The Squid's Ear Magazine


Kerbaj, Mazen / Toshimaru Nakamura: East of Where? (Ftarri)

Turkish free improviser trumpeter Mazen Kerbaj, best known for the "A" Trio, meets Japanese no-input mixing board pioneer Toshimaru Nakamura for an insanely energetic duo of squelchy electroacoustic improvisations, both players staying on the electric side, and on the far side of lowercase ea-improv as the two ebb and flow a wild dialog of sound.
 

Price: $15.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 1.00 units

Sample The Album:





product information:

Personnel:



Mazen Kerbaj-trumpet

Toshimaru Nakamura-electronics


Click an artist name above to see in-stock items for that artist.




Label: Ftarri
Catalog ID: ftarri-986
Squidco Product Code: 25337

Format: CD
Condition: New
Released: 2017
Country: Japan
Packaging: Cardboard sleeve, sealed
Recorded at Yan Jun's studio in Berlin, Germany, on November 14th, 2016, by Toshimaru Nakamura.

Descriptions, Reviews, &c.

"Toshimaru Nakamura, who uses a no-input mixing board--an instrument played by controlling the mixer feedback--is an improviser admired inside and outside Japan. Beirut-born trumpeter Mazen Kerbaj performs around the world and makes free use of extended playing techniques that produce sounds totally unlike the sounds that most people associate with the trumpet. This CD is comprised of three improvisational performances by Nakamura and Kerbaj, recorded in a studio in Berlin in November 2016. From murmuring exchanges of delicate soft sounds to big sonic give and take, this unique and amazing duo album demonstrates the two musicians' superior skill and sensibility."-Ftarri


Artist Biographies

"His main activities are comics, painting and music. After a lot of works for different publishers and magazines, it is in March 2000 that he releases some of his more personal works in his Journal 1999 (a dairy in comics' format). He self-published eight other books and many short stories since.

It is also in 2000 that he plays for the first time in concert, in the Strike's pub in Beirut. This concert, a duo with Lebanese sax player Christine Sehnaoui, is probably the first improvised music concert in the Middle East.

In 2001, together with guitarist Sharif Sehnaoui , he creates the MILL association that curates since IRTIJAL an annual international festival for free music in Beirut as well as various concerts and events (IRTIJAL saw over the years some great improvisers like Fred Van Hove, Johannes Bauer, Lê Quan Ninh, Franz Hautzinger...).

In august 2002, together with Sharif Sehnaoui and double bass player Raed Yassine he recorded the album A published by La CD-Thèque, Beirut.

After meeting Franz Hautzinger by chance in Lebanon in February 2003, they played in duo in Beirut and in Paris and in trio with Japanese laptop player Taku Unami at the IRTIJAL 2003 festival. Then they were joined by Sharif Sehnaoui and Helge Hinteregger to form Oriental Space quartet that played in Nickelsdorf, Berlin, Vienna and Klagenfurt. A recording of this group is avilable on the Austrian label aRtonal, and a recording of the duo Hautzinger/Kerbaj is to be released soon on the Portugese label Creative Sources.

Between 2000 and 2004, Mazen Kerbaj played in solo and various groups in a lot of venues in Lebanon, Damascus, Paris, Bordeaux, Vienna, Berlin, New York, Chicago, Boston, Philadelphia...

Regular and occasional partners includes: Sharif Sehnaoui, Christine Sehnaoui, Raed Yassine, Charbel Haber, Jad Balaben, Jassem Hindi, Franz Hautzinger, Helge Hinteregger, Lê Quan Ninh, Bertrand Denzler, Stéphane Rives, Edward Perraud, Taku Unami, Guillermo Gregorio, Gene Coleman, Toshimaru Nakamura, Michael Zerang, Fred Lonberg-Holm, Jim Baker, Jack

Wright, Mike Bullok, Vic Rawlings, Nate Wooley...Kerbaj is going to release soon a solo CD and a quartet with Sharif and Christine Sehnaoui and Ingar Zach, on the newly born Lebanese label Al-Maslakh (the slaughterhouse)."

-Creative Sources (http://creativesourcesrec.com/creative_artists.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Toshimaru Nakamura is a Japanese musician, active in free improvisation and Japanese onkyo.

He began his career playing rock and roll guitar, but gradually explored other types of music, even abandoning guitar, and started working on circuit bending. He uses a mixing console as a live, interactive musical instrument: "Nakamura plays the 'no-input mixing board', connecting the input of the board to the output, then manipulating the resultant audio feedback."

Nakamura's music has been described as "sounds ranging from piercing high tones and shimmering whistles to galumphing, crackle-spattered bass patterns."

Nakamura founded the ensemble A Paragon of Beauty in 1992. He has recorded solo albums, worked as a session musician, and collaborated with artists including Sachiko M ("a kindred spirit"), Otomo Yoshihide, Keith Rowe, John Butcher, Nicholas Bussmann, Taku Sugimoto, Tetuzi Akiyama, dancer Kim Ito, and drummer Jason Kahn."

-Wikipedia (https://en.wikipedia.org/wiki/Toshimaru_Nakamura)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. East Of The Middle-East 16:45

2. Mild East And Hard East 19:15

3. West Of The Far-East 5:44

Related Categories of Interest:


Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
Recordings featuring brass instruments - trumpets, trombones, tubas, other horns
Electronic Forms
Sound, Noise, &c.
Duo Recordings
Japanese & Asian Improv/Rock

Search for other titles on the label:
Ftarri.


Recommended & Related Releases:
Other Recommended Releases:
Sound of the Mountain w/ Tetuzi Akiyama / Toshimaru Nakamura
amplified clarinet and trumpet, guitars, nimb
(Mystery & Wonder)
Sound of the Mountain is an independent label led by Montreal-area improvisers Elizabeth Millar (clarinet) and Craig Pedersen (trumpet), who traveled to Tokyo in 2017 for several concerts and this spectacular and unique recording session at GOK studio in Kichijoji with ea-improvisers Tetuzi Akiyama (guitar) and Toshimaru Nakamura (no-input mixing board).
Nakamura, Toshimaru / Ken Ikeda / Tomoyoshi Date
Ink on Paper
(Meenna)
The second recorded collaboration of Japanese no-input mixing board player Toshimaru Nakamura with London-based electronic artist Ken Ikeda and Japanese sound artist Tomoyoshi Date, a large, rich and detailed work of slowly evolving sonic environments, showing masterful control in developing sumptuous sound and then subtly deflecting it with unusual excursions.
Akiyama, Tetuzi / Jason Kahn / Toshimaru Nakamura
IHJ / Ftarri
(Winds Measure)
Two live recordings of electroacoustic improv from the Japanese tour of guitarist Tetuzi Akiyama, Jason Kahn on synthesizer, and Toshimaru Nakamura on electronics, spacious yet detailed interaction that draws the listener into remarkable sound worlds.
Dahl, Anders & Skogen
Rows
(Another Timbre)
Sweden's Skogen returns with a beautiful work for chamber ensemble with Magnus Granberg, Angharad Davies, Toshimaru Nakamura, Ko Ishikawa, Anna Lindal, Henrik Olsson, Petter wastberg and Erik Carlsson, interpreting a piece by Anders Dahl using a 12 tone system.
Kerbaj / Ulher / Sehnaoui
3:1
(Creative Sources)
Unusual acoustic improvisations from this double trumpet and acoustic guitar trio, creating music with electronic impressions and odd sound organization.



Customers Who Bought This Item Also Bought:
Estamos Trio (McDonas / Escobar / Tamez)
Dire Warning
(Relative Pitch)
Highlighting issues between the US & Mexican borders, Thollem McDonas' Estamos Trio presents their 2nd album, here with Carmina Escobar (vocals, electronics, guitarron), Milo Tamez (percussion, found objects, electronics) and Thollem (keyboard, vocals, clay pot) in a work commissioned by and recorded at the 2018 "Casa Tomada" (House Taken Over) in Santa Fe for SITE.
Wooley, Nate
Battle Pieces 4
(Relative Pitch)
"Battle Pieces" uses trumpeter Nate Wooley's "social music" system, where each piece is constructed for a soloist who improvises with no score while the remaining player choose at will from over 75 compositions over which the soloist must find their path; here at Roulette in NYC with Nate Wooley, Sylvie Courvoisier, Ingrid Laubrock, & Matt Moran.
Ackley, Bruce / Fred Frith / Henry Kaiser / Aram Shelton
Unexpected Twins
(Relative Pitch)
Born out of Eugene Chadbourne's Twins band concepts from the 70s, which included over time saxophonist Bruce Ackley, and guitarists Henry Kaiser, and Fred Frith; fast forward to 2018 as Ackley & Frith return to the concept with Henry Kaiser and saxophonist Aram Shelton to revisit the original approach through pieces by those artists plus Steve Lacy, Eugene Chadbourne, and John Zorn.
Ochs, Larry / Gerald Cleaver / Nels Cline
What Is To Be Done
(Clean Feed)
The first release from the trio of Nels Cline, Gerald Cleaver, and Larry Ochs in a 2016 concert at Gallery5 Arts, in Richmond, Virginia, captured as part of the trio's series touring around the Northeast each December since 2015, playing what Larry Ochs describes as music that "seeks sonically to soothe, to inspire, and to conspire", in three urgent and powerful improvisations.
Webber, Anna
Clockwise
(Pi Recordings)
Wind player and composer Anna Weber pays homage to 20th Century composers' works for percussion, using Xenakis, Feldman, Varese, Stockhausen, Babbitt & Cage as influences in compositions leaving room for improvisation from her septet of Jeremy Viner (sax & clarinet), Jacob Garchik (trombone), Christopher Hoffman (cello), Matt Mitchell (piano), Chris Tordini (bass), and Ches Smith (drums).
Cage, John / Guy Vandromme
Number Pieces (Piano)
(Edition Wandelweiser Records)
John Cage wrote his "Number Pieces" in the last years of his life, using his time bracket technique of short fragments allowing the performer flexibility in interpretation; each piece is titled for the number of performers and its ordinal position in the series, and most pieces are dedicated to a musician; here pianist Guy Vandromme performs three of the "One", or solo, series.
Nakatani Gong Orchestra
Live Concert At Silo City
(Nakatani-Kobo)
A full scale concert of Tatsuya Nakatani's Gong Orchestra with 15 performers bowing and striking Nakatani's collection large gongs under the conduction of Nakatani, recorded at the Silo City performance space in Buffalo, NY in 2017 in a rich, deep and mysterious album of large tones using the natural resonance of the Marine A Grain Elevator.
Higgins, Tyler (w / Stevens / Higgins)
Blue Mood
(Shhpuma)
Hailing from Atlanta, GA, guitarist Tyler Higgins is also a multi-instrumentalist and composer who merges genres of moody, cinematic music based around folk, blues, jazz and twisted with unusual approaches, aided in his endeavors by drummer Paul Steven and wordless vocalist Ellen Higgins, producing a alluring set of musical narratives.
International Nothing, The
In Doubt We Trust
(Ftarri)
The duo project of Berlin-based clarinetists Kai Fagaschinski and Michal Thieke, (Magic I.D., Christof Kurzmann, Splitter Ochester) in their 5th album of timbre-rich, harmonically fascinating and slowly evolving reed interactions, returning to their core duo after their previous quartet album, here presenting a large rich and beautifully weaving work.
Suzuki, Akio / John Butcher
Immediate Landscapes
(Ftarri)
At the same event in Scotland that John Butcher recorded his excellent "Resonant Spaces" album, he also joined forces with sound artist Akio Suzuki on a variety of objects and sound devices to record the first 5 tracks of this unusual album of very free improv, the last track by the duo recording at the 2015 Ftarri Festival at SuperDeluxe in Tokyo.
Eberhard, Silke Trio
Being Inn
(Intakt)
Berlin saxophonist & bass clarinetist Silke Eberhard leads her trio with Jan Roder on bass and Kay Lubke on drums through a conceptual jazz album where tracks are connected by a fictional Inn, opening a literal door to the album and then introducing us to superb playing on Dolphy or Mahall-inspired free jazz, including a "Willisau Suite", "Towels", a "Wake-Up Call", &c.
Uchihashi, Kazuhisa / Richard Scott
Awesome Entities
(Doubtmusic)
Japanese guitarist and daxophone player Kazuhisa Uchihashi joins forces with Berlin-based composer and free improvising analogue modular synthesizer player Richard Scott for an album of unique orchestration, the daxophone "humanizing" the playing with unusual voicing.
Contest of (More) Pleasures, The (Dorner / Pallandre / Butcher / Sassi / Charles)
Ulrichsberg
(Confront)
The forward-thinking trio The Contest of Pleasure of Axel Dorner on trumpet, John Butcher on saxophone and Xavier Charles on clarinet, is extended with (More) from Laurent Sassi and Jean-Leon Pallandre on phonographies, mixing and microphones, performing live in Ulrichsberg.
Carrier, Francois Trio + Bobo Stenson
Entrance 3
(Ayler)
Canadian saxophonist Francois Carrier in a trio with bassist Pierre Cote and drummer Michel Lambert, plus pianist Bobo Stenson performing live at the 2002 Vancouver Jazz Festival.
Davies, Angharad / Axel Dorner
A.D.
(Another Timbre)
Incredible, understated improvisation from two masters of the form - Axel Dorner on trumpet and Angharad Davies on violin - in three commanding tracks of atmospheric momentum.
Fujii, Satoko ma-do
Heat Wave
(Libra)
Satako Fujii's 2008 release introducing her then new ma-do quartet of Satoko Fujii on piano, Natsuki Tamura on trumpet, Akira Horikoshi on drums, and late bassist Norikatsu Koreyasu, the band name signifying "window" and "the silence between notes", in an album of superb, lively, eclectic and absolutely exciting improvisation from 9 original Fujii compositions.
Moondoc Tentet, Jemeel / Jus Grew Orchestra
Live at the Vision Festival 2001
(Ayler)
Contest of Pleasures, The (Butcher / Charles / Dorner)
Alibi Days
(Potlatch)
Recordings of improvisations from different rooms with unique resonant properties, manipulated and organized into 5 compositions mixing musique concrete and e-a improv.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC