner; quartet with Thomas Lehn, Le Quan Ninh, Frederic Blondy; duo with Günter Christmann /as well as other formations; trio with Floros Floridis and Ray Kaczynski; cds in prep: quartet with Moss/Bauer/Tanaka, quartet with Turner/Wachsman/Pat Thomas. performance project "streugut" together with Clausen, Reulecke, Rudstrom, Simon."

"Nikolaus Neuser (* 1972 in Siegen ) is a German jazzmusician ( trumpet, wing horn ).

Neuser studied from 1994 to 1998 at the Folkwang-Hochschule in Essen with Uli Beckerhoff. In 1999, he moved to Berlin, where he performed with the Hannes Zerbe Jazz Orchestra ( Eisleriana and Erlkönig ), the Berlin Jazz Orchestra, Pinx, the Potsdama Lotsa formation (with Gerhard Gschlößl, Patrick Braun, Silke Eberhard ), the Satoko Fujii Orchestra Berlin ( Ichigo Ichie, 2015) and works with The Alliteration. He also heads the Nikolaus Neuser, to whom Bernd Oezsevim, Gerhard Gschlößl, Johannes Fink and Silke Eberhard belong. In 2015 he presented the album Pink Elephant (Jazzwerkstatt). Since 2012 he belongs to the Fun Horns (with Volker Schlott, Falk Breitkreuz, Jörg Huke ). Cooperations with the German Foreign Office, the Goethe Institute and the DAAD enabled him to stay and tour in China, Thailand, Vietnam, North Africa, Lebanon, the USA, Saudi Arabia, Europe and Colombia 2007 at the Pontificia Universidad Javeriana de Bogotá. [8th]

In the area of ​​pop music he is on albums of || Seeed, Peter Fox, Miss Platnum, 4hero, Pohlmann || Among others. He also worked with the Sonar Collective Orchestra and in the 2000s in the electronic jazz project Trondheym."

"Dr. Richard Scott is a UK-born Berlin-based composer and free improvising musician working with analogue modular synthesizers and alternative controllers such as his own self-designed WiGi infra red controller developed at STEIM, the Buchla Thunder and Buchla Lightning. He has been composing and performing improvised music for over 25 years, recently performing and recording with artists such as Evan Parker, Shelley Hirsch, Sidsel Endreson, Twinkle³, Richard Barrett, Axel Doerner, Jon Rose, Clive Bell, Kazuhisa Uchihashi, Emilio Gordoa, Thomas Lehn, Frank Gratkowski, Michael Vorfeld, Ute Wassermann, Phil Marks, David Birchall, David Ross, Bark! and Grutronic amongst many others.

He studied improvisation with John Stevens, saxophone with Elton Dean and Steve Lacy, Action Theater improvisation with Sten Rudstrom and electroacoustic composition with David Berezan and Ricardo Climent.

His work has been featured on BBC Radio 3 and 4, International Computer Music Conference (Athens and Huddersfield) London Jazz Festival, BEAM, Bratislava NEXT Festival of Advanced Music, Konfrontationen, Austria, SARC Sonorities Belfast, International Festival for Artistic Innovation, Leeds, Berlin Interaktion Improvised Music Festival and MANTIS Electroacoustic Music Festival, Manchester. He was a long term artistic resident at STEIM in Amsterdam, sometimes a Lecturer and visiting professor at various Universities and co-curator of two important long-running "underground" concert series in Berlin: AUXXX Berlin and Basic Electricity.

In 1993 he was awarded a PhD from London University for his thesis on free improvisation. In 2010 he completed a MusM (distinction) in Electroacoustic Music Composition at NOVARS, Manchester University. He wrote extensively for Wire magazine, was administrator at the LMC (London Musician's Collective) and has been an active member of the improvising and electroacoustic communities in London, Manchester and Berlin."