The Squid's Ear Magazine

Baars, Ab

Solo: And She Speaks | A Collection Of Ballads

Baars, Ab: Solo: And She Speaks | A Collection Of Ballads (Wig)

Internationally acclaimed for both his solo and ensemble music performed, Dutch multi-wind player Ab Baars presents a studio album of solo playing on the clarinet, saxophone, and shakuhachi, inspired by and focusing on the traditions of ballads from great saxophonists, with improvisations colored by songs like "Naima", "Body and Soul", "Solitude", &c.
 

Price: $14.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Ab Baars-clarinet, saxophone, shakuhachi


Click an artist name above to see in-stock items for that artist.




UPC: 8713897904246

Label: Wig
Catalog ID: 27
Squidco Product Code: 25668

Format: CD
Condition: New
Released: 2018
Country: Netherlands
Packaging: Cardboard Gatefold
Recorded at Studio Helmbreker, in Haarlem, Holland, on August 21st and 22nd, 2017, by Micha de Kanter.

Descriptions, Reviews, &c.

"Since I first started making music I listened extensively to ballads that were being played by the great saxophonists. These inspiring examples became part of my playing, my sound, my language. This CD is a salute to that tradition".-Ab Baars


Artist Biographies

"Ab Baars (Magrette, 1955): Dutch musician-composer and bandleader Ab Baars performs on tenor saxophone, clarinet and shakuhachi. He focuses mainly on Ab Baars Solo, Baars-Buis, Fish Scale Sunrise, Perch Hen Brock & Rain, Ab Baars Trio, Duo Baars-Henneman and the ICP Orchestra.

In reviews Baars' music has been characterized as joyfully obstinate, but surely appealing and as colourful as it is astonishing. It embodies the best typically Dutch improvised music has to offer. Although he seldomly uses recognizable song forms or ongoing swing rhythms, the music stays catchy, because it is stripped to the essence and clearly presented.

Ab Baars has been internationally acclaimed for both his solo and ensemble music performed in hundreds of concerts throughout Europe, North America, Brasil, Japan and Australia in the past 30 years.

Some highlights:
▪ Ab Baars Trio tour Netherlands (2013 - 2014) recorded on Slate Blue (Wig 24, 2014)
▪ Duo Baars-Henneman Autumn Songs USA Tour (2012) recorded on Autumn Songs (Wig 22, 2013)
▪ Ab Baars Trio & New York Guests Fay Victor, Vincent Chancey and Dutch poet Anneke Brassinga in Invisible Blow (2011) recorded on Invisible Blow (Wig 23, 2014)
▪ Ab Baars Trio & Ken Vandermark (2007 and 2009), recorded on Goofy June Bug (Wig 15, 2008)
▪ Kinda Dukish. The music of Duke Ellington (2004), recorded on Kinda Dukish (Wig 12, 2005)
▪ Ab Baars Trio plays music of Native Americans (1999), recorded on Songs (Geestgronden, 2001)
▪ Ab Baars Trio with trombonist Roswell Rudd (1996 & 98), recorded on Four (DATA Records, 2001)
▪ Ab Baars Trio plays the music of John Carter, recorded on A Free Step (Geestgronden, 1999)
▪ Ab Baars Trio in collaboration with the Nieuw Ensemble, shakuhachi player Yoshikazu Iwamoto and conductor Butch Morris at the Festival Improvisations/Improvisations (1996)
▪ Ab Baars Trio with soprano saxophonist Steve Lacy (1995)

Influenced by the American saxophonist Roscoe Mitchell, whom he worked with in 1986, and by his participation in the Monk Project (performed by the Instant Composers Pool, directed by Misha Mengelberg), Baars adopted a very personal style, or 'ab music' as Misha Mengelberg calls it.

At the age of 15, Ab Baars began playing the saxophone in the Philips Marching Band and other local bands in the city of Eindhoven in the Netherlands. From 1976 to 1981, he studied saxophone with Leo van Oostrom at the Rotterdam Conservatory of Music. He was granted a scholarship by the Dutch Ministry of Culture in 1989 to study with clarinettist-composer John Carter in Los Angeles. That same year Baars was presented with the prestigious Boy Edgar Award. In 2005, Baars set out playing the shakuhachi (a Japanese end-blown bamboo flute) and took lessons with Kees Kort, Christopher Blasdel and Takeo Yamashiro.

So far, Ab Baars has worked with improvisers such as Han Bennink, Jaap Blonk, Alberto Braida, Anthony Braxton, John Carter, The Ex, Cor Fuhler, Ben Goldberg, Tristan Honsinger, François Houle, George Lewis, Michael Moore, Sunny Murray, Sonic Youth, Fabrizio Spera, Cecil Taylor, Roger Turner, Ken Vandermark, Veryan Weston, Wolter Wierbos, Michiyo Yagi, poets H.C. ten Berge and Diane Régimbald, dancers Beppie Blankert, Hisako Horikawa, Masako Noguchi and Katie Duck's Magpie Company."

-Wig (http://stichtingwig.com/abBaars/AbBaars.html)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Saji Deep Saffron 2:33

2. Body And Soul Cerulean Blue 6:48

3. And She Speaks Purple Amaranth 7:33

4. Naima Blue Saphir 3:36

5. Solitude Cadmium Yellow 4:11

6. And The Moon Swam Back 6:54

7. Poor Wheel Persian Blue 5:46

8. We'll Be Together Again Blue Amber 6:26

9. Blame It On My Youth Cadmium Red 4:43

Related Categories of Interest:


Improvised Music
Free Improvisation
European Improvisation and Experimental Forms
Recordings by or featuring Reed & Wind Players
Woodwinds
Solo Artist Recordings

Search for other titles on the label:
Wig.


Recommended & Related Releases:
Other Recommended Releases:
Baars, Ab / Kaja Draksler / Terrie Exx
When The Hills Run Across The Fields - Live In Nickelsdorf
(Listen! Foundation (Fundacja Sluchaj!))
Drawing on previous collaborations between Amsterdam pianist Kaja Draksler and wind player Ab Baars, here on tenor sax, clarinet & shakuhachi, and two duo albums between Baars and guitarist Terrie Ex, this meeting as a trio took place at the 2018 Konfrontationen Festival in Nickelsdorf, Austria for a diverse journey from uniquely introspective to wildly energetic conversation.
Draksler, Kaja Octet
Out For Stars
(Clean Feed)
After setting music for the poetry of Pablo Neruda and Andriana Minou (Gledalec), Slovenian pianist Kaja Draksler turns to the work of Robert Frost in a set of 7 sophisticated compositions, sung by Laura Polence & Bjork Nielsdottir in an improvising octet with reedists Ab Baars & Ada Rave, violinist George Dumitriu, bassist Lennart Heyndels and drummer Onno Govaert.
Gabriel, Julius
Geminga
(Creative Sources)
Using the natural resonance of the chapel of Oficinas do Convento, in Montemor-o-Novo, Portugal, saxophonist Julius Gabriel recorded these ten diverse solo improvisations, performing on soprano, tenor & baritone saxophones, applying unusual and extended techniques to his playing in a mixture of technical prowess and implicit wit & melodicism.
Hatcher, Gerrit
Burnt Pan Rolling Boil
(Kettle Hole Records)
Chicago saxophonist Gerrit Hatcher sees his solo saxophone performances as a format that can be both charismatic and alienating in to the listener, as he uses extreme technique and powerful streams of emotional playing in a set of improvisations: "Salt Dome" parts 1-3, and "Cooking Fuel", each wrought with frailty and bluster; impressive work.
Honest John w/ Ab Baars
Treem
(Clean Feed)
The Norwegian quintet Honest John of Ole Henrik Moe on violin, Kim Johannesen on guitar & banjo, Ola Hoyer on double bass, Erik Nylander on drums & drum machine, on Klaus Ellerhusen sax and clarinet, are joined by multi-reedist and shakuhachi player Ab Baars at Nasjonal Jazzscene Victoria to capture this quirky, controlled, and incredibly knowledgeable concert.
Braxton, Anthony
Solo (Victoriaville) 2017
(Les Disques Victo)
On the 30th anniversary of the Victo Festival Anthony Braxton took to the stage for a magnificent solo performance on the alto sax, performing 8 spontaneous compositions and an 8+ minute version of "Body and Soul", seamlessly crossing lyrical and complex approaches to the horn using his unique intervallic, trimbral and diagrammatic language, a stunning and embraceable accomplishment.
Rothenberg, Ned / Hamid Drake
Full Circle - Live in Lodz
(Listen! Foundation (Fundacja Sluchaj!))
Two legendary improvisers, Downtown New York multi-reedist and shakuhachi player Ned Rothenberg met Chicago drummer Hamid Drake at Ciagoty I Tesknoty, in Lodz, Poland in 2016 to record this effusive, extraordinary live concert of improvised music, demonstrating both enormous instrumental skill while imparting wonderfully upbeat energy; outstanding!
Draksler, Kaja Octet (w/ Baars / Nielsdoottir / Polence / Rave / Dumitriu / Heyndels / Govaert)
Gledalec [2 CDs]
(Clean Feed)
Draksler's interest in poetry drives this 2-CD release, with a chamber octet of improvisers and orchestra players, with 2 vocalists, two reedists (inc. Ab Baars), violin, piano, double bass, drums & orchestral percussion, performing Draksler's compositions for the words of Pablo Neruda and Andriana Minou.
Dijkstra, Jorrit
Never Odd Or Even
(Driff Records)
15 wonderfully creative works from Boston-area saxophonist Jorrit Dijkstra, also on lyricon, analog synth and effects pedals, creating a one-man-band of unconventional sonic textures layered live, over which he improvises in fun and profound ways.



Customers Who Bought This Item Also Bought:
Cleaver, Gerald
Griots
(577 Records)
Drummer Gerald Cleaver continues his explorations in electronic music, taking his compositions of modular electronics, synthesis, FM tones, and muted drum machines into intricate and wide-ranging territory, compelling through the solid and natural rhythms he imparts to each piece, many of which are titled for musicians who have influenced him.
Hodgkinson, Tim / Jason Alder / Chris Cundy / Yoni Silver / Heather Roche / Shadanga Duo / Thanos Chrysakis
Music For Bass Clarinets
(Aural Terrains)
A live performance at London's Cafe OTO from composer Thanos Chrysakis, performing compositions focused on the deeper reeds from composers Christian Wolff, Iancu Dumitrescu, Hannes Kerschbaumer, Georges Aperghis, and Chrysakis himself, in configurations from solo to quintet, with Tim Hodgkinson, Jason Alder, Chris Cundy, Heather Roce, Yoni Silver, and Shadanga Duo.
String Theory
Thickness Of The Present
(Evil Clown)
The Leap of Faith string-heavy grouping in a concert at Outpost 186 in Cambridge, 2018 with PEK on bamboo saxophones, reeds, tarota, contrabassoon, sheng, melodica, aquasonic & bells; Glynis Lomon on cello & aquasonic; Grant Beale on guitar; Lukasz Pavlikovsky on cello & aquasonic; Albey onBass on electric bass; Silvain Castellano and Adrienne Schoenfeld on double bass.
Mochizuki, Harutaka
Through The Glass [CASSETTE]
(Armageddon Nova)
Multi-instrumentalist improviser Harutaka Mochizuki releases this solo album performing on saxophone, performing two extended improvisations that explore the instrument as a whole, producing unusual sounds from the physical and mechanical aspects of the horn alongside more traditional playing, using an expanded range of dynamics to build tension and interest.
Ikeda / Prevost
The Whole Moon Rests in a Dewdrop on the Grass
(Matchless)
Performing live at Cafe OTO in London, 2018, Japanese sound artist and composer Ken Ikeda comes together with percussionist and Matchless label-leader Eddie Prevost for a concert of resonant, rich improvisation, Ikeda's electronics complementing Prevost's bowed cymbals as the duo builds to a diverse offering of powerful yet controlled sonic uproar; stunning.
AMM (Previost / Rowe / Tilbury)
An Unintended Legacy [3 CDs]
(Matchless)
A beautiful 3-CD set with a hardcover book presenting 3 full concerts from 2015 & 2016 of the AMM trio configuration of John Tilbury (piano), Keith Rowe (guitar) and Eddie Prevost (percussion). The 70 page book, dedicated to saxophonist Lou Gare, includes an AMM discography, plus photos, and essays by Paige Mitchell and Allen Fisher; Keith Rowe; Eddie Prevost; and Seymour Wright.
Archer, Martin & Engine Room Favourites
Safety Signal From A Target Town
(Discus)
Saxophonist Martin Archer composed the five works on this, the 3rd release for Engine Room Favorites, his AACM-influenced big band with a tremendous orchestration of horns with drums, vibes, piano and bass, here with their most complex yet melodic and rich release yet, including melodic elements of folk music, powerful rhythms from prog-oriented rock, and free improv and jazz.
Mahall, Rudi / Alexander von Schlippenbach
So Far
(Relative Pitch)
Pianist Alexander von Schlippenbach and clarinetist Rudi Mahall have been exploring the music of jazz and free improvisation for decades in their own bands or together in Globe Unity Orchestra; here they are heard in their essential element as a duo, pushing their music in rapid runs and elegant and emotional moments with imposing technique and authoritative confidence.
Rave, Ada Trio (w/ Nicola L. Hein / Wilbert De Joode)
The Sea, the Storm and the Full Moon
(Clean Feed)
Mixing free jazz and and open-minded collective improv using unusual techniques from Argentinian-born, Amsterdam-based saxophonist Ada Rave and her trio with German prepared guitarist Nicola L. Hein and Netherland bassist Wilbert De Joode, blending lyrical formats as she seeks new paths in the combination of written composition and spontaneous improvisation.
Musicianer (Sinton / Ajemian / Taylor)
Slow Learner
(Iluso)
Sidney Bechet referred to fellow musician as "musicianers", the title for New York baritone saxophonist Josh Sinton's trio with Jason Ajemian on acoustic bass and Chad Taylor on drums and percussion, in an outstandingly creative and compelling album of modern jazz showing the strong links between these three, dating back to their work together in Chicago in the 80s.
Mostly Other People Do the Killing
Paint
(Hot Cup)
The first release by the piano trio configuration of Mostly Other People Do the Killing features bassist/composer Moppa Elliott, pianist Ron Stabinsky, and drummer Kevin Shea, with each composition named after a small town in Pennsylvania that contains a color, and the town of "Paint, PA" lent its name to the title, with one apt Duke Ellington cover.
Schindler, Udo
Botenstoffe
(Confront)
A series of duo recordings between saxophonist, clarinetist and cornet player Udo Schindler and pianists, all recorded at Schindler's Salon for Sound and Art at Krailing, Germany between 2013 and 2016, with Claudia Ulla Binder, Masako Ohta, Elisabeth Harnik, Katharnia Weber, and Lisa Ullen; song titles taken from SONDAGEN (Soundings) in memory of poet Thomas Kling.
Deep Tide Quartet (Archer / Macari / Cole / Shaw)
See One, Do One, Teach One
(Discus)
Originally a studio project, The UK Deep Tide Trio of Martin Archer on sax, Kim Macari on trumpet, Laura Cole on piano and Walt Shaw on percussion & live electronics evolved into a performing organization based on the strength of their open-ended approach to free jazz and improvisation, heard here balancing melody and structure in well-paced and thoughtful improv.
Archer / Clark / Grew / Hunter
Felicity's Ultimatum
(Discus)
The 2nd release in a new series of small groups drawn from members of the Discus Music family, where the group meets, writes, rehearses and records in one single session, here developing ten compositions from all four players edited into a continuous sequence of structure and improvisation, embracing melody, texture and pure abstraction.
Costa, Carlos
Door of No Return
(Aural Terrains)
Double-bassist Carlo Costa, originally from the Canary Islands and who has worked with Tim Berne, Tomas Fujiwara, Ingar Zach, Wade Matthews, &c. in a solo album of solid and unusual bass technique including plucking, bowing and scraping, in his 9-part series of "Doors".
Gustafsson, Mats
Catapult (baritone sax solo)
(Doubtmusic)



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC