Drummer Tomas Fujiwara's sextet is actually two trios interacting, with fellow drummer Gerald Cleaver, both Mary Halvorson and Brandon Seabrook on guitar, and Taylor Ho Bynum on cornet and Ralph Alessi on trumpet, the pairings forming unisons and contrasts that add an unrestrained sense of enthusiasm and excitement to Fujiwara's sophisticated compositions.
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Sample The Album:
Tomas Fujiwara-drums
Gerald Cleaver-drums
Mary Halvorson-guitar
Brandon Seabrook-guitar
Taylor Ho Bynum-cornet
Ralph Alessi-trumpet
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UPC: 0711574819423
Label: Firehouse 12 Records
Catalog ID: FH12-04-01-026
Squidco Product Code: 25137
Format: CD
Condition: New
Released: 2017
Country: USA
Packaging: Digipack
Recorded at Firehouse 12, in Brooklyn New York, on January 31st, and February 1st, 2017, by Nick Lloyd.
"Bandleader, composer, and drummer Tomas Fujiwara possesses a musical dexterity that could go unnoticed if not for its ripple effect. He has brought his rhythmic and compositional imprint to a wide variety of settings - as a member of the collective trio Thumbscrew (with Mary Halvorson and Michael Formanek), in a long-standing duo with Taylor Ho Bynum, and as a supporting member in groups led by Bynum, Halvorson, Matana Roberts, Tomeka Reid, Amir ElSaffar, and Nicole Mitchell. While these collaborative efforts could define and sustain him, a more ambitious musical intelligence emerges on closer inspection."-Firehosue 12
"I've long been a fan of drummer Tomas Fujiwara's compositions, enjoying his music's melodic tendencies and avant-garde leanings, on top of understated grooves. Triple Double has all of that and in multiples: two drummers (Fujiwara and Gerald Cleaver), two brass (Ralph Alessi on trumpet and Taylor Ho Bynum on cornet), and two guitarists (Mary Halvorson and Brandon Seabrook), and the group delivers a stunning album of permutations and combinations of this line-up.
The opening track 'Diving for Quarters' begins with Halvorson (panned to the left) and Seabrook (panned to the right) working distinctly different approaches: Seabrook distorted and slashing, and Halvorson like a crystal spider scampering across a glass table. They come together as the horns enter, I'm assuming Alessi's rounded trumpet tone is more to the left, and Ho Bynum's boisterous and precise sound is to the right. The two drummers seem to work more in tandem than not as their straight forward beat under-girds the oozing melody. That intensity picks up. Towards the end the sextet is cooking, and the follow up, 'Blueberry Eyes', it doesn't relent. Ho Bynum delivers a sharp melody over the roiling guitars and drums. Soon the guitarists are emitting flames from their fretboards. Alessi's turn begins with a muted sound that, over the thrum of the background, has echoes of Miles.
The follow up to this is the first of two 'Hurry Homes'. The first carries the initials 'B/G', and later on in the track sequence, the second is 'M/T'. These two tracks feature guitar and drums duos, one may surmise the duo of Brandon and Gerald comes first. The beginning of their duet starts quietly and generally stays spacious and on the contemplative side throughout. A snippet of audio, which sounds like a conversation from a music/life lesson kicks off the drummers' duet on 'For Allen' (dedicated to drummer Allen Dawson). There is no - as far as I recall - trumpet/cornet or trumpet/guitar duos, which I suppose leaves new possibilities for a follow up album. After a tantalizingly journey from mysterious calm to controlled fury on 'Love and Protest', the group delivers a rather solid anthem on 'Decisive Shadows'. Alessi shines on this one, his punchy lines underscored by the interlocking ping-pongs of the guitars. Seabrook's idiosyncratic teeth-chattering solo follows, and then things really get heavy.
I had given the album a few listen before catching a pre-release show of the double trio at The Jazz Gallery in NYC. It was in watching the group, both how they were arranged in stage, into two sub units consisting of Halvorson/Alessi/Fujiwara and Seabrook/Ho Bynum/Cleaver and how they interacted and reacted in and between these two configuration, that brought the 'triple/double' concept to life. The symmetry and the evolving combinations gives Fujiwara as the composer varying textures and concepts to shape and explore. The result is an album that showcases the players as much as Fujiwara's compositional prowess, and together they are a potent combination."-Paul Acquaro, The Free Jazz Collective
Get additional information at The Free Jazz Collective
Artist Biographies
• Show Bio for Tomas Fujiwara "Born in Boston in 1977, Brooklyn-based drummer Tomas Fujiwara emerged during the early to mid-2000s as a valued sideman before forming his own quintet, Tomas Fujiwara & the Hook Up, which gathered accolades for blending influences such as Wayne Shorter, Taleb Kweli, and Me'Shell Ndegéocello with the experimental and unpredictable spirit of the 21st century Brooklyn creative jazz scene. After studying for eight years with drummer and educator Alan Dawson in the Boston area, Fujiwara moved to New York at the age of 17. His first performing experiences included a five-year stint beginning around the turn of the millennium with the off-Broadway show Stomp, but he also began appearing as a sideman on jazz recordings (e.g., Three Souls by the Adam Rafferty Trio in 2003) and moving in exploratory, adventurous directions. Fujiwara developed a particularly strong collaborative relationship with New Haven, Connecticut-based cornetist Taylor Ho Bynum, whose own avant-leaning ensembles have featured a number of top Brooklyn improvising musicians. Fujiwara first appeared with Bynum on two 2007 recordings, The Middle Picture by the Taylor Ho Bynum Sextet (Firehouse 12) and True Events by the Taylor Ho Bynum/Tomas Fujiwara Duo (482 Music). During the following years, the drummer appeared on the Bynum Sextet albums Asphalt Flowers Forking Paths (hatOLOGY, 2009), Apparent Distance (Firehouse 12, 2011), and Navigation (Possibility Abstracts X & XI) (Firehouse 12, 2013), and the Bynum/Fujiwara Duo album Stepwise (Nottwo, 2010). Fujiwara is also a member of Positive Catastrophe, a ten-piece outfit co-led by Bynum and percussionist Abraham Gomez-Delgado and inspired by Sun Ra and Latin jazz; the group has released two albums on Cuneiform, Garabatos Volume One (2009) and Dibrujo, Dibrujo, Dibrujo... (2012). Another musician with whom Fujiwara has often worked, guitarist Mary Halvorson, also often travels in the same creative orbit as Taylor Ho Bynum; like Fujiwara, Halvorson is a member of the Bynum Sextet, and along with Bynum and violist Jessica Pavone, the drummer and guitarist formed the collective quartet the Thirteenth Assembly, which has recorded two albums for the Important Records label, 2009's (un)sentimental and 2011's Station Direct. Fujiwara, Halvorson, and Bynum also appeared as members of the Chicago-New York nonet Living by Lanterns, whose New Myth/Old Science album -- based on fragments of music recorded by Sun Ra in 1961 -- appeared on Cuneiform in 2012. In 2014 Cuneiform released another album featuring Fujiwara and Halvorson, the eponymous debut of Thumbscrew, a collaborative trio also including veteran bassist Michael Formanek. Fujiwara first assembled his Hook Up quintet in 2008, later describing the bandmembers as "some of the most important musicians in my life" -- and given all of Fujiwara and Halvorson's recorded appearances together in various settings, it was no surprise that the guitarist was in the lineup. Also featuring tenor saxophonist Brian Settles, trumpeter Jonathan Finlayson, and bassist Danton Boller, Tomas Fujiwara & the Hook Up released their debut album, Actionspeak, on 482 Music in 2010. Featuring Trevor Dunn on bass in place of Boller, the group's sophomore album, The Air Is Different, arrived (also on 482 Music) in 2012. The many other projects in which Fujiwara has played as a collaborator or sideman include the Steve Lacy tribute band Ideal Bread, the eight-piece "bhangra funk dhol 'n' brass" outfit Red Baraat, and saxophonist/clarinetist Matt Bauder's acoustic jazz quintet. " ^ Hide Bio for Tomas Fujiwara • Show Bio for Gerald Cleaver "Gerald Cleaver (born May 4, 1963) is an African-American jazz drummer from Detroit, Michigan. Cleaver's father is drummer John Cleaver Jr., originally from Springfield, Ohio, and his mother was from Greenwood, Mississippi. Gerald had six older siblings. Cleaver joined the jazz faculty at the University of Michigan in 1995. He has performed or recorded with Joe Morris, Mat Maneri, Roscoe Mitchell, Miroslav Vitous, Michael Formanek, Tomasz Sta ko, Franck Amsallem and others. Under the name Veil of Names, Cleaver released an album called Adjust on the Fresh Sounds New Talent label in 2001. It featured Maneri, Ben Monder, Andrew Bishop, Craig Taborn and Reid Anderson and was a Best Debut Recording Nominee by the Jazz Journalists Association. Cleaver currently leads the groups Uncle June, Black Host, Violet Hour and NiMbNl as well as working as a sideman with many different artists." ^ Hide Bio for Gerald Cleaver • Show Bio for Mary Halvorson "One of improvised music's most in-demand guitarists, Mary Halvorson has been active in New York since 2002, following jazz studies at Wesleyan University and the New School. Critics have called her "a singular talent" (Lloyd Sachs, JazzTimes), "NYC's least-predictable improviser" (Howard Mandel, City Arts), "one of the most exciting and original guitarists in jazz-or otherwise" (Steve Dollar, Wall Street Journal), and "one of today's most formidable bandleaders" (Francis Davis, Village Voice). The Philadelphia City Paper's Shaun Brady adds, "Halvorson has been steadily reshaping the sound of jazz guitar in recent years with her elastic, sometimes-fluid, sometimes-shredding, wholly unique style." After three years of study with visionary composer and saxophonist Anthony Braxton, Ms. Halvorson became an active member of several of his bands, including his trio, septet and 12+1tet. To date, she appears on six of Mr. Braxton's recordings. Ms. Halvorson has also performed alongside iconic guitarist Marc Ribot, in his bands Sun Ship and The Young Philadelphians, and with the bassist Trevor Dunn in his Trio-Convulsant. Over the past decade she has worked with such diverse bandleaders as Tim Berne, Taylor Ho Bynum, Tomas Fujiwara, Ingrid Laubrock, Myra Melford, Jason Moran, Joe Morris, Tom Rainey and Mike Reed. As a bandleader and composer, one of Ms. Halvorson's primary outlets is her longstanding trio, featuring bassist John Hébert and drummer Ches Smith. Since their 2008 debut album, Dragon's Head, the band has been recognized as a rising star jazz band by Downbeat Magazine for five consecutive years. Ms. Halvorson's quintet, which adds trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon to the trio, has released two critically acclaimed albums on the Firehouse 12 label: Saturn Sings and Bending Bridges. Most recently she has added two additional band members-tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik-to form a septet, featured on her 2013 release Illusionary Sea. Ms. Halvorson also co-leads a longstanding chamber-jazz duo with violist Jessica Pavone, the avant-rock band People and the collective ensembles Thumbscrew and Secret Keeper." ^ Hide Bio for Mary Halvorson • Show Bio for Brandon Seabrook "Described by Spin Magazine as "An apocalyptic, supersonic general of the banjo..." Brandon Seabrook has made a name for himself in the New York avant-garde music scene as an explosive guitar and banjo performer, relentlessly committed to immediacy and precision. Seabrook honed his terror-inducing riffage skills at the New England Conservatory in Boston. He has since performed extensively in North and South America, Mexico and Europe, as a solo artist, bandleader and collaborator. He has been summoned by the likes of Anthony Braxton, Elliot Sharp and Joey Arias for his unpredictably spiked approach to improvisation and impeccable caterwauling. He has been profiled in the New York Times, Wall Street Journal, Magnet Magazine, Fretboard Journal, NPR and The Wire. Seabrook Power Plant, the nuclear trio donned "a manic clusterfuck of merciless banjo torture" by the Village Voice, is Brandon's brainchild, blending the brutal energy of punk-rock with the intricate execution of through-composed avant jazz. The band has released two albums to much critical acclaim. Time Out New York praised the band's eponymous debut as "not only one of the most baffling experimental releases of the year... also one of the best." Brandon is an accomplished solo artist, named Best Guitarist in New York City by the Village Voice 2012. In 2014, New Atlantis Records released his first solo album titled Sylphid Vitalizers. Noisey called the album a "dissonant guitar army...(with) mind-blowing prog-rock complexities - all at mind-numbing breakneck speed." Brandon is currently working on two new albums with his noise-prog trio, Needle Driver and a new sextet featuring immoral, percussive compositions under the name Die Trommel Fatale. This recent work is a poly-rhythmic exploration of the dark side of the drum, layering cello, bass, electronics, voice and guitar against dichotomous drummers." ^ Hide Bio for Brandon Seabrook • Show Bio for Taylor Ho Bynum "Taylor Ho Bynum (b. 1975) has spent his career navigating the intersections between structure and improvisation - through musical composition, performance and interdisciplinary collaboration, and through production, organizing, teaching, writing and advocacy. As heard on over twenty recordings as a bandleader, Bynum's expressionistic playing on cornet and his expansive vision as composer have garnered him critical attention as one of the singular musical voices of his generation. He currently leads his Sextet and 7-tette, and works with many collective ensembles including a duo with drummer Tomas Fujiwara, the improv trio Book of Three, the UK/US collaborative Convergence Quartet, the dance/music interdisciplinary ensemble Masters of Ceremony, and the trans-idiomatic little big band Positive Catastrophe. His varied endeavors include his Acoustic Bicycle Tours (where he travels to concerts solely by bike across thousands of miles) and his stewardship of Anthony Braxton's Tri-Centric Foundation (which he serves as executive director, producing most of Braxton's recent major projects). In addition to his own bands, his ongoing collaboration with Braxton, past work with other legendary figures such as Bill Dixon and Cecil Taylor, and current collective projects with forward thinking peers, Bynum increasingly travels the globe to conduct community-based large ensembles in explorations of new creative orchestra music. He is also a published author and contributor to The New Yorker's Culture Blog, has taught at universities, festivals, and workshops worldwide, and has served as a panelist and consultant for leading funders and organizations. His work has received support from Creative Capital, the Connecticut Office of the Arts, Chamber Music America, New Music USA, USArtists International, and the Doris Duke Charitable Foundation." ^ Hide Bio for Taylor Ho Bynum • Show Bio for Ralph Alessi "Trumpeter/Composer Ralph Alessi was born in San Francisco,CA, the son of classical trumpeter Joe Alessi and opera singer Maria Leone. After taking degrees in jazz trumpet and bass-he studied under the legendary Charlie Haden at CalArts-he lit out for New York, where he swiftly became an ubiquitous presence on the downtown scene. He's been a frequent collaborator with such notable musicians as Steve Coleman, Jason Moran, Don Byron, Ravi Coltrane, Fred Hersch, Uri Caine and Marc Copland. Alessi has recorded nine albums of original compositions which draw on everything from post-bop to neo classical music. He currently records for the ECM record label including his 2016 release Quiver. In 2018, he will release a new This Against That record on the label. As an educator, Ralph is an Assistant Professor of Jazz Studies at University of Nevada-Reno as well as the director of the School for Improvisational Music." ^ Hide Bio for Ralph Alessi
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Track Listing:
1. Diving For Quarters 11:00
2. Blueberry Eyes 5:58
3. Hurry Home BG 3:33
4. Pocket Pass 2:46
5. For Alan 8:01
6. Love And Protest 7:43
7. Decisive Shadow 5:52
8. Hurry Home MT 3:21
9. Toasting The Mart 4:03
10. To Hours 6:21
Improvised Music
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Free Improvisation
NY Downtown & Metropolitan Jazz/Improv
Sextet Recordings
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