The Squid's Ear Magazine


Myers, David Lee: Ether Music (Starkland)

Best known for his work under the name Arcane Device in the 80s and 90s, New York sound artist David Lee Myers carves a unique path in electronics and what he refers to as "feedback music", developing unique approaches and instruments to generate distinctive forms of electronic music, here in a 10 track album of stunningly beautiful and mysterious sound.
 

Price: $14.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



David Lee Myers-composer, performer


Click an artist name above to see in-stock items for that artist.




UPC: 754702022722

Label: Starkland
Catalog ID: ST-227
Squidco Product Code: 25241

Format: CD
Condition: New
Released: 2017
Country: USA
Packaging: Digipack
Recorded by the artist.

Descriptions, Reviews, &c.

"Ether Music is hardly David Lee Myers' first foray into this brand of sonic invention, where explorations on the edge of audible electronics mirror a visionary quest into the same electronic pulse that inhabits all organic life. It's a place where advanced technical experimentation forms the perfect complement for this ancient journey through the bardos of vivid inner landscapes aglow with the fission of an illuminated world, a world that answers our inquiry and is alive in a way less like a thought than a mind."-Dan Visconti



"David Lee Myers (b1949; aka - between 1987 and 1993 - 'Arcane Device') is a leading figure in American electroacoustic music, most specifically of 'feedback music', created entirely synthetically with no standard acoustical sound input (so his music is properly considered purely electronic). Myers's creations in this field - he does not see himself as a composer as such - have been described variously as 'the sound of electricity singing to itself' or 'sounds from the ether', the latter providing the title for this latest album.

The works here have all been created by Myers using his own invention, the feedback workstation, an electronic fusion of mixing board, computer, synthesiser and ring modulators. The results are a little startling at first, although the first track, 'implicate order', eases one in gently. For large stretches not much seems to happen, giving the feeling of a form of electronic minimalism, but later tracks - for instance, 'what's happening inside highs and lows' -introduce sonorities that sound as if reimagined from 'real' inputs, such as drills or motor saws.

There's little separation between tracks, so 'Ether Music' plays as if it were one large, hour-long composition (sorry, David). It has a rather mesmeric attraction and travels in the way any large-scale piece should do, not unlike, say, Paul Dolden's (Starkland, 1/15). Some might aver that this is just (semi-organised) noise, not music, but I would disagree; it may not be particularly to my taste but this is music in any meaningful definition of the word. The sound, recorded and mixed by Myers himself, must be heard as being to specification. Feedback welcome!"-Guy Rickards, Grammophone


Get additional information at Gramophone

Artist Biographies

"David Lee Myers is a sound and visual artist who has lived and worked in New York City since 1977. Pulsewidth serves as the platform for his activities in the arts, particularly sound projects, a number of which have been released under the Pulsewidth record label.

From 1987 through 1993, sound projects were developed under the name Arcane Device. With the development of new devices in 2014, it seems fitting for the moniker to be revived.

Myers work stems from an enthusiasm for electronics and the world of electrons as it relates to the realm of vibration and sound. After a fine arts education and many years in music, in 1987 Myers' accidental discovery of "Feedback Music" led to a new appreciation of the unseen forces underlying audible electronics."

-Pulsewidth (http://www.pulsewidth.com/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Implicate Order 5:27

2. Rigid And Fluid Bodies 4:20

3. Astabilized 5:06

4. What's Happening Inside Highs And Lows 5:27

5. Arabic Science 4:23

6. The Dynamics Of Particles 4:42

7. Radial/Axial 7:05

8. Royale Polytechnique 4:37

9. Growth Cones 4:58

10. Dorsal Streaming 10:18

Related Categories of Interest:


Electro-Acoustic
Organized Sound and Sample Based Music
Electronic Forms
Solo Artist Recordings
Staff Picks & Recommended Items
New in Experimental & Electronic Music

Search for other titles on the label:
Starkland.


Recommended & Related Releases:
Other Recommended Releases:
Myers, David Lee
Prototype Of The Veil
(pulsewidth)
David Lee Myers began creating feedback music in 1989, originally under the name Arcane Device, developing unique approaches to harnessing feedback between audio devices in ways their manufactures did not intend; since 2014 he has used a set of new devices that allow intense control and beauty through vibrational interactions, as heard in this, his 18th solo album of feedback music.
Roigk, Stefan
Suffering For The Promised [VINYL]
(Fragment Factory)
Multi-disciplinary artist living in Berlin, Stefan Roigk developed "Suffering For The Promised" over a 14 year period, composing this large work of acousmatic music as an atmospherically intense yet utterly fragile piece, combining concrete sounds, field recordings and devotional vocal fragments in an eclectic and highly intimate composition of great depth and detail.
Chrysakis, Thanos
Equinox
(Aural Terrains)
A remarkable album of electronic composition from sound experimenter and improviser Thanos Chrysakis, ten stunning compositions that explore a diverse set of tones across a broad spectrum of rich deep timbre and beautiful high frequency ringing, bell-tones at times taking the focus, at others providing a rotating basis for ethereal experiments; sophisticated and engaging!
CHANGES TO blind
evolvensume
(Squidco Records)
Collecting works from 2010-2017, Squidco's own Phil Zampino presents 10 tracks of electroacoustic composition sourced from studio work, live improvisation, field recordings, plunderphonics, and other indescribable approaches, a diverse set of recordings sharing a similar foreboding aesthetic and curious sonic desire.
Refusenik (Arturas Bumsteinas)
Musikaliszer Pinkos
(Bolt)
A collection of more than two hundred Hebrew religious chants compiled and published by cantor Abraham Berenstein in 1927 in Vilna, Poland (today Vilnius, Lithuania), re-composed by Arturas Bumsteinas using fragments of melodies found found in the Berenstein's book, with electronics recorded on the old Russian analogue synthezier Polyvox then mixed in EMS.
Liedwart, Kurt
Tone
(Mikroton Recordings)
Kurt Liedwart creates a personal journey through multiplicity of intense abstract layers of electronic and synthetic sound, constructing atmospheres of dronescapes, and cryptic songs, keeping the listener on edge in this album of intense "Tones" wrought from sythesizers, electronics, light controlled electronics, electromagnetic devices, and radio.
La Casa, Eric
Paris Quotidien [CD+60 page booklet of photos & text]
(Swarming)
Eric La Casa documents his home environment in Paris through audio investigation and field recordings, creating 3 large works that reveal the properties, singularities, banalities and features of his audio environment in perspective to his status as a citizen of the city, presented in a gatefold CD package with a color 60-page booklet of photos and text.
La Casa, Eric with Jean-Luc Guionne
Soundtracks
(Herbal International)
Three soundtracks to movies from sound artist Eric La Casa, developed for directors Luke Fowler, Christian Jaccard and Marie-Christine Navarro, organizing sounds from field recordings, with Navarro's soundtrack complemented by organ recordings from Jean-Luc Guionnet.



Customers Who Bought This Item Also Bought:
Inoue, Satoko
Presents Jo Kondo's New Works For Piano
(ezz-thetics by Hat Hut Records Ltd)
The second album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue--a noted interpreter of solo works by Feldman, Ferrari, and Cage--here presenting all of Kondo's works for solo piano written from 2001 to 2012, alongside two early works from 1975, exploring a wealth of harmonic, rhythmic, and conceptual ideas from a diversity of projects.
Kimmig-Studer-Zimmerlin and George Lewis
S/T
(ezz-thetics by Hat Hut Records Ltd)
The innovative string trio of Daniel Studer on double bass, Harald Kimmig on violin, and Alfred Zimmerlin on cello, develop focused environments of timbre, texture, dynamic and space, seemingly abstract yet incredibly concentrative and virtuosic interaction, here joined by Chicago trombonist and electronics artist George Lewis adding a 4th profound layer to their incredible conversation.
Battus / Gauguet / La Casa
Chantier 4
(Swarming)
Using the building site of the Paris Philharmonie as their source location and inspiration, the trio of Pascal Battus using found objects, Bertrand Gauget on saxophone, and Eric La Casa on microphones, improvise and record the background sounds, machines, and environmental influences, using those recordings to create these three fascinating compositions.
Noble, Steve / Yoni Silver
Home
(Aural Terrains)
The two-headed snake on the cover of this album aptly describes the sublimely sinuous and dark interplay between London free jazz drummer Steve Noble and bass clarinetist Yoni Silver, their 4-part improvisation taking on sinister elements of exceptional cymbal techniques, unusual drum tones, and extended lower register tones and high harmonics; excellent.
La Casa, Eric
AIR.ratio
(Swarming)
Reissuing La Casa's 2006 album of ventilation systems, which started with a bathroom vent and expanded to a sonic exploration of aeraulic devices and air flows in Paris buildings of various ages and dimensions, documenting their sonic and musical qualities, functioning as a sound study, a sonic data bank, a CD of environments, and finally as music.
Wilmington Sound Orchestra
Play Russolo
(Bad At Raving Foundation)
Two interpretations of Luigi Russolo's 1914 Futurist noise composition "Risveglio Di Uns Citta" ("The Awakening Of A City"), performed forwards and backwards, from a live performance at Squidco headquarters in Wilmington, NC.
Alonso, Edith
Collapse
(Aural Terrains)
Madrid multi-instrumentalist and cross media artist Edith Alonso in an album of prepared solo electric bass improvisations, a four part work of muscular and shadowy sound, dark vibrations with crepitating edges making a sinister and cathartic dungeon of sound.
Gerszewski, Nikolaus
Ordinary Music Vol. 35: Textures
(Creative Sources)
German composer working in Budapest Nikolaus Gerszewski does not consider the score for this piece a composition, but rather a basis for a process, which is executed live at Fabrica Braco de Prata with Gerszewski himself plus improvisers Ernesto & Guilherme Rodrigues, Pedro Roxo, Nuno Torres, Armando Pereira, Carlos Santos, Pedro Castello Lopes & Andre Mota.
AMM
Spanish Fighters
(Matchless)
Recorded at the festival Neposlusno (Sound Disobedience) in Ljubljana, Slovenia in 2012, the AMM duo of Eddie Prevost on percussion and John Tilbury on piano perform an extend improvisation of tension and dynamic, delicately balancing sound in a rich dialog.
La Casa, Eric
W2 (1998-2008) [2 CDs]
(Herbal International)
A journey in sound from composer Eric La Casa, who organized these recordings of water and wind captured over 12 years as a sonic journal of the various geographic locations he visited, transforming them into an absorbing story about the living world.
AMM (Tilbury / Prevost)
Place Sub. V
(Matchless)
AMM (Eddie Prevost on percussion and John Tilbury on piano(+)) performing a 1 hour, 1 minute and 1 second live concert at the 2012 Festival of Traditional and Avant-Garde Music in Lublin, Poland in a beautiful melding of unconventional approaches to improvisation.
Lopez, Francisco
untitled #164
(Unsounds)
Using field recordings made in Brussels together with TRMX, Johan Vandermaelen, Martiens Go Home, and Building Transmissions, Lopez mutates and records these into an intense 73 minute composition that takes the sounds of a city and transforms them into a interior landscape, a city within.
AMM (Prevost / Rowe / Tilbury)
Fine
(Matchless)
AMM
Before driving to the chapel we took coffee with Rick and Jennifer Reed
(Matchless)
AMM (Prevost / Rowe / Tilbury)
Newfoundland
(Matchless)
AMM (Prevost / Gare)
To Hear and Back Again
(Matchless)



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC