The Squid's Ear Magazine


Stein's, Jason Locksmith Isidore: After Caroline (Northern Spy)

The fourth release from Chicago bass clarinetist Jason Stein's Locksmith Isidore, a trio with Jason Roebke on bass and New York drummer Mike Pride, playing modern creative jazz with a twisted melodic sense through Stein's original compositions, alongside one collective comoposition and John Coltrane's "26-2", a great example of 21st century jazz.
 

Price: $12.95


Quantity:

Out of Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

Sample The Album:





product information:

Personnel:



Jason Stein-bass clarinet

Jason Roebke-bass

Mike Pride-drums


Click an artist name above to see in-stock items for that artist.




UPC: 754697444301

Label: Northern Spy
Catalog ID: CD-NS-099
Squidco Product Code: 25689

Format: CD
Condition: New
Released: 2018
Country: USA
Packaging: Digipack
Recorded at Electrical Audio, in Chicago, Illinois, on July 15th and 16th, 2017, by Nick Broste.

Descriptions, Reviews, &c.

"Walden's Thing" is written for Detroit saxist/bandleader Donald Walden, with whom Stein studied at the University of Michigan. Stein wryly explains of the tune: "as a strict bebop linguist, Donald would have hated it, but with a smile, which makes me happy." On another tune, "Eckhardt Park," Stein pays tribute to his west loop woodshed in Chicago during a time when he could be seen serenading the traffic in front of the Dan Ryan Expressway. He'd hop the fence near his home and strengthen his sound, playing his way AND the highway. Pride's mallets are particularly pugnacious on "Walden's Thing" and the abstract tone poem "Ida Like," which was inspired by Stein's late great aunt and his four-year-old daughter who share the same name. Roebke's arco shavings, assorted creaks, strums and pings are a whole other trick bag from his broad willowy swing. The atmospheric concoction conjures Ida, Alice-in-Wonderland-like, picking a lock herself. "Sternum" is further fodder for the textural ingenuity of the trio. Stein lays in back with muted, quizzical longtones, flutter tonguing like a surreptitious rattler, as drum and bass hatch an ominously intriguing soundscape.

Stein alone is a pioneering force, pushing the vocabulary for his chosen horn way beyond the norm. Yet he's heard to finest effect in this trio of quicksilver like-minds who know best how to goad, shape and angle his vision."-Northern Spy



"A lot of ink virtual and actual has contributed to observations around Jason Stein's chosen instrument. Despite its storied history as a jazz implement, the bass clarinet still has an air of novelty and thereby notoriety about it. Stein's opinion on the matter is evident in the degree of passion and engagement he brings to seemingly every musical outing. In his hands it's never a gimmick, but rather a sincere means of creative expression, different, but no less viable than its better-known and more prevalent reed brethren. Stein's approach to album-drafting is comparably free of artifice or over-thinking. After Caroline involves Locksmith Isidore, his working trio with bassist Jason Roebke and drummer Mike Pride investigating six Stein originals, a collectively improvised piece and a limber, effusive rendition of John Coltrane's "26-2", itself a contrafact of Charlie Parker's "Confirmation" with new melody affixed.

Avoidance of frills doesn't mean a reliance on rote as Stein opens the album with a solo extemporization on "As Many Chances as You Need" that runs the register limits of his reed before locking on a stomping groove stamped with finger-popping snare shots and knee-buckling bass stops. "Eckhart Park" alights on slaloming rhythmic obstacle course and finds Pride digging in on the breaks with some forceful press rolls and whirlpools as Stein and Roebke play it contrastingly soft and mellifluous. "Ida Like" trades meter for texture with Roebke rubbing and thrumming against eddying cymbal splashes and an array of grainy reed murmurs. "Walden's Thing is seven-minutes of ardent, churning freebop with all three players elbowing amicably for prominence amidst the galloping vertical momentum. Stein's selection of throaty tone and assemblage of effects is at once diverse and deliberate.

The sauntering ballad "You Taught Me How to Love" tacks to the other end of the stylistic spectrum, trading velocity and density for a laidback confluence of instruments and a through-theme that mixes melancholy with a bit of wry whimsy. Pride stirs his skins with brushes while Roebke drops bulbous tones as counterweight, walking a solo that parses the beat without flouting it. The feel is one of easy conversation free of platitudes or pleasantries. "We Gone" signals the end with another stomp set to a backbeat and strong ostinato. Stein uses both as a springboard for a solo steeped in layered sound that ferries emotion without compromising the undergirding ferocity of the funk. That balancing act is actually a cogent correlation for the trio's applied blend of prowess and quiet profundity, a parallel also found in Stein's unassuming application of an instrument once-considered unconventional."-Derek Taylor, Dusted Magazine

Also available on vinyl LP.
Get additional information at Dusted Magazine

Artist Biographies

"Jason Stein was born in 1976 and is originally from Long Island, New York. Stein is one of the few musicians working today to focus entirely on the bass clarinet as a jazz and improvisational instrument. He studied at Bennington College with Charles Gayle and Milford Graves, and at the University of Michigan with Donald Walden and Ed Sarath. In 2005, Stein relocated to Chicago and has since recorded for such labels as Leo, Delmark, Atavistic, 482 Music and Clean Feed. Stein has performed throughout the US and Europe, including performances in festivals in Lisbon, Cracow, Utrecht, Barcelona, Debreccen and Ljubljana. He has had the opportunity to perform with a number of exciting local and international musicians including: Michael Moore, Jeff Parker, Oscar Noriega, Rudi Mahall, Ken Vandermark, Rob Mazurek, Jeb Bishop, Ingebrigt Haker-Flaten, Urs Leimgruber, Pandelis Karayorgis, Fred Lonberg-Holm, Tony Buck, Eric Boren, Kent Kessler, Tobias Delius, Michael Zerang, Michael Vatcher, Peter Brotzman, and Wilbert DeJoode."

-Jason Stein Website (http://jasonsteinmusic.com/biography)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Jason Roebke is a double bassist, improviser and composer living in Chicago. He was born and raised in tiny Kaukauna, Wisconsin in 1974 and began playing electric bass at age 14. His first fascination was with Motown bassist James Jamerson. Roebke's first introduction to jazz was at a summer jazz camp run by local legend, pianist, John Harmon. Here he heard recordings of Charlie Parker and a life long fascination with music was begun. His high school band director had a small jazz CD collection which included Ornette Coleman's "The Art of the Improvisers" and Charles Mingus "Mingus Ah Um" which he listed to endlessly for years.

Entering college at the University of Minnesota for an extremely short stay, he returned to Wisconsin, graduating from a small liberal arts university in 1996. Roebke moved to Madison, WI to study with legendary saxophonist and composer Roscoe Mitchell. There he worked as Mitchell's music copyist for 18 months, spending nearly everyday at Mitchell's home reworking orchestral and chamber music scores with the composer. In 1998, Roebke entered the University of Michigan where he studied with bassist Rodney Whitaker.

In 1999, Roebke moved to Chicago and quickly began working with a new crop of young improvisers. There were early associations with saxophonists Aram Shelton, Dave Rempis and Matt Bauder (also a Michigan alumnus); drummers Tim Daisy and Frank Rosaly and cornetist Josh Berman. Soon after his arrival in Chicago, Roebke organized his first quartet with Bauder, guitarist Jeff Parker, and drummer Chad Taylor. He also began playing with a large improvising ensemble Chicago Improvisers Group with Ken Vandermark, Jeb Bishop, Michael Zerang, Jim Baker among others. He made his first recording as a leader in 2003 with "Rapid Croche" on 482 Music. A trio session with saxophonist Aram Shelton and drummer Tim Daisy, the recording was a critical success. Also during this time, Roebke began his long and continuing association with Fred Lonberg-Holm. Roebke played, toured and recorded with Lonberg-Holm's Terminal 4 and Valentine Trio. Roebke was the instigator of three recordings and a tour with the improvising trio tigersmilk, with cornetist Rob Mazurek and Vancouver drummer Dylan van der Schyff.

In recent years, Roebke has been playing with Jason Adasiewicz's Rolldown, Jason Stein Trio, Jeb Bishop Trio, James Falzone's KLANG, Jorrit Dijkstra's Flatlands Collective, Pillow Circles, and The Whammies, Keefe Jackson, and Mike Reed's People, Places, and Things. The trio of Nate Wooley, Fred Lonberg-Holm and Roebke released two recordings "Throw Down Your Hammer and Sing" and an untitled LP. Roebke and Berlin-based tenor saxophonist Tobias Delius released a duo CD on Nottwo Records in 2012."

-Jason Roebke Website (http://www.jasonroebke.info/biography/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Mike Pride: Percussionist • Composer • Vocalist • Visual Artist

Born and raised in Southern Maine, but based out of New York City since 2000, Mike Pride currently performs solo, leads modern-jazz quartet From Bacteria To Boys, the 7-drummer installation-band Drummer's Corpse, and the MDC piano trio I Hate Work. He also co-leads the ensembles Pulverize The Sound (w/ Peter Evans and Tim Dahl), and Period (w/ Charlie Looker and Chuck Bettis). Pride is renowned for his ability to excel in a wide range of genres and ensembles. He has worked with everyone from improvised music icon Anthony Braxton to punk legends Millions Of Dead Cops, toured extensively on four continents, appeared on more than 100 recordings, and is currently touring the world opening for comedian Amy Schumer with Jason Stein's Locksmith Isidore.

A short list of his collaborators includes Mick Barr, Tim Berne, Boredoms, Eugene Chadbourne, Nels Cline, Andrew D'Angelo, Trevor Dunn, Dynamite Club, Peter Evans, Charles Gayle, Milford Graves, Drew Gress, Mary Halvorson, Curtis Hasselbring, Nona Hendryx, Jon Irabagon, Brad Jones, Haino Keiji, Kirk Knuffke, George Lewis, Frank Lowe, Bill McHenry, Tony Malaby, Sam Mickens, Butch Morris, Joe Morris, William Parker, Marc Ribot, Matana Roberts, Herb Robertson, Jamie Saft, Sonny Simmons, Craig Wedren, Nate Wooley, Otomo Yoshihide and John Zorn.

Pride's versatility doesn't end with his eclectic résumé as a popular sideman and leader/co-leader of many active ensembles spanning the worlds of modern-jazz, avant-rock, noise and doom metal improv. He is also a busy educator and clinician, a soundtrack composer for TV shows, video games, podcasts, independent films, and websites, and an experienced and exhibited visual artist.

Mike proudly uses Yamaha Drums & hardware, Vic Firth striking implements, and Humes & Berg Cases."

-Mike Pride Website (http://mikepride.com/about/)
11/20/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. As Many Chances as You Need 4:19

2. Eckhart Park 6:21

3. Ida Like 5:09

4. 26-2 4:07

5. Sternum 5:25

6. Walden's Thing 7:03

7. You Taught Me How to Love 6:05

8. We Gone 4:36

Related Categories of Interest:


Improvised Music
Jazz
Free Improvisation
Trio Recordings
Chicago Jazz & Improvisation
Melodic and Lyrical Jazz
Jazz & Improvisation Based on Compositions

Search for other titles on the label:
Northern Spy.


Recommended & Related Releases:
Other Recommended Releases:
Kirchner, Quin
The Shadows and The Light [2 CDs]
(Astral Spirits)
Recorded over 2 days in a Chicago studio in configurations from duos to an octet, drummer Quin Kirchner provides the compositions on this double CD for 11 pieces, alongside works by Frank Foster, Phil Cohran, Sun Ra & Carla Bley, presented as a story or a journey of differing styles and forms, made cohesive by Kirchner's remarkable drumming and coherently diverse interests.
Berman / Lytton / Roebke
Trio Discrepancies [VINYL]
(Astral Spirits)
The 2nd release from the trio of Chicago cornetist Josh Berman, UK drummer/percussionist Paul Lytton and Chicago bassist Jason Roebke, featuring material recorded during the trio's April 2018 European tour, in two extended side-long improvisations from Padova, Italy and Trondheim, Norway, in sets of profound technique and creative prowess; exceptional.
Johnson, Max
In The West
(Clean Feed)
New York bassist Max Johnson expands his piano trio of Kris Davis on piano and Mike Pride on drums with Susan Alcorn on pedal steel guitar, adding an eclectic Western flavor to overall on-point, anchored and driven modern jazz of a high order, balancing lyrical playing with moments of free collective playing, in a beautiful and extraordinary album.
Eisenstadt, Harris (Bishop / Malaby / Roebke / Eisenstadt)
Old Growth Forest
(Clean Feed)
New York drummer Harris Eisenstadt revives his trio with trombonist Jeb Bishop and bassist Jason Roebke, adding tenor saxophonist Tony Malaby, recording in the studio after two concerts at John Zorn's venue The Stone in 2015, heard in here in momentous and heartfelt jazz.
Roebke, Jason
Every Sunday
(Clean Feed)
The music of bassist Jason Roebke and his trio of guitarist Matthew Schneider and drummer Marcus Evan is rooted in the leader's solid bass work and the tasteful and informed lyrical freedom of his sidemen, as heard in this live performace Chicago's Hungry Brain.
Evans, Peter / Tim Dahl / Mike Pride
Pulverize The Sound
(Relative Pitch)
The trio of trumpeter Peter Evans, electric bassist Tim Dahl, and drummer/percussionist Mike Pride have played together since 2010, crossing the boundaries of improvisation, composition and rock in dynamic genre-defying music intended to be played loud.



Customers Who Bought This Item Also Bought:
Owl, The feat. Pablo Held
Improcode
(Listen! Foundation (Fundacja Sluchaj!))
The Polish trio OWL of Marcin Halat on violin, Maciej Garbowski on double bass, and Krzysztof Gradziuk on drums invited German pianist Pablo Held for a concert at Loft in Cologne, 2019, to perform three lyrical and dynamic compositions from violinist Halat, alongside a 6-part "IMPRO" collective improvisation, balancing free and lyrical approches to superb modern jazz.
Conference Call (Gebhard Ullmann / Michael Jefry Stevens / Joe Fonda / Dieter Ulrich)
Prism
(Not Two)
The tenth Conference Call album and the first with drummer Dieter Ulrich taking over for former drummers Matt Wilson, Han Bennink, George Schuller and Gerry Hemingway, the 20 years journey for this transatlantic band leading to this album captured in the studio in Central NY while on tour, performing 3 original compositions from Ullman, 2 from Fonda, and 2 from Stevens.
Carrier, Francois / Tomek Gadecki / Marcin Bozek / Michel Lambert
WIDE
(FMR)
A burning album of collective free jazz from Canadian compatriots Francois Carrier on alto saxophone and Michel Lambert on drums, on a spring tour of Europe, performing at Poland's MOZG in Byrgoszcz, home of the MOZG Festival, with Polish tenor saxophonist Tomek Gadecki amd bassist Marcin Bozen, also on French Horn, in an exhilarating set of three extended improvisations.
Amu (Fujii / Tamura / Itani / Wildenhahn)
Weave [CD & DVD]
(Libra)
Mizuki Wildenhahn adds an unusual percussive instrument through dance to the multi-arts Amu quartet of Wildenhahn, trumpeter Natsuki Tamura, pianist Satoko Fujii, and percussionist Takashi Itani, heard on the CD and seen on the DVD of this 2-disc set of their unorthodox and absorbing live performance at Kanagawa Prefectural Lake Sagami-ko Exchange Center in 2018.
Karayorgis, Pandelis Trio (w/ Damon Smith / Eric Rosenthal)
Cliff
(Driff Records)
Contrasting his concurrent piano trio album with Nate McBride and Luther Gray, "Pools", "Cliff" is a first encounter between Boston-area pianist and composer Pandelis Karayorgis and drummer Eric Rosenthal with double bassist Damon Smith, recently migrated from the West Coast, as the three present a concentrative album of collective improvisation revealing three masterful players.
Karayorgis, Pandelis Trio (w/ Nate McBride / Luther Gray)
Pools
(Driff Records)
The classic piano trio gets Boston-area pianist Pandelis Karayorgis' take on lyrical free playing, recorded in an informal studio session as drummer Luther Gray and bassist Nate McBride run through a a set of mostly Karayorgis compositions plus two collective compositions, great modern jazz informed by a variety of projects each has collaborated on.
McPhee, Joe / Mats Gustafsson
Brace For Impact
(Corbett vs. Dempsey)
Drawing on many collaborations, from Peter Brotzmann's large groups to Gustafsson's The Thing, this duo album recorded in 2008 is finally issued to unleash 1 blistering album of saxophone duos, Joe McPhee on altos sax, alto clarinet, pocket trumpet and voice, with Gustafsson on baritone and slide saxophone, alto fluteophone and live electronics; brace yourself!
McPhee, Joe / Hamid Drake
Keep Going
(Corbett vs. Dempsey)
The second duo album between saxophonist & pocket trumpeter Joe McPhee and drummer/frame drummer Hamid Drake begins with McPhee reciting words by Harriett Tubman (Keep Going), as the two inform and astound through masterful playing, together and solo, shaking the listener through intense and unambiguously clear playing, with pieces reflecting our world situation.
Graves, Milford
Babi [2 CDs]
(Corbett vs. Dempsey)
Recorded in 1976 at WBAI-FM/Free Music Store in New York, drummer percussionist Milford Graves goes head to head with two reedists, Arthur Doyle and Hugh Glover, an absolute stunner of percussive momentum and force, drawing the reeds into a frenzy of unbridled free playing; issued with a 2nd CD of a private recording of Graves plus unpublished photos.
Sorey, Tyshawn
Pillars [3 CDs]
(Firehouse 12 Records)
Drummer/percussionist, trombonist, pianist and importantly here, composer, Tyshawn Sorey in an amazing and ambitious work "Pillars", assembling an ensemble of virtuosic NY performers (Joe Morris, Todd Neufeld, Ben Gerstein, Stephen Hayes, Zach Rowden, Carl Test, Mark Helias) as he references Tibetan rituals, Stockhausen, and Anthony Braxton, and much more.
Leandre, Joelle / Marc Ducret
Chez Helene
(Ayler Records)
Jean-Marc Foussat recorded the French improvising duo of electric guitairst Marc Ducret and double bassist Joelle Leandre at 19PaulFort in May, 2018, the title drawn from a poem by Edgar Allen Poe, as the two trade acoustic and electric string approaches in a sophisticated dialog of exceptional technique and inventive approaches; superb.
Dunmall, Paul / Jon Irabagon / Mark Sanders / Jim Bashford
The Rain Sessions
(FMR)
Dedicated to Cecil Taylor and taking advantage of NY saxophonist Irabagon's UK visit, this album presents four drum duets "time two", as two tenor saxophonists--Paul Dunmall and Jon Irabagon--meet two lyrical drummers--Mark Sanders and Jim Bashford--following Dunmall long-standing interest in drum and sax duets, the results this ebullient and remarkable album.
Laubrock, Ingrid / Tom Rainey
Utter
(Relative Pitch)
After their 2016 tour of the US West Coast, husband and wife free improvising duo Ingrid Laubrock (tenor & soprano sax) and Tom Rainey (drums) entered a Brooklyn studio with a set of co-written compositions, which they weave together with free improv, relying on cues that can trigger a given composition at any time, adding a unique layer of communication to their exuberant playing.
Jackson, Keefe / Benjamin Vergara / Jim Baker / Phil Sudderberg
The Hallowed Plant
(Relative Pitch)
During Chilean trumpeter Benjamn Vergara's visit to Chicago in 2016 he joined forces with multi-reedist Keefe Jackson, pianist and ARP synth player Jim Baker, and drummer Phil Sudderberg to record this album of collective free jazz, a mix of lyrical and abstract playing that references bop and the modern Chicago creative scene in sublime ways.
Mahobin (Fujii / Anker / Tamura / Mori)
Live at Big Apple in Kobe
(Libra)
Continuing the celebration of pianist Satoko Fujii's 60th birtday by releasing one CD each month, this quartet brings an excellent set of electroacoustic improvisation to the collection in a quartet with trumpeter Natsuki Tamura, New York saxophonist Lotte Anker, and New York electronic artist and former DNA drummer Ikue Mori, performing live at Tokyo's Big Apple in 2018.
Aranda, Irene / Johannes Nastejo / Nuria Andorra
Inner Core
(Relative Pitch)
Referencing geothermal physics in the titles of their improvisations, these three Spanish improvisers create a riveting and radical set of experimental works, with Irene Aranda working inside and out of the piano, Johannes Nastejo extending and adapting his double bass, and percussionist Nuria Andorra using an arsenal of metallic and percussive objects.
This Is It! (Satoko Fujii / Natsuki Tamura / Takashi Itani)
1538
(Libra)
Part of pianist Satoko Fujii's "Kanreki" (60th Birthday) tour and monthly album release, the "This Is It!" Trio with trumpeter Natsuki Tamura and drummer/percussionist Takashi Itani is heard at Koendori Classics, in Tokyo, Japan, in January 2018, for an incredible album of Fujii's compositions that include quirky asides in coherent and effusive playing.
Rempis, Dave
Lattice
(Aerophonic)
Chicago saxophonist Dave Rempis approached the idea of his first solo album under the shadow of the greats before him, in 2017 choosing to journey across the country on a solo tour, performing 31 concerts of which these 6 recordings represent the best reflection of his unique solo vocabulary on the instrument and his enthusiasm for a wealth of musical styles.
Grimal, Alexandra / Benjamin Duboc / Valentin Ceccaldi
Bambu
(Ayler)
An unusual and captivating work from the trio of saxophonist Alexandra Grimal, double bassist Benjaim Duboc, and cellist Valentin Ceccaldi, leading their album with tracks from "Respirer l'ombre" by Giuseppe Penone "spontaneously used without permission but with great admiration," leading to powerful and unpredictable directions in free improvisation; excellent.
Bennett / Johnston / Mezzacappa / Rosaly
Shipwreck 4
(NoBusiness)
Named for Shipwreck Studios, this is the first meeting between San Francisco Bay Area improvisers Darren Johnston (trumpet), Aaron Bennett (sax) and Lisa Mezzacappa (bass) with Chicago drummer Frank Rosaly, for 6 tracks of outstanding interactive and playful improvisation.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC